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peintres. 10 lettres ou pièces, la plupart L.S., à Maurice Thireau, auteur de L’Art moderne et la graphie. Giorgio de Chirico (l.a.s., 1929), Fernand Léger, Jean Metzinger, Blanche Hoschedé Monet, Amédée Ozenfant (3), Laszlo Reiter (2, dont une l.a.s. à vignette de l’Exposition inernationale des arts et métiers graphiques, 1931), etc.

Marchesi, Blanche: HMV private recording JH9 Dido & Aeneas / Sicilian Song (2 copies); JH10 L`Eté / Anne Boleyn (2 copies); JH21 Goldschmidt, Reger, Lie songs; JG41 Wolf, Monet & Handel (some signed on label); four IRCC (10)

A Claude Monet print, Les Coquelicots and three landscape paintings

HENRI CARTIER-BRESSON (1908-2004) Anne-Marie Monet à son bureau, 1946Tirage argentique d’époque, tampon au verso22,6 X 15 CM

The Daily Telegraph 'A Collection of Distinction' including prints from Monet, Seurat, Van Gogh, etc.; a Disney Lithograph collectors edition taken from The Jungle Book, a John Waterhouse Print of Echo and Narcissus floral prints, etc.

Three Monet necklaces, and a large quantity of assorted costume jewellery

Classical, 19th. & Early 20th. Century Art selection. Artists featured include: Cezanne, Klee, Bonnard, Rouault, Rousseau, Picasso, Kandinsky, Constable, Munch, Wilkie, Spencelayh, Matisse, Monet, Braque, Sargent, Flint, Van Gogh, Chagall, Kokoschka, Klimt, Kirchner, Lowry, Schwitters, Corinth, Signac together with a number of other similar titles. Books mainly qto. hb. with a selection of pbs and most in vg., near fine condition.

A group of 1960`s bead necklaces, Monet bracelet, three later necklaces and a card case

Two Claude Monet prints and two others

A pair of Swarovski crystal earrings and a paste Monet brooch

IMPRESSIONIST STYLE OIL ON CANVAS, 30" X 40", ARTIST PAINTING IN A BOAT: Contemporary rendering after Monet; framed.

A "Monet" red and black enamel bracelet with matching earrings and a Salvatore Ferragamo black leather and gilt metal handbag

A SELECTION OF VINTAGE `MONET` COSTUME JEWELLERY, including boxed examples, together with a selection of gilt and enamel brooches etc., (11)

After Claude Monet, oil on canvas, view of seaside town through trees, framed.

A pastel still life drawing of Table and Curtains, plus a small watercolour of Saurdale Loch, Skye by Daisy Budge and a Monet Print of tea table in garden

Studio of Miguel Canals, after Claude Monet, WATERLILIES With signature Claude Monet and dated 1908' l.l., with studio stamp on stretcher, oil on canvas 106 x 118cm

Studio of Miguel Canals, after Claude Monet, A ROAD IN WINTER Bears signature, with studio stamp on stretcher, oil on canvas 36 x 41cm

A 19th century portrait of a young lady, together with a Monet print, both in gilt frames and mounted

Art Reference : A collection of 12 large format illustrated titles, hb. & Pb., featuring the work Turner, Gaugin, Monet, Whistler, Blampied, Toulouse-Lautrec, Matisse, Cezanne and Goya. Some major exhibition retrospectives. CONDITION REPORT: Mainly fine copies, some original wraps.

A collection of various jewels, including 9ct gold and pearl dress studs, a Monet double curb chain bracelet and another example, plus others (parcel)

John Lawrence? a study of two kittens, pastel, together with a framed print after Monet and a framed and glazed furnishing print of a yellow tulip.

Two framed prints after Monet and Sir Gerald Kelly, (2)

T. Carisius. Denarius, 3.91g (4h). Rome, 46 BC. Obv: Head of Juno Moneta right, two locks of hair down neck, MONET[A] behind. Rx: T CARISIVS above cap of Vulcan over anvil between tongs and hammer, all within wreath. Crawford 464/2. Sydenham 982. RSC Carisia 1b. Flat strike at bottom of obverse. VF+/EF

A quantity of costume jewellery, 1950s-1980s, comprising a Sarah Cox necklace, bracelet and pair of earrings, Monet necklace, pair of Trifari floral spray clip earrings, pair of Jewelcraft earrings and a Karu leaf brooch, and further necklaces, brooches and earrings.

