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A collection of vintage costume jewellery to include a Trifari brooch, Monet necklace, Miracle brooch etc.

R VALENTE- 'AFTER MONET', OIL ON CANVAS, LABEL TO REVERS, SIGNED LOWER RIGHT, APPROXIMATELY 29 x 38.5cm

Signed lower left, signed and inscribed 'View from Treyford; Sussex Landscape verso, pastel on paper34cm x 30cm (13.5in x 12in)Footnote:Sold without reserve. Exhibited: Paul Maze Exhibition, Wildenstein & Co. Ltd., London, 16 June - 8 July 1977 [exhib. cat. no. 33] Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Inscribed lower right, pastel on buff paper26cm x 36cm (10.25in x 14in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed and dated '52 lower left, pastel on buff paper27cm x 37cm (10.5in x 14.5in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower right, ink on buff paper12.5cm x 10cm (5in x 4in)Footnote:Sold without reserve. Exhibited: Paul Maze & The Guard, May-June 1973, Wildenstein & Co. Ltd., London.  Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower left, watercolour and pencil on paper26.5cm x 36cm (10.5in x 14in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Signed and inscribed lower right, oil on canvasInscribed 'to Dr. Griswald from P. Maze, 19XX lower rightInscribed '1910, First oil, 'Church, Le Havre'' and 'SaDa dedicated 1910 to Dr Griswald' to frame verso 32cm x 39cm (12.5in x 15.25in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower right, pastel on buff paper54cm x 75.75cm (21.25in x 29.75in)Provenance: Artist's studio sale.Footnote: Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Signed and dated '52 lower right, pastel on paper22.75cm x 29cm (8.75in x 11.5in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed and dated lower right, pastel on buff paper25cm x 29cm (9.75in x 11.5in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower left, pastel on paper30cm x 47cm (12in x 18.25in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Signed lower right, pastel on buff paper26cm x 35cm (10.25in x 13.75in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed with studio stamp lower left, indistinctly inscribed lower right, pastel on buff paper37cm x 26cm (14.5in x 10.25in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Signed lower left, pastel on off-white paper53cm x 71.5cm (20.75in x 28in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Oil on board48.75cm x 69cm (19in x 27.25in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower left, oil on canvas board19cm x 28.5cm (7.5in x 11in)Footnote: Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

Signed lower right, pastel on paper, unframed30cm x 45.5cm (12in x 17.5in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed upper right, oil on board44.25cm x 33.5cm (17.5in x 13in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower right, inscribed 'Neva' lower left, pastel on green paper25.5cm x 35.5cm (10in x 13.75in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie. 

Signed lower right, pastel on buff paper26.5cm x 37.5cm (10.5in x 14.75in)Footnote:Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.  

Signed lower right, oil on board23.5cm x 32.75cm (9in x 12.5in)Provenance: Artist's studio sale. Footnote: Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.

A Monet gold tone and red stone bracelet boxed and an amber and silver ladies bracelet watch by Gems. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Monet button covers, a pendant by Libertine, statement necklaces and other items Condition Report: Not available for this lot

Claude Monet: Catalogue Raisonne by Daniel Wildenstein published Taschen 1996 in 4 volumes, new edition fully illustrated in colour and listing 2,050 works cloth bound in slipcase   

A pair of Parisian cafe frontsreproduction prints, 90 x 28 cm and another print of waterlilies by Claude Monet (3)

A large collection of modern costume jewellery including necklaces, bracelets, hair pins, small beaded hand bags, drawstring bags, beaded scarf, earrings, rings, boxed earring and necklace sets and others made by Monet, LBVYR, Napier, Pilgrim, Betty Jackson Black but majority unnamed. Together with cufflinks, tie clips, tie pin, metal hip flask, metal frame and matching scent bottle and a Stratton pen and cufflink set.Condition ReportMany are tarnished and obvious signs of use.

Michael Sutty, Claude Monet porcelain bust, from the Impressionist Artist Busts series. Limited edition 005/150, with COA. 25cm tall.

