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A collection of jewellery including Monet earrings and bracelet, Exquisite brooch and matching pendant and Swarovski necklace

Selection of seven French wines comprising Chateau Cissac 1996, 12.5% vol, Chateau Mouton Cadet 1997 12% vol, Domain Laurent-Maugard Merlot 1994 11.5% vol, Bourgogne Cotes D'Auxerre 1998, Pouilly-Fumé 1995, both 12% vol, Chateau de Puligny Montrachet 1993 13% vol and a Chateau Monet Sauternes 1996 14% vol, all 75cl 

A collection of jewellery including pearl necklace, silver items including charm bracelet, necklace, bangles, fob and ingot, Monet necklace, 9ct back and front locket, filigree brooch, Tissot watch, etc 

A large collection of costume jewellery including Hollywood brooch, Monet bangles, beads, brooches, etc 

A collection of jewellery including bangles, some Swarovski; earrings; Exquisite, Sarah Coventry, Hollywood and Bijoux brooches; Avon earrings, Monet rings, earrings, bracelet & brooch; other named jewellery, etc 

Five bottles of wines comprising The King's School Gloucester 2003 Merlot 14% vol, South Australian Shiraz 2009 14.5% vol, Southern Flinders Ranges Shiraz 2007 14.5% vol, Jacobs Creek 2004 13.5% vol and a Chateau Monet 1996 Sauternes 14% vol, all 75cl 

Pictures and prints, to include Monet print, Where did my snowman go? by Petula Clark, watercolour of a flower bead, watercolour of a boat in rough seas etc. (qty))

PAINTINGS AND PRINTS, comprising landscape with children fishing, signed Foote, oil on canvas, windmill beside a rover, signed Ray, oil on canvas, Jack Vettriano print, Monet Water Lilies print, Stephen Gayford 'Cool Waters' tiger limited edition print and three other prints, all framed, largest size approximately 86cm x 74cm including frame

LONDON TRANSPORT MAPS AND SUNDRY EPHEMERA, to include London and suburbs mainline railways 1947, visitors London maps, London Underground maps, including number 1 1941, number 2 1938, seven tickets including 1951 Festival of Britain, British Empire Exhibition 1924 map, limited edition print of Buster Keaton in the General, indistinct signature, Players football cigarette cards, Monet print etc, largest size approximately 82cm x 62cm including frame

A "Grosse" yellow metal heavy link chain necklace and bracelet, a yellow metal fancy link necklace and bracelet and a Monet necklace and earrings set - boxed

French Art.- Walther (Ingo F.) & Rainer Metzger. Vincent van Gogh: The Complete Paintings, 2 vol., Cologne, 1990 § Adriani (Gotz) Degas: Pastels, Oil Sketches, Drawings, 1985; Toulouse-Lautrec: The Complete Graphic Works. A Catalogue Raisonné, 1988 § Gordon (R.) & Andrew Forge, Monet, New York, 1983 § Madeleine-Perdrillat (A.) Seurat, New York, 1990 § Nanteuil (Luc de) Jacques-Louis David, New York, 1985 § Partsch (S.) Klimt: Life and Work, 1989, illustrations, many colour, a few slightly damp-stained, original cloth or boards, the first a little spotted and with slip-case, the rest with dust-jackets; and c.45 others on nineteenth century art, mostly French, 4to & 8vo (c.50)

