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A collection of vintage costume jewellery to include a Monet necklace and earring set, and other items Condition Report:No condition report available.

THREE PAIRS OF MONET EARRINGS

Unique chain accented with six round beads. Monet stamped on tag near clasp. Dimensions: 18.5"LManufacturer: MonetCondition: Age related wear.

A COLLECTION OF COSTUME JEWELLERY comprising eleven pairs of clip on earrings (two monet, one ciro), a lariat style necklace, a chain with suspended heart pendant, a ciro black pendant necklace, a monet mother of pearl necklace, a silver heart pendant on silver chain, a ring, a rolled gold cross and four pins

AutoArt 1:18 Lancia Fulvia 1.6HF Winner Of Rally Monet Carlo 1972, 87218, in original box, E, box G, discoloured

A BOX AND LOOSE ASSORTED PICTURES AND PRINTS ETC, to include Chinese paintings on fabric, prints of various artwork - Matisse, Lowry and Monet etc, two Martin Wiscombe prints (1 box + loose)

ASSORTED COSTUME JEWELLERY, to include boxed necklaces, beaded necklaces, boxed novelty pocket watch, a box of buttons, earrings, bracelets, buckles, cufflinks, belt, boxed fashion wristwatches, a boxed bi-colour Monet etc

A LARGE BOX OF COSTUME JEWELLERY AND OTHER ITEMS, to include a boxed 'Monet' necklace, a large selection of costume jewellery, a small Dutch embossed silver dish, Dutch hallmarks, circa 1930 approximate gross weight 42.6 grams, 1.37 ozt, a white metal medal, unmarked, a selection of compacts, to include Stratton and Dior, together with other assorted items

LAGENDYK, signed oil on canvas of a dog, dated 1935, 62 x 54cm together with another and an oiliograph Monet print (3)

Assorted Costume Jewellery, including brooches, necklaces, bangles, brands including Hollywood, Monet, Caolbrook, etc, large quantity:- One Box plus bag.

A Collection of Costume Jewellery, including foliate style brooches, other brooches, a Monet necklace with similar earrings, bead necklaces, etc, together with various jewellery and other boxes :- One Tray

Quantity of modern lady's and gentleman's fashion watches to include Rotary, Monet, Limit, Ravel, Senlon, Hudson, etc

Selection of costume jewellery, by makers including: Monet, Swarovski and others.

Various pictures and prints including A B Robson etchings, signed limited edition prints, photographic prints, framed Monet prints etc together with two art books Pre-Raphaelites and Monet.

Number of cases of costume jewellery. To include a selection of Sterling Silver Jewellery, some Silver Chains, bracelets including Millefiori Glass Bracelet, some odd Earrings and Pendants. Some broken.Total gross weight of the silver is approx. 76 grams.  There is also a selection of Costume Jewellery to include 'Rochelle' Gold Tone Belcher Necklace, Monet Simulated Pearl Necklace and a tumbled Agate Stones white metal bracelet. 

A vintage 20th century 1970s Musée Marmottan  impressionists exhibition poster. The exhibition including artists such as Renoir, Millet, Daumier, Manet, Pissarro, Monet, Cezanne and Bonnard. The poster featuring an impressionist landscape painting. Measures approx. 60cm x 40cm.

A Selection of Costume Jewellery including Monet

A QUANTITY OF PAINTINGS AND PRINTS ETC, to include five Sam Garratt (1840-1948) signed dry point etchings, comprising Stirling Castle, Pass of the Trossachs - Loch Katrine, Ellen's Isle - The Trossachs, Queens View - Loch Achray and The Bear Yard Burford (signature trimmed), together with an unsigned oil on board depicting ducks over a marsh at sunset, approximate size 14cm x 19cm, unsigned oil on board depicting boats on a lake, a M.E. Haward watercolour depicting a continental village viewed through trees, poster prints by Monet and Matisse, and other assorted and framed cigarette cards etc

A Large collection of jewellery; Raymond Weil ladies watch, Silver and CZ Bracelet, Jade cross pendant, Pewter Celtic design bangles, Monet vintage gold plated necklace, and many more items

These wonderfully creative enamels over metal are celebrating some of the great artist. Colorful Claude Monet #107, Head of a Woman Modigliani #1803 and Paparazzi T. Lautrec #107. Kevin Chen backstamp. Largest piece: 4"L x 2"W x 3.5"H. Issued: c. 2004Manufacturer: Kevin ChenCountry of Origin: EnglandCondition: Age related wear.