Claude Monet (1840-1926) & George William Thornley (1875-1935)Fillette dans l'allée d'un Parc, Portant des BouquetsLithograph printed in light grey-blue, 1894, likely a trial proof in a unique colourway aside from the edition of 25 printed in violet-rose, signed in pencil by Monet and Thornley, on Chine appliqué supported on sturdy wove paper, printed by Belfond & Cie, Paris, with their blindstamp, with full margins, sheet 397 x 567mm (15 5/8 x 22 3/8 in) (unframed)

Pierre-Auguste Renoir 1841–1919 La mer à Tréboul près de Douarnenez, 1895 Öl auf Leinwand unten links signiert Renoir 46,2 x 55,4 cm Provenienz: Sammlung Durand-Ruel, Paris (19.10.1910 direkt beim Künstler erworben)Privatsammlung (13.9.1917 bei obiger Sammlung erworben)Privatsammlung, Schweiz (um 1950)Privatsammlung, Schweiz (2001 durch Erbschaft an die heutigen Besitzer) Ausstellung: Französische Kunst des XIX. und XX. Jahrhunderts, Zürich, Kunsthaus, 5.10.–14.11.1917, Nr. 199 (La Mer à Tréboul).Pierre-Auguste Renoir, New York, Galerie Durand-Ruel, 1918, Nr. 11 und 1919, Nr. 14. Literatur: Albert André, Renoir, Paris, G. Crès, 1928, S. 49, mit Abb.Julius Meier-Graefe, Renoir, Leipzig, Klinkhardt und Biermann Verlag, 1929, S. 248, Nr. 248, S. 296, mit Abb. Michel Drucker, Renoir, Paris, Pierre Tisné, 1944, S. 127, Nr. 127.Elda Fezzi, Tout l'œuvre peint de Renoir, période impressionniste 1869–1883, Paris, Flammarion, 1985, S. 116, Nr. 643.Guy Patrice und Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles 1895–1902, Paris, Bernheim-Jeune, 2010, Bd. III, S. 128, Nr. 1905, mit Abb.Das Werk befindet sich seit 1917 im gleichen Familienbesitz. Es wurde damals anlässlich der Ausstellung im Zürcher Kunsthaus erworben.L’oeuvre a été acquise à l’occasion de l’exposition au Kunsthaus de Zurich en 1917 et est restée jusqu’à présent en possession de la même famille.Das Werk wird vom Wildenstein Plattner Institut, Paris, in das sich in Vorbereitung befindende digitale Werkverzeichnis der Werke von Pierre-Auguste Renoir aufgenommen. Eine Echtheitsbestätigung vom Wildenstein Plattner Institut, New York, vom 26.5.2021 liegt vor.Obschon Renoir als der Figurenmaler par excellence unter den Impressionisten galt und bis heute als solcher rezipiert wird, hat auch die Landschaftsmalerei in seinem Werk einen wichtigen Stellenwert. Ausgehend von den Erkenntnissen der Ecole de Barbizon, experimentierte er mit verschiedenen Techniken der Pleinairmalerei und brachte diese Sichtweisen in den Kreis der Impressionisten ein. Sein freundschaftlicher Austausch mit Claude Monet vermittelte ihm entscheidende Impulse bei der Erfassung des Motivs oder beim Bildaufbau. Die malerischen Techniken, mit denen Renoir seine Landschaften wiedergab, waren jedoch komplett eigenständig, wie man auch im vorliegenden Gemälde La mer à Treboul près de Douarnenez sieht.Mit feingliedrigen, nervösen Pinselstrichen werden im Vordergrund Farbwerte herausgearbeitet, während beim Meer oder den Wolken stark lasierende Farben ineinanderfliessen. Formal kann diese Erfassung des Meeres etwa mit den etwas früheren Werken Baie de Wargemont im Metropolitan Museum oder Guernsey im Clark Institute verglichen werden. Auf diesen Gemälden durchbricht das Grün der Bäume die tiefblaue Fläche des Meeres, und in allen verleiht Renoir dem Atlantik eine mediterrane Wärme. Dieses schimmernde Blau unter einem silbernen Licht und sein schier festlicher Glanz, machen La mer à Tréboul près de Douarnenez wohl mit zu einem von Renoirs schönsten Landschaftsbildern.Bien que Renoir ait été considéré comme le peintre de la représentation humaine par excellence parmi les impressionnistes et qu’il soit encore perçu comme tel aujourd’hui, la peinture de paysage joue également un rôle non négligeable dans son oeuvre. Sur la base des découvertes de l’École de Barbizon, il expérimente diverses techniques de peinture en plein air et les fait entrer dans le cercle des impressionnistes. Son échange amical avec Claude Monet lui a donné une impulsion décisive dans la saisie du motif ainsi que pour la composition du tableau. Les techniques picturales avec lesquelles Renoir reproduisait ses paysages, étaient toutefois totalement personnelles, comme on peut également le constater dans la présente toile La mer à Tréboul près de Douarnenez.Avec des coups de pinceau délicats et nerveux, les valeurs chromatiques sont appliquées au premier plan, tandis que dans la mer ou les nuages, des glacis se fondent les uns dans les autres. Sur le plan formel, cette représentation de la mer peut être comparée aux oeuvres légèrement antérieures comme la Baie de Wargemont du Metropolitan Museum ou Guernesey du Clark Institute. Dans toutes ces oeuvres, le vert des arbres perce l’étendue bleue profonde de la mer et l’Atlantique s’imprègne d’une chaleur toute méditerranéenne. Ce bleu chatoyant conjugué à une lumière argentée fait de La mer à Tréboul près de Douarnenez l’un des plus beaux paysages de Renoir.

