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Two Royal Doulton character jugs 'HG Wells' and 'Monet'. (2)

Pearl necklaces including Monet and other bead necklaces

Claude Monet - Winter Scene; print on canvas in hand coloured frame. Picture size 55cm x 40cm. NB PLEASE NOTE THERE IS NO VAT ON THE HAMMER PRICE ON THIS LOT

Claude Monet - Des Colombes, print on canvas in hand coloured framed. Picture size 49cm x 35cm. NB PLEASE NOTE THERE IS NO VAT ON THE HAMMER PRICE ON THIS LOT

Claude Monet - print on canvas in hand coloured frame. Picture size 50cm x 40cm. NB PLEASE NOTE THERE IS NO VAT ON THE HAMMER PRICE ON THIS LOT

Claude Monet - La Promenade D'Argentevil print on canvas in hand coloured frame. Picture size 50cm x 37cm. NB PLEASE NOTE THERE IS NO VAT ON THE HAMMER PRICE ON THIS LOT

A TRAY OF GILDED NAVY BLUE FLORAL PLATES TO INCLUDE A PAIR SIGNED L MONET, ROYAL CROWN DERBY ETC

A Collection of Eight Various Framed Prints to Include Monet, Sisley, Van Gogh etc

Unframed oil on canvas of a country scene, signed CLAUDE MONET to reverse together with a framed watercolour of a hayfield, also signed CLAUDE MONET

Theodore Wendel (American/Ohio, 1859-1932), "View of Venice along the Rio Nuovo Canal", oil on canvas, signed lower right, 21 in. x 24 in., framed. Note: Theodore Wendel was one of the most successful and respected Impressionist landscape painters of the late 19th and early 20th centuries. A native of Ohio, Wendel studied with Thomas Noble at the McMicken School of Art at the University of Cincinnati. He traveled to Munich, Germany in 1878 with his good friend Joseph DeCamp to study with Frank Duveneck at the Munich Academy. Wendel and his friends became known as the "Duveneck Boys," and the group included such noted artists as William Merritt Chase, James Abbott McNeill Whistler, and John Henry Twachtman. From 1878 to 1880, they painted landscapes and figural paintings in Polling outside Munich, as well as in Florence and Venice. Most of Wendel's paintings from this period are unlocated, making examples like the current lot very rare. The view offered here depicts the Rio Nuovo canal in Venice. Using soft shades of rose, pale blue and green, Wendel's gestural brushwork produced an early work of Impressionism by an American artist. Later in 1887-88, Wendel studied in France and became good friends with Claude Monet. He was one of the few American artists whose work Monet chose to praise. Wendel's career was curtailed by illness in 1917 and despite being one of the most important American Impressionists, his reputation gradually faded, and he fell into obscurity. His work was all but forgotten until John I. Bauer organized an exhibition of his paintings in 1976 at the Whitney Museum of American Art in New York City, reelevating his career status to its original importance.

Michael Sutty hand painted sculpture bust Claude Monet, height 26cm

Swarovski, Monet and Other Costume Jewellery, including big cat bangle, imitation pearls, etc.

JEFFREY PRATT (b.1940) A river bridge in the manner of Monet, signed, oil on canvas, 69 x 90cm

[Art Books] Monet, Rembrandt, Whistler, The Pre-Raphaelites, Dreamers of Decadence, Impressionism others (24)

Jewellery, to include a Napier double knot necklace, simulated pearl earrings and a Monet gilt and diamante ear clips

A Falcon Burma Vase, Laura Ashley vase, pair Monet Luneville vases, Fulham posy, XIX Century tea set, etc:- One Box

A collection of art history books, predominantly in the Impressionists, including 'The Impressionists', 'Camille Pissarro', and 'Monet'.