Eugène Boudin, 1824 Honfleur "" 1898 Deauville Eugène Boudin gilt als einer der bedeutenden Vorläufer des Impressionismus. Zehnjährig zog Boudin mit seiner Familie nach Le Havre, wo er später Maler wie Constant Troyon (1810-1865), Jean François Millet (1814-1875) und Eugène Isabey (1804-1886) kennenlernte. Sie ermutigten ihn, sich als Maler selbst zu verwirklichen, worauf er 22-jährig sein Ladengeschäft aufgab und sich ausschließlich als erfolgreicher Maler betätigte. 1851 studierte er in Paris, bevor er mehrere Studienreisen in Europa unternahm. Zu seinen Malerkollegen und Freunden gehörten Gustave Courbet (1819-1877) und Claude Monet (1840-1926). BREST BATEAUX DANS LA RADE (HAFENBUCHT VON BREST MIT GROSSEN SEGELSCHIFFEN UND EINEM DAMPFER) Öl auf Leinwand. 36,8 x 58,4 cm. Rechts unten signiert "E. Boudin" und ortsbezeichnet "Brest". Verso diverse Aufkleber. Die Hafenansicht ist bewusst betont breitformatig angelegt, auch um einen weit hinziehenden Horizont zu zeigen, mit einer Landzunge unter hell aufleuchtendem Wolkenhimmel, der sich im flirrenden Licht im ruhigen Buchtwasser spiegelt. Zahlreiche Schiffe, in überwiegend grauer Farbgebung, sind nahezu silhouettenhaft gezeigt, im Gegenlicht der Sonne, die sich hinter den Wolken verbirgt. Zwischen den hohen Dreimastern und großen Segelschiffen kleinere Segelboote sowie ein Kahn, dazwischen ein Dampfer mit rauchendem Schlot. Der Gesamtstimmung gemäß ist im Vordergrund das karge Ufer gezeigt, das nach rechts leicht ansteigt, besetzt mit einigen Strandfischern. Der überwiegende Farbcharakter der bleigrauen Wolken und Wasserstimmung hat der Maler geschickt fortgesetzt, in der überwiegend ebenfalls ins Grau ziehenden Uferpartie. So beweist auch das vorliegende Bild in eindrucksvoller Weise den Maler als Vorläufer, wenn nicht gar als Mitbegründer des französischen Impressionismus. Es zeichnet sich als ein typisches Werk der frühen Phase des Künstlers aus und düfte in den Jahren 1870/73 entstanden sein. A.R. (" ) Provenienz: Galerie Georges Petit, Paris. Hector Brame, Paris. Donon-Maigret, Paris. Palais Galliera, Paris, Juni 1968, Lot 240. Sotheby"Ts London, 30. April 1969, Lot 18. Privatsammlung bis 1983. Sotheby"Ts New York, 19. Mai 1983, Lot 307. Letztlich Privatsammlung USA. Literatur: Ruth L. Benjamin, Eugène Boudin, New York 1937. Robert Schmit Eugène Boudin 1824-1898, Band 1, Paris 1973, Nr. 562, S. 209, mit Abb. Ausstellungen: Musée des Beaux-Arts, Eugene Boudin en Bretagne, 1964, Nr. 17. Reims, dort abgebildet im Ausstellungskatalog. (1222301) (†) Eugène Boudin, 1824 Honfleur '''' 1898 Deauville BREST BATEAUX DANS LA RADE (HARBOUR BAY OF BREST WITH LARGE SAILING BOATS AND ONE STEAMSHIP) Oil on canvas. 36.8 x 58.4 cm. Signed ''E. Boudin''_ lower right with place name ''Brest''_. Various adhesive labels. The harbour scene with numerous boats is deliberately emphasizing a broad landscape format to show a vast horizon with a headland beneath a vibrant cloudy sky reflected in shimmering light in the calm waters of the harbour. The painting impressively demonstrates the painter as a paragon if not quite co-founder of French Impressionism. This is a painting typical for the early period of the artist and was probably created ca. 1870/73 ('' ). Provenance: Galerie Georges Petit, Paris. Hector Brame, Paris. Donon-Maigret, Paris. Palais Galliera, Paris, June 1968, lot 240. Sotheby''Ts London, 30 April 1969, lot 18. Private collection until 1983. Sotheby''Ts New York, 19 May 1983, lot 307. Last held at Private collection, USA. Literature: R. L. Benjamin, Eugène Boudin, New York 1937. R. Schmit, Eugène Boudin 1824-1898, vol. 1, Paris 1973, no. 562, p. 209, with ill. Exhibitions: Musée des Beaux-Arts, Eugene Boudin en Bretangne, 1964, no. 17. Reims, illustrated in exhibition catalogue. (†)