Oil on canvas reproductions as greeting cards including Claude Monet and JWM Turner etc, large set in one box (approx. 26)

Diamond bar brooch, stamped 9ct, pair of seed pearl lyre pendants, various pairs of earrings, costume jewellery; including two pairs of Monet earrings and three novelty watches, etc, a group of ladies wristwatches, including Pia and Avia and miniature quartz carriage clock

A pair of vintage pearl and paste earrings, a cigarette holder, Edwardian silver brooch, Monet brooch etc.

A silver Celtic pendant, silver plated brooch, Monet necklace and crystal necklace

MONET VINTAGE CREAM FAUX PEARL CLUSTER EARRINGS AND BRACELET SET.

A silver gilt antelope brooch marked Monet, Sterling.

3 drawer jewellery box with qty of jewellery inc rings, Monet cuff bangle, gold tone jewellery, Gioielli silver bead necklace (76cm) etc

Kerstin McGregor (1962-2012) Wolves Abstract oil on canvas painting Unsigned 188 x 145 cm (74" x 57") Kerstin McGregor was a resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986.  Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties.  Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media.  Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A quantity of late 20th Century gold tone, silver tone and bejewelled costume jewellery, mainly 1980's to include A&S (Attwood & Sawyer), D'Orlan, Monet, JewelCraft and Nina Ricci all housed in 2 black Frank Usher jewellery pouches.Condition: One D'Orlan gold tone and black enamelled necklace A/F)

A quantity of 20th Century costume jewellery, mainly 1980's to include gold tone necklaces, a Tiger's Eye necklace, a Nina Ricci gold tone necklace, 2 Monet gold tone necklaces, silver tone dress rings and others, costume earrings to include 2 pairs of Attwood & Sawyer and 3 ladies gold tone cocktail watches with strap parts.

A quantity of costume jewellery and vintage watches and pocket watches to include an amber effect necklace and other necklaces to include gold-plated and silver examples, dress rings to include a silver tone gents signet ring with jet effect cabochon a rosary, a Monet gold tone chain A/F, Smith and Ingersoll pocket watches together with a Japanese military style compass and 1970's horticultural award medallions. Location:BWR

A job lot of designer costume jewellery. Monet, Napier, Givency etc

Costume jewellery to include a Lorus watch, a Swarovski brooch and bangle, a Monet curb link bracelet and faux pearl necklace, etc

Large collection of art interest to include Rossetti, Turner, Caravaggio, Picasso, Monet, Bateman and others (50+)

Designer costume jewellery including Trifari earrings, Sarah Coventry, Monet, Oasis, etc.

Designer costume jewellery including Monet, Fossil, Fiorelli, etc.

LAKE GIVERNY- AFTER CLAUDE MONET. A MACHINE LOOM WOVEN TAPESTRY PANEL. 202 X 128 cm

Small quantity of costume jewellery including a blue glass necklace, amber-coloured bead necklace, two clear glass-effect beaded necklaces, one glass necklace 60 cms, lilac beaded necklace, Monet brooch, Joan Collins serpent necklace, earrings and brooch, costume rings and two watches. 

Gold metal with clear marquise cut rhinestones forming a floral motif. Monet mark on back. Dimensions: 1.25"L x 0.75"WManufacturer: MonetCondition: Age related wear.

