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Click here to subscribeA signed coloured limited edition print after Deborah Jones - An Edwardian Collection showing a group of vintage toys, signed bottom right, together with Alexander Gallery information, 35 x 50 cm, together with a further Alexander Gallery publication - Evening Tide, Bristol after Kenneth Stanley Tadd, also with accompanying literature 46 x 65cm, both in gilt frames and a coloured print after Monet of a poppy field
Elizabeth Sharp (20th Century)'Still Life of Hellebores'Watercolour, signed lower left, Torrence Gallery label verso, 30 x 22cm, together with various other pictures and prints to include a watercolour of 'White Horse Close, Edinburgh', two Danish pencil drawings, a watercolour seascape, a photograph of people curling a Blackford c.1900, Monet print etc (11)
MONET CLAUDE: (1840-1926) French Impressionist Painter. A fine A.L.S., Claude Monet, four pages, 8vo, Giverny, 24th September 1911, to Genevieve [Hoschede], in French, on mourning stationery. Monet writes in his characteristic purple fountain pen ink following the death of his second wife, Alice, and commences 'Thanks for having thought to write to me, and thanks to my good Jean Pierre for having taken a moment to come to visit me, so sad when I see the house so empty, and no longer see your dear faces. You have so kindly accustomed me to your daily visits' continuing, 'Nothing much new here except for the fact that I have decided to fire that drunkard, Durthenuy, and it is good riddance… I keep corresponding in search of a suitable servant, but have had no success in finding the pearl that I require' and further adding, 'Last Thursday I was paid a visit by my dear friend Geoffroy together with Doctor Vaquez, his brother, and Ajalbert. This was a cheerful distraction from my usual sad thoughts.' Monet concludes his moving letter with thoughts of his son, 'I leave you now, my good Genevieve. I embrace you most tenderly…I shall write one of these days to J[ean] P[ierre]. Your old father who loves you, Claude Monet.'Accompanied by the original envelope hand addressed by Monet. A letter of important content in which the artist implicitly acknowledges his own son. Some very light, minor age wear, and with some show through of ink to the pages, otherwise VGGenevieve Hoschede, the wife of Jean-Pierre Hoschede (1877-1961) Monet's second wife, Alice Hoschede (1844-1911) had died in May 1911. The couple were married in 1892 although had lived together since 1879 when the artist's first wife, Camille, had died. Monet raised Hoschede's six children by her husband, Ernest Hoschede (a department store magnate and art collector), and they were all devoted to Monet. Blanche Hoschede married Jean Monet, the son of Monet and his first wife. Jean-Pierre Hoschede was Alice Hoschede's youngest son, born in 1877, and was in reality her son by Monet as the result of an affair. The artist implicitly acknowledges this in the present letter. Genevieve Hoschede, the wife of Jean-Pierre Hoschede (1877-1961) Upon the death of his wife, Camille, Monet married the widower Alice Hoschede (1844-1911). It is speculated that her youngest child, Jean-Pierre, was in fact Monet's and not by her husband. Alice Hoschede was both a model and mistress to Monet.
Ede (H.S.). A Life of Gaudier-Brzeska, 1st edition, William Heinemann, 1930, monochrome plates and illustrations, top edge gilt, remainder untrimmed, original red cloth, heavily rubbed and soiled, with some fraying to joints and head and foot of spine, folio, limited edition 185/350, together with Shaw-Barrow (Walter) Frank Brangwyn and His Work, 1910, mounted colour plates, monochrome plates, occasional light spotting, contemporary quarter green morocco, with modern reback, rubbed and some marks and wear, folio, limited edition 138/160, plus other monographs on modern artists: Leonce Benedite, Rodin, 1924, limited edition 100/250, Arsene Alexandre, Claude Monet, 1921, Francois Daulte, Alfred Sisley, Catalogue Raisonn‚ de l'oeuvre peint, 1959, limited edition 963/1200 & Auguste Renoir, Catalogue Raisonn‚ de l'oeuvre peint, 1971, limited edition 530/1850, all ex-library copies, with usual marks (6)
Elizabeth Sharp (20th Century)'Still Life of Hellebores'Watercolour, signed lower left, Torrence Gallery label verso, 30 x 22cm, together with various other pictures and prints to include a watercolour of 'White Horse Close, Edinburgh', two Danish pencil drawings, a watercolour seascape, a photograph of people curling a Blackford c.1900, Monet print etc (11)
Circle of Eugene Boudin 1824-1898 - A beach scene probably Trouville, oil on canvas laid down on panel, signed indistinctly ?E.Boudin lower right, 19thC ** Boudin painted many plain air beach scenes of Trouville and Deauville in the 1870's and 1890's, the was regarded as a 'master' by Monet and he was one of the most important precursors of impressionism, shunning his studio he devoted himself to depictions of the natural worl and in his own words the 'simple beauties of nature' Boudin not only captured the subtle nuances of light and the weather effects and painted finely dressed beach golfers in fashionable dress
Aethelstan silver penny, Small Cross / Moneyer's name in two lines, dies produced from large crude irons and given to North Eastern England, J.J.North 668b, under Spink 1089, obverse reads:- +AEDELZTN REX., 'AE' ligulate', 'D' with thorn 'S' backwards as a 'Z', 'N' reversed, pellet in field under the 'E' of REX probably die fault, reverse reads:- GOTA MONET, nice even tone, well centred, VF
A Collection of Designer and Other Costume Jewellery, including, A Nina Ricci Blue and White Paste Set Necklace, on herringbone chain, length 41cm, A Monet Necklace, A Mazer Paste Set Brooch and Pair of Clip Earrings, A Pink Paste Set Bracelet and Clip Earring Set, A Similar Blue Paste Set Necklace and Clip Earring Set, And Three Brooches The lot is in overall good condition, group lots should be viewed.