RENOIR PIERRE-AUGUSTE: (1841-1919) French Impressionist Artist. Rare A.L.S., `Renoir´, two pages, 8vo, Paris, n.d., to Claude Monet, in French. Renoir informs his correspondent and lifelong friend Monet about a wine purchase opportunity, stating in part `It is at least eight days now that I wanted to write to you and tell you that there is a barrel available containing about 55 litres of marc 94, very good, and for 2fr. 25 cents the litre. Can you please write to me promptly in case you want some, and how much. It is a pity that there is so much, because this barrel of 5 years would be really marvellous with one more year in cask.´ Renoir further refers to his correspondent and his own situation, saying `I will get at the same time news from you, on my side I have not been lucky at all, and still don´t know… what will happen later. I have had a hard time trying to deal with my fingers...´ Renoir sends his warm regards to Madame Monet and to his children. Paper with attractive crowned watermark. Very small minor age wear, otherwise about VG Claude Monet (1840-1926) French Impressionist Painter.

MONET CLAUDE: (1840-1926) French Impressionist Painter. A.L.S., Claude Monet, one page, 8vo, n.p., 19th November 1898, on the Giverny par Vernon Eure printed stationery, in French. A bold purple ink written letter. Monet refers to wine and asks for a shipment, stating `Sir, I kindly beg you to send me to the station of Vernon (when you will judge to be the right time) four barrels of your red wine and one barrel of white wine. I send to you today one empty to the Chanteloup-Andresy station.´ An unusual letter of Monet related to wine, and to the French wine region of Chanteloup where he was getting it from. With blank address leaf, half-clipped. Very small age wear, otherwise G to VG

A Monet gilt metal choker with green cabochon and matching earrings, a Swatch bracelet and ring, two pairs of earrings, a pair of pins and and a large brooch. (12)

Albert Charles Marie Lebourg (Monfort-sur-Risle 1849 - Rouen 1928) Brücke in Paris Öl/Holz, 11,5 x 20 cm, l. u. sign. A. Lebourg. - Französischer Landschaftsmaler. Der talentierte Künstler war weitgehend Autodidakt, nur kurzzeitig Schüler von J. P. Laurens, nachdem er 1872-76 bereits als Dozent an der École des Beaux Arts in Algier gearbeitet hatte. 1876 stellte er auf dem Boulevard Montmartre gemeinsam mit Monet, Sisley und Renoir aus, ab 1890 auch im Salon. Er arbeitete bis 1921 in Paris und setzte sich anschließend in Rouen zur Ruhe. 1903 wurde er mit dem Kreuz der Ehrenlegion ausgezeichnet. Mus.: Paris (Mus. d'Orsay, Mus. du Luxembourg), Rouen, Moskau, Göteborg, Buenos Aires u.a. Lit.: Thieme-Becker, Bénézit. Lebourg, Albert Charles Marie (Monfort-sur-Risle 1849 - Rouen 1928) Bridge in Paris Oil/wood, 11,5 x 20 cm, lo. le. sign. A. Lebourg. - French landscape painter. The talented artist was mainly selft-taught, he only took lessons from J. P. Laurens after he had already been working as teacher at the École des Beaux Arts in Algier 1872-76. In 1876 he exhibited together with Monet, Sisley and Renoir at the Boulevard Montmartre, since 1890 he exhibited also at the Paris Salon. He worked in Paris until 1921 when he retired to Rouen. In 1903 he was honoured with the cross of the Legion d'honneur. Mus.: Paris (Mus. d'Orsay, Mus. du Luxembourg), Rouen, Moskau, Göteborg, Buenos Aires a. others. Lit.: Thieme-Becker, Bénézit.