Claude Monet (1840-1926) & George-William Thornley (1875-1935)La ViaducThe rare lithograph printed in blue, before 1892, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Côte RocheuseThe rare lithograph printed in black, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed), sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)Bâteaux de PêcheThe rare lithograph printed in brown, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Group of 7 impressionist pieces, including Route au Bord de la Seine (etching) by Alfred Sisley (1839 - 1899); La Chanteuse du Café-Concert (lithography) and La Pianiste et le Chanteur (lithography) by Edgar Degas (1834-1917); Paris, 4 Kilometers (lithography) and Sous la Pluie (lithography) by Jean-Francois Raffaelli (1850-1924); Oscar Wilde (lithography) by Henri Toulouse-Lautrec (1864-1901); Cour d'Albane, Rouen by Claude Monet (1840-1926).Dimensions: Route au Bord de la Seine: Unframed; Height: 5 in. x Width: 6 1/4 in. Framed; Height: 21 in. x Width: 23 in. La Chanteuse du Café-Concert: Unframed; Height: 7 in. x Width: 5 1/2 in. Framed; Height: 20 1/2 in. x Width: 18 3/4 in. La Pianiste et le Chanteur: Unframed; Height: 7 1/2 in. x Width: 5 3/4 in. Framed; Height: 20 3/4 x Width: 19 in. Paris, 4 Kilometers: Unframed; Height: 8 1/2 in. x Width: 6 1/4. Framed; Height: 21 in. x Width: 18 5/8 in. Sous la Pluie: Unframed; Height: 4 in. x Width: 5 1/4 in. Framed; Height: 19 1/2 in. x 21 in. Oscar Wilde: Unframed; Height: 8 in. x Width: 6 1/2 in. Framed; Height: 21 in. x Width: 19 1/2 in. Cour d'Albane, Rouen: Unframed; Height: 8 1/2 in. x Width: 6 in. Framed; Height: 24 1/2 in. x Width: 22 in. Condition: Good condition.Images: To view larger images, please visit https://www.dropbox.com/sh/8ed9nhnm5wknrh8/AACsurKHrYImqDg3T-dvZrR1a?dl=0

Group of 7 pieces, including Nature Morte (lithographie) by Georges Braque (1882 - 1963); Femme Nue (lithographie), Jacqueline (linocut), La Naine (lithographie ("heliogravure")), and Picador (linocut), Portrait de Femme (lithographie) by Pablo Picasso (1881 - 1973); Amsterdam (lithographie) by Claude Monet (1840-1926)Dimensions: Nature Morte: Unframed; Height: 8 in. x Width: 6 1/2. Framed; Height: 20 1/2 in. x Width: 21 in. Femme Nue: Unframed; Height: 10 in. x Width: 8 in. Framed; Height: 23 in. x Width: 21 in. Jacqueline: Unframed; Height: 11 in. x Width: 9 in. Framed; Height: 24 1/4 in. x Width: 22 1/2 in. La Nain.e: Unframed; Height: 9 1/4 in. x Width: 5 1/4 in. Framed; Height: 22 in. x Width: 18 in. Picador: Unframed; Height: 7 1/4 x Width: 9 1/2 in. Framed; Height: 19 1/2 in. x Width: 22 in. Portrait de Femme: Unframed; Height: 11 in. x Width: 7 1/4. Framed; Height: 28 in. x Width: 24 1/4. Amsterdam: Unframed; Height: 5 in. x Width: 7 7/8 in. Framed; Height: 21 in. x Width: 24 in. Condition: Good condition.Images: To view larger images, please visit https://www.dropbox.com/sh/8ed9nhnm5wknrh8/AACsurKHrYImqDg3T-dvZrR1a?dl=0

TWO MODERN WALL HANGING TAPESTRIES, one of the Monet Japanese bridge, the other of a medieval style scene depicting a fountain in a garden with a unicorn etc.

JOHN MYATT (b. 1945), master forger. Framed, signed and numbered 130/150 verso, oil on canvas, countryside scene with river, boats, and figures in the style of Claude Monet, with Monet signature and date ‘74’, 56.4cm x 79.4cm.

