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A collection of Costume Jewellery, including Swarovski boxed Necklace with hear shaped and circular design white crystals, a Swarovski white crystal dragonfly, together with a jewellery case containing a blue and sterling silver enamel flying crane brooch, by David Andersen, Norway, a gilt metal Monet brooch and necklace, a 24k plated Singapore Orchid, silver watch chain, bangle and violin brooch, various necklaces brooches etc.
Heading: (Monet, Claude)Author: Wildenstein, DanielTitle: Monet: or the Triumph of Impressionism [and] Catalogue Raisonné. Werkverzeichnis - Four VolumesPlace Published: KolnPublisher:TaschenDate Published: -1996Description: 4 volumes. Profusely illustrated with color facsimiles and from photographs. (4to) blue cloth, decorative slipcase. Taschen's definitive catalogue raisonne on Monet. The founder of French Impressionism, this set showcases his art with beautiful, full-page reproductions. Volume I is a thorough history on the artist's life. Light wear to slipcase, light wear to bindings; interiors clean; near fine.
BEN HOLGATE; pastels "August Field", a meadow scene, signed lower right, titled and dated 1999 verso, 43 x 51cm, a Monet print, and a signed print of Madame Lily Bollinger with a quotation regarding champagne, all framed and glazed, also a signed limited edition of a humorous golf print from the 1980s, unframed, and an oil on board of Dutch skated scene, framed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Impressive wrought iron 'Monet' bridge , the shallow arched bridge with scrolled handrail, raised on ornate spindle supports, 261cm long CONDITION REPORT Wooden slats are rotten in places and some will require replacement. General weathering and corrosion to ironwork, appears to be structurally sound. Possibly mid-20th century
*@Rosenkrantz (Arild, 1870-1964). Adoration, pastel, showing a standing male figure in a blue tunic with arms outstretched in worship before an elevated cross transfigured by light, with a lantern on the ground beside, signed lower right, 63.5 x 45.5cm (25 x 18ins), original architectural gilt frame (slight loss to upper right), with Horner Galleries, Sheffield, label on verso Baron Arild Rosenkrantz was a Danish painter, sculptor, stained glass artist and illustrator, who studied in Rome and Paris, and spent much of his working life in England. He was influenced by the Pre-Raphaelites, in particular Edward Burne-Jones, and also by William Blake, Turner and Monet. In 1894 and 1895 he travelled to New York where he started working with stained glass, carrying out work for The Decorative Stained Glass Company and Tiffany. In England he showed work in the final exhibitions of the New Gallery, the favoured gallery of Burne-Jones and his followers in the 1890s, which closed in 1909. He had many commissions, including twelve large panels for the ceiling in the dining room at Claridges Hotel in London. He made stained glass windows and bronze sculptures for a number of English churches, houses and castles, and also established himself as a portrait painter, as well as a book illustrator. Arild Rosenkrantz was a spiritual seeker throughout his life, meeting Rudolf Steiner in 1912, founder of the philosophy of anthroposophy, the connection of the human understanding with the spiritual world. This painting, in both technique and subject matter, is typical of the deeply emotive and otherworldly quality of his work. (1)
GRIGORY GLUCKMANN (RUSSIAN 1898-1973)The Reclining Nude, 1930oil on panel20.2 x 38.2 cm (8 x 15 in.)signed, dated, and inscribed Paris lower rightPROVENANCECollection of Chester Dale, New York, NY (label on verso) LOT NOTES According to the label on verso, the present lot comes from the famous Chester Dale Collection. Chester Dale (1883-1962) built his fortune working for the New York Stock Exchange. He chose to invest in the acquisition of miscellaneous assets, until he married Maud Murray, a painter and art critic, in 1910. Murray introduced her husband to the idea of collecting art, which eventually became the passion of Dale`s life. His rapidly growing collection of 19th and 20th-century French paintings soon included works by Corot, Monet, Matisse, Picasso and Dali. He considered establishing a private museum, but in 1941, decided to donate a part of his collection to the National Gallery of Art in Washington, D.C. After Chester Dale`s death, the National Gallery of Art obtained over 3,000 items including artworks and reference materials. The Chester Dale Collection is now part of the permanent exhibition of the museum, taking up six galleries on the main floor of the building.
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