Charles-Henri Verbrugghe Charles-Henri Verbrugghe Charles-Henri Verbrugghe (1877 Brügge - 1974 Paris) Promenade des Anglais in Nizza In reiner impressionistischer Hellmalerei präsentiert sich die berühmte Uferstrasse in Nizza mit dem Autoverkehr der 1950er Jahre und buntem Treiben am Strand. Der belgische Maler ließ sich bereits 1905 in Paris-Montmartre nieder, wo er den Impressionismus u. a. eines Monet studierte und sich zu eigen machte. Seine letzte große Ausstellung fand 1968 in der Galerie Roussard in Paris statt. Öl/Holztafel. L. u. sign.; 32,5 cm x 39 cm. Rahmen. Oil on panel. Signed.

Louis Ritter Louis Ritter Louis Ritter (1854 Cincinnati/Ohio/USA - 1892 Boston) Venedig-Ansicht Impressionistisches Werk Ritters, der Ende der 1870er Jahre nach München ging, um mit dem charismatischen Künstler Frank Duveneck zu arbeiten. Ihm folgte er als einer der sog. "Duveneck Boys" nach Florenz und Venedig, wo er bis 1883 blieb. Später reiste Ritter nach Giverny, wo nicht nur Monet, sondern auch eine erste Kolonie amerikanischer Künstler malte. Öl/Holztafel. R. u. sign.; 63 cm x 92 cm. Rahmen. Oil on panel. Signed.

Jan Stanislawski Jan Stanislawski Jan Stanislawski (1860 Olschana - 1907 Krakau) Kleine Landschaft mit polnischem Dorf Mit weichem Farbauftrag und einem impressionistischen Malduktus dargestelltes Motiv, bei dem der Künstler bei diesem vor Ort entstandenen Kabinettbild mit wenigen Strichen die Gesamtstimmung einfängt. Stanislawski gilt als einer der bedeutensten polnischen Landschaftsmaler und Wegbereiter des Impressionismus in Polen. Er studierte in Warschau, Krakau und Paris, wo er bis 1895 ansässig war und stark von Monet beeinflusst wurde. In Krakau übernahm er 1887 die Landschaftsmalereiklasse der Kunsthochschule und führte seine Schüler zur Freilichtmalerei. 1898 wurde er Mitglied der "Wiener Secession" und stellte dort 1901-1905 mehrfach aus. Öl/Malkarton. R. u. sign.; 11 cm x 15 cm. Rahmen. Oil on cardboard. Signed.

