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Lot 11
Lot of 16 Art volumesThe lot contains: Hoegler Rudolf G. Grecia. Introduzione di Carlo Kerény. Traduzione italiana di Aldo Neppi Modona. Firenze: Barbera, 1956. Editorial blu cloth, illustrated dust jacket. Italian translation of this work which contains the photographs showed in Greece by the German painter Rudolf G. Hoegler. Introduction by the Hungarian philologist and religions historian, one of the founder of the modern studies of the greek mythology, Károly Kerényi (1897 - 1973), La mostra del Tintoretto. Catalogo delle opere. Venezia, Ca' Pesaro 1937. Venezia: Officine grafiche Carlo Ferrari, 1937. Third edition. Catalog of the exhibition made by the city of Venice. Carrieri Raffaele. Leonor Fini. Due tavole a colori e 36 tavole in nero. Epi, 1951. "Galleria" Collection of modern italian art monographs directed by Orio Vergani. With artist autograph. Impressionisti da Manet a Monet. Rome: Interbook Spa, s.d. Marchiori Giuseppe. Delacroix alla Biennale. Venezia: Alfieri editore, 1956. Consigli Patrizia - Consigli Igino. Paesaggi e marine dal Cinquecento all'Ottocento. Introduzione di Federico Zeri. Parma: 1990. Volume n. 6 of the collection Le collezioni private parmensi. Cardboard box. 4 volumes - 1 in italian and 3 in spanish - belonging to editorial series Forma e Colore/Forma y Color: El Greco: l'Entierro del conte di Orgaz di José Camon Aznar; La Alhambra: Alcazaba y Medina por Jesùs Bermùdez Pareja; La Mezquita de Corboda por Fernando Chueca Goitia; La Alhambra: la Casa Real por Emilio Garcia Gomez y Jesùs Bermùdez Pareja. Lassaigne Jacques. La peinture espagnole de Velasquez a Picasso. Geneve: Skira, 1952. (Collana Peinture. Couleur. Histoire. Collection établie et dirigée par Albert Skira, 8). With illustrated dust jacket and cardboard box, Fregnac Claude. Merveilles des chateaux du Val de Loire. Préface du duc de Brissac président des Amis des Chateaux de la Loire vice-président de la Demeure historique. Paris: Hachette, 1964. Azure editorial cloth, illustrated dust jacket. Collection Collection Réalités. Belloni Guido - Volpe Carlo - Carli Enzo. Atlante della pittura. Preistoria, Egitto, Grecia, Etruria, Roma, Primitivi, Rinascimento fiorentino. Novara: De Agostini, 1963. Mallé Luigi Ulrich Gerhard - Valsecchi Marco. Atlante della pittura. Maestri olandesi, Maestri tedeschi, Impressionisti e postimpressionisti. Novara: De Agostini, 1967. Calvesi Maurizio - Gonzales Roblers Luis - Fezzi Elda. Atlante della pittura. Pittori moderni, Pittori americani, Indici. Novara: De Agostini, 1967. Mandach Conrad De (Introduction). Chefs d'oeuvre de la peinture européenne du XVe au XIXe siècle. Collection Oscar Reinhardt. Lausanne: Librairie Payot, 1941. Cloth with illustrated dust jacket. Volume dedicated to the art collection of the Swiss patron Oscar Reinhardt (1885-1965). In Winterthur, his birth city, his collection is divided between the Oscar Reinhardt museum and the Oskar Reinhart Collection Am Römerholz. Lotto di 16 libri d'arte Il lotto comprende: Hoegler Rudolf G. Grecia. Introduzione di Carlo Kerény. Traduzione italiana di Aldo Neppi Modona. Firenze: Barbera, 1956. Legatura editoriale in tela blu, sovraccoperta illustrata. Traduzione italiana