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Lot 12
A large folio group of exhibition posters,:- including Max Ernst Museum Ludwig Kohl 1990 & 91, The Museum of Modern Art New York, Rene Magritte, Osterweil Art Expo West 80, Paul Klee, Andy Warhol Go West-Go East With a Truck 1986, Stephen Bartlett CCA Galleries, Walter Lindner Verkerke Gallery, Dieter Kimmel Verkerke Gallery, Markus Baumann Musee d'Orsay Paris, Monet, Robert Offord, Matisse, Heinrich Schmid, Lionel Deriaz, etc.
Lot 338
Group of jewellery including a hardstone necklace with lapis lazuli, cultured pearl necklaces, small gold mermaid charm, and other items . CONDITIONmermaid charm stamped 14 ct, weight 2 grams, measuring approximately 1.5 x 0.8cmdouble row open work bead necklace and earring set by Monet Please see ewbanks.co.uk for condition reports and further images
Lot 220
A group of cultured pearl and faux pearl necklaces, comprising a double strand, each 8mm, with silver clasp set with a large square cut blue stone, 12mm, 72cm long, a double strand by Vendome, the gold plated clasp set in a spiral form with paste, 50cm long, a double strand by Monet , with gold plated clasp, 44cm long, a triple spiralled 41cm long, strand of pink and white pearls with magnetic clasp, an Edwardian single strand of graduated pearls, 8 to 3mm, with silver clasp set with a lozenge shaped blue stone, 50cm, a single strand, each 10 by 5mm, with silver plated and paste set clasp, 83cm long, a single strand by Vendome with silver plated clasp, 44cm long, and a single long strand, each 6mm, with gold plated clasp, a/f string broken near clasp, 163cm long, together with a red leather box branded for George Tarratt Ltd Leicester. (9)
Lot 132
A COLLECTION OF VICTORIAN AND LATER COSTUME JEWELLERY INCLUDING A CARVED 'BULLSEYE' AGATE OVAL PENDANT an oval locket; a Victorian foliate-engraved silver oval brooch; a fruiting vine brooch; a Monet gold-plated chain; a pair of marcasite flower-and-leaf articulated pendent earrings, a similar pair of scroll and flower-head pendent earrings, a marcasite double-clip brooch, a similar spray brooch, a similar ship brooch and a similar lady's bracelet watch; a Regency bracelet watch; various imitation-pearls; brooches and other items including a Georgian paste buckle adapted as a brooch; two marcasite brooches; two pairs of marcasite pendent earrings and a watch
Lot 97
NARCISSE VIRGILE DIAZ DE LA PENA (FRENCH 1807-1876) Girl on a Swing, oil on panel 47.3 x 36 cm (18 5/8 x 14 1/8 in.) signed on an old label on verso We are grateful to Michael Klaa for confirming the authenticity of this work. This painting will be included in the Catalogue Raisonne prepared by him Born to Spanish political refugees in Bordeaux, France, Narcisse Diaz de la Pena found himself orphaned and penniless at ten years old. While still a child, he lost his leg from a viper bite and he gained local recognition for both his wooden leg and his exceptional skill as a painter.In 1836, Diaz met Theodore Rousseau and the two became friends, neighbors, and fellow artists in the village of Barbizon. Rousseau had a strong influence on Diaz, even giving him lessons on how to paint trees. Diaz remained popular throughout his career, he had active followers and was creating works for private patrons. He reached the height of his fame in 1855 and was regarded as a master landscapist who fully understood and used the lure of the forest of Fontainebleau. In 1863, Diaz met Claude Monet, Auguste Renoir, Alfred Sisley and Frederic Bazille, who admired his brilliant colors; his late landscapes very likely influenced the impressionists.
Lot 281
MONET CLAUDE: (1840-1926) French Impressionist Painter. A.L.S., `Claude Monet´, one page, 12mo, Caudebec en Caux, 19th August 1913, written in bold purple ink, to Blanche, in French. The letter bears the printed heading "Cette lettre vient de Chez Les Zoaques qui se trouvent à Yainville-Jumièges dans la Seine-Inférieure. Monet states in part `My dear Blanche, Thank you, have received your letter and the telegram.. I hope that Jean´s pain is gone although the weather is changing a lot.. life here is always delicious..´ Folded letter, with address to the verso, stamped and postmarked. Very small overall minor age wear, otherwise VG £2500-3500
Lot 282
MONET CLAUDE: (1840-1926) French Impressionist Painter. A good A.L.S., `Claude Monet´, two pages, 8vo, Paris, 8th January 1908, written in pencil to the first and third page of the double 8vo printed stationery of the Hotel Terminus in Paris, to Gustave Geffroy, in French. Monet states in part `I would have wanted to tell you about my emotions for the admirable painting, my wife also would have been happy to congratulate you, but we are old, my wife was tired…´ further saying `We will be shortly going back home, and I have again intended to go and tell you how many beautiful things I found in these ten paintings, and to thank you for the joy we have experienced.´ Accompanied by the original printed stationery envelope, post-stamped. Folded, with overall creasing and tear to the fold. G £3000-4000
Lot 123
MONET CLAUDE: (1840-1926) French Impressionist Painter. A.L.S., Claude Monet, two pages, 8vo, Embankment Gardens, London, 19th February 1900, to Gustave Geffroy ('Cher ami') in French, on the printed stationery of the Savoy Hotel. Monet informs his correspondent that a small single bedroom would cost seven shillings and a double bedroom fifteen shillings and continues 'Needless to say I will be delighted to see you rejuvenated and I make a wish for Clemenceau's recovery. I am grateful for his letter of recommendation; I haven't made use of it yet', further remarking 'I am working hard at the moment ('Je suis dans le coup de feu au travail') despite the terrible weather'. Accompanied by the original envelope hand addressed by Monet. VG Gustave Geffroy (1855-1926) French Journalist & Art Critic, one of the earliest historians of the Impressionist Art movement and a friend of Monet. The present letter is written during Monet's time in London (making visits between 1899-1901) when he completed a series of paintings of the Palace of Westminster which depict the parliament buildings during different times of the day and weather conditions.