Mikhail Fedorovich Larionov (Russian/French, 1881-1964)Still life with fish and flowers signed in Latin and dated '1909' (upper left)oil on canvas40 x 55.8cm (15 3/4 x 21 15/16in).Footnotes:ProvenanceSotheby's, London, 20th Century Russian Paintings, Drawings and Watercolours 1900-1930, 12 April 1972, lot 10 Christie's, London, 19th Century Impressionist Paintings, Drawings and Watercolours, property of The late Mrs J.P. Dewhurst and various properties, 7 December 1979, lot 353 Acquired from the above by His Honour Judge Bruce Griffiths, QCThence by descentExhibitedParis, Galerie Granoff, Larionow, no. 344 (according to label on verso of frame)His Honour Judge Bruce Griffiths, QC, (1924-1999) was chairman of the Art Committee of the Welsh Arts Council, the Welsh Portrait Sculpture Trust and the Contemporary Art Society for Wales.Still life with fish and flowers, dated 1909 by the artist, falls into an important transitional period in Mikhail Larionov's oeuvre in which the artist moved away from the influence of the French Impressionists towards the development of a new language known as Russian Neo-Primitivism. This was a time of a great artistic experiment defined by attempts to reconcile the sensitivity to the influences of European modernism with a profound interest in Russian motifs and painterly traditions. Larionov's continued interest in everyday genres and motifs is notable in his entire body of work. The artist repeatedly addressed the same subject in a variety of stylistic and conceptual approaches. As such, the fish motif, presented in Still life with fish and flowers, has a story arc of its own within the course of Larionov's evolution as an artist. For example, Larionov's early Impressionist-inspired dynamic composition and colour scheme in Fish, 1906, (Centre George Pompidou; published in G. Pospelov, E. Ilukhina, Mikhail Larionov, Moscow, 2005, p. 47) by 1908 would be replaced by a significantly more stable structure and solid palette in Flounder, 1907-1909 (Private collection, Moscow; ibid. p. 51). Although preserving a similar circular composition, Larionov now sets the fish among the other ingredients of a simple peasant meal spread on the kitchen table by a window. Larionov's method changes as he shifts from a rhythmic Monet-like brushstroke towards a flatter expressionist application of paint, from a vibrating palette of blues, greys and pinks to subdued blues, browns and greys. As though having lost interest in colour, light and movement in the painting, Larionov begins to focus primarily on form and space to convey a different symbolic meaning for the object. This approach is taken further in the present lot, Still life with fish and flowers. The two fish are now set against a flat non-specific abstract background which is divided into two contrasting panes. The composition is counter-balanced by the roughly outlined flower vases on each side while the white fish at the centre become the main focal point for the viewer. The surface is painted in rough flat brushstrokes which create three colour sections: the table, the background and the fish, which dominate the space with their contrasting palette and primitive form. This simplification of form and expression of colour allude to the tradition of distortion of the figure of the German Expressionist painters in an attempt to convey the inner beauty and spiritual meaning of the object. Hence, in the present lot, the fish - detached from their physical properties or decorative function - become symbolic of both penury and abundance and the transitory nature of both, while the painting brings to mind the biblical trope of two fish divided by Jesus to feed five thousand people. The idea of ephemerality is also brought to the fore in the artist's treatment of the flowers: the roughly outlined branches at first appear brittle only to display barely distinguishable young buds in red and white to convey the notion of birth and the cycle of life. These elements also refer the viewer to the the traditions of Russian Orthodox icon painting, from which Larionov continuously drew inspiration in search of his own concept of the 'spiritual in art' and which he would describe at length later, in the 1920s, in an essay on Russian icons: There are two artistic principles. The first is to render nature on the basis of acquired knowledge and to involve naturalistic forms in a composition using various methods... The second is to study life as it is with no regard to the influence of the external world, and, based on this dynamically changing and moving form, to depict the essence of the object or scene in the most expressive way... Russian icon painters were inspired by the second principle as they, as painters, were boldly led towards an important abstraction. This abstraction manifested itself in the use of schemas and pre-established formulas related to a predetermined style through which they expressed the abstract and mystical sense of life.... It is through the nuances of colour and the finesse of the graphic forms that the religious and mystical state we experience when contemplating icons manifests itself.... The beauty and finesse of the drawing of these stylised forms and the fascinating abstract harmony of their colouration aspire to render the world of the beyond... It is a kind of spiritual realism.... You really believe that they concern another life. (M. Larionov, Les Icônes, c. 1920s, cited in Mikhail Larionov, Une Avant-Garde Explosive, Lausanne, 1978, pp. 132-133).Натюрморт с цветами и рыбой, датированный 1909 годом, был создан в важный для Михаила Ларионова переходный период, во время которого художник отходит от импрессионистического влияния предыдущих лет и встает на путь создания новаторского языка в искусстве, известного как русский неопримитивизм. Это время больших экспериментов в работах мастера, когда тенденции европейского модернизм&... For further information on this lot please visit Bonhams.com

The famous collector George Bellu (Georges de Bellio), one of the first supporters of the Impressionists and the patron of Claude Monet, Ch. Julien workshop, photograph, Paris, approx. 1880 The famous collector George Bellu (Georges de Bellio), one of the first supporters of the Impressionists and the patron of Claude Monet, Ch. Julien workshop, photograph, Paris, approx. 1880 11 × 6,5 cm