di quest'opera che raccoglie le fotografie scattate in Grecia dal pittore tedesco Rudolf G. Hoegler. Introduzione dell'ungherese Károly Kerényi (1897 - 1973), filologo e storico delle religioni fra i fondatori degli studi moderni della mitologia greca. La mostra del Tintoretto. Catalogo delle opere. Venezia, Ca' Pesaro 1937. Venezia: Officine grafiche Carlo Ferrari, 1937. Terza edizione. Catalogo della mostra indetta dalla città di Venezia. Carrieri Raffaele. Leonor Fini. Due tavole a colori e 36 tavole in nero. Epi, 1951. "Galleria" Collane di monografie d'arte italiana moderna diretta da Orio Vergani. Con invio autografo dell'Artista. Impressionisti da Manet a Monet. Rome: Interbook Spa, s.d. Marchiori Giuseppe. Delacroix alla Biennale. Venezia: Alfieri editore, 1956. Consigli Patrizia - Consigli Igino. Paesaggi e marine dal Cinquecento all'Ottocento. Introduzione di Federico Zeri. Parma: 1990. Volume 6 della Collana Le collezioni private parmensi. In cofanetto in cartoncino. 4 volumi - 1 in italiano e 3 in spagnolo - della collana Forma e Colore/Forma y Color: El Greco: l'Entierro del conte di Orgaz di José Camon Aznar; La Alhambra: Alcazaba y Medina por Jesùs Bermùdez Pareja; La Mezquita de Corboda por Fernando Chueca Goitia; La Alhambra: la Casa Real por Emilio Garcia Gomez y Jesùs Bermùdez Pareja. Lassaigne Jacques. La peinture espagnole de Velasquez a Picasso. Geneve: Skira, 1952. (Collana Peinture. Couleur. Histoire. Collection établie et dirigée par Albert Skira, 8). Con sovraccoperta illustrata e cofanetto in cartone. Fregnac Claude. Merveilles des chateaux du Val de Loire. Préface du duc de Brissac président des Amis des Chateaux de la Loire vice-président de la Demeure historique. Paris: Hachette, 1964. Legatura editoriale in tela azzurra, sovraccoperta illustrata. Collana Collection Réalités. Belloni Guido - Volpe Carlo - Carli Enzo. Atlante della pittura. Preistoria, Egitto, Grecia, Etruria, Roma, Primitivi, Rinascimento fiorentino. Novara: De Agostini, 1963. Mallé Luigi Ulrich Gerhard - Valsecchi Marco. Atlante della pittura. Maestri olandesi, Maestri tedeschi, Impressionisti e postimpressionisti. Novara: De Agostini, 1967. Calvesi Maurizio - Gonzales Roblers Luis - Fezzi Elda. Atlante della pittura. Pittori moderni, Pittori americani, Indici. Novara: De Agostini, 1967. Mandach Conrad De (Prefazione). Chefs d'oeuvre de la peinture européenne du XVe au XIXe siècle. Collection Oscar Reinhardt. Lausanne: Librairie Payot, 1941. Legatura in tela grezza con sovraccoperta illustrata. Volume dedicato alla collezione d'arte del mecenate svizzero Oscar Reinhardt (1885-1965). A Winterthur, sua città natale, la sua collezione è divisa tra il Museo Oscar Reinhardt e la Oskar Reinhart Collection Am Römerholz.
Lot 372
Twenty Six Mid-20th Century Coloured Prints of Great and Old Master Paintings, including works by Monet, Cezanne, Manet, Terborsh, Seurat, Turner, Picasso, Corot, Holbein, Bucher, Chagall, various European publishers, unframed together with a small number of U.N.E.S.C.O World Art Series Prints incl. Iran Persian Miniatures, India Paintings from the Ajanta Caves, Egypt Paintings from Tombs and Temples x 2, Norway Paintings from the Stave Churches published by New York Graphics Publishing House.
