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Lot 970
A Late 19th Century French Lacquered Brass "Four Glass" Mantel Clock, by Japy Freres and retailed by Racine & Co of Paris, No. 15627, the movement also stamped "H.P. & Co", No. 2474, the 3.75ins diameter white enamel dial with Roman numerals, to the eight day two train movement with mercury compensated pendulum striking on a bell, contained in rectangular case inset with bevelled glass panels, 11.5ins high
Lot 968
A Modern Jaeger-Le Coultre "Atmos" Mantel Timepiece, No.138326, the 4.25ins diameter white finish chapter ring with raised Arabic numerals at three, six, nine and twelve, interspersed by numeral batons to the open brass framed movement, contained in lacquered brass and plexiglass rectangular case, 9ins high
Lot 971
A late 19th/Early 20th Century French "Fourglass" Oval Mantel Clock, No.3080, the 3.5ins diameter white enamel dial with Arabic numerals to the eight day two train movement, striking on a gong and with mercury compensated pendulum, contained in brass, green mottled marble and bevelled glass case with leaf cast mounts on bun feet 13.75ins high
Lot 978
A Late 19th Century French Mahogany Cased Mantel Clock, by Vincent Aetccie No.5829, the 4ins diameter white enamel dial with Arabic numerals to the eight day two train movement, striking on a gong, contained in moulded arched top case inlaid with chequered and single stringings and with gilt metal turned finials, on bracket feet 11.5ins high
Lot 127
An early 20th century pillar gravity mantel clock, with visible movement behind glass dial, a/f, white painted Arabic numerals, numbered '9638' to one of the hexagonal pillars, on a rounded oblong base with bun feet, 26cm high, together with original instructional paperwork.Crack to the glass.
Lot 976
A Late 19th Century French Gilt Metal and Porcelain Mounted Mantel Clock, No. 695, the 3.5ins diameter porcelain dial with Roman numerals painted with a putti and basket of flowers to centre, to the eight day two train movement, striking on a bell, contained in ornate case surmounted by a pink glazed urn and inset with a porcelain panel painted with a couple in a garden and on turned feet, 19.5ins high, and shaped plinth for same
Lot 972
An Early 20th Century Oak Cased Mantel Clock and a Late 19th Century Rosewood Cased Mantel Timepiece, the clock with 7ins silvered dial with Arabic numerals to the eight day movement, striking on four gongs, contained in arched top case, surmounted by cast brass figure of Napoleon on horseback, on rectangular base with ball feet 17.5ins high, the timepiece by S. Marti and Cie, No.54174 the 4.25ins white enamelled dial with Arabic numerals to the single train movement contained in lancet pattern case on bracket feet, 10ins high
Lot 984
A Late 19th/Early 20th Century Rosewood Cased Mantel Clock, the 7.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and with three smaller dials- Regulation dial, Chime/Silent dial and choice of chime on eight bells and Westminster to the eight day chain and fusee movement, striking and chiming on eight bells and one gong, contained in rosewood case inlaid with urns and swags of fruit, mask, arabesques and bell flower ornament with fretted side panels on plinth base 19.75ins high
Lot 295
A 19th century French mantel clock, slate and marble architectural case with single train drum movement c/w key and pendulum, 36 cm wide x 15 cm deep x 37 cm high to/w smaller slate and gilt metal mounted mantel clock 'Ansonia Clock Co, New York', twin train movement striking on coiled gong 30 cm wide x 12 cm deep x 28 cm high c/w key (no pendulum) (2)
Lot 2011
Jacob JORDAENS (1593-1678), Werkstatt oder Umkreis, Hl. Hieronymus in Gedanken, Öl/Holz, parkettiert, 58 x 44,2 cm. Das Jordaens Panel Project (http://jordaensvandyck.org/panel/saint-peter-repentant/) führt dieses Gemälde als eines der bereits untersuchten Gemälde auf. Diese können von Jacob Jordaens stammen oder mit ihm in Verbindung stehen (related to Jordaens). Die dendrochronologische Untersuchung datiert das Gemälde - eingedenk von mindestens zwei Jahren für Lagerung und Transport - in den Zeitraum von 1628 bis 1649, also zu Lebzeiten des Künstlers. Das Gemälde besteht aus zwei Eichenbrettern. Für das eine Brett gibt die Kernholzdatierung das frühestmögliche Fälldatum mit "nach 1623" an. Herkunftsgebiet ist wahrscheinlich das süd-östliche Belgien (Wallonien). Das andere Brett ergibt anhand einer Splintholzdatierung einen Zeitraum für die Baumfällung von 1626 bis 1647. Herkunftsgebiet ist wahrscheinlich die Region Ardennen in Frankreich.Zum vorliegenden Gemälde schrieb Ludwig Burchard am 10. August 1933 ein Gutachten, in dem er das Bild "eines Apostels in rotem Mantel" als eine "eigenhändige, vortrefflich erhaltene Arbeit von Jacob Jordaens aus der Zeit um 1620" bezeichnet. Experten vermuten allerdings, dass er das Bild im Ponce Museum in Puerto Rico (als "St. Peter repentant"), das in seiner Ausführung schwungvoller ist, nicht kannte. Albrecht Neuhaus hielt das Gemälde ebenfalls für eine eigenhändige Arbeit, "wohl als Studie für ein Gemälde der Werkstatt gedacht". Auch andere Stimmen sehen eine Verbindung zu dem Kopf des Joseph von Arimatheia in der Beweinung in der Kunsthalle Hamburg, die auf ca. 1650 datiert wird. Die Argumente sowie die Datierung des Holzes machen eine Entstehung im Umfeld des Künstlers wahrscheinlich, so dass "Werkstatt oder Umkreis" in diesem Fall naheliegt.Provenienz: Dr. F. Rothmann, London; Albrecht Neuhaus, Kunsthandel; Privatsammlung, Würzburg.