* Eliot (Thomas Stearns, 1888-1965). Greetings Card Signed, 'T. S. Eliot', [?New York], Hallmark Cards, c. 1950s, greetings card with colour reproduction of a painting of Rouen Cathedral by Claude Monet tipped on to front, two verses from The Rock ('O light invisible, we praise Thee!') printed to right inside page, inscribed in blue ink, 'From Charles, with love' to blank left page and signed in blue ink by Eliot at foot of the two verses, printed credits, copyright details and card reference number at foot of inside left page and second leaf verso, two brown spots and some browning and adhesion marks to final page with loss of copyright wording, one light spot adjacent to Eliot's autograph, slim 8vo, together with first edition copies of books with author's signed presentation inscriptions to Rosemary Goad from Brian Aldiss, Michael Dibdin, Fay Godwin, Rachel Ingalls, Julian Symons and Naguid Mahfouz, plus a small quantity of Goad's ephemera including orders of service for T. S. Eliot and Geoffrey Faber, a framed and glazed etching of T. S. Eliot by P. E. Rose, 1987, a few photographs loosely contained in a leather blotter, education certificates, private press ephemera of Merrion Press and Cuckoo Hill Press, etc. QTY: (approx. 30)NOTE:Provenance: Given by the Faber & Faber editor Charles Monteith to Rosemary Goad, the first female director of Faber.

David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 19 February iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 17/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)Footnotes:The iPad drawings that constitute The Arrival of Spring series by David Hockney might have been received at first with a hint of suspicion when they were introduced in the Royal Academy A Bigger Picture blockbuster exhibition in 2012. Some questioned the choice of the iPad as an artistic tool, others complained about the digital rendering, yet all were taken aback by David Hockney's ability to revolutionise landscape paintings at this stage of his career, embracing the digital revolution of the 21st century. Just over ten years later, The Arrival of Spring iPad drawings have become some of the most instantly recognisable and highly sought-after works in the artist's oeuvre. They have come to define the David Hockney of the noughties, celebrating the Yorkshire landscape by depicting the impact of the incoming Spring from January to June 2011. As an eager exponent of drawing first on an iPhone then on an iPad, David Hockney proved that digital advances were not to be feared but celebrated, praising the iPad as 'a fantastic medium for landscape', helping to capture the rapid changes of light better than any other medium could allow. The strength of these works is also in how they inscribe themselves within an important history of landscape paintings, one especially dear to British art. Constable, Monet, Turner, Claude, Spencer or Van Gogh come to mind and their approach to nature continues to impact an artist who, after many years spent in the Californian sun, became fascinated by the spectacle of the changing seasons, and the English Spring in particular. As such, Hockney further enhances his position as one of the most important artists of our time, continuously challenging the viewers and artworld's expectations of landscape paintings, pushing the boundaries of creation and medium, making art a welcome field for all. The queues to go and experience the first exhibition of his iPad drawings amongst paintings and videos at the Royal Academy in 2012, and the enthusiastic responses said it all. We are thrilled to present the following three works from The Arrival of Spring series in this sale. Each beautifully capturing the landscape, light, and colours of Hockney's beloved birth county, Yorkshire, slowly waking up to Spring. A season many now associate with Hockney's later work. Here, art and nature complement each other at their best, in works that have become just as historically relevant to art in the 21st century as those of Constable and Turner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A collection of ceramics including a Royal Doulton Claude Monet character jug, Disney Showcase Winnie The Pooh tea pot, Fielding tea pot, Jubilee ware etc. postage category D

A Framed Claude Monet Print, Sunrise, 57x44cm

A pair of Monet yellow metal bracelets each curb link, with buckle shaped clasp

A pair of yellow metal Etruscan-style earrings probably Monet, each with palmette and key-pattern suspending beaded drops, with stud fittings, the plastic fitting marked Monet

A pair of Monet Smithsonian Collection yellow metal necklaces each stamped with circular Monet tags

Vintage and modern designer gilt metal jewellery including Christian Dior necklace and matching earring clips, Monet feather brooch, Trefari coiled feather brooch, Monet cleopatra style necklace, Grossé earring clips and necklace, Montine bangle fashion wristwatch, paste-set spray brooch marked A&S, and some unnamed pieces etc

A collection of costume jewellery brooches to include Monet, Movitex, leaf, and floral examples.