Lot 1753
Artist Monographs, H-M. Wildenstein, Daniel. Monet, Catalogue Raisonne, 4 volumes, plates, original cloth, slipcase, 4to, Koln: Taschen, 1996; Jaffe, Hans L-C. Piet Mondrain, plates, original cloth, dust-jacket, 4to, Paris: Editions Cercle d'Art, 1970; Pese, Claus. Franz Marc, Life and Work, plates, original cloth, dust-jacket, 4to, Stuttgart: Besler Verlag, 1990; and 54 others, similar, 4to (60)
Lot 22
*Kings of Kent, Anonymous Portrait penny, c. 822-25, Canterbury, with moneyer’s name Swefherd on both sides, obv., bust right wearing bonnet, svvefherd moneta, rev., drvr cits in two lines within inner circle, legend starting at 9 o’ clock svvefherd monet, 1.37g (Naismith C55.3a, this coin; cf. N. 222/1; cf. S. 879), very fine, of the highest rarity and interest. Naismith discusses this coin at some length (p. 126, footnote 92), pointing out that it is evidently a mule between the ‘Anonymous Phase’ obverse portrait type and a reverse which became standard during the reign of Baldred (823-25). It may be observed that there is some evidence of die rust on the obverse of the piece, perhaps lending some weight to Naismith’s second suggestion that Swefherd used an old die as an emergency measure when a portrait die of Baldred broke.
Lot 50
Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Douane, Effet de l'apres-midiLithograph printed in colours, circa 1890, signed by Monet in pencil, a proof aside from the edition of 25, on Chine Applique supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 297 x 378mm (11 7/8 x 14 7/8in) (unframed)
Lot 382
A tray of costume jewellery and collectables to include a pair of Hans Hansen earclips marked 925, a silver agate brooch, a pair of Monet earclips, silver Yard-O-Lead pencil, silver sliding stamp case, a replica silver Saxon sundial stamped Salvs Factori Pax Possessori below a filigree mount and chain, London 1975, case for cigarette holder, a fine 9 carat gold chain, gold teeth and a Harrods gold lame evening bag.
Lot 77
EMMA CIARDI (ITALIAN, 1879-1933) THE MEETING Signed and dated 1912, oil on canvas 70cm x 59cm (27.5in x 23in) Exhibited: The Leicester Galleries 1913, no 17 Note: Emma Ciardi's work typifies the wistful spirit of a particularly poignant period in the history of European culture. Born in Venice in 1879 into a family of artists, Ciardi studied under her father, the distinguished Italian realist artist Guglielmo Ciardi, an associate of the proto-impressionist Macchiaoli painters, who specialized in views of the Venetian lagoon, Lombardy and the Veneto. In her late teens, along with her brother Beppe, she took up painting professionally and exhibited for the first time in 1900 at the age of 21 at both the Universal Exhibition in Paris and the Promotrice in Turin. Three years later Ciardi showed for the first time at the Venice International Exhibition, where she would subsequently exhibit regularly until 1932. In 1905 she won a gold cup at Munich, taking another at the 1915 San Francisco Exhibition, where she showed alongside her brother and her father. Ciardi's favoured subjects were the north Italian landscape and the great villas and gardens of her home town of Venice. Although in composition and subject matter her work was influenced principally by Guardi and Longhi, her technique was in a style of highly textured impressionism using a palette which recalled Whistler, Monet and John Singer Sargent. Gradually however, she came to specialise in the neo-18th-century genre scenes of which the two works now on offer provide fine examples. Venice, in the halcyon days of the Belle Epoque before the Great War, was a charmed place, drawing to its palazzo society the aristocracy and gilded youth of Great Britain, Europe and America. The city's magic was sustained by the novels of Edith Wharton and Henry James and in the work of such painters as Sickert, Mortimer Menpes, Frank Brangwyn, and William Merrit Chase. But above all it was Sargent who captured the spirit of the place, his numerous, highly commercial Venetian views possessing, as one reviewer remarked 'the intensity of a dream'. The same might be said of Ciardi's works of the time which, less academic, were also deliberately fanciful in their chocolate box evocation of an imagined Roccoco arcadia. Ciardi perfectly perpetuated the mood of hedonistic escapism, her romantic fetes galantes mirroring the vogue for 18th century costume balls typified by those thrown by city's Grand Dame, the flamboyantly eccentric aristocrat the Marchesa Luisa Casati. Their enormous popularity was demonstrated by the success of Ciardi's first solo exhibition in 1910 at London's celebrated Leicester Galleries, which was followed by a second there in 1913, at which both of these paintings were shown. After the Great War, as the lure of Venice once again offered an escape from the tragedy of the real world, Ciardi was again in the ascendant and, during the 1920s, she received great acclaim in the USA, with numerous shows at the Howard Young Gallery in New York. Further successful exhibitions were staged in London by the Fine Art Society in 1928 and 1933. Emma Ciardi died in Venice in 1933 and two years later was celebrated with a retrospective at the fortieth Venice Biennale.