Art History and Art Themed Books, Victorian Painting, Essential Monet, Hardy Landscapes, Venture Prints, Royal Artists, Essential Constable, etc:- Two Boxes

Jewellery, to include a three link brooch with cut crystal by Grosse, a pair of earrings by Monet, a pair of ear clips and a pair of ear clips by Monet, all boxed

A collection of books, John F Kennedy an Unfinished Life, Audrey Hepburn an Elegant Spirit, Marie Antoinette, Ava Gardner,Monet in the 90's, Venice Art and Architecture, etc, (Qty)

Dorothy Turton, after Monet, 'La Terrass a St Adresse, oil on canvas, signed lower right, 34cm x 44cm

MONET CLAUDE: (1840-1926) French Impressionist Painter. A black bordered mourning envelope hand-addressed by Monet, in bold purple fountain pen ink, to `Monsieur G. Geffroy, 30 Quai de Bethune, Paris´. Post-stamped, with several ink cancellations, dated 11th July 1899. VG £200-300Gustave Geffroy (1855-1926) French Art Critic. A strong supporter and admirer of Monet.

MATISSE HENRI: (1869-1954) French Artist. Envelope hand-addressed by Matisse, in bold black ink, to `Monsieur Goldschmith, Librairie des Nourritures Terrestres, 123 Bd Montparnasse, Paris´. Post-stamped, with several ink cancellations, dated 22nd March 1949. VG £150-200Gustave Geffroy (1855-1926) French Art Critic. A strong supporter and admirer of Monet.

After Monet. Figure holding fan, in flowing robes, print, 41cm x 23cm, various other book plates, engravings, Niall Hamilton, Litchfield Cathedral Church engraving, Bruce Walker 1965 motorcar picture, etc. (a quantity)

A Framed Monet Print of the Houses of Parliament

A Framed Monet Print of Venice

A framed & glazed open issue print 'Le Dejeuner' by Monet. Image 56.5cm x 44.5cm

Twelve pieces of costume jewelry. Lot includes four rings, one pin, three pairs of earrings, a single earring, a slide, and two large gold metal necklaces. Pieces are in gold and silver metal. The only silver metal ring is signed Nolan Miller, the pin is signed Avon, one large gold necklace is signed Monet, and the large gold necklace with the cross pendant is signed Ciner. Dimensions are: Longest - 24" long, Pendant - 5" long, 3" wide. All measurements are approximate. Condition: Light

A box of modern costume jewellery including a cased Monet necklet.

A portfolio of large prints after originals including Constable, Lowry, Rembrandt, Picasso, Monet etc.

Silver compact, a pair of Napier gilt metal earrings, as a leaf sprays, measure 3cm by 2cm; a second pair of gilt metal Napier earrings, as curb links, both with screw back fittings; a Napier gilt metal brooch, a Napier gilt metal chain necklace, a Monet gilt metal triangular brooch and other costume jewellery

A pair of prints after Claude Monet 24'' x 20''. Gilt framed and mounted

John Myatt (b.1945),After Claude Monet,a river and sailing boats,signed verso and numbered 46/150,oil on canvas,58 x 79 cm CONDITION REPORT: Framed. Dimensions for image only.