A Collection of boxed Corgi Dalek sets # Ty96204. Ty96207 2 X Doctor Who Key-rings. A Vintage Monet box and 2 X Dapol Figures.

Designer jewellery including "Delphine Nardin" Paris, Monet, etc.

* JOHN MACLAUCHLAN MILNE RSA (SCOTTISH 1885 - 1957), THE GREEN POOL, IONA oil on board, signed image size 43cm x 53cm, overall size 56cm x 66cm Framed and under glass. Provenance: In the late 1930's a father took his daughter to Iona shortly after the premature passing of her mother. The daughter was soon to be married and those few days together on Iona were precious. They stayed at the tiny St Columba Hotel at the same time as John Maclauchlan Milne and one evening the artist, with the consent of the proprietor, positioned several paintings on the floor leaning against the wall in the dining-room. The father bought his daughter two paintings as a wedding gift, one of those being "The Green Pool, Iona". Some 50 years later, the daughter "downsized" after moving from her home in Glasgow and gifted the painting to her long time close friend who had always admired it. The recipient of this beautiful gift has treasured the painting for some thirty years but after having recently downsized herself, she no longer has a suitable place to hang it. The only time "The Green Pool, Iona" has been publicly exhibited was in the dining-room of The St Columba Hotel on Iona in the late thirties, probably still slightly wet and only a few days after it was completed. It is housed in the original frame and is behind glass, as it always has been. The condition is excellent and it has never been cleaned or restored in any way. Note: John Maclauchlan Milne was encouraged by his father – the Scottish landscape painter Joseph Milne. His father’s influence is apparent in his early work, before his style was transformed by the Scottish Colourists and modern French painters, particularly Cézanne. During the First World War Maclauchlan Milne left his home in Dundee to fight in France on the Western Front. France had a strong impression on the young artist. From 1919 -1932 he spent long periods in France. Initially he stayed at rue des Quatre-Vents in Paris but by 1924 Milne was in Cassis with Peploe, Cadell and Duncan Grant. They also spent considerable time in San Tropez. Almost all his exhibits in the 1920’ s were of Mediterranean subjects. His obituarist wrote ‘ like Peploe, he saw Cézanne and was immediately conquered… Here in the Midi, Milne found himself and the impact of this new experience stamped all his subsequent work'. At the outbreak of the Second World War, Maclauchlan Milne returned to Scotland and settled at High Corrie on the Isle of Arran. Here he painted the whitewashed cottages, the little jetty below the village and Goat Fell, the highest peak on the island. He died in Arran in 1957. Maclauchlan Milne exhibited at the Royal Scottish Academy, at the Glasgow Institute and showed works in London and New York. A Centenary exhibition of his work was held at Dundee Art Gallery and Museum in 1985 and a major Retrospective Exhibition was held at Portland Gallery (London) in 2010. As well as enjoying the company of the Scottish Colourists and exhibiting alongside them, Milne shared many of their patrons. William Boyd, the Managing Director of Keiller’s marmalade firm, became one of his most important patrons. In Boyd’s home at Claremont several works by William McTaggart, Peploe, Hunter and Milne were displayed. His collection of French paintings included Monet, Sisley, Van Gogh, Matisse, Bonnard, Vuillard and de Segonzac. Alexander Keiller, head of the marmalade firm, was another important patron. He paid Milne a stipend – so that he could spend the summers in France – in return for paintings. The collector, Matthew Justice, was a close friend of George Leslie Hunter as well as his agent during the 1920s. Justice owned around a dozen of Milne’s paintings; his sitting-room was hung exclusively with works by Peploe and Milne and his drawing room contained eleven Peploes, three Marchands, one Hunter and five Milne’s. The Justice collection also included works by Vuillard, Segonzac, Moreau and Matisse. Justice was friends with William Boyd and James Tattersall, another important patron of Milne. Maclauchlan Milne may only have visited Iona on three occasions in 1937, 1938 & 1939. On each visit, he stayed at the St Columba Hotel. These are his only documented visits, but there might have been more. The majority of his Iona paintings are of, or from, the north end of the island and the view to the north of the Treshnish Isles was one he was known to have repeated with variations of the viewpoint and the angle. Iona has long been the subject of prayer, prose and poetry. This historic and sacred island has also been the focus of a multitude of artists for more than two centuries. In the early to mid-twentieth century it was visited in the summers by many of Scotland's most renowned painters including the Scottish Colourists Cadell and Peploe. It was generally the case that when times were tough for artists, collectors would more readily invest in an Iona painting than any other subject.

