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LEONARD GITTINS AFTER WALTER OSBORNE "Tea in the garden", oil on canvas, signed and inscribed verso, another AFTER MAX LIEBERMANN "Terrace of the Restaurant Jakob" and another AFTER BLANDFORD FLETCHER "The orchard in spring" and LEONARD GITTINS AFTER CLAUDE MONET "Landscape near Zaandam", oil on canvas, signed, inscribed and dated verso
Exquisite, a brooch, the carved simulated jade panel bordered by simulated pearls, with a pagoda like surmount, 6cm long; with a Jewelcraft simulated pearl and colourless paste flower brooch; a Monet brooch, designed as a large oval onyx like panel enclosed by a gilded frame with fleur de lys motifs to the compass points; a Cherry Chaupaste coronet brooch with paste charm pendants attached; an Askew of London paste set dagger brooch; a Jeanne brooch in the form of a stylised bird in flight; and a paste Japanese inspired brooch, marked DML
Sphinx, a flower brooch, pave set with colourless pastes and baguettes to the stem, 7.5cm long, some stones missing; with a Sphinx amethyst coloured single stone brooch; Exquisite, a feather brooch, one baguette missing, 7cm long; Attwood & Sawyer, a paste set heart pendant chain; Monet, a plaited two colour chain; 46cm long; Goldette, a textured and plain panel link bracelet, 18.5cm long
Swarovski, a pair of earrings, the circular mirrored faceted stone with a frosted drop below with a cabochon and paste set cusp, cased; with a pair of cased Swarovski oval paste cluster earstuds; a Sphinx pyramid brooch; a Monet sunflower brooch; a Monet brooch; two Hollywood brooches; an anonymous brooch; and a German painted ceramic plaque brooch
An American silver coloured Modernist brooch by Ed Levin, the shaped opework circle set with seed pearls, stamped `LEVIN STERLING`, 3.8cm diameter; together with a quantity of costume jewellery, to include several glass bead necklaces, simulated pearls, a silver plated openwork choker by Monet, and other items
A gold plated Warner brooch, a Monet paste line bracelet, a Butler and Wilson paste brooch, a Monet coiled bead necklet, a pair of trefoil earrings, a Boucher stork brooch, a German rolled gold cultured pearl set brooch, a paste set China man brooch, a Jewelcraft brooch, and two pairs of earrings
Assorted 19th Century And Later White Cotton Chemises And Undergarments and assorted white linen and textiles; two Pearly King and Queen fancy dress outfits; grey cotton dress and grey twill short cape; cream linen smock with crochet inserts; 1970`s Monet cream chiffon evening dress (box and items on a rail)
A collection of art and artists reference books and biographies related to the Impressionist movement and its followers to include a large selection of works related to Monet, to include; Stuckey, C. F, Claude Monet 1840-1926, Thames & Hudson, 1995, 4to, Adriani, G, Degas, Pastels, Oils Sketches and Drawings, Thames & Hudson, 1985, folio, Adler, K & Gerb, T, Berthe Morisot, Phaidon, 1987, 8vo (30)
Leymarie (Jean) The Graphic Works of the Impressio 1971 § Gaunt (William) The Impressionists 1974 § Stuckey (C.F. editor) Monet: A Retrospective New York 1985 § Kendall (R. editor) Degas by Himself 1989 § Andersen (W.) Cézanne`s Portrait Drawings Cambridge Mass. and London 1970 illustrations original cloth or boards dust-jackets the last a little rubbed and frayed; and 10 others on impressionism 4to (15)(15)
MONET CLAUDE: (1840-1926) French Impressionist Painter. A good A.L.S., Claude, four pages, 8vo, Embankment Gardens, London, n.d. (`Sunday 5th`, c.1900/01), to his second wife, Alice, in French, on the printed stationery of the Savoy Hotel. Monet states that, on returning from dinner at a club on Pall Mall with [the artist, John Singer] Sargent and [his younger son] Michel he found his wife`s letter, which gave him much pleasure. The artist provides his own news, `I am at last installed on the 5th floor, and I have the two rooms we had on the 6th. We have taken the furniture out of room 541 and I am sleeping in 542, since, with all my equipment, I would never have been able to manage, but I thought at one point I was about to be thrown out of the hotel. They made it very clear that, despite having the right to insist on my apartment, it would be difficult for me, as a foreigner, to oppose the wishes of Princess Louise. Anyway, everything has been sorted out now. This morning, I organised my stuff and tidied things away, and having had a very good breakfast at the Savoy Restaurant with Michel, I am going to start work immediately. It is a very fine morning, but terribly cold, and so I have a fire.` Monet further reflects, `The English seem dismayed and, in particular, humiliated by their defeat. It seems that foreigners are very badly seen here, especially the French, who are refused entry at very many places. There is hardly anyone at the Savoy, and the whole of London seems tired and downtrodden, with good reason.` before adding `We spoke a lot about the war with Sargent, who seems surprised at the joy of the French. It matters little, but it`s very uncomfortable to be here. Fortunately for me, I don`t have to meet too many people.` In concluding Monet writes `I am off now to walk down towards the hospital to see the sunset, and to dine alone at the Café Royal.` A letter of fine content. VG At the time of writing this letter Monet was painting various London scenes including his famous Houses of Parliament series.
A good collection of costume jewellery, to include; A Trifari gilt metal necklace;A Christian Dior gilt metal `CD` monogram brooch; A pair of coloured enamel and paste set oval earrings; A Chanel style, black enamel and paste, circle link bracelet; A heavy gilt metal Monet style necklace; A millefiori green glass bead necklace, and further items. (a lot)
A good collection of 1980`s costume jewellery, to include; A Nina Ricci gilt and silvered metal necklace; A pair of Givenchy green paste earrings; A Butler & Wilson gilt and paste moon brooch; A pair of Monet heart shaped earrings; A silver and quartz dress ring; a further collection of earring and necklaces. (a lot)
A North Italian walnut and ivory Lit en Bateau, circa 1810, the scroll panelled ends inlaid with Romanesque scenes to a border of dancing Putto and mother of pearl trailing flowers and carved swan neck sides and Northern Italian lions and Egyptian swans, 214cm (84in) long, 138cm (54in) wide, 127cm (50in) high Provenance: Mrs Hunter, the Palazzo Barbaro, Venice, and by descent. In the late eighteenth century John Sargent Curtis (a relative of the well-known painter John Singer Sargent) bought one of the two adjoining Barbaro palaces on the Grand Canal in Venice. The Curtis` s restoration of the Palazzo Barbaro provided a haven for an artistic community as vibrant and colourful as the palazzos might have seen in the time of the Italian Renaissance. Curtis and his wife played host to famous and glamorous writers, artists and musicians such as Henry James, Whistler and Claude Monet. In the early nineteenth century this North Italian sleigh bed was sold by John Curtis to John Singer Sargent`s friend, the acclaimed English hostess, Mrs. Hunter, in whose house the Novelist Edith Wharton and French actress Rejane argued over who would sleep in the room in which this bed was kept. Set in the headboard and the foot of the bed are highly decorative scenes of cupids and mythological classical gods. Northern Italian lions interlaced with vines proudly circle dancing lovers and sleeping damsels. Two highly ornamental Egyptian swans stretch their necks down the bed posts as if to guard those sleeping in the bed
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3399 item(s)/page