EMMA CIARDI (ITALIAN 1879-1933)COUPLE BY A FOUNTAIN Signed and dated 1912, signed and inscribed on label on reverse, oil on canvas70cm x 59cm (27.5in x 23in)Exhibited: The Leicester Galleries 1913, no 60 Note: Emma Ciardi's work typifies the wistful spirit of a particularly poignant period in the history of European culture. Born in Venice in 1879 into a family of artists, Ciardi studied under her father, the distinguished Italian realist artist Guglielmo Ciardi, an associate of the proto-impressionist Macchiaoli painters, who specialized in views of the Venetian lagoon, Lombardy and the Veneto. In her late teens, along with her brother Beppe, she took up painting professionally and exhibited for the first time in 1900 at the age of 21 at both the Universal Exhibition in Paris and the Promotrice in Turin. Three years later Ciardi showed for the first time at the Venice International Exhibition, where she would subsequently exhibit regularly until 1932. In 1905 she won a gold cup at Munich, taking another at the 1915 San Francisco Exhibition, where she showed alongside her brother and her father.Ciardi's favoured subjects were the north Italian landscape and the great villas and gardens of her home town of Venice. Although in composition and subject matter her work was influenced principally by Guardi and Longhi, her technique was in a style of highly textured impressionism using a palette which recalled Whistler, Monet and John Singer Sargent. Gradually however, she came to specialise in the neo-18th-century genre scenes of which the two works now on offer provide fine examples. Venice, in the halcyon days of the Belle Epoque before the Great War, was a charmed place, drawing to its palazzo society the aristocracy and gilded youth of Great Britain, Europe and America. The city's magic was sustained by the novels of Edith Wharton and Henry James and in the work of such painters as Sickert, Mortimer Menpes, Frank Brangwyn, and William Merrit Chase. But above all it was Sargent who captured the spirit of the place, his numerous, highly commercial Venetian views possessing, as one reviewer remarked 'the intensity of a dream'. The same might be said of Ciardi's works of the time which, less academic, were also deliberately fanciful in their chocolate box evocation of an imagined Roccoco arcadia. Ciardi perfectly perpetuated the mood of hedonistic escapism, her romantic fetes galantes mirroring the vogue for 18th century costume balls typified by those thrown by city's Grand Dame, the flamboyantly eccentric aristocrat the Marchesa Luisa Casati.Their enormous popularity was demonstrated by the success of Ciardi's first solo exhibition in 1910 at London's celebrated Leicester Galleries, which was followed by a second there in 1913, at which this painting was shown. After the Great War, as the lure of Venice once again offered an escape from the tragedy of the real world, Ciardi was again in the ascendant and, during the 1920s, she received great acclaim in the USA, with numerous shows at the Howard Young Gallery in New York. Further successful exhibitions were staged in London by the Fine Art Society in 1928 and 1933. Emma Ciardi died in Venice in 1933 and two years later was celebrated with a retrospective at the fortieth Venice Biennale.

A quantity of costume jewellery including Monet, Sphinx, P.E.P., Kramer, Nina Ricci, Sarah Coventry, Kigu etcetera

A collection of vintage jewellery including suite of Trifari jewellery of turquoise enamel and blue and white paste flower brooch with matching bracelet and clip-on earrings, Trifari leaf and white paste brooch, Vendome plaque brooch, Monet brooch, cloisonne polychrome enamel buckle, Georgian buckle, paste clip etc Georgian buckle - Assay mark (lion passant) and maker's mark only - HC possibly Henry Chawner Buckle is in good condition

A parcel lot of costume jewellery items to include Napier, Sarah Coventry, Monet, Trifari etc. (qty)

A collection of assorted costume and vintage jewellery, to include; a Swarovski swan brooch, a crucifix and chain, an exotic bird brooch, a Monet butterfly brooch, an Art Deco brooch, a gold plated heart shaped locket, clip earrings etc (8)

A quantity of quality costume jewellery, to include Monet, Tate, exquisite and Essocraft etc (1 bag)

Re-Offer £30-£40 vendor agreed 13/4/18 Pair of framed embellished giclee prints, one after Monet ('Japanese Bridge'), and one after Renoir ('Oarsmen at Chatou'). (2)

PAIR OF GROSSE LARGE DROP EARRINGS, each set with an oval turquoise, in associated box; pair of MONET large bronze coloured metal DROP EARRINGS, in case; and FOUR OTHER pairs of earrings (12)

A quantity of pictures to include Royal Artillery, "Groundsman's Hut", Dusk Pastels by A. R. Luke, "The Corn poppies" Print after Monet, embroidery, etc