2 bouteilles COGNAC “Grande Champagne”, Monet 1893 (1 LB)

After Richard Britton, a pencil signed and numbered limited edition print of a black labrador, an early 19th century coloured etching after Woodward 'Sailors Eating Pork', a 1984 Aston Martin poster, a framed print after Monet and other pictures and prints.

A gilt composite framed and glazed print after Monet, a print after Arthur Hopkins of Her Majesty's drawing room at Buckingham Palace and a gilt framed oil on board landscape of Nant Ffrancon Pass signed John Parry etc.

A modern reproduction coloured Claude Monet print, Meadow with Poplars, in gilt frame, label on reverse - Museum of Fine Art, Boston, 50 x 58cm.

Sir Gerald Festus Kelly KCVC PRA RHA (1879-1972) Peaches and Figs Oil on board, 67.5 x 81 (26½ x 31¾") Signed and dated '38 Exhibited: Atkinson Art Gallery Southport (original label verso), The Royal British Academy, 1970, Cat. No. 151 Sir Gerald Festus Kelly was born in London, 1879. He was educated at Eton College followed by Trinity College Cambridge. After his university studies he travelled to Paris where he remained for many years, receiving an artistic training and befriending Degas, Renoir, Monet, Rodin and Cezanne among other artistic types. Kelly travelled extensively during his lifetime, choosing exotic locations such as Burma and Africa as well as the closer climes of Italy and Spain for his inspiration. Although Kelly's choice of subject for his paintings was varied, it was perhaps for his portraits that he became best known, executing several State portraits and many paintings of society ladies and gentlemen, bishops and lords of the time. Brian Kennedy writes in his book 'Irish Art and Modernism 1880-1950' (p.167): Apart from Dermod O'Brien, the other outstanding portraitists year after year were Sir William Orpen (until 1917 when he last exhibited), Sir John Lavery and Sir Gerald Kelly, but as they lived in England their influence was less than it might otherwise have been. Sir Gerald Festus Kelly exhibited over 300 works at the Royal Academy in London from 1909 until 1970 and held the Presidency from 1949-'54.Although painted in 1938 this work was not exhibited in the Royal Academy until 1970 the last year he exhibited there. In Ireland Kelly exhibited at the Royal Hibernian Academy from 1905-1969, the Oireachtas Art Exhibition in 1932 and also at the Ulster Academy of Arts in 1948. Gerald Kelly received a knighthood in 1945 - no doubt for his astounding talent in representing people and places with extreme delicacy and beauty. He was a highly successful artist during his lifetime but his name seems not to have lived on as it did with his peers Sir William Orpen and Sir John Lavery. Sir Gerald Festus Kelly died in London in 1972. His work is housed in several public collections, among them the National Portrait Gallery, London, the Tate Gallery, London and the Royal College of Music, London.

Two Kigu of London compacts, Monet gold plated bracelet, various necklaces, brooches etc

Elizabeth Taylor `White Diamonds` earrings, Monet suite comprising necklace, earrings and brooch, glass bead necklaces and assorted other costume jewellery

Two gem set silver Mexican crosses and other items to include a Christian Dior brooch, a large Monet brooch and a silver pendant.

AFTER MARCEL DYF "River landscape with moored boats", coloured print, AFTER MONET "Sunlit landscape with figure in foreground", colour print, a reproduction poster print "Fry's Milk Chocolate" published by Image International, and seven assorted prints

*Lucien Pissarro (French 1863-1944), 'STRATFORD-UPON-AVON, SUNSET 1906' Signed with monogram and dated 1906 l.l., oil on canvas 55 x 64cm Provenance: John Bensusan-Butt; thence by direct descent. John Bensusan-Butt was the executor of Orovida Pissarro's estate and wrote about the Pissarro family and curated exhibitions of their work. Exhibited: The Arts Council of Great Britain, ' Lucien Pissarro', catalogue no. 20; 'Camille Pissarro, Exhibition of Lithographs and Etchings to Mark the 150th Anniversary of His Birth', Lumley Cazalet Ltd, London, 17 November 1980 to 9 January 1981. Literature: J.Bensusan-Butt, 'Recollections of Lucien Pissarro in his Seventies', London, 1977. Lucien Pissarro was born on 20 February 1863 in Paris, the eldest son of the Impressionist painter Camille Pissarro. He studied with his father and was influenced by Georges Seurat, Paul Signac, Cézanne and Monet from an early age. In 1886 he exhibited with the Impressionists. He first visited Britain in 1870 and settled permanently in London in 1892 when he married Esther Bensusan. In 1894 he founded the Eragny Press and with his wife printed illustrated books until 1914. In 1904, he began exhibiting in England with the New English Art Club alongside Walter Sickert. He was, with Sickert, one of the founders of the Camden Town Group of artists. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Thickly painted, but with areas of canvas intentionally showing. Paint near top edge flaking. Some discolouration to top right hand corner - yellowing. Paint flaking to sky on left margin. Frame has many cracks.