* JOHN MACLAUCHLAN MILNE RSA (SCOTTISH 1885 - 1957), CIR MHOR FROM GLEN SANNOX (ARRAN) oil on board, signed image size 37cm x 45cm, overall size 55cm x 62cm Framed. Note: "Cir Mhor from Glen Sannox" was purchased directly from Maclauchlan Milne at his studio on Arran in the "early 1940's" by the parents of the vendor. John Maclauchlan Milne was encouraged by his father – the Scottish landscape painter Joseph Milne. His father’s influence is apparent in his early work before his style was transformed by the Scottish Colourists and modern French painters, particularly Cézanne. During the First World War Maclauchlan Milne left his home in Dundee to fight in France on the Western Front. France had a strong impression on the young artist. From 1919 -1932 he spent long periods in France. Initially, he stayed at rue des Quatre-Vents in Paris but by 1924 Milne was in Cassis with Peploe, Cadell and Duncan Grant. They also spent considerable time in San Tropez. Almost all his exhibits in the 1920’ s were of Mediterranean subjects. His obituarist wrote ‘ like Peploe, he saw Cézanne and was immediately conquered… Here in the Midi, Milne found himself and the impact of this new experience stamped all his subsequent work'. At the outbreak of the Second World War, Maclauchlan Milne returned to Scotland and settled at High Corrie on the Isle of Arran. Here he painted the whitewashed cottages, the little jetty below the village and Goat Fell, the highest peak on the island. He died in Arran in 1957. Maclauchlan Milne exhibited at the Royal Scottish Academy, at the Glasgow Institute and showed works in London and New York. A Centenary exhibition of his work was held at Dundee Art Gallery and Museum in 1985 and a major Retrospective Exhibition was held at Portland Gallery (London) in 2010. As well as enjoying the company of the Scottish Colourists and exhibiting alongside them, Milne shared many of their patrons. William Boyd, the Managing Director of Keiller’s marmalade firm, became one of his most important patrons. In Boyd’s home at Claremont several works by William McTaggart, Peploe, Hunter and Milne were displayed. His collection of French paintings included Monet, Sisley, Van Gogh, Matisse, Bonnard, Vuillard and de Segonzac. Alexander Keiller, head of the marmalade firm, was another important patron. He paid Milne a stipend – so that he could spend the summers in France – in return for paintings. The collector, Matthew Justice, was a close friend of George Leslie Hunter as well as his agent during the 1920s. Justice owned around a dozen of Milne’s paintings; his sitting-room was hung exclusively with works by Peploe and Milne and his drawing-room contained eleven Peploes, three Marchands, one Hunter and five Milne’s. The Justice collection also included works by Vuillard, Segonzac, Moreau and Matisse. Justice was friends with William Boyd and James Tattersall, another important patron of Milne.