A BOX OF ASSORTED ITEMS, to include an early 20th century garnet brooch with a vacant glass panel to the front and back, a base metal and enamel bird brooch, an AF Victorian brooch, an assortment of semi-precious beaded necklaces, an assortment of gem set and hard stone necklaces, set in white metal stamped 925, approximate gross weight 315.2 grams, a ration book, and assortment of cap badges, a 'Ronson' lighter, a selection of thimbles, a silver lidded jar, hallmarked Birmingham 1905, approximate gross weight 4 grams, a 'Timex' watch, a 'Monet' brooch, together with assorted hinged jewellery boxes and other items

Horst Antes 1936 Heppenheim - lebt und arbeitet in Sicellino und Wolfartsweier Zweifigurig II. 1964. Eiöltempera auf Malpappe, fest in die originale Künstlerleiste montiert. Unten mittig signiert und datiert. Verso signiert, betitelt und mit den Maß- und Technikangaben bezeichnet. 60 x 50 cm (23,6 x 19,6 in). Rahmenmaß: 64,5 x 54,5 cm (25,4 x 21,5 in). [CH]. • Zu Beginn der 1960er Jahre findet Antes mit der Erfindung des 'Kopffüßlers' in seinem malerischen und plastischen Schaffen von der Abstraktion zur Figuration und zugleich zu einer intensiveren, leuchtenden Farbigkeit. • In diesen Jahren entwickelt Antes zudem gänzlich neue und für sein späteres Schaffen wegweisende Bildelemente wie die doppelt übereinander gesetzten Augen. • Über die Gestik der Hände und Arme zeigen uns die beiden Figuren – charakteristisch für die Werke dieser Entstehungszeit – Zeigegesten und Ansprachen. • 1966 stellt Horst Antes im deutschen Pavillon auf der XXX. Biennale von Venedig aus. • Vergleichbare Arbeiten aus diesem Entstehungsjahr befinden sich in bedeutenden musealen Sammlungen, darunter das Busch-Reisinger-Museum des Harvard Art Museums in Cambridge (Mass.), die Pinakothek der Moderne in München, das Sprengel Museum in Hannover und das Osthaus Museum in Hagen. PROVENIENZ: Galerie Thomas, München (verso m. zwei Galerieetiketten). Firmensammlung Ahlers AG, Herford (1983 vom Vorgenannten erworben). AUSSTELLUNG: Antes - Loth, Galerie Altes Theater, Ravensburg, 20.2.-13.3.1966. Antes bei Stangl, Galerie Stangl, München, 20.2.-19.4.1975 (m. SW-Abb., verso m. d. Ausstellungsetikett). Große Kunstausstellung, Haus der Kunst, München, 12.6.-26.9.1976, Nr. 806. Von Monet bis Poliakoff, Galerie Thomas, München, Okt./Nov. 1982 (m. Farbabb.). LITERATUR: Katja Szymczak, Horst Antes. Werkverzeichnis der Gemälde, Bd. 1: 1957-1964, Künzelsau 2020, S. 210, WVZ-Nr. 1964-22 (m. Farbabb.). 'Ich belade und entlade meine Figuren symbolisch, sentimental, organisch, geschichtlich, ich fülle sie an und entleere sie mit Anspielungen, Gesten, Gedanken, Spekulationen, Wünschen und Ängstlichkeit. Ich mache mir ein Bild, ich mache mir jemand als Gleichnis, Partner, Spiegel.' Horst Antes, 1970, zit. nach: Katja Szymczak, Horst Antes. Werkverzeichnis der Gemälde, Bd. 1, Künzelsau 2020, S. 8. 'Eine Figur kann viele Arme haben, wenn es notwendig ist. Lasse ich einen Arm aus dem Körper rollen, einem Körper, der ganz Gesicht ist, einen Arm so wachsen, daß er beißen kann, oder daß er blüht, so bin ich der Arm.' Horst Antes, 1960, zit. nach: Katja Szymczak, Horst Antes. Werkverzeichnis der Gemälde, Bd. 1, Künzelsau 2020, S. 8. Aufrufzeit: 08.12.2023 - ca. 13.41 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONHorst Antes 1936 Heppenheim - lebt und arbeitet in Sicellino und Wolfartsweier Zweifigurig II. 1964. Egg and oil tempera on cardboard, mounted into the original artist frame. Bottom center signed and dated. Signed, titled and inscribed with the dimensions and the technique on the reverse. 