Omar El-Nagdi (Egypt, 1931-2019)Nuit d'été mixed media on canvas, framedsigned 'Omar El Nagdi' and dated '22.8.1991', executed in 1991186 x 186cm (73 1/4 x 73 1/4in).Footnotes:Provenance:Property from the private collection of H.E Ambassador Francine HenrichExhibited:Omar El-Nagdi, Al Ahram Gallery, Cairo, 1992Omar El-Nagdi, Retrospective, Institut Du Monde Arab, 1995Omar El Nagdi was born in Cairo in 1931 and studied at the Faculty of Fine Arts of Helwan University. Nagdi continued his training in Russia and Italy, eventually graduating from the Academy of Venice in 1967. A prodigious pioneer in Egyptian art history, In the 1960s, Nagdi exhibited in Europe alongside the Western masters Claude Monet, Pablo Picasso and Salvador Dal. His works were soon after acquired by leading institutions around the world. An active member of Cairo's art community and of the Liberal Artists' group headed by Taha Hussein, Nagdi was an extraordinary painter and who equally excelled as a film director and music composer. A multi-disciplinary artist, Nagdi worked with sculpture, oil, watercolour and mosaics. Inspired by the diverse cultures that he encountered in rural Egypt, he fused in his works the Pharaonic and Islamic iconography with Cairo's urban culture idioms and Western aesthetics. His works visually enigmatic and captivating and inspired by folk art and traditions are reflections on everyday life in Egypt. His paintings are sufficient proof of his exceptional gifts for symbolic design and the splendid use of colour. Through his expressive textures, colours and symbolic elements, his works offer a communication that is deeply felt.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A selection of fashion wrist watches bearing various names including Bernix, Monet, Bricleting, Pierre Cardin etc

A selection of gold plated Monet costume jewellery including necklaces and bracelets, and a small selection of similar costume jewellery

Vintage Monet bracelets and necklace.

A quantity of modern jewellery and watches to include Monet, Timex, Skagen, Rotary etc.

A collection of coins, silver, silver plate and vintage costume jewellery, including an 1859 Indian Head USA one cent, an 1826 George IV shilling, and further silver coinage, a pair of Victorian silver salts and spoons, a pair of boat shaped silver salts, and a silver charm bracelet, total silver weight approximately 3.15toz, a Flora Danica leaf brooch, jade-green glass beads, Monet gold plated necklace and simulated pearls, together with a vintage Modalu handbag with original cloth cover bag and tags and a rosewood box with scrolling acanthus brass inlaid border, 26 by 36 by 15cm high. (box containing some items, plus handbag and one bag of plate)

A collection of vintage designer, silver and costume jewellery including items by P & M Paris, Monet, Trifari, A & S, Adele Marie London, Butler and Wilson, Sens Prive Paris, a Gucci bangle watch, a silver pocket watch and albert, silver chain and earrings, total silver weight including watch 3.92toz, a pair of oval chain link cufflinks depicting a fisherman in a river and a past metamorphic brooch, together with a painted pin tray. (1 bag)

22 books on artists including John Piper, Wolfe, Roland Hilder, Monet, Fra Angelico, Watteau etc

39 books, price guides, Lyle guides, & artists including Klee, Monet etc

Vintage Monet - pair of drop earrings and pair of hoop earrings, a gilt metal necklace with five black and gilt plates with curb link chain attached to each side (all marked), a similar half hinged bangle (not marked), all in a black branded Monet box, a Grosse of Germany large white enamel pendant 10cm, marked 1971, with original tag "Creation Grosse A6381- 232" on a 5mm gauge snake link chain 80cm long, and a Valentino style suite of jewellery in black and gilt with 25mm circular discs pierced with the sun, moon and stars, bracelet, necklace and clip earrings.

A good collection of art related reference books to include Man Ray in Fashion, Monet in the 20th Century gallery guide, Undergound Art, Royal Academy of Arts Exhibition Summer Exhibition. The Shell Poster Book, The Security Pacific Collection - 1970 - 1985, The Garden of Earthly Delights, Monet in the 20th Century, Gianni Versace Autumn Guide, Royal Academy of Arts Summer Exhibition 1996, 1995, 1994, 1991, 1990, Totem Poles - The Art of the Totem and more. 