Lot 1402
A Constance Spry unglazed 'large mantel vase', by Fulham Pottery, 46.5cm wide. Provenance: from the collection of Fred Wilkinson, former Director of Constance Spry Limited. Spry opened her first shop 'Flower Decoration' in 1929 and Fulham Pottery subsequently began manufacturing bespoke vases to her designs in the mid 1930s. She went on to found a school at Winkfield Place where the flowers for HM Queen Elizabeth II's wedding were arranged.
Lot 1401
A Constance Spry unglazed 'large mantel vase', by Fulham Pottery, impressed marks, 45.5cm wide. Provenance: from the collection of Fred Wilkinson, former Director of Constance Spry Limited. Spry opened her first shop 'Flower Decoration' in 1929 and Fulham Pottery subsequently began manufacturing bespoke vases to her designs in the mid 1930s. She went on to found a school at Winkfield Place where the flowers for HM Queen Elizabeth II's wedding were arranged.
Lot 614
SMITH'S 'LITTLE RED RIDING HOOD' BAKELITE MANTEL CLOCK,circa 1950s, the dial with scene of Little Red Riding Hood and the Big Bad Wolf, the Wolf's stick moving each second, the alarm setting with musical chime for 'Who's Afraid of the Big Bad Wolf?', with slightly arched bone coloured case, 13.9cm highCondition report: The clock ticks and tune plays; tree decals mostly intact, a little deterioration to upper sections, image clean, case with light general wear typical of the material, some scuffs, blemishes and dirt
Lot 617
JAEGER LeCOULTRE 'MARINA' MANTEL CLOCK,with eight day movement, the circular frosted lucite dial with gilt metal dagger hour markers, decorated in the Chinoiserie taste, on a stepped oblong gilt metal base, 19.5cm highCondition report: Ticks when wound but there is no guarantee of working order or keeping of time over long periods, additional images available, light scratches to body, glass of front and back, scratches to movement casing, tarnish and discolouration to the gilt metal but no other major visible issues; can be adjusted, no personal engraving, no box or papers
Lot 619
LATE 19TH CENTURY FRENCH BRASS AND PORCELAIN MANTEL CLOCK,with two train eight day movement by Japy Freres, striking on a coil, the chapter ring with Arabic numerals, the dial hand-painted with a guardsman, the oblong base with strapwork frieze, on ogee bracket feet, 40cm highCondition report: No key, feels overwound, not currently ticking, mechanism will need attention, pendulum present, no guarantee of working order, dial with possible small hairline to right side of 3 numeral, this seems to have been painted over in a thin black line but one can feel a ridge with a finger nail, there has been damage and restoration around the left winding hole, further rubbing and marks to decorated areas as well as nicks and tarnish to metal
Lot 621
LATE 19TH CENTURY FRENCH ORMOLU FIGURAL MANTEL CLOCK,by LeRoy & Fils of Paris, with two train eight day movement striking on a bell, the white enamel dial with Arabic and Roman numerals in blue, the case surmounted with the figure of a lady allegorical of art, the shaped base cast in bas-relief with figural panels and mounted with foliage, on bracket feet, 41cm high, on a further giltwood base, 45cm high overall
Lot 625
LATE 19TH CENTURY FRENCH MARBLE AND GILT METAL MANTEL CLOCK,with two train eight day movement, striking on a bell, the enamel dial inscribed 'Ledure Bronzier à Paris ...', with Roman numerals, in a four pillared case of architectural design, over and oblong base on four bun feet, 51cm highCondition report: AMENDMENT: double mercury pendulum present, image provided, dial has been extensively repainted and restored, displays hairlines and evidence of further historic damage, large chips to both front upper corners, also to lower front right and rear left as well as smaller chips and nibbles throughout, there is no key included, when wound with another key it does tick but no guarantee of working order, dial fixture a little loose, for shipping please visit McTears.co.uk/shipping
Lot 626
LATE 19TH CENTURY PARIS PORCELAIN MANTEL CLOCK,with two train eight day movement, striking on a bell, the white enamel dial with Roman numerals, the shaped balloon case of Rococo design, hand-painted with a bouquet of flowers, 31.4cm highCondition report: No key or pendulum present, dial extensively damaged, case has extensive damage and restoration throughout, bezel possibly also replaced, overall poor condition and requires extensive attention and restoration
Lot 135
An early 20th century brass carriage timepiece, white dial, black Roman numerals, bevelled glass panels, 11.5cm high; late 19th century gilt metal mantel clock, the 5cm ivorine dial with Arabic numerals, pierced brass 'architectural' case. 18cm high, c.1890; a gilt metal clock garniture vase, 24cm high, c.1860; a French gilt metal boudoir clock, 10cm high (4)
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115925 item(s)/page