60 x 50 cm (23.6 x 19.6 in). Frame size: 64,5 x 54,5 cm (25,4 x 21,5 in). [CH]. • With the invention of the 'Kopffüßler' (cephalopod) in the early 1960s, Antes moved from abstraction to figuration in his paintings and sculptures and also attained more intense and luminous colors. • During these years, Antes also developed completely new pictorial elements that would be seminal for his later work, such as the double superimposed eyes. • Through the gestures of the hands and arms, the two figures show us pointing gestures and speeches - characteristic of the works from this period. • In 1966, Horst Antes exhibited in the German pavilion at the XXX. Venice Biennale. • Comparable works from this year can be found in important museum collections like the Busch-Reisinger-Museum of the Harvard Art Museum in Cambridge (Mass.), the Pinakothek der Moderne in Munich, the Sprengel Museum in Hanover and the Osthaus Museum in Hagen. PROVENANCE: Galerie Thomas, Munich (with two gallery labels on the reverse). Corporate Collection Ahlers AG, Herford (acquired from the above in 1983). EXHIBITION: Antes - Loth, Galerie Altes Theater, Ravensburg, February 20 - March 13, 1966. Antes bei Stangl, Galerie Stangl, Munich, February 20 - April 19, 1975 (black-and-white illu., with the exhibition label on the reverse). Große Kunstausstellung, Haus der Kunst, Munich, June 12 - September 26, 1976, no. 806. Von Monet bis Poliakoff, Galerie Thomas, Munich, Oct./Nov. 1982 (colro illu.). LITERATURE: Katja Szymczak, Horst Antes. Catalogue raisonné of paintings, vol. 1: 1957-1964, Künzelsau 2020, p. 210, no. 1964-22 (color illu.). 'I charge and discharge my figures symbolically, sentimentally, organically, historically, I fill and empty them with allusions, gestures, thoughts, speculations, desires and anxiety. I make myself an image, I make myself someone as a parable, a partner, a mirror.' Horst Antes, 1970, quoted from: Katja Szymczak, Horst Antes. Catalogue raisonné of paintings, vol. 1, Künzelsau 2020, p. 8. 'A figure can have many arms if necessary. If I let an arm roll out of the body, a body that is all face, an arm grow so that it can bite, or that it blossoms, then I am the arm.' Horst Antes, 1960, quoted from: Katja Szymczak, Horst Antes. Catalogue raisonné of paintings, vol. 1, Künzelsau 2020, p. 8. Called up: December 8, 2023 - ca. 13.41 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Max Slevogt 1868 Landshut - 1932 Neukastel Kinder am Weiher (Garten in Godramstein). 1909. Öl auf Leinwand. Verso mit dem Nachlassstempel und der handschriftlichen Registriernummer '149', der irrtümlichen Datierung auf '1911' sowie der Unterschrift Wolfgang Slevogts, des Sohnes des Künstlers. 63 x 78,5 cm (24,8 x 30,9 in). • Bis August diesen Jahres war das Gemälde noch Teil einer Ausstellung in der National Gallery in London. • Wunderbar locker und summarisch auf die Leinwand gesetze Parklandschaft mit familiärer Szenerie. • Slevogt erwähnt das Gemälde in einem handschriftlichen Bilderverzeichnis und datiert es auf 1909. • Gemeinsam mit Liebermann und Corinth zählt er zu den herausragenden Vertretern des deutschen Impressionismus. Die Authentizität der vorliegenden Arbeit wurde von Bernhard Geil mündlich bestätigt. PROVENIENZ: Sammlung Caroline von Slevogt, geb. Lucas (Mutter des Künstlers). Privatsammlung. Privatsammlung. Privatsammlung Berlin (2005 vom Vorgenannten erworben). AUSSTELLUNG: Liebermann - Corinth - Slevogt. Die Landschaften, Wallraf-Richartz-Museum & Fondation Corboud, Köln, 30.4.