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An Art Deco green glass necklace With faceted colourless glass beads, a string of glass beads, a paste necklace, a gilt metal Monet necklace and other beads and necklaces (a parcel)

A collection of gilt metal gold plated costume brooches Some by Monet, Napier, Ovitex, Sarah Coy and others, comprising bars, floral designs, leaves, boaters, fans, and others (70)

Charles M. Jones (1923-), 'Gare St. Lazare Paris' after Monet, signed, oil on board, 19 x 24cm.; 7.5 x 9.5in.

DANIEL WILDENSTEIN: MONET OR THE TRIUMPH OF IMPRESSIONISM, 1996, 1st edn, 4 vols, 4to, orig cl, broken s-c + COSTUMES EUROPEENS DU XVII AU XIX SIECLE ------, ill Job, Paris, nd, 1st series, 4 parts, loose as issued, fo, orig wraps, cl portfo, ex lib + LOUIS LEBEER: BRUGEL LES ESTAMPES CATALOGUE RESONNE, Brussels 1991, lge fo, orig cl gt, d/w, s-c + PIERRE-JOSEPH REDOUTE: ROSES, Ed E Mannering, 1954, 3rd impress, fo, orig cl (4)

Albert Aublet (French, 1851-1938) Portrait of Mademoiselle Rickert signed upper right "A Mlle Rickert, hommage amical, Albert Aublet, 1895" charcoal on buff paper 40 x 28cm Albert Aublet was the only protégé and pupil of Claude Monet. Aublet was born in January 1851 and completed his artistic training under the history and genre painter Claude Jacquand (1804-1878) between 1870 and 1874. Well-known for his lovely portraits, he bridged the gap between Impressionism and traditional realism. He was also a sculptor, exhibiting busts at La Nationale and Les Artistes Francaises between 1910 and 1936. He exhibited paintings also regularly at these two institutions, from 1890 to 1914 at the former, and 1920 to 1937 at the latter. He was awarded a Gold Medal at the Universal Exhibition in 1889 and the Legion of Honour in1890. Amsterdam, London and Madrid also bestowed Gold medals on him and he received Silver Medals from Munich and Nice.

A pair of Jules Loebnitz & Fils faience architectural panels, modelled in high relief by J Hugues, signed and brightly painted with the full length figures of a dancing girl or windswept young woman with flowers, both with blue painted mark J LOEVNITZ & FILS PARIS, one inscribed "A Monsieur Clemencet Souvenir d'Avril 1894" and signed J Blanchard, 55 x 25.5cm, impressed J LOEBNITZ PARIS, 1894 These rare panels of the Belle Epoque are contemporary smaller versions of the pair which form the focal point of the facade of the Cafe Riche in Paris. Commissioned by the architect Albert Ballu (1849-1939) they are now in Rouen Museum. The Cafe Riche, which was completed in 1894 and dismantled only four years later, was aptly named for its ornate decoration also included elaborate polychrome mosaics and it became a popular haunt of the Impressionists, including Monet, Renoir and Degas. ++One panel with small triangular shaped piece of the lower left corner broken off and glued back into position also with minor edge and corner knocks. Both with odd spot of flaking of the enamel where most thickly applied or highest relief. No professional restoration.

WILDENSTEIN (DANIEL)-MONET OR THE TRIUMPH OF IMPRESSIONISM Taschen Germany 1996, 4 vols, blue cloth, slip case; Hedgecoe (John) Moore (Henry)-Henry Moore, 1968, brown cloth, slip case; Glimcher (Arnold & Marc)-The Sketch Books of Picasso, Thames & Hudson London 1986, red cloth, dust jacket, slip case (3)

Medallion, c. 280, laureate and cuirassed bust left, holding spear forward and shield decorated with scene of profectio, IMP PROBVS P F AVG, rev. moneta avg, three Monet 3/4 standing facing, heads left, each holding a scale in their right hands above a stack of coins at their feet and cornucopi 3/4 in their left hands, 21.14g/5h (Gnecchi II, p.118, 24 and pl. 120, 5; C 376). Good very fine with good dark sage-green patina, rare

A small quantity of named costume jewellery of brooches, necklets, bangles, bracelets earrings and rings to include Christian Dior, Napier, Monet, Pierre Cardin plus various others.