A collection of jewellery various including A pearl necklace and Monet earrings

A boxed Monet bracelet a pair of silver Lapis blue earrings, a Mizpah pheasant brooch, a silver heart bracelet and one other Tiffany & co bracelet

A collection of costume jewellery to include a silver  leaf brooch, silver Celtic brooch, enamel brooch and earrings set, Scottish past set EPNS brooches, Millefiori pendant, 1920/30's past set clips, Tifari and Monet jewellery, gilt metal chain, faux pearl earrings, vintage brooches, hematite multi row necklace, leather bolo tie necktie necklace set with turquoise and white metal etc in a fancy leather jewellery case

A large collection of costume jewellery to include 1920's/30's glass necklaces, vintage paste set necklaces, brooches, marcasite brooches, , french jet and glass, crystal bead necklaces, along with stone necklaces including jasper and gold stone and agate faux pearls, various fancy yellow metal chains, enamel bangles and bracelets brands such as Monet, Napier, Angel Jewellery, Sphynx, Capri and Corocraft a gilt metal and paste set belt etc (1 bag)

A collection of costume jewellery to include Christmas theme jewellery, paste set, enamel and metal brooches in the form of Christmas tress, snow man, pudding, Bambi, Santa, bells a Santa and a Christmas tree pill box/brooch and matching earrings/necklace, Micky Mouse brooches including brands such as Butler & Wilson, Monet, Torino, Iona, Avon, Liz Claiborne, Landau etc along with a Juicy Couture pink heart charm, a paste set collar necklace and matching earrings, and a white and yellow metal cuff watch all by Franklin Mint, a pair of Diamonique earrings and a Joan Rivers paste set brooch and paste set ring etc (1 bag)

A collection of designer gilt metal costume jewellery to include a Christian Dior bow brooch, Burberry clip on earrings, along with various costume jewellery by designers Monet, Trifari, Excuisite, Grosse, Napier, Miriam Haskell, Sphinx, pilgrim to include brooches, chain/collar necklaces and clip on earrings, bracelet etc along with a pair of white metal stone set (glass) clip on earrimgs, white metal Sarahcov brooch and white metal earrings (1 bag) 

A tray of costume brooches to include Trifari, Auri, Monet etc.

A collection of costume jewellery by Monet & Napier including brooches, earrings, necklaces, etc.

"Vermont in September", landscape with a rocky stream set against mountainous background, oil on canvas. Charles Buckler was born in Nova Scotia, moved to Massachusetts and was a career-long member of the Boston Art Club where he exhibited extensively. Buckler was guided by the work of the artist he most admired, Claude Monet. Signed lower left: C.E. ButlerOverall size: 37 x 47 in.Sight size: 27 1/2 x 37 1/2 in.Please note that all sales are final. No refunds will be given under any circumstances.

Two Claude Monet art prints and a Carolyn Brady print entitled 'The Green Door Monet's House', framed under glass, 55 x 65 cm (2), and 72 x 53 cm