Lot 1114
942-943 AD. First reign. Obv: cross moline with +ANLAF CVNVNC legend. Rev: small cross with +RAÐVLF MONET L legend with L inverted for the moneyer Rathulf. S.1022; N. 542; see EMC 1034.1256/SCBI 34 (BM), 1256 for possible die duplicate. 0.84 grams. ("). Good very fine; hairline surface strike cracking and small Viking peck mark to reverse. Extremely rare.
Lot 89
Group of five art exhibition posters: 1. Original vintage advertising poster artist print Tilger. 107/150 limited edition. Fair condition, water stains all over the poster, rough edges. Size: 70 x 82 2. Original vintage adverising poster for Master Art From Monet To Picasso Palazzo Pitti. Excellent condition. Country: Italy. Year: 1981. Designer: Unknown. Size: 100 x 68.5. 3. Original vintage adverising poster for Post-Impressionism exhibition held in the Palais de Tokyo, Paris. Very good condition. Country: France. Year: 1980s. Designer: Aristide Maillol. Size: 60 x 40. 4. Original vintage advertising poster for Cy Twobly Whitney Museum of American Art. Good condition, creases on margins, small tears on bottom. Country: USA. Year: 1979. Designer: Cy Twombly. Size: 78.5 x 59. 5. Original vintage adverising poster for Mario Cavaglieri Palazzo Barberini. Very good condition, small creases on margins. Country: Italy. Year: 1980. Designer: Mario Cavaglieri. Size: 98 x 69.5.
Lot 21
A large selection of designer costume jewellery to include a large 'Trifari' rhinestone floral spray brooch, a 'Hollywood' double-leaf brooch, a pair of 'Monet' cream enamel and gilt metal link- design clip earrings, a 'Tarina Tarantino' striped acrylic bead bracelet, a 'P.E.P.' gold and silver tone, chunky, stylised link necklace, a pair of 'Butler & Wilson' faux pearl and gilt metal rope-twist earrings, a pair of 'Chanel-style' diamante and gilt metal earrings, a 'Juicy Couture' gilt metal bracelet with three charms, a Vivienne Westwood silver tone pendant and chain, a 'Poggi of Paris' blue stone ring, a cat brooch by 'JJ' circa 1988, a pair of gilt metal and black cabochon stone clip earrings by 'Leslie Block' circa 1980 & a pair of 'Leritz' gilt metal, roundel clip earrings. (QTY)
Lot 1663
WYNFORD DEWHURST (1864-1941) POTTING SHED IN THE ARTIST'S GARDEN IN FRANCE Signed, oil on canvas 77.5 x 57.5cm. * Wynford Dewhurst returned to France each year to paint in the style of Monet, who became his principle mentor. For ten years, up to outbreak of First World War, he rented a house at Crozant in the Creuse Valley, where earlier, in 1889, Monet had painted a series of twenty-four pictures. This charming summer scene from his garden overlooking the gorge of La Creuse reflects the affection he held for the place. ++ Good condition
Lot 1662
WYNFORD DEWHURST (1864-1941) FRENCH LANDSCAPE BY THE SEINE Signed and dated 1895, oil on canvas board 55.5 x 75.5cm. Provenance: Purchased by the vendor's grandfather at auction in Bradford, 1970's. Exhibited: Manchester Art Gallery, Wynford Dewhurst - Manchester's Monet, December 2016-April 2017 Wynford Dewhurst was colourful and controversial character on the Anglo-French art scene at the turn of the twentieth century. Born in Manchester in 1864, he embarked initially on a legal training, but, at the age of 27, he went to Paris to study art and was immediately attracted to Impressionism. In 1904 he published a book, dedicated to Claude Monet, Impressionist Painting: its Genesis and Development, which was the first important study of the French Impressionists to be published in English. Dewhurst's thesis was that the English landscape tradition, especially the work of Constable and Turner, was at the root of modern French painting and he wrote that, ".….It cannot be too clearly understood that the Impressionistic idea is of English birth"
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