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Lot 345
A.D. MOUGIN EARLY 20TH CENTURY ART NOUVEAU STYLE WOOD AND GILT BRONZE MANTEL CLOCKthe clock of organic form, the face with a gilt bronze flower, with Arabic numerals, with floral metal hands, the body with a motif of a daisy and flowering buds, all against a wood ground, the interior mechanisms visible through a panel with a latch, with numerals 2290, 77 and stamped with manufacturer's mark, the winding key with numeral 6; height: 43 cm (16 7/8 in.) CONDITION The clock appears in good condition. With no apparent issues visible to the naked eye. The clock comes with a winding key, the clock winds and appears to be in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 377
MID-19TH CENTURY MEISSEN PORCELAIN FIGURAL MANTEL CLOCKa pedimented Grecian style building with a resting putti holding a grapevine, the circular clock face with blue Roman numerals set in brass, the facade of the building with a courting couple with floral sprays and cartouches of birds, a maiden draped in floral fabric rests on the building, with a begging poodle, all atop a rectangular base with gilt detailing, marked with blue underglaze factory mark with numerals; overall height: 35 cm (13 3/4 in.), dimensions of base: 29 x 14 cm (11 3/8 x 5 1/2 in.) CONDITION The figural clock appears in age-appropriate condition. Scattered chips to the front right base, back of pedimented building, and grape floral crown of putti. Retouching and repair visible to the front left corner of the pedimented building roof. The clock is not in working condition. Inspection under UV shows retouching to the roof, along the clocks base, and to the puttis head. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 953
A Late 19th Century French "Four Glass" Mantel Clock, No. 14962, the 3.75ins diameter white enamel dial with Roman numerals, to the French eight day two train movement striking on a bell, and with mercury compensated pendulum contained in brass and bevelled glass rectangular case, 11ins high
Lot 960
A 19th Century French Ormolu Mantel Clock, by Henry Marc of Paris, No. 8884, the 2.75ins silver dial with Roman numerals, to the eight day two train movement striking on a bell, contained in case of Rococo design of scroll outline surmounted by a sea goddess and coral, the lower panel painted with a maritime view, on scroll and shell pattern base, 16ins high, with ebonised base and under glass dome
Lot 1302
Bergmann, Franz XaverAraber mit Mädchen(Wien 1861-1936 ebd.) Auf Teppich stehender Araber eine Katze haltend, der Mantelaufklappbar. Bronze, polychrom bemalt. Gestempelt mit Krugmarke. H. 12 cm. - Berieben.Erotica, Wiener Bronze Bergmann, Franz XaverArab with girl(Vienna 1861-1936 ibid.) Arab standing on carpet holding a cat, the coat to be opened.Bronze, polychrome painted. Stamped with jug mark. H. 12 cm. - Rubbed.
Lot 34
Rembrandt, Harmensz van Rijn - Kopie nachSelbstbildnis mit einem Samtbarett und einem Mantel mit PelzkragenÖl/Lwd. 58 x 47 cm. - Das Original aus dem Jahr 1634 hat die gleichen Maße und befindetsich in der Gemäldegalerie der Staatlichen Museen zu Berlin.Altmeisterkopie, Herrenbildnis Rembrandt, Harmensz van Rijn - Copy after:Self-portrait with a velvet bustle and a coat with fur collar.Oil on canvas. 58 x 47 cm. - The original from 1634 has the same dimensions and is in theGemäldegalerie der Staatlichen Museen zu Berlin.
Lot 573
Tabachnyk, JosefDas Loreley Lied, Heinrich Heine - 2001(Schytomyr 1947 geb., lebt in Nürnberg) Auf Marmorsockel Architekturgebilde mitangedeuteten Rheinländischen Bauwerken, darauf in stilisierter Gondel mit Narrenkopfmännliche Skulptur mit langem Mantel, Halstuch und Buch in der Hand. Bronze braunpatiniert. Ein Turm signiert. H. 50 cm.moderne Skulptur, Zeitgenössischer Künstler Tabachnyk, JosefThe Loreley Song, Heinrich Heine - 2001(born 1947 in Schytomyr, lives in Nuremberg) On a marble base an architectural structurewith suggested Rhineland buildings, on top a stylised gondola with a jester's head and amale sculpture with a long coat, a scarf and a book in his hand. Bronze brown patinated.One tower signed. H. 50 cm.
Lot 689
Madonna mit KindFrankreich, ca. 1380Eine auf Natursockel stehende, lothringische Muttergottes mit charakteristisch breitemGesicht und weit auseinanderstehenden Augen, sie ist in ein faltenreiches Gewand und einenrot-blauen Mantel gekleidet, trägt einen weißen Schleier über ihrem gewellten, langen Haarund ein Diadem, im linken Arm hält sie den Jesusknaben, in der rechten Hand einen Apfel,nach dem der Knabe mit beiden Händen greift. Kalkstein, vollplastisch gearbeitet,polychrom gefasst. H. 88 cm. - Fassungsverluste, jedoch umfassende Spuren derOriginalfassung vorhanden. Vergleichsobjekte in der Pfarrkirche Le Grand Thon, Vogesen,Süd-Lothringen, sowie zwei Gruppen im Stadtmuseum Metz.Heiligenfigur, Holzschnitzerei, Sakralplastik Madonna with ChildFrance, ca. 1380A Lorraine Madonna standing on a natural base with a characteristically broad face andwide-set eyes, she is dressed in a creased robe and a red-blue cloak, wears a white veilover her wavy, long hair and a diadem, in her left arm she holds the Child Jesus, in herright hand an apple, which the boy reaches for with both hands. Limestone, fully sculpted,polychrome setting. H. 88 cm. - Losses to the setting, but extensive traces of theoriginal setting present. Comparable objects in the parish church of Le Grand Thon,Vosges, South Lorraine, as well as two groups in the Metz City Museum.
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