We found 115930 price guide item(s) matching your search
There are 115930 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
115930 item(s)/page
Lot 1275
19th Century French ormolu and patinated bronze figural mantel clock, the enamel dial with Roman numerals, with a two train silk suspension movement striking on a bell CONDITION REPORT Case and movement appear to be in good condition. Back foot is loose, will just need tightening.It is working and striking ok. Gilt is ok but needs a gentle clean. Dial is in good condition and has no cracks or chips.
Lot 1326
19th Century French Empire gilt and dark patinated bronze mantel clock, with a female figure head surmount above a tapering body, raised on claw feet on a rectangular plinth base mounted with eagles, the enamel dial with Arabic and Roman numerals inscribed Vaillant a Paris, the two train movement striking on a bell CONDITION REPORT Overall in good condition.I believe case has been cleaned at some point with some light cleaning to gilding, which appears to have been lacquered.Chip to enamel dial near winding hole, hand glued in position for a reason I cannot quite see but I expect it will need repairing or replacing.There appears to be no fixings for the glass cover to the back and movement is working but needs a clean.There is no signature beneath the bell.This is a private consignment.In my opinion I believe it not to have been changed, I can't see any alterations or marks to give evidence of replacement.17.25ins high x 8.5ins wide x 6ins deep
Lot 50A
A large late 19th/early 20th Century French figural mantel clock With bronze mount of a recumbent lady over a white marble body with applied gilt metal mounts, central white enamelled dial with Roman Numerals and signed 'Deniere Paris', to a brass movement striking on a bell, total height 49cm
Lot 51A
A 19th Century French gilt metal and porcelain mounted mantel clockOf architectural form, the case with urn shaped finial, floral and ribbon mounts, raised on a plinth base, with small circular feet, the brass movement to a 8.5cm dial, with Roman numerals and central decorated panel, signed Rowe & Son Paris, height 32cm
Lot 886
Samuel Marti et Cie, Paris, an oak Aesthetic Movement mantel clock: the eight-day duration movement striking the hours and half-hours on a gong and stamped with the trademark for the maker S. Marti, Paris, the blue and white round painted dial having floral decoration and stylised Arabic hour numerals within roundels and gilt-brass spade hands, the oak case with a pediment top, turned corner pillars, turned wooden finials and feet and a moulded base, with further florally decorated blue and white decorative panels set within the top and base, height 37cms. * Biography Samuel Marti was one of the prolific French makers of the 1800's and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 to market their movements to such firms as L'Epee. Their Paris address was Rue Vieille-du-Temple from 1870.
Lot 887
A marble and bronze Art Deco mantel clock: the eight-day duration French movement striking the hours and half-hours on a bell with an outside countwheel, the gilded diamond shaped dial having stylised black Arabic numerals with blued steel hands, the rectangular brown marble case with inset onyx surround to the dial and inset with black marble decoration with a round onyx back, the black marble base with applied pieces to the edge and standing on a further plinth, surmounted by a painted bronze mythical pheasant signed Danvin, height 26cms.
Lot 893
F. Barbedienne, a French marble and bronze mantel clock: the eight-day duration movement having a silk-suspension and striking the hours and half-hours on a bell with an outside countwheel, the round silvered engine-turned dial having black Roman hour numerals, blued steel spade hands and with a cast gilt-brass bezel, the variegated mustard marble case having bronze acanthus-leaf mounts to the stepped base all surmounted by an ormolu figure depicting a semi-clad classical female, the rear of the bronze mount stamped F. Barbedienne, height 39cms.* Biography Ferdinand Barbedienne, born August 1810 in Calvados, moved to Paris becoming a dealer in wallpaper. In 1838 he went into partnership with Achille Colas who had invented a machine capable of producing miniature replicas of statues. Barbedienne died in 1862 with the business continued by his nephew Gustave Leblanc.
Lot 884
Delettrez a Paris, a bronze and ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and having Brocot regulation to the pendulum, the backplate stamped Delettrez, Paris, the round white enamel dial having black Roman numerals, blued steel hands and with a repeat of the signature below VI o'clock, the bronze case profusely decorated with ormolu mounts to the front and edges and standing on a richly decorated ormolu base, surmounted by a bronze figure probably depicting the 17th century French playwright, poet and actor, Jean-Baptiste Poquelin better known by his stage name, Molière, seated in a thoughtful pose whilst writing, height 53cms.* Biography. Jean-Antoine Delettrez was a well-known Parisian clockmaker, working from 1851 in partnership with Achille Brocot, son of the maker Louis-Gabriel, at rue Charlot 62 and with whom he continued the development of the Brocot form of pendulum adjustment for regulation of timekeeping first developed by Brocot père and for which they were awarded a medal at the Paris Exposition of 1855. Following the death of Achille Brocot in 1878, Delettrez continued alone and died in May 1887.
Loading...-
115930 item(s)/page