Two Monet necklace and bracelet sets

A box of Monet, Vendome and Sarah Coventry costume jewellery

Albert Lebourg (French 1849-1928)Route de village, Hondouville-sur-Iton.  Oil on canvas.  Signed lower right37.5 x 64 cm.(14 3/4 x 25 1/4 in.) The authenticity of this work has been confirmed by Monsieur Francois Lespinasse.The French Impressionist and landscape painter Albert Lebourg was born on 1 February 1849, in Monfort-sur-Risle. Lebourg originally started his career as an architect, before becoming a student at the École des Beaux Arts et l¬ademie de Peinture et de Dessins in Rouen. After meeting the famous collector Lapelier in 1872, he taught drawing at the École Supérieure des Beaux-Arts in Algiers where he met Jean Seignemartin, a painter of the Lyon School. Under Seignemartin's influence, Lebourg's palette lightened and his paintings grew increasingly Impressionistic in style.In 1878, Lebourg returned to France and became a student at the studio of Jean Paul Laurens. He first exhibited with Monet, Sisley, Renoir, and Pissarro on Montmartre Boulevard in 1878. In 1893 Lebourg became a member of the Société des Artistes Français and painted mainly in Rouen and Auvergne, as well as along the banks of the Seine. He spent twelve years between 1895 and 1907 travelling aroun Europr including the Netherlands, England, Switzerland and Belgium.Lebourg's main 'Impressionistic subjects' were landscapes; he became fascinated by the different lighting conditions over the course of a day capturing the momentary and transient effect of sunlight in the open air (en plein air) rather than in a studio from sketches. This approach was influenced by Claude Monet and the circle of other Paris-based artists of the 1860s.Lebourgh had a retrospective of his work at the Galerie Georges Petit, Paris in 1918. Three years later in 1921, after a stroke which partially paralysed him, he ceased his career and moved back to Rouen where he died seven years later.The present work is a typical example of Lebourg’s interplay between colour and light - it was painted in Hondouville-sur Iton, a small village between Louviers and Evreux (Eure) circa fifty kilometres from Rouen.

Mike Fleming (British, 20th Century), "Always listen to your wife", after Monet, oil on canvas

Circle of Claude Monet (1840-1926) French. Study of a Bearded Man, Oil on Canvas, Unframed, 16" x 13".

PAIR MONET PRINTS

A quantity of costume jewellery including earrings by Trifari and monet, watches and two jewellery boxes.

A collection of costume jewellery to include names , Monet, Trifari, Joan Rivers, Dior, Sarah Cor, Hollywood, J. Crew etc (1 bag) Q

A tray of designer costume jewellery including Majorica, Monet and Avalon etc.

Original vintage advertising poster for the Universal Exhibition in Brussels - Exposition Universelle Bruxelles Mai-Novembre 1910. Exposition Universelle et Internationale was a world's fair held in Brussels in 1910 from 23 April to 1 November. This was just thirteen years after the previous Brussels world's fair. It received 13 million visitors, covered 220 acres and lost 100,000 Belgian Francs. A major site for the exhibition was the Mont des Arts, although the site was largely demolished during the post-war construction process of Brusselization. The fine art section included modern art loaned by the French including 3 works each by Monet, Rodin and Renoir and 2 works by Matisse. Painters who participated included the Belgian Alo‹s Boudry who won a silver medal, and the French Adrien Karbowsky. The altarpiece of the St. Jan Berchmans Church, Brussels was presented. The Belgian engineer Jean-Baptiste Flamme (fr) exhibited his new Type 10 pacific locomotive. There was a big fire on 14 and 15 August which gutted several pavilions. Stone lithograph poster printed by De Rycker & Mendel, Bruxelles and designed by Charles Michel. Good condition, repaired tears, holes on margins, printed on three panels, main poster 160 x 120cm, two side panels 160 x 60cm. Belgium, 1910.

A Goebel limited edition Monet Vase