Lot 125
SISLEY ALFRED: (1839-1899) French-born British Impressionist Painter. A fine A.L.S., A. Sisley, one page, 8vo, Moret-sur-Loing, 9th January 1897, to [George] Viau, in French. Sisley announces that he is coming to Paris on Monday and would like to invite his correspondent to lunch in order that 'we will make out together this great list'. The artist concludes by sending his regards to Viau's wife and mother. With blank integral leaf. A letter of good association. Some very light, extremely minor age wear, VG George Viau (1855-1939) French Dentist and Art Collector who acquired works by many Impressionist painters including Claude Monet, Paul Cezanne, Edgar Degas, Paul Gauguin, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley.
Lot 87
A JEWELLERY BOX OF MAINLY COSTUME JEWELLERY, to include many pieces of designer costume jewellery, including Monet clip earrings, brooches by Trifari and Sphinx, also pieces by Jewelcraft and Napier, together with a Finnish tiger's eye pendant, stamped NB, two hinged bangles, a curb link chain necklace and a silver ingot pendant, approximate total weight of jewellery believed to be silver 88 grams, also three Elizabeth II 1977 coins and two Prince of Wales and Lady Diana 1981 coins, all in a hinged jewellery box
Lot 2096
WYNFORD DEWHURST (1864-1941) VERSAILLES: AUTUMN Signed, inscribed Versailles/ Autumn effect and price (200 Guineas) in ink on a fragmented label on the stretcher, oil on canvas 80.5 x 99cm. Provenance: Purchased from the artist by the Howell family of Cardiff; thence by descent to Miss Joyce Howell of Penzance; and thence to Mr and Mrs William Howell of Haverfordwest; Private Collection Dewhurst was born in Manchester and embarked on legal training but, aged 27, a love of art lured him to Paris and he was attracted by Impressionism. His 1904 book, dedicated to Calude Monet, Impressionist Painting: Its Genesis and Development, was the first important assessment of the movement to be publsihed in English. Dewhurst maintained that the English tradition underpinned contemporary French painting: ".. It cannot be too clearly understood that the Impressionistic idea is of English birth." The greater part of Dewhurst's work was produced in France, initially in the Seine valley (close to his mentor Monet) but also in the Creuse valley in central France where he rented a house for six months each year from 1904-1914. Latterly he spent much time painting the gardens and fountains at the Palace of Versailles. This work is unusual in that it shows the grounds in autumn. We are grateful to Roger Brown, who wrote the book Wynford Dewhurst: Manchester's Monet to accompany the 2017 exhibition of Dewhurst's work at Manchester City Art Gallery, for his help in cataloguing this lot. Mr Brown dates this work to c.1914. ++ Some slight craquelure; the paint thinly applied, weave of canvas apparent
Lot 2120
•EDWARD SEAGO, RWS (1910-1974) SUMMER EVENING, PIN MILL Signed, inscribed with title on the stretcher, oil on canvas 44 x 60cm. Provenance: London, Bonhams, January 21st 2015, lot 126; Aldeburgh, Thompson's Gallery, from whom bought by the late owner, April 2016 * Seago was enchanted by Pin Mill and it became one of his favourite subjects. James W. Reid, writing in Edward Seago: The Landscape Art (1991) commented that "Pin Mill became, from the 1950s on, what Argenteuil had been for Claude Monet in the early 1870s, although the few houses grouped around the Butt and Oyster Inn in the small waterside community some five miles east of Ipswich bear no relation to the many buildings, which were, even in the days of the impressionists, burgeoning into an industrial suburb of Paris. The parallel lies rather in the sailing activity around Pin Mill,which probably originated as a station for pilot boats, close to the dangerous mudbanks, above Downham Reach. There are all types of sailing craft here, but the most striking are the Thames barges, some of which can be seen along Pin Mill Hard, from the splayed bay windows of the Butt and Oyster, or in full sail during the annual summer race,which begins in Butterman's Bay, just east of Pin Mill on the Orwell." ++ Good condition
Lot 471
Goebel, Claude Monet, Fleurs De Pavot - a large Goebel Artis Orbis Collection rectangular dish, decorated in pattern Fleurs De Pavot by Claude Monet, Limited Edition 677/1.000 with maker's marks stamped to the base, approximately 32 cm long x 26 cm wide.This lot must be paid for and collected (or despatched) no later than close of business on Tuesday
Lot 17
NO RESERVE Monet (Claude).- Wildenstein (Daniel) Claude Monet: Biographie et Catalogue Raisonné, vol.2-4 only (of 5: Peintures 1882-1926, lacking vol.1 1840-81 and supplement), [limited edition], illustrations, original cloth, dust-jackets, slightly rubbed and frayed at edges, folio, Lausanne & Paris, 1979-85.
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3399 item(s)/page