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Twenty-eight art reference volumes including Lowry, Millais, Monet, Whistler, Turner, Seurat, Delacroix, Cezanne,  Pissarro, Sisley, Velazquez, Hopper, etc., (28)

Four Goebel Artis Orbis chargers including Paul Cazanne Nature Morte Avec Des Fruits Et Des Fleurs number 1180 of 2000, Paul Cezanne Nature Morte Avec Cruche a Fleurs number 624 of 2000, Vincent Van Gough Le Pont de Langois number 570 of 1000 and Claude Monet La Maison de L'Artiste number 185 of 3000, (4)

Four Goebel Artis Orbis vases including Claude Monet La Promenade number 157 of 1500, Cezanne L'Estaqu number 78 of 2000, Gustav Klimt Kirche Von Cassone number 2786 of 3000 and Vincent Van Gough Camp de Ble number 216 of 1000, (4)

Two porcelain plaque frames - Monet style

A collection of vintage costume jewellery to include Victorian pinchbeck brooches, agate gilt metal brooch, various paste set jewellery, plastic beads etc, bracelets, buttons, Monet earrings etc

[§] PAUL LUCIEN MAZE (BRITISH/FRENCH 1887-1979)EIGHT PIPERS Signed, watercolour46.5cm x 59cm (18.25in x 23.25in)Note: Paul Lucien Maze was an Anglo-French painter and has been referred to as 'The Last Post-Impressionist'. His father was an art collector and his circle of artistic frineds included Monet, Renoir, Dufy, and Pissarro. Maze learned the fundamentals of painting from Pissarro and, as a young boy, sketched on the beach with Dufy.During the First World War, Maze served in the army and met Sir WInston Churchill in the trenches. Their shared love of painting led to a lifelong friendship. For his bravery in the front line, Maze was awarded the Distinguished Conduct Medal and Military Medal by the British and the Croix de Guerre and Legion D'honneur by the French.After World War 1, Maze immersed himself in the Parisian art scene and became friends with Derain, de Segonzac, Bonnard and, in particular, Vuillard.Maze became one of Churchill's artistic mentors, encouraging him to develop his drawing and painting techniques. Maze's work is held in many galleries, including Tate, and in private collections worldwide.

An overpainted print of a Claude Monet scene, in a gilt frame, a quantity of reproduction maps and other pictures

Art - Britain Off 'Pat': More than 200 drawings of bygone Britain from the pen of Frank Patterson (1871 - 1952), Flying Scot Publications, St Leonards on Sea 1993, floppy pictorial covers as issued, 4to; Baker (C.H. Collins), Catalogue of the Principal Pictures in the Royal Collection at Windsor Castle, limited edition of 750, with one hundred collotype plates, Constable & Co Ltd, London 1937, contemporary brown calf spine lettered in gilt, drab buckram boards with gilt cypher of George VI to upper cover, top edge gilt, plastic wrap, slipcased, thick 4to; The Drawings of Holbein at Windsor Castle, second edition, 1945, red buckram gilt, 4to; Dimier (Louis), Les Peintres Français du XVIIIe Siècle: Histoire des Vies et Catalogue des Œuvres, two-volume set, Les Éditions G. van Oest, Paris and Brussels, 1928 - 1930, alternating blue and red buckram, large 4to, (2); Auction Catalogues, Christie's: The Italian Sale: Style and Dynamism in the 20th Centtury, December 2000; 19th Century Pictures and Continental Watercolours, June 1989; Sotheby's: The Robert von Hirsch Collection, Volume V: The Collector, his house and bequests only, 1979, h/b, d/j; Nineteenth Century European Paintings Part I, Spanish ;Paintings Part II, February 1990; Castle Howard, Yorkshire, November 1991; Impressionist & Modern Art, Part One, June 2001; Contemporary Art Day Auction, 12 November 2014, New York, two-volume set: Morning and Afternoon, pictorial wrap, (2); Monet, Picasso, Cézanne, Matisse, (4); Saatchi Gallery, 2005, pictorial h/b, square 4to; Lee (Sherman E.), A History of Far Eastern Art, h/b, d/j, large 4to; etc

A collection of costume jewellery including Monet earrings, silver necklaces, silver ring, silver bracelet, filigree bracelet, filigree brooch, etc

A SMALL BOX OF MAINLY FRESHWATER CULTURED PEARL JEWELLERY, to include bracelets, necklaces, dyed necklaces in blue, peach, copper, together with an imitation pearl Avon and Monet necklace, etc

Box of costume jewellery to include earrings, hollow pearls, simulated pearls, brooches, cufflinks, clip on earrings, Monet enamelled earrings, clarified amber white metal drop earrings, cigar cutters, tumbled clarified amber beads, jade gold plated necklace, diamante fringe style necklace, simulated pearls etc

Eleven various vintage brooches including Monet and Har and a brooch and earring set

Books - Art Interest including Henry Moore Sculptures; Monet Nature Into Art; Pre Raphelite Women; Leonardo Da Vinci; William Russell Flint; Renoir; Beryl Cook; David Hockney etc. (7 boxes)

A large quantity of costume jewellery broochesTo include Monet, and various other brooches, unmarked, together with eighteen hat pins.