FRANÇOIS-JOSEPH KINSON (1771-1839) Portrait de Jenny Cécile de Maillé Marquise de Lubersac Huile sur toile signée bas à droite KINSON 215 cm x 143.0 cm Important cadre doré (accident) 18 000/20 000 € Biographies : Charles Louis de MAILLÉ-JALESNES marquis de JALESNES maréchal de camp né le 3 mars 1755 décédé le 11 janvier 1845. Il s’est marié en 1780 avec Jeanne SHERIDAN. Charles Louis s’est marié une seconde fois en 1804 avec Isabelle CAMPBELL. Du premier mariage: Jeanne Cécile née le 29 novembre 1781 mariée le 25 mai 1802 avec Jean-Louis de LUBERSAC. François-Joseph KINSON né le 28 janvier 1770 à Bruges et mort le 18 octobre 1839 à Bruges était un peintre flamand. Après avoir fait une école d’art à Bruges KINSON établit sa réputation à Gand et Bruxelles. En 1799 il s’installe à Paris courtisé par les riches et puissants de l’époque. Il travaille pour les cours de Napoléon Bonaparte et de Jérôme Bonaparte roi de Westphalie. Il est surtout connu pour ses portraits de femmes élégantes par exemple celui de Catherine de Wurtemberg reine de Westphalie exposé au Musée Marmottan Monet. L’artiste a travaillé comme peintre de la cour à Paris jusqu’en 1830.

Designer costume brooches including Trifari, Monet, Van Dell and Regine`s Paris

MONET GOYON superbe catalogue très grand format, certainement destiné aux concessionnaires, daté 1931

Costume jewellery, stamped Monet and lady`s watches

A Mats Jonasson `Monet` dish, 5"diam. Together with a Floreform bowl, 6"diam, with a moulded signature to base.

A quantity of prints to incl. ''The Retreat of the Boer'', Artillery to Paardeberg'', ''Early Morning Cockle Gatherers'' and a Monet print, etc.

Monet - Catalogue Raisonne Werkverzeichnis, by Daniel Wildenstein (4 volumes). Condition report: see terms and conditions.

STYLE OF CLAUDE MONET - YOUNG WOMAN AND CHILD, BEARS SIGNATURE, PASTEL AND EMILY MARY BIBBENS WARREN - AU BORD DU LAC, SIGNED WATERCOLOUR

A gentleman`s Seiko 5 automatic wristwatch and a lady`s Monet wristwatch, boxed

Set of ten Limoges porcelain dinner plates with underglaze blue decoration, "Les Cerisiers de Monet"