Fore-edge paintings. Tennyson (Alfred), Works, 4 vols., Strahan, 1869-72, marbled endpapers, contemp. limp morocco gilt, rubbed and scuffed, sm. 8vo Each with a crude Monet-style fore-edge painting, all titled in ms. to the front free endpaper versos: 'The Regatta at Saint-Adresse'; 'The Seine at Argenteuil'; 'The Painter in his Garden'; and 'Wild Poppies'. (4)

A Monet faux pearl necklace, together with a collection of costume jewellery.

A set of fifty golfing cigarette cards in common frame, two other golfing prints, a large colour print after Monet, view of Venice, and seven other 20th Century and 19th Century Master prints, in strip frames

TREWIN COPPLESTONE: FRANK LLOYD WRIGHT A RETROSPECTIVE VIEW, 1997, 1st edn, 4to, orig pict laminated bds d/w + EVE ECKSTEIN: GEORGE SAMUEL ELGOOD HIS LIFE AND WORK, 1995, 1st edn, obl, 4to, orig cl d/w + GEORGES BOUDAILLE AND OTHERS: PICASSO, New Jersey, 1987, 4to, orig cl d/w + INGO F WALTHER: PABLO PICASSO, 1986, 4to, orig pict wraps + PAUL HAYES TUCKER: MONET IN THE 90S, 1989, 4to, orig pict wraps + SIR FRANK SHORT: BRITISH MEZZOTINTS, circa 1924, orig cl bkd bds + J J FOSTER: CHATS ON OLD MINIATURES, 1908, 1st edn, orig cl gt, pict paper label (7)

After Claude Monet ‘Barges on a river'. Oil on canvas 28.5cm x 37cm

After Monet, a half length portrait of a bearded gentleman wearing a beret, oil on canvas, 57 x 44 cm

W.H.VERNON. Signed oil on paper, landscape with pond, together with unsigned watercolour on paper, rocky coastal scene, Wilson, signed oil on board, woodland scene, unsigned oil on board, woodland scene and two prints after Claude Monet. (7)

Gilt-metal flat collar style necklace by Monet

Large Size Character Jug Claude Monet D7150 Boxed

A group of assorted prints, including chromolithographs "The Story of the Elopement" and "The Reconcilliation" after John A. Lomax, and others, including a reproduction after Monet. (qty)Best Bid

Modern coloured Prints, after Monet and others, various.

In the Style of Monet, the bridge on the Seine Bougival, oil on board, 30 x 43 cm, and three others similar (4)

Claude Monet (French 1840-1926) Autograph letter signed (‘Claude Monet’) to Thiebault a journalist on Le Temps endeavouring to dispel any misunderstanding between them in the event of his correspondent not having received his previous note 1 page 8vo integral blank in pencil with the autograph envelope stamped and postmarked Giverny 15th March 1920 envelope slightly dust-stained Provenance: With Maison Charavay Paris

ANDREW ROBINSON: THE ART OF RABINDRANAGH TAGORE, 1989, 1st edn, 4to, orig cl d/w + JOHN SUMMERSON: ARCHITECTURE IN BRITAIN 1530 TO 1830, 1963, orig cl d/w, slipcase + CLAIRE JOYES: MONET AT GIVERNY, 1975, 1st edn, 4to, orig cl, d/w + PETER S BEAGLE: THE GARDEN OF EARTHLY DELIGHTS, 1982, 4to, orig cl d/w + 2 others, (6)