A collection of designer and other costume jewellery, including a Nigel Graham hardstone pendant on heavy gun-metal and gold-coloured circular-link chain, a pair of Anne Klein stud earrings, a silver ring and a pair of mother of pearl earrings by Peter Jenner, a pair of Monet earrings, a Walsh Bros silver necklace and matching bracelet, faience scarab and hardstone beads, various necklaces etc. (Q)

A Monet style painting in an ornate frame

Ladies Vintage Jackets, Skirts & Blouse incl. Eastex, St. Michael, Etam, Glenscot kilt, etc. & Monet Ltd. dark blue/red knitted cardigan (8)

Vintage costume jewellery, Reo enamel cat earrings, Monet earrings, etc.

NO RESERVE Monet (Claude).- Wildenstein (Daniel) Monet or the Triumph of Impressionism [& Catalogue Raisonné], 5 vol. including supplement, supplement in French, illustrations, some colour, original cloth, supplement with dust-jacket and a little larger, Cologne & Lausanne, 1996-91; and 7 others on Monet, 4to & folio (12)

A framed oil on canvas landscape, after Claude Monet, 66 x 55 cms

Vintage costume jewellery to include Trifari gilt metal clip on earrings, necklaces, 1960/70's Ciro faux pearl and crystal bracelet, (boxed) gilt brooch, Monet faux pearl necklaces, brooches, costume chain necklaces, gilt metal inlaid bangles and brooches, paste set brooches, pill pot, gilt metal and marcasite earrings, plastic jewellery, gilt metal double strand necklace with Greek key design and marking bracelet, various china flower brooches

A collection of costume jewellery to include Monet gilt metal chain necklace, silver chain and stone pendant, an Oska brooch, faux pearl necklaces, 1920's glass necklace, rolled gold bracelet and jewellery, glass beads, Wedgwood pendant and ring, paste set jewellery gold plated chains, gilt metal brooches, wooden versions, paste set jewellery including marcasite paste, faux pearl clip on earrings, Chinese pendant, bangle, hair accessories (1 bag)

Costume jewellery to include Monet gilt metal necklace and clip on earrings, Trifari and Continental large clip on earrings, a button necklace with matching earrings, along with various vintage clip on earrings in different styles, along with a gilt Monet collar and matching earrings

A collection of costume jewellery to include a Monet paste set necklace, glass bead necklaces, gilt and white metal bangles, chains, rings, bracelets, ladies dress watches, rosary beads, St Christopher pendant in a Stratton box, enamel bracelet, bone necklace, vintage faux beads, cuff-links, bone necklace, gilt metal earrings (1 bag)

A collection of designer costume jewellery including Monet, Yves Saint Laurent, Trifari, Hultguist, to include necklaces, brooches, earrings and a buckle and an anodized cuff (1 bag)

A collection of costume jewellery ear clips, including two pairs by Kenneth Jay Lane; a pair of 1980s ear clips by Grosse; a pair of red leaf ear clips by Trifari; a pair of blue, green and white paste ear clips by B.E.Cook, London; Monet ear clips; and various other pairs of earclips

Claude Monet, after, The Haystack, canvas print, limited edition 153/300, 61cm x 80cm, Artgraph Edition of the State Hermitage Museum Collection, Canada 1991

A selection of designer costume jewelleryTo include bracelets, earrings, necklaces etc by Monet, Napier, etc.

A SELECTION OF GEM AND COSTUME JEWELLERY, to include a Monet blue imitation pearl chocker, an agate bracelet, a shell disc necklace, a multi gem bracelet, imitation pearl necklaces etc

WATT, SHEILA, 'TOWARDS THE HIGHLANDS' watercolour, 20cm x 29.5cm, a head and shoulders pencil sketch of young woman, a Monet print, a print after Norman Garstin 'The Rain It Raineth' and a frame (5)

A SMALL BOX OF MAINLY FRESHWATER CULTURED PEARL JEWELLERY, to include bracelets, necklaces, dyed necklaces in blue, peach, copper, together with an imitation pearl Avon and Monet necklace, etc

Wildenstein, Daniel - Claude Monet: Biographie et Catalogue Raisonne, 4 vols, folio, in slip case, Taschen Munich 1996

'Argenteuil', 20th century colour print mounted onto canvas after Claude Monet 45cm x 60cm and Still Life of Flowers, four contemporary colour prints in matching gilt frames overall 100cm x 39cm (5)

A Swarovski bangle, boxed, and a Swarovski necklace, a pair of Monet earrings, a pair of large drop earrings marked Scherrer, a brooch marked Casty, Paris and a gilt bracelet

Approximately 120 various necklaces, mostly vintage, including pearls, Napier, Monet etc.