A collection of costume jewellery to include a 9ct gold ate bracelet, weight approx 8.4gms, along with Victorian silver brooch, locket, costume jewellery including paste set ring, costume jewellery including Monet, Trifari etc, Nina Ricci gilt metal clip on earrings,  vintage brooches, faux pearls, gilt metal chains, bracelets, necklaces etc along with a Sekonda gold plated ladies dress watch with mother of pearl dial, all in a vintage wooden case, inlaid with mother of pearl and abalone 

Sir Alfred James Munnings, PRA, RWS (British, 1878-1959)The Barle river, Withypool, Exmoor signed 'A.J.Munnings' (lower right); inscribed with title (in pencil, on reverse)oil on panel17.5 x 24cm (6 7/8 x 9 7/16in).Footnotes:ProvenancePrivate collection, UK.Munnings' childhood upbringing in a mill house on a river, instilled a lifelong affinity to the sounds and sights of moving water. In fact, throughout his memoirs, there are frequent references to the artist's longing to sit by a river and paint. The solitude and his subsequent contemplation of Nature was his spiritual solice and there are over seventy river scenes in his home at Castle House, Dedham today. As a painter of light, it is no wonder that Munnings was drawn to the river near Brightworthy at various times of the day where he could examine the play of light on the fractured water surface. Munnings was so intrigued by the shifting light effects on the river and hill beyond that he returned to the exact spot on numerous occasions; the artist positioned himself at the site using the rock in the middle of the river as a pivot point or central vignette, painting it on the left or right of the various scenes. Altering the time of evening and cloud formations, he captured the reflected colour changes on the water and distant hill. This examination of light's shifting chiaroscuro and colour patterns on a constant motif was a practice Claude Monet used in painting haystacks, the cathedral facade at Rouen and of course his lilypads. For a similar composition, see Brightworthy Ford, Withypool, Exmoor, sold in these rooms, 31 March 2021, lot 77. We are grateful to Lorian Peralta-Ramos for her assistance in cataloguing this lot. The Brightworthy series will be discussed in Lorian Peralta-Ramos' forthcoming book Tradition and Modernity: The Work of Sir Alfred Munnings to be published in 2022.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A box of designer costume jewellery including Swarovski, Tommy Hilfiger, Dolce and Gabanna, Givenchy, Monet etc.

A collection of costume jewellery to include Monet

A BOX OF MAINLY SILVER PLATED WARE AND COSTUME JEWELLERY, to include a hinged wooden jewellery box, cutlery, some EPNS, a four piece EPNS tea service, three tankards, a cup, a bow, a miniature candle stick, costume jewellery necklaces and earrings, including Monet and Napier etc

A QUANTITY OF GILT METAL COSTUME JEWELLERY, including AN INTERESTING LEAF AND PINECONE SUITE OF JEWELLERY, comprising two necklaces, two brooches, two pairs of clips earrings and a bracelet; TWO METROPOLITAN MUSEUM OF ART LEAF BROOCHES; A PAIR OF MONET EARRINGS; AN 800 STANDARD GREEK FRAGMENT BROOCH; and other gilt metal jewellery. (Qty)CONDITION REPORTGood overall condition, one acorn charm loose but not apparent where it is missing from.