-1.8.2010; Museum of Fine Arts, Houston, 12.9.-5.12.2010, Kat.-Nr. 67 (m. Farbbabb.). After Impressionism. Inventing Modern Art, The National Gallery, London, 25.3.-13.8.2023, Kat.-Nr. 63 (m. Farbabb.). LITERATUR: Kunsthaus Lempertz, Köln, 882. Auktion, Moderne Kunst, 3.12.2005, Los 986 (m. Farbabb. S. 319). Von einer besonderen atmosphärischen Leichtigkeit ist die vorliegende Parklandschaft geprägt. Der lockere Auftrag lichter Farben, das virtuose Licht-Schatten-Spiel im Schutz der Bäume und die zufällig wahrgenommene Familienszene unterstreichen die herausragende Stellung Max Slevogts innerhalb des deutschen Impressionismus. Nachdem sich Slevogt von 1884 bis 1889 einem Studium an der Münchener Akademie der Bildenden Künste widmet, schreibt er sich 1889 in der renommierten Académie Julian in Paris ein. Doch wird erst die Teilnahme 1900 an der Weltausstellung in Paris und der dortige Kontakt mit dem französischen Impressionismus sowie mit der Malerei Édouard Manets zu einer Art Zäsur in seinem eigenen künstlerischen Schaffen. Es beginnt eine Loslösung von einer eher dunklen Farbigkeit seiner dramatischen Gemälde mit teils symbolistischen Anklängen à la Arnold Böcklin hin zu einer lichten Freilichtmalerei im Sinne des impressionistischen Grundgedankens eines Claude Monet. Die spontane Erfassung des flüchtigen visuellen Eindrucks in Verbindung mit einer suggestiven Pinselschrift zeigt sich eindrucksvoll in dem vorliegenden Gemälde 'Kinder am Weiher (Garten in Godramstein)' von 1909. In dieser Zeit fertigt Slevogt hauptsächlich Landschaften und Porträts im Auftrag des Bayerischen Prinzregenten Luitpold an, doch findet er auch Zeit, sich sehr persönlichen Darstellungen zu widmen, wie in diesem Gemälde aus dem Besitz der Mutter des Künstlers, Caroline von Slevogt. In einem schon fast fotografisch festgehaltenen Augenblick zeigt Slevogt seine beiden Kinder Nina und Wolfgang gemeinsam mit ihrem Kindermädchen auf dem Weg zu einem Weiher auf dem Grundstück seiner Schwiegereltern. Später sollte das unweit gelegene Landgut Neukastell, später Slevogthof genannt, zu dem Alterssitz des Künstlers werden. Die pfälzische Landschaft um Godramstein mit Ausblick auf die Vogesen und umliegende Weinberge sollte das künstlerische Schaffen zeitlebens inspirieren, sie sind als weiterer Motor in seiner Entwicklung hin zu einer impressionistischen Malerei zu nennen. Slevogt setzt sich hier mit jahres- und tageszeitlichen sowie mit witterungsbedingten atmosphärischen Effekten auseinander. Hier ruft er eine herbstliche Szenerie mit schon teils gefärbtem Laub und nachmittäglichen Lichtstrahlen auf, die sich ihren Weg durch das dicke Baumgeflecht am oberen Bildrand suchen und ihre warmen Strahlen sowohl auf den Weg als auch auf die drei Gestalten werfen. Man kann sich Max Slevogt förmlich vorstellen, wie er hinter dem Bildausschnitt mit einer Staffelei sitzt und seinen Kindern womöglich etwas zuruft. Es ist daher nicht verwunderlich, dass das Gemälde erst diesen Sommer einen Platz in der mit großer Aufmerksamkeit verfolgten Ausstellung 'After Impressionist: Inventing Modern Art' in einem der weltweit führenden Museen, der National Gallery in London, fand. [AW] Aufrufzeit: 09.12.2023 - ca. 17.34 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