A quantity of costume jewellery including a Monet necklace, various pendants, chains and necklaces from the 1940s-1970s, and approximately 20 mostly vintage brooches including examples by Sarah Coventry, Sphynx & Hollywood etc.

Approximately 148 brooches, mostly vintage, lots of animal subjects, includes examples by Sphynx, Sarah Coventry, Ciro, Monet, Napier, Miracle etc.

A large quantity of 20th century art reference material to include books on collecting, as well as the biography and works of various artists, including Monet, Rembrandt, Van Gogh, also Christie's, Sotheby's and Bonhams catalogues (2).

A collection of boxed vintage costume jewellery to include Christian Dior, Monet, Pierre cardin, etc

 depicting fields of flowers in bloom against a backdrop of mountain ranges and sky160 by 124cm Esias Bosch studied at the University of Witwatersrand and at the Johannesburg School of Art before winning a three year scholarship to study ceramics in Britain. Returning to South Africa he was a pioneer of studio pottery at his Die Randjie studio. In particular, his large panels and tiles are fascinating and impressive works of art. Inspiration to produce these came from seeing the Keramion Museum, Germany clad in large Buchtal tiles. Esias imported some of these, however they were glazed and, using an angle grinder, he ground the glaze off in order to experiment in his studio. Rebuilding his kiln to fit these items, he worked with lustre tiles and then eventually experimented with clay tiles built up in layers and decorated with ceramic stains and glazed, thereby giving the illusion of depth and a painterly like quality. Examples of both were housed in buildings such as the Vineyard Hotel, Cape Town, Wesbank Building, Braamfontein and in the old departure hall of what is now Oliver Tambo Airport. Evidence of his inspiration of Claude Monet and Pierre Bonnard, can be seen in the themes chosen for his panel and tile pieces. His exhibition of large tiles in 1983 in Hanover catapulted him to success. - S-L. F. Bosch, A. & de Waal. J. Esias Bosch, Winchester: Struik, 1988

TWO PRINTED CERAMIC ART PLATES, 20TH CENTURY one depicting Renoir’s Oarsmen at Chatou, the other Manet’s Monet in his Studio Boat, each framed against a red velvet background each 27cm diameter (2)

Paul Gauguin (French 1843-1903) LES VIEILLES FILLES À ARLES from THE VOLPINI SUITE signed in the plate zincograph (second state) Kornfeld Catalogue Raisonné number 9 sheet size: 32 by 47cm Les Vielles Filles à Arles (Old Maids of Arles) from the Volpini suite, was created for an exhibition that took place in a café during the 1889 World Fair. The world fairs were staged every eleven years from 1855 to 1900 with the intention of drawing the world to France where the best of French industry and culture was on display. Artists such as Claude Monet and Auguste Rodin took advantage of the influx of international visitors to Paris by putting on exhibitions of their work at the same time that the fair took place. Gauguin recognized the opportunity as well, but with a guerilla style tactic, the artist chose to infiltrate the actual grounds of the fair, without the authorisation of the state that other artists of the Académie des Beaux-Arts were awarded to exhibit in the grand halls. The venue for the show was Grand Café des Beaux-Arts where an order of mirrors which were to be used to decorate the café, fell through. Gauguin persuaded the owner of the café, Monsieur Volpini, to rather display the work of a number of artists calling themselves the Groupe Impressioniste et Synthetiste. While the exhibition was barely reviewed at the time, it would come to be known as the Volpini Exhibition and would be regarded later as a defining moment in Gauguin’s career. It is at this time that his ‘synthesist’ style of abstracting lines and form in order to evoke the artist’s inner thoughts and emotions, came to the fore. Theo van Gogh, Vincent van Gogh’s younger brother, a manager of a gallery and an advocate of Gauguin’s, encouraged Gauguin to supplement the seventeen canvasses exhibited with a portfolio of eleven prints, due to the growing appeal of printmaking at the time. All of the prints in the portfolio are inspired by the artist’s travels between 1886 and 1888. The subject matter of the print comes from a painting that Gauguin made the year before when he stayed with Vincent van Gogh in Arles. The artist found the women of Arles to be quite noble and he depicted them strolling through the park across the street from van Gogh’s house. They are dressed in the traditional shawls and headdresses of the region. They are an example of Gauguin’s fascination with rural life and the genuineness he found there, which would ultimately lead him to Tahiti, in search of further authenticity. The Volpini Suite was Gauguin’s first attempt at printmaking, and he may have learned the technique of lithography printed on zinc plates from Emile Bernard, who also exhibited in the Volpini show. For his first state Gaugain used canary yellow paper, and his second simili Japan paper, which may have reflected his appreciation of Japanese ukiyo-e prints, which he collected. This print is from the second state. While the exhibition was commercially unsuccessful, the show and the prints produced mark an important arc in the mythology of Gauguin and his desire to seek alternatives to what he found to be arestrictive way of being. - S. D. The Nelson-Atkins Museum of Art. “Old Maids of Arles.”Accessed December 17, 2018.https://art.nelsonatkins.org/objects/30823/old-maids-of-arles Christies. “Volpini Suite.” Lot Essay. Accessed December 17, 2018. https://www.christies.com/lotfinder/printsmultiples/paul-gauguin-suite-volpini-ten-plates-5730426-details.aspx?from=searchresults&intObjectID=5730426&sid=116eeb30-7678-4878-b921-7afe14e95723