Wildenstein (Daniel). Monet, or The Triumph of Impressionism & Catalogue Raisonné, 4 vols, pub. Taschen, 1996, numerous col. and b&w illusts, orig. blue cloth, with slipcase, some marks and minor wear to extrems, together with Weisberg (Gabriel P.), Beyond Impressionism, The Naturalist Impulse in European Art, 1860-1905, pub. Thames & Hudson, 1992, numerous col. and b&w plts. and illusts, orig. cloth in d.j, large 4to, plus Weinberg (H. Barbara, Bulger, Doreen & Curry, David Park), American Impressionism and Realism, the Painting of Modern Life, 1885-1915, New York, Metropolitan Museum of Art, 1994, numerous col. and b&w illusts, orig. cloth in d.j, 4to, and others on Impressionism and related, many in d.j.s, mostly 4to, VG (28)

Charles M. Jones - The Gare St. Lazare Paris - oil Charles M. Jones (1923 -) 'Gare St. Lazare Paris' after Monet signed oil on board 19 x 24cm.; 7.5 x 9.5in.

English HAMMERED SILVER COINS, Archbishops of Canterbury, Wulfred (805-832), Penny, group II, Canterbury, Sæberht, VVLFRED I RCHIEPISCOPI, facing bust within inner circle flanked by two large pellets, rev S EBERHT MONET , monogram of DOROBERNIA, 1.36g (BMC 27; SCBI Fitzwilliam 438; N 240). Edge slightly chipped, otherwise good very fine, rare.

Daniel Wildenstein - “Monet or the Triumph of Impressionism and Catalogue Resonne”, published by Benedikt Taschen, Germany 1996 (four volumes in blue cloth binding and outer slip case for same)

Misc vintage jewellery, comprising various necklaces inc. 42 strand of natural coral, yellow amber, double strand of crystal, various others (8) & large 'Monet' brooch (12)

Wildenstein Daniel. Monet four volumes Koln 1996. Cloth colour and black & white illustrations slip cases 4to.

Charles M. Jones 20th century 'The Bridge at Bougival' after Monet signed oil on board 29.5 x 35cm.; 11.5 x 13.75in.

After C. Monet, Oil on Canvas "Auch des Pyrenees", bears signature, in gilt frame having raised shell, floral and scroll decoration, 62cm x 75cm

Moreau-Nelaton (Etienne). Daubigny raconté par lui-meme, Paris, 1925, b & w plts., orig. printed wrappers, frayed to head and foot of spine, some marks and stain to lower outer corner of upper wrapper, 4to, (Limited edition of 600 copies), together with Venturi (Lionello), Les Archives de l'Impressionisme, Lettres de Renoir, Monet, Pissarro, Sisley et autres. Mémoires de Paul Durand-Ruel. Documents, 2 vols., Paris & New York, 1939, several b & w plts., orig. printed green wrappers, a little rubbed and some minor marks to extrems., 8vo, plus Graves (Algernon), Art Sales from Early in the Eighteenth Century to Early in the Twentieth Century (mostly Old Master and Early English Pictures), 3 vols., Franklin reprint, New York, 1970, orig. cloth, folio, together with A Dictionary of Artists who have Exhibited Works in the Principal London Exhibitions from 1760 to 1893, new ed., 1895, comtemp. qtr. calf, rubbed, folio, and National Art Library Catalogue, Victoria and Albert Museum, London, 11 vols., incl. Catalogue of Exhibition Catalogues, Boston, Mass., 1972, orig. cloth, folio, (Ex-library with the usual markings) (18)

D. Shannon, Oil on Canvas after Monet, depicting artist sketching lady in wooded landscape, signed in gilt frame, 59cm x 90cm

European school, 19th century, A coat of arms, said to be those of Jacob Monet, oil on card, 30 x 24cm (12 x 9 1/2in), unframed, together with an unframed watercolour of a lake below a ruined castle, with signature 'J. Varley'

Charles M Jones-Gare St Lazare oil Charles M. Jones 20th century 'Gare St-Lazare' after Monet signed inscribed and signed on verso oil on board 29 x 34cm.; 11.5 x 13.5in. * Charles Jones is a self-taught artist born in Pendlebury Manchester. He was a friend of L.S. Lowry whose work inspired him. He is a member of the Salford Art Club and the Exhibitors Group and has been Chairman of the Penton Painting Group for many years. He has always exhibited in the North West mainly at Salford Swinton and Eccles having several one man shows and also taking part in mixed exhibitions. His paintings are now in private collections in Australia Israel Germany and Holland as well as Britain.