(France) - Discours sur l`histoire de France. Paris, de l`imprimerie de Monsieur, 1790. 2 vol. gr. in-8° : [4]-65-[7] pp.; 196 h.-t. (ex. lavé, qqs pet. rouss., incomplet d`une grav. avant la lettre, qqs pp. lég. brunies à la fin du t. I, qqs mouill. au début du vol. I). Relié par Canon (signé en queue du t. I) : demi-chagrin bleu nuit à coins, plats de papier marbré, dos à doubles nerfs ornés et sertis de filets dorés (légères ombres blanches sur le cuir, coins et coupes très lég. émoussés). Est. : 800/ 1.000 € Exemplaire exceptionnel réunissant à la fois les gravures de Le Bas et celles d`après Moreau le Jeune. Second tirage dont "les épreuves sont moins bonnes" (cfr Cohen), le premier tirage étant paru en 1785-1790 ou en 1779 (cfr Mahérault) sous le titre "Figures de l`Histoire de France" (ce 1er tirage doit contenir 1 frontispice, 166 figures dont 2 cartes et 2 pl. de médailles). Précédé d`une introduction historique non signée, attribuée à l`abbé Garnier dans l`Avis au lecteur, mais due en réalité à Antoine Dingé (1759-1832), ancien bibliothécaire du Prince de Condé (cfr Cohen). L`ouvrage fut conçu initialement sous la direction artistique de Le Bas, qui était également graveur, et contenait 29 gravures (selon Cohen et l`Avis au lecteur) ou 36 gravures (selon Mahérault). À la mort de celui-ci, Moreau le Jeune reprit le projet, supprima 29 premières eaux-fortes, en donna 12 nouvelles et en ajouta d`autres. Exemplaire de bibliophile, du baron Surmont de Volsberghe (?), composé à son goût selon un ordre chronologique. Composition : a) ajout du titre "Figures de l`histoire de France" ms. au début de chaque volume,- d`une "Note sur l`ouvrage" décrivant la constitution des volumes,- et de 3 titres précédant les suites de gravures avec le détail de celles-ci, b) contient 196 eaux-fortes dans un encadrement à moulures présentant un sujet à mi-page figurant les événements principaux de l`histoire de France depuis l`inauguration de Pharamond jusqu`à l`année 1356 et dans la partie inférieure un texte historique par Dingé, c) complet des 2 cartes numérotées 1, des 2 cartes non numérotées et des 2 planches de médailles, d) gravures : la plupart numérotées (mélange de caractères en italique de hauteur différente) et quelques-unes non numérotées ou sans nom de graveur ou d`artistes : - 1 à 29 par Lépicier (21) et Monet (4 dont le front.) sauf les 8, 28, 29 par Moreau le Jeune, toutes gravées ou sous la dir. de Le Bas, - 2 à 13 d`après Moreau le Jeune, "Premiere partie de l`Ouvrage entier tel que Moreau l`a refait", gravées e.a. par Maillet, Martini et Girardet, - 30 à 144 d`après Moreau le Jeune, sauf 1 par Lépicier (num. 30) et 1 par Monet (num. 36), dont 37 gravées par Le Bas (entièrement, partiellement ou achevées), - [131] à 164 par Moreau le Jeune, "Seconde partie de l`Ouvrage tel que Moreau l`a refait", gravées e.a. par Delignon, Leveau, Guttemberg ([131] à [142] numérotées à la main). Enrichi de : - la suite avant la lettre des 196 planches (sauf la num. 1 de la 1re partie), - la gravure numérotée 1, identique à celle de la première partie, reliée au début du vol. II, - deux cartes non numérotées, - deux planches de médailles non numérotées, - l`Avis sur les changements et additions que M. Moreau le jeune fait actuellement dans la Continuation des Figures de l`Histoire de France. Paris, Impr. de Monsieur, 1785, [4] pp., relié in fine du t. II. Par rapport à la note ms. et à Cohen (qui décrit l`édition originale), nous avons relevé des différences : les grav. sont numérotées jusque 164 (comme l`indique Mahérault) et non pas 154,- il n`y a pas de cartes numérotées 39 et 95,- la pl. 143 n`est pas en double comme le dit Cohen et les 12 pl. non numérotées ne se trouvent pas entre celles-ci. no. Cohen 737-738; no. Mahérault 371; no. Reynaud 367 (éd. orig.); no. Barbier I-1034. ▲ Provenance : baron Oscar-Antoine Surmont de Volsberghe (ex-libris armorié à la devise "In monte salus").

A framed print after Claude Monet of a coastal landscape.

William John Leech RHA (1881-1968) "A French Quayside" Oil on canvas, 44.5 x 80.5cm (17½ x 31¾") Signed Provenance: Sold in Christie's London, May 1952, to a private Swedish collector Mr Rymander, from whom acquired. Exhibited:The Frederick Gallery, Spring Exhibition, April 2002, catalogue no. 1; "The French Connection", The Ava Gallery, Clandeboye, August-September 2010, and the Hunt Museum Limerick, September-October 2010, Cat. No. 18; and "A Celebration of Irish Art and Modernism", The Ava Gallery, Clandeboye, June-September 2011, Cat. No. 29, full page illustration p38 A French Quayside captures a typical summers evening scene along the dock of the fishing village of Concarneau, with similar subject matter to A Sunny Afternoon, Concarneau, dated 1907 (illustrated p.121 Leech: An Irish Painter Abroad). Thomas Bodkin in his review of the 1909 RHA exhibition wrote: "A Sunny Afternoon in Concarneau, is charming for its atmospheric clearness, good perspective and other artistic points, which almost make the spectator think he is looking at a real scene instead of a picture…" Leech proudly recalled in later years that Nathaniel Hone bought his works from the RHA. Similar qualities are embraced in A French Quayside but here the sails are down in the tuna fishing boat and the fishermen have departed, but the main group on the quayside are included in similar poses in front of the row of shops, the coiffeur and the bar. A similar evening light bathes the harbour and the water is painted in Leech's freer brushstrokes, in a manner of Monet. From 1903 when Leech left Paris to paint in Brittany he focused on painting the sunlight of the Breton port and his work progressed from the darker tones of Boats at Concarneau (ibid. illus. P.129) to the confidence of A French Quayside. Although a slightly smaller work than A Sunny Afternoon in Concarneau, A French Quayside is not a study for A Sunny Afternoon, Concarneau but a different version of a theme and may indeed have been a sequel to A Sunny Afternoon, Concarneau. Like his contemporaries Leech used postcards which depicted scenes of the fishing town for his paintings, and he also used photographs, so it is conceivable that these two paintings are derived from the same source. A French Quayside is a complete work with the boat in the foreground expanse of water diagonally drawing the viewer to the calm horizontal of the sunlit quayside. In this work Leech has omitted the two moored boats, which he included on the left of A Sunny Afternoon in Concarneau and the extended shop frontage, but undoubtedly both paintings date from the same period, 1907, when Leech was at his most confident with his subject matter and paint handling. Dr. Denise Ferran