A selection of vintage designer costume jewellery including Monet, Anne Klein, Givenchy

Anita Harris Homage to Monet large purse vase, watercolour style imprssionist. Gold signed to base, height 20cm, width 20cm

A LARGE COLLECTION OF PREDOMINANTLY VINTAGE DRESS JEWELLERY TO INCLUDE CLIP ON EARRINGS MADE IN ITALY, A LARGE SELECTION OF MONET EXAMPLES, DORENE, SPHINX, AND DAMASCENE TOGETHER WITH TWO PAIRS OF SILVER EARRINGS, A SILVER BROOCH, AN EVERITE VINTAGE WATCH, A MEERSCHAUM PIPE ETC.

A COLLECTION OF DRESS JEWELLERY SIGNED MONET WITH OTHER UNSIGNED EXAMPLES INCLUDED.

A COLLECTION OF COSTUME JEWELLERY TO INCLUDE TWO PAIRS OF MONET CLIP ON EARRINGS, OTHER EARRINGS, BROOCHES, TWO 1889 VICTORIAN SILVER COINS JOINED AS A BROOCH, A SILVER DACHSHUND BROOCH, A CONTINENTAL SILVER LID, AND A SILVER CRIB CHARM.

A COLLECTION OF VINTAGE AND OTHER COSTUME JEWELLERY TO INLCUDE SIGNED PIECES BY JAMIE LONDON, AN EASTERN STYLE PENDANT SUSPENDED ON A FACET CUT GEMSTONE NECKLACE, TOGETHER WITH A NINE STRAND CARNELIAN RECTANGLE CUT GRADUATED BEAD NECKLACE AND A DOUBLE ROW OF MONET PEARLS. CONTAINED IN A RED LEATHER JEWELLERY CASE WITH FITTED LIFT OUT TRAY.

3 prints, 2 of Claude Monet, The Water-Lilly pond and Garden at Giverny also with Arthur John Elsley's Bath time. Together with 2 wooden wall hanging mirrors. Tallest approx. 107cm x 42cm.

Paul César Helleu, 1859 – 1927LES LIONNES, 1895Kaltnadelradierung.34 x 32 cm.Links unten signiert, verso betitelt.In vergoldetem kanneliertem Rahmen.Schöner gleichmäßiger und kontrastreicher Druck mit der Darstellung von fünf Positionen eines Frauenkopfes.Helleu war auf Portraits spezialisiert und war mit James Abbot, McNeill Whistler, John Singer Sargent und auch mit Claude Monet befreundet. Zunächst portraitierte er seine Frau Alice Guérin (1869-1921), die stets sein Lieblingsmodell blieb, doch schon bald avancierte er zum modischen Portraitmaler- und grafiker. Helleus Stil, der sich durch Eleganz und weibliche Anmut auszeichnet, war sowohl in Paris als auch in London und New York gefragt, wohin er ab 1902 reist und wo auch heute noch zahlreiche Sammler seine Werke schätzen. (1350153) (13))

A LARGE FRAMED CLAUDE MONET PRINT, 96CM X 74CM