⊕ ROMANTIC CONFUSIONsigned, titled and inscribed Peter Phillips / "ROMANTIC confusion" / oil. / (Homage to Vargas) on the reverseoil on canvas70 x 50cm;27 1/2 x 19 1/2in 74 x 54.5cm;29 x 21 1/2in (framed)Peruvian-American artist Alberto Vargas (1896-1982) was one of the first artists to perfect the use of the airbrush. He established his reputation as a painter of pin-up girls, his work popularised by American GIs and the US airforce during and after the Second World War. Peter Phillips studied at the Royal College of Art, London with fellow students David Hockney, Allen Jones and R.B. Kitaj. Awarded a Harkness Fellowship he moved to New York, where he exhibited alongside Andy Warhol, Roy Lichtenstein and James Rosenquist. He now lives in Australia.
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![Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph.](https://cdn.globalauctionplatform.com/e3cc1cb0-c2c1-4fdf-959e-b1b80151a729/5e9556e0-83ef-467b-8cab-b1e9011070cf/468x382.jpg)
Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph. Date: Composed 1991. Dimensions: Overall size: 28 1/2 x 20 1/4 in. (724 x 514 mm).Pricing: Starting Price: $300 Reserve Price: N.A. Auction Sale Price Estimate: $400/500Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Comment(s): A scarce/rare poster with the signature. Published by the Petit Musee, Japan. Features Hockney's print "Table Flowable," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23686-5-300-NA]
![Artist: David Hockney (British, b.1937). Title: "Amaryllis in Vase [Japan exhibition]". Medium: Color offset lithograph. Date](https://cdn.globalauctionplatform.com/e3cc1cb0-c2c1-4fdf-959e-b1b80151a729/cfc09629-628a-4c7e-87da-b1e9010d4384/468x382.jpg)
Artist: David Hockney (British, b.1937). Title: "Amaryllis in Vase [Japan exhibition]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 34 1/8 x 23 1/8 in. (867 x 587 mm). Image size: 27 x 19 in. (686 x 483 mm).Pricing: Starting Price: $300 Reserve Price: N.A. Auction Sale Price Estimate: $400/500Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Good condition. Literature/catalogue raisonne: This particular poster image/composition unknown to Baggot/Hockney Posters. For the same image in different exhibition posters, please see Baggot/Hockney Posters (1994) #s 165, 166, 173. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Ito Gallery, Tokyo, for the exhibition opening July 27, 1985 (through August 11th). Features Hockney's print "Amaryllis in Vase," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23685-5-300-NA]
After David Hockney OM, CH, RA (b.1937)"The Chair" (1985)Signed, offset lithographic poster for Barnsdall Art Center, 98cm by 62cmProvenance: David Hockney donated the piece to a charity auction in the 1990's where the vendor acquired it.Slight cockling to paper. The odd handling crease. The work may have been rolled at some point as has creases throughout. There are areas of vertical creasing down the left of centre, below the at of at the Junior Arts Centre approx 6cm in length and sporadically in areas in a line above this up through the chair, see images. Pen marks lower left corner? Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
⊕ Michael Upton (lots 146-157)Tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard John Russell Taylor, IntroductionUpton grew up in Birmingham where he attended the College of Art before joining the Royal Academy Schools in 1958. In London he became close friends with David Hockney and Patrick Proctor, shared a flat with nascent pop artist Peter Phillips, and was awarded an RA Leverhulme Scholarship. His work was featured in the influential annual ‘Young Contemporaries’ exhibitions that Phillips masterminded over four years (1959-63). The reviewer of the 1962 show in The Times commented: 'The exhibition fairly bubbles with bright ideas and visual excitement... its weird mixture of impudence, whimsicality and beautifully tender painting is well exemplified by Derek Boshier [and] Michael Upton...' A year later, however, after completing six identical canvases, Upton abandoned painting entirely, turning instead to conceptual art. He spent 1967-68 in New York, the recipient of a grant from the Cassandra Foundation. Others who received grants from the Foundation included John Cage, Bruce Nauman, Christo, Eduardo Paolozzi and Richard Hamilton. Increasingly Upton's interests lay in performance, and in the 1970s he founded London Calling with Peter Lloyd Jones which became an influential part of London's performance art scene. One of his works included burying a number of his paintings on a Dorset hillside. But at the end of 1970s Upton returned again to painting, taking up a teaching role at the RA