[ART REFERENCE & EXHIBITION CATALOGUES]. A group of 4 reference works and exhibition catalogues about French artists, comprising:  BERNARD, Emile. Lettres de Vincent Van Gogh A Emile Bernard. Paris: Ambroise Vollard, 1911. Original wrappers bound in. -- RIVIERE, Georges. Le Maitre Paul Cezanne. Paris: H. Floury, Editeur, 1923. Original wrappers bound in. -- MUSEE DE L 'ORANGERIE. Claude Monet. Exposition Retrospective, 1931; Portraits et Figures de Femmes Pastels et Dessins, 1935; Cezanne, 1936, second edition; Degas, 1937; Exposition E. Vuillard, 1938; all published Paris: Musee National de l 'Orangerie, 1931-1938. 5 exhibition catalogues bound in 2 volumes. Original wrappers bound in. Provenance: R.M.L. (signature); Edwin E. Hokin (signature); Grace and Edwin Hokin (bookplate). -- SEUPHOR, Michel. L'Art Abstrait. Ses origines, ses premiers maitres. Paris: Maeght, 1950. Later edition. -- Together, 8 works in 5 volumes, 8vo,   FIRST EDITIONS except where noted, all half morocco, condition generally fine.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Five Royal Worcester figurines from the Impressionist Series comprising Camille after Monet, Jeanne after Renoir, La Lecon after Degas, numbered 58, Ballet Master (Jules Perrot) after Degas, numbered 91 of 500, and L'Etude after Degas, numbered 58 of 500, all with printed marks, all with certificates. (5)

LITHOGRAPHIC AND PHOTOGRAPHIC PRINTS ETC, to include Le Gaft continental etchings, Philip Gray miniature prints signed to the mounts, Jack Vettriano open edition prints, Claude Monet print, Atkinson Grimshaw print, other assorted lithograph prints and a quantity of photographs by Frank Cookson, competition entries for the Aston and Erdington photographic society, (box, 2 folders and loose)

John Myatt (b.1945) ''Park at Montgeron'', After Claude Monet Signed verso and numbered 79/150, hand embellished canvas, 67cm by 69cm Sold together with the Atelier Collection certificate of authenticity Artist's Resale Rights/Droit de Suite may apply to this lot,

John Myatt (b.1945) ''The Coast Beyond Trouville'', After Claude Monet Signed verso and numbered 79/150, hand embellished canvas, 59cm by 74cm Sold together with the Atelier Collection certificate of authenticity Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

John Myatt (b.1945) ''Summer Afternoon, Argenteuil'', After Claude Monet Signed verso and numbered 79/150, hand embellished canvas, 56.5cm by 80cm Sold together with the Atelier Collection certificate of authenticity Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

John Myatt (b.1945) ''Morning on the Seine II'', After Claude Monet Signed verso and numbered 79/150, hand embellished canvas, 77cm by 74cm Sold together with the Atelier Collection certificate of authenticity Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A yellow metal vintage Monet chain link necklace, with tag, purchased at Best & CO New York in the 1960's in original box

A "Grosse" yellow metal heavy link chain necklace and bracket, a yellow metal fancy link necklace and bracelet and a Monet necklace and earrings set - boxed

A Monet elephant brooch with white stone, two yellow metal costume jewellery necklaces, including Monet and two pairs of Trifari clip earrings etc

A collection of vintage costume jewellery to include various Venetian blue glass jewellery pieces, faux pearls, a Monet flat link yellow metal necklace chain, a selection of yellow metal necklaces, statement coloured stone set brooches etc. 

1953 Monet Goyon S6V, 125cc two stroke motorbike, registration number 4303 DG, with Villiers licence engine and Gregoire rear suspension, with folder of paperwork including original guarantee card and instruction manual, in current ownership since 1983 with V5c10%+VAT buyers premium on this lot

TWO MEXICAN SILVER HEAVY CURB BRACELETS WITH STONE SET ACCENTS, TOGETHER WITH A 9ct GOLD DIAMOND SET SINGLE STONE RING, A LADIES BERNEY WRIST WATCH, AND A THREE DECORATIVE COSTUME PIECES, TO INCLUDE A MONET AND JOMAZ EXAMPLE.

BT Mint in brochures incl. Hercules, Monet, Toy Story, England 96, Goldeneye, Muppets, etc., slight duplication (approx 50 brochures) (Sold on behalf of The Salvation Army)

An Artagraph Edition print after Monet, in gilt frame

Set of named vintage "Monet" earrings and statement necklace.

A collection of jewellery, mainly Monet

Carel Weight, Royal Academy of Arts Summer Exhibition 1990 poster, homage to Claude Monet, pencil signed.