LAMBOURNE, Lionel, 'Victorian Painting', Phaidon Press Ltd., 1999; together with 'A History of Art' and 'Essential Monet'. (3)

A group of four reproduction prints, including: " The Passing Show: Fred Perry" depicting tennis players, "Ogden's St bruno" depicting a bowles match, "F.H.Ayres" Cricketing subject and a reproduction after Monet. (4)

A large quantity of assorted modern reproduction prints, including prints after Monet, Charles Bone, Killingworth Johnson, Arthur Elsley and others, further prints to include subjects of Franham (qty)

Cochin (C. N.). An album containing two eng. vigns. and thirty-eight fine eng. culs-de-lampe by Cochin, for Henault's Nouvel Abrege Chronologique de l'Histoire de France, Paris, 1749, separately printed without letterpress, tissue-guards to most plts., some printed two to a page, in clean condition, old marbled blue boards, with bookplate of Jean Furstenberg and Irwin Laughlin to front pastedown, some wear to spine, accompanied by later hand-written account of the engravings in French, contained in somewhat worn slipcase, 4to, together with Fragonard (Honore, and others), 73 Figures des Contes de La Fontaine d'aprs les dessins inedits de Honore Fragonard, Mallet, Monet, Touze et Milius, gravees d'aprs les originaux par Le Rat, Mongin, Milius et Ricardo de los Rios, Paris, P. Rouquette, n.d., c. 1900, seventy-three etched plts., contemp. gilt-dec. full green morocco, recased with orig. spine laid down, folio (2)

Nuits-St-Georges aux Crots, 1996 Domaine Gachet Monet 8 bottles

Nuits-St-Georges aux Crots, 1996 Domaine Gachet Monet 12 bottles

Vik Muniz (b. 1961) Haystack #2, After Monet (from Pictures of Color) signed and dated 'Vik Muniz 2001' (on a label affixed to the reverse) Cibachrome 48 x 72in. (122 x 182.8cm.)

Eight assorted prints: four hand coloured engravings, Mrs Robinson engraving, Monet print, Ramsey abbey / classical scenes (two unframed) (8)

LARGE CHARACTER JUG CLAUDE MONET D7150

MONET, "Midnight Scene", framed print and another. (2)

After Monet, Sunset, oil on canvas, 50x75cm.

A Tony Carter Teapot, Monet, and another similar, The County Magazine.

Daniel Wildenstein - "Monet or The Triumph or Impressionism", published by Taschen, 1996 (four volumes in blue cloth binding), and Graham Reynolds - "The Early Paintings and Drawings of John Constable", Yale University Press 1996 (two volumes)

Noel Gregory: Water lilies in the style of Monet, oil on canvas, signed, 16" x 20

After David Hockney- 'David Hockney, A Retrospective, February 4-April 24 1988, Los Angeles County Museum of Art', publ. by the Museum Associates, 1988; colour reproduction poster, 96.8x59.4cm: together with six other colour reproduction prints and posters after different hands, including: Victor Spahn, Monet, Karen Pearce and Annabel Hewitt, various sizes, (7)

**** Larry. 5.5in. x 8.25in. (14 x 20.5cm). "The Early Morning Workout - Monet in his 90's" - from the series Larry On Art, pen and ink. Signed.

SHORT (ROBERT) DADA & SURREALISM, 1980 ~ Martini (Alberto) Monet, 1978 ~ Schrader (Barbel) and Jurgen Schebera. The "Golden" Twenties, Art and Literature in the Weimar Republic, original printed wrappers, New Haven, 1990 ~ Maurois (Andre) An Illustrated History of England, 1963, coloured plates, illustrations, original cloth, dust-jackets; and a quantity of others, Art Reference, v.s. (qty).