John McCutcheon R.O.I. (Scottish, 1910-1995), "Maidens" (on the Ayrshire Coast), signed lower right, oil on board, framed. 26cm by 40cm Note: McCutcheon was an Ayrshire-born painter in oil and watercolour. He attended the Glasgow School of Art between 1929 and 1933. According to McEwan (Dictionary of Scottish Art & Architecture), he was influenced by some of the French Impressionists and Post-Impressionists including Pissaro, Sisley, Monet and Cezanne and the subject work clearly shows these influences. He exhibited at the Royal Scottish Academy from 1963, Royal Glasgow Institute and Royal Institute of Oil Painters (of which he was elected a member in 1970).
‘Your old father who loves you’ MONET CLAUDE: (1840-1926) French Impressionist Painter. A fine A.L.S., Claude Monet, four pages, 8vo, Giverny, 24th September 1911, to Genevieve [Hoschede], in French, on mourning stationery. Monet writes in his characteristic purple fountain pen ink following the death of his second wife, Alice, and commences 'Thanks for having thought to write to me, and thanks to my good Jean Pierre for having taken a moment to come to visit me, so sad when I see the house so empty, and no longer see your dear faces. You have so kindly accustomed me to your daily visits' continuing, 'Nothing much new here except for the fact that I have decided to fire that drunkard, Durthenuy, and it is good riddance… I keep corresponding in search of a suitable servant, but have had no success in finding the pearl that I require' and further adding, 'Last Thursday I was paid a visit by my dear friend Geoffroy together with Doctor Vaquez, his brother, and Ajalbert. This was a cheerful distraction from my usual sad thoughts.’ Monet concludes his moving letter with thoughts of his son, 'I leave you now, my good Genevieve. I embrace you most tenderly…I shall write one of these days to J[ean] P[ierre]. Your old father who loves you, Claude Monet.'Accompanied by the original envelope hand addressed by Monet. A letter of important content in which the artist implicitly acknowledges his own son. Some very light, minor age wear, and with some show through of ink to the pages, otherwise VGGenevieve Hoschede, the wife of Jean-Pierre Hoschede (1877-1961) Monet’s second wife, Alice Hoschede (1844-1911) had died in May 1911. The couple were married in 1892 although had lived together since 1879 when the artist’s first wife, Camille, had died. Monet raised Hoschede’s six children by her husband, Ernest Hoschede (a department store magnate and art collector), and they were all devoted to Monet. Blanche Hoschede married Jean Monet, the son of Monet and his first wife. Jean-Pierre Hoschede was Alice Hoschede’s youngest son, born in 1877, and was in reality her son by Monet as the result of an affair. The artist implicitly acknowledges this in the present letter.
PISSARRO CAMILLE: (1830-1903) French Impressionist Painter. A.L.S., C. Pissarro, two pages, 8vo, Eragny-Bazincourt, 5th July 1902, to his son Rodolphe, in French. Pissarro announces, 'You can be sure that these dizzy spells come from the stomach’ and continues to make some dietary recommendations, ‘organise yourself for your food, some eggs, some beef cutlets, etc. Some simple things I am sure… that will do you good, come to Dieppe, we will find, I hope a place where one could eat close by' further advising, 'Independently from the food there is also this: do not get up too late, do not go to bed at impossible hours, do not stay in the cafes, do not spend the evenings in the cafes with music, do not eat ices, etc, etc.' Pissarro also writes of other matters, ‘I have in effect some gouaches at Portus’s and a painting, you do not know when they are going to rest and when they will move house?’, and again encourages his son to take a train and join him in Dieppe (‘I hope the sea will do you good’), informing him that they will be at the Hotel du Commerce. Pissarro concludes by mentioning another son, Georges, of whom he has received no news, asking if he is going to stay at Moret and remarking ‘Eventually I am going to write to him’. VG Ludovic Rodolphe Pissarro (1878-1952) French Painter and Engraver. Georges Pissarro (1871-1961) French Artist who worked in Impressionist and Post-Impressionist styles. Moret-sur-Loing is a former commune in the Île-de-France region in north-central France and the town was a source of inspiration for Monet, Renoir and Sisley.
ART:A large collection, to include: Graves, A: The British Institution 1806 - 1867; Bell, 1908, 1st. edn. G+; Paul Mellon's Legacy, A Passion For British Art. 1st. edn. dw; Fine; Claude Monet 1840-1926. 2010, Fine in dw & slipcase; Miles & Reese: America Pictured to the Life: Illustrated Works from the Paul Mellon Bequest. 2002, 1st? dw Inscribed & SIGNED by Bill Rees; Fine. Longrigg, Roger: The History of Horse Racing (4 Signed Copies). 1972, 1st. dw; VG; PLUS Qty of others. (23)
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