Necklaces, etc. including pearl, Monet and malachite

Maupassant (Guy de) Mlle Fifi, signed presentation copy from the author inscribed "A M.Gustave Geffroy son dévoué confrère Guy de Maupassant" on half-title, foxed, contemporary roan-backed wooden boards, upper cover inlaid in radiating panels from sun shape at foot, original wrappers bound in (upper worn and frayed at edges, detached), 1883 § Mauriac (François) Orages, Poèmes, signed and inscribed by the author "à David Posner au poète; ces vieux péchés en lieu cordiale sympathie François Mauriac" on half-title, original printed wrappers, glacine wrapper, slightly frayed at spine ends, 1949 § Régnier (Henri de) Apaisment, first edition, signed and inscribed by the author "a Francis Viélé-Griffin ces vers ternaires et autres son ami Henri de Régnier" on half-title, contemporary half morocco, original wrappers bound in, t.e.g., others uncut, corners bumped and worn, 1886 § Colette (Sidonie-Gabrielle) Chéri, signed presentation copy from the author to Mlle. Lucette Rochette inscribed on half-title, browned, contemporary roan-backed boards, a little worn, 1930, Paris; and another, inscribed, and 4 A.Ls.s. from Yvette Guilbert discussing songs etc., one with mention of Isadora Duncan, 8vo (9)⁂ Gustave Geffroy (1855-1926), journalist, novelist and art critic, one of the first to promote the Impressionists, especially Monet.Yvette Guilbert (1865-1944), French cabaret singer and actress of the Belle Époque who became one of the prime models for Henri de Toulouse-Lautrec.

Claude Monet (1840-1926) & George-William Thornley (1875-1935)L'Abbaye dans la brumeThe rare lithograph printed in blue, before 1892, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Douane, Effet de l'apres-midiLithograph printed in colours, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 397 x 567mm (15 5/8 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)Bateaux de PecheThe rare lithograph printed in brown, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Côte RocheuseThe rare lithograph printed in black, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 398 x 567mm (15 3/4 x 22 1/4in) (unframed)

Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Plage et la Falaise d'AmontThe rare lithograph printed in sepia, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 567 x 398mm (22 1/4 x 15 3/4in) (unframed)

ART BOOKS.Seven art books: Two copies of The Folio Society, 1971, on Goya; A Folio Society book on Canaletto & other books on Monet, Vincent Van Gogh, Toulouse Lautrec & a general art book.

A Monet necklace and matching earrings set with white stones.

A Norman Lindsay facsimile etching 'have faith' limited to an edition of 500 along with a framed fish / lures and a Monet print.

A quantity of costume jewellery to include a Christian Dior bracelet, Monet earrings and other earrings, bracelets and necklaces, A/F

CLAUDE MONET well presented print - still life study of flowers in a vase

A quantity of costume jewellery, including some by Monet, Christian Dior, etc.

Pair 14ct gold hoop earrings + three sets of Monet & Napier jewellery,

A BOX OF COSTUME JEWELLERY to include a marcasite bracelet, necklace, two pairs of earrings and a brooch, six pairs of Monet ear clips, together with further brooches, earrings, necklaces, bracelets, watches, cufflinks, dress studs etc

A black leather jewellery box containing four ladies fashion watches including Tissot, Aviator, Extro etc, Monet brooch, bangle, earrings etc

*Melina clover leaf and pearl earrings ; vintage carved mother-of-pearl Star of Jerusalem necklace; Monet clip-on drop earrings; Majorica pearl necklace and earrings; Four-strand graduating imitation pearl choker; and cubic zirconia flower bracelet (Lot subject to VAT)

European School, Signed 'Monet' Impressionist Landscape Painting.  Oil on Board.  Signed lower right.  Provenance: Private Florida Collection.  Sight size: 5.5 x 8.5 in. Overall Size: 11 x 14 in.