Three books on art: Dagas, Manet and Monet

A Mixed Lot of Assorted Modern Ladies Wristwatches, including Sekonda, Pulsar, Monet, Limit, Accurist, Cobra & Bellamy, etc, together with a dainty Smiths Empire ladies cocktail style wristwatch :- One Tray

MONET (CLAUDE)Autograph letter signed ('Claude Monet') to 'Cher Ami' [Paul Helleu], in French, asking if he is still in Paris and when he will visit with Madame Helleu and their daughter, going on to say that he is doing nothing very much and has so many worries he dare not begin anything, and ending by saying he is awaiting a word from him, 2 pages, written in purple ink, notepaper with peacock feather watermark, creased at folds, 8vo (208 x 132mm.), Giverny par Vernon, Eure, 9 July [18]93Footnotes:'CHER AMI': Monet writes in bold purple ink to his long-time friend and fellow artist Paul César Helleu from his beloved home, Giverny, which he had purchased just three years before. In the year of our letter, not only did he embark on an ambitious project to landscape the grounds to include the lily ponds that he would so famously depict in later life, Monet also completed his series of paintings of Rouen Cathedral. Helleu's own work would be strongly influenced by his close friendship with Monet, whom he met at the Second Impressionist Exhibition of 1876. At the time this invitation was issued, Helleu was a highly-regarded society portrait painter at home in the elite cultural and literary salons of Paris, counting Marcel Proust and his patron and biographer Robert de Montesquiou amongst his friends.Provenance: Baron Max Fould-Springer (1906-1999); by descent to his nephew the author David Pryce-Jones.For further information on this lot please visit Bonhams.com

A LARGE COLLECTION OF MOUNTED AND UNMOUNTED PRINTS TO INCLUDE CLAUDE MONET PRINT, AMERICAN IMPRESSIONISM ETC. IN ART FOLDERS

A Hultquist heart pendant necklace, Monet earrings and eastern jewellery

* JEAN KEVORKIAN (FRENCH b. 1933), MONET SUR LOING oil on canvas, signed, further signed and titled verso image size 97cm x 130cm, overall size 109cm x 141cm Framed. Note: Jean Kevorkian, a true Parisian, was born in the "City Of Light" in 1933 and has always loved his native Paris while preferring as inspiration for his impressionist works the timeless beauty of provincial France. Fascinated by drawing from childhood onward, he painted and drew at every possible opportunity, developing his extraordinary natural talent, a true gift which did not require formal training. Jean concentrates his endeavours on interpreting, as did the master impressionists preceding him, the glories of nature; summer, winter, spring and fall, glowing hills and valleys, sparkling streams with distant villages, sun-drenched beaches and endless changing skies. His results are quite irresistible. Kevorkian's paintings are exhibited and sold through numerous prestigious galleries in Europe and the US, including Poulsen Galleries Inc (California) where an example of this size (38 x 51 inches) would have a price ticket of US$15,500.

John Myatt (b.1945) after Claude Monet (1840-1926) Water Lilies Signed and numbered 80/99 verso, giclee print on canvas, 74cm by 100cm Sold together with the certificate of authenticity Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A collection of costume jewellery to include Monet clip earrings and faux pearl necklace with magnetic clasps etc.

A collection of vintage costume jewellery to include items by Monet, Avon, watches etc Condition Report: Not available for this lot

A selection of costume jewellery, including a Monet yellow metal necklace with pink stone, a sterling silver necklace, two gold coloured leaf brooches, various beads, 10 x circulated £2 coins, 3 commemorative 1977 crowns and Majorca pearl necklaces in boxes.

A mixed lot of costume jewellery including a white metal (tests as 18ct gold) ring, set with 7 small diamonds, gross weight approximately 1.7g, gold plated cufflinks, silver charms, 9ct gold dress stud, Monet diamanté bracelet, marcasite bow necklace, earrings, necklaces, bracelets and rings etc.

A collection of 7 Art books including 3 from Taschen. To include Monet, Munch, Renoir and Rembrandt.

A colour print after Claude Monet, 89 x 89 cm

A quantity of Costume Jewellery, including bead necklaces, brooches including a Monet butterfly brooch, vintage jewellery cases etc., (a lot)

A collection of vintage and modern costume jewellery and watches to include necklaces, bracelets, watches ,rings and brooches earrings. Including Signed Monet, Spinx.