A Monet bracelet, a ladies Marvin Revue watch, a gilt metal seal fob, and assorted silver and costume jewellery

East Anglia, Aethelstan (c.825-40), Penny, 0.96g, late non-portrait phase, c.837/8 - 845, ?Ipswich, Monn, pelleted inner circle containing cross pattée, a pellet in each angle, eÐilstan r.a, inverted s, rev. mon monet, cross pattée within pelleted inner circle (Naismith E45.3; N.447/1; S.951), full flan, even grey tone, good very fine, extremely rare VAT Status: Margin Scheme View Terms & Conditions

SANDRA ROJAS Trece nenúfares Firmado y fechado 2013. Óleo sobre tela. Con certificado de autenticidad de la artista, julio de 2013. (N. Ciudad de México, 1967 - ) Sandra Rojas estudió la licenciatura en publicidad en la Universidad de la Comunicación. Posteriormente se especializó en técnicas fotográficas análogas y digitales. De 2001 a 2009 tomó clases particulares de pintura con el maestro Hartwig Lugo Rohde. El título de la serie Nenúfares hace alusión a Les Nymphéas de Claude Monet. 100 x 100 cm Ver ilustración.

Circle of CLAUDE MONET (1840 - 1926) Framed, signed and dated 1902, oil on canvas. Impressionist coastal scene, with moored vessels and figures in boat. 19cm x 28.5cm

A L.S. Lowry Print 'Bargoed' 1965 and a Claude Monet print of Poppies Blooming

Collection of Monet costume jewellery from collections dating between 1988 and 1993 to include suites of jewellery, charm bracelets, necklaces, brooches and earrings

A silver marcasite ring, another dress ring, a Monet gilt necklace and various 1950's clip earrings, etc

A RUSSIAN FOLIO OF REPRODUCTION IMPRESSIONIST PRINTS^ various prints from artists such as Pablo Picasso^ Paul Cezanna^ Paul Gauguin^ Claude Monet^ Henri Matisse^ and many others^ all with text in Russian^ and with a material covered folding card cover. (qty) Discolouration and staining to cover^ yellowing to text^ prints appear ok.

A quantity of Costume Jewellery incl. Monet chain and Bracelet.

A MONET NECKLACE and a collection of further costume jewellery

* After Pierre Bonnard, French 1867-1947- Couple Embracing; lithograph, signed with initials within the plate, 32x23.5cm: After Claude Monet, French 1840-1926- "Autumn in Argenteuil", publ. Gaymed Press, London; reproduction printed in colours, 52x70cm: After Edgar Degas, French 1834-1917- "A Ballet Dancer, Fourth Position", publ. Ganymed Press; reproduction printed in colours, 47x60cm, (3) VAT charged on the hammer price.

A Monet print, and three rosewood framed engravings

SERGE CHARCHOUNE (1888 -1975) NATURE MORTE PURISTE, 1927 Huile sur toile Signée et datée en bas à droite 24 X 35 cm Expositions : Galerie du Minotaure Bibliographie : - La leçon de Monet, Michel Guinle, édition le Minotaure, Paris, 2005 - Serge Charchoune, Catalogue raisonné, Tome 2, Pierre Guénégan, Lanwell and Leeds Ltd, référencé sous le numéro 1927/006, décrit et reproduit page 175