Five framed pictures to include print of Au Jardin, Monet. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Two prints including still life of grapes amongst Oriental ceramics and Monet river scene, both framed and glazed

Silver plated bracelet set with mother of pearl panels by Monet

Prof. Paul Baum, Zwei Radierungen1.) Wegbiegung an einem großen Gehöft mit Bäumen aus Sluis, erschienen in "Die Kunst des Radierens", 1908, leicht fleckig, Darstellungsmaße ca. 9,6 x 14,7 cm, Blattmaße ca. 17 x 21,5 cm, und 2.) Wiese mit Kopfweiden und Brücke in flacher Landschaft, um 1910, in der Platte signiert "P. Baum", Darstellungsmaße ca. 14,3 x 18,1 cm. Künstlerinfo: dt. Maler, Zeichner und Graphiker des Impressionismus (1859 Meißen bis 1932 San Gimignano), Lehre als Blumenmaler an der Königlichen Porzellanmanufaktur Meissen, ab 1877 Studium an der Kunstakademie Dresden bei Friedrich Preller, 1888 Wechsel an die Kunstschule in Weimar, hier Studium bis 1887 bei Theodor Hagen, 1888 Aufenthalt in Allach bei München, Anschluss an die Künstlerkolonie Dachau und hier Freundschaft mit Carl Bantzer und Max Arthur Stremel, 1890 Kontakt mit Arbeiten von Alfred Sisley, Camille Pissaro und Claude Monet, ging von Dachau für vier Jahre nach Knokke in Belgien, hier Bekanntschaft mit Théo van Rysselberghe, kurzzeitig in Dresden ansässig und hier Mitglied der Dresdner Sezession, 1895 Übersiedlung nach Sint Anna ter Muiden in den Südniederlanden, er lebte hier bis 1908, wurde 1902 Mitglied der Berliner Sezession, 1909 Mitglied der Neuen Künstlervereinigung München, 1909 Verleihung des Villa Romana-Preises, hielt sich anschl. vier Jahre in Italien auf, nach dem Kriegsausbruch 1914 Rückkehr nach Deutschland, 1915 kurzzeitiger Aufenthalt in der Künstlerkolonie Willingshausen, ab 1918 Professor für Landschaftsmalerei an der Akademie in Kassel, seit 1924 meist Aufenthalt in San Gimignano, 1927 Verleihung der Ehrendoktorwürde der Universität Marburg, Mitglied im Deutschen Künstlerbund. Quelle: Thieme-Becker, Vollmer, AKL, Bötticher und Wikipedia.

Auguste Renoir, "Le chapeau épinglé"Mädchen, einem anderen Mädchen eine Hutnadel ansteckend, Werksverzeichnis Delteil 8, Radierung auf Maschinenbütten, 1894 (Entstehung der Radierplatte), in der Platte unten links signiert "Renoir", unter Passepartout montiert, Darstellungsmaße ca. 12 x 8,5 cm, Blattmaße ca. 33 x 25 cm. Künstlerinfo: eigentlich Pierre-Auguste Renoir, frz. Maler und Radierer (1841 Limoges/Limousin bis 1919 Cagnes-sur-Mer/Côte d' Azur), ab 1845 Kindheit in Paris, ab 1854 Lehre und Tätigkeit als Porzellanmaler, studierte 1861-64 Malerei bei Charles Gleyre, beeinflusst von Gustave Courbet und Diaz de la Peña, später fand sein Interesse an Raffael und Jean-Auguste-Domenique Ingres Niederschlag in seiner Kunst, unterhielt Freundschaft zu Claude Monet, Alfred Sisley, Frédéric Bazille und Édouard Manet, beschickte ab 1864 den Pariser Salon, unternahm Studienreisen nach Algerien, Italien (Palermo) und auf die Insel Guernsey, zunächst in Paris freischaffend,1907 Umzug nach Cagnes-sur-Mer an der Côte d' Azur. Quelle: Thieme-Becker, Bénézit und Wikipedia.