Schools. In this later period Upton's preference was for small scale works. He often used photocopy or newspaper print as the support and he regularly produced series of images, similar to stills from a reel of film. Upton considered them 'conceptual paintings', and gained a new fan for his work in John Russell Taylor the influential art critic of The Times. In a review of 1979 Russell Taylor enthusiastically described Upton's paintings as 'tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard', and in his review of the British Council touring exhibition Picturing People, British Figurative Art since 1945, he singled out Upton as one of a handful of 'highly sophisticated stylists'. Also won over to Upton was the critic Mel Gooding who commented on Upton's 'subtle allusiveness (hints of Piero, Vermeer, Sickert)...another way of deepening the game, of adumbrating the mystery. An art of intimations'. As his work evolved so Upton also gave it more loaded political messaging, inspired in part by both his earlier pop art years and current events. But following retirement and his retreat to Mousehole, Cornwall in 1996 his artistic focus shifted to the innate beauty of the local landscape and coastal views became his primary focus (lots 154-157).WINDOW 1,2,3each oil on boardeach 14 x 14cm; 5 1/2 x 5 1/2in31 x 65.5cm; 12 1/4 x 25 3/4in (framed as one)Painted in 1979.with the artist's estate number MU0608 on the reverseProvenancewith Contemporary Art Society, LondonExhibitedNew York, Anthony Ralph Gallery, Michael Upton, 1987Held behind glass. Unexamined out of frame. Each stuck to the backboard. No retouching apparent under UV. Possible light time staining, otherwise good condition.
â–² David Hockney OM CH RA (b.1937) 'Showing Maurice the Sugar Lift', 1974etching and sugar-lift aquatint in colours, signed and dated 'David Hockney 74' in pencil l.r. and numbered '5/75', published by Petersburg Press, London and New Yorksheet 91 x 70cm, unframedCondition ReportA little very faint surface dirt to margins. There is a light crease mark to the centre of the upper margin. The printed area appears to be in good condition.
â–² David Hockney OM CH RA (b.1937) 'The Carpenter's Bench, A Knife and Fire'etching and aquatint, 1969, signed 'David Hockney' in pencil l.r., numbered '24/100', one of thirty-nine etchings that Hockney created for the series 'Six Fairy Tales from the Brothers Grimm'plate 15 x 17cmProvenance: The Property of a London Collector.Condition ReportFramed: 44.5 x 44.5cmSome small scattered brown speckles, please see images. A little extremely minor cockling, only visible on very close inspection. Presents well overall and ready to hang. Not viewed out of glazed frame.
â–² David Hockney OM CH RA (b.1937) 'The Patient' signed 'David Hockney' l.r., pen and ink heightened with white 38 x 56cm, unframed The present lot was given to the vendor's father, Mr I T Fisher, who was a Classics teacher at Bradford Grammar School until his retirement in 1973. Mr Fisher also edited the school's magazine, 'The Bradfordian', a publication that still exists today. Among his pupils was David Hockney, who, despite not being particularly enamoured with Latin, showcased his exceptional artistic talents early on. Hockney left Bradford Grammar School at the age of sixteen to pursue his passion at the Bradford School of Art. The drawing offered for sale was gifted by David Hockney to his teacher Mr Fisher. As the vendor recounted, the drawing might have been Hockney's way of compensating for not being the perfect student! Mr Fisher included a photograph of the drawing within the school magazine, where it appeared in the July 1958 issue of 'The Bradfordian'. Hockney later confirmed to a third party that the drawing was created at St Luke's Hospital in Bradford, though the subject remains unknown. Condition ReportTime staining and foxing. Previously rolled. There is a prominent vertical fold 12.5cm in from the right edge. A small 1cm tear to the top of the left edge. Crease marks throughout. Faint dirty marks and smudges.
â–² David Hockney OM CH RA (b.1937) 'Gregory', 1974 etching in colours, signed and dated 'David Hockney 74' in pencil l.r. and numbered '5/75', printed by Maurice Payne, Kent Jones and Dany Levy, published by Petersburg Press, Londonsheet 91 x 70.5cm, unframedCondition ReportLight diagonal crease marks to the upper right corner. Some small scattered speckles of foxing starting to emerge in places. A little slight cockling to the sheet, however presents well overall.
â–² David Hockney OM CH RA (b.1937) 'Portrait of Felix Mann'lithograph, signed 'David Hockney' in pencil l.r.65.5 x 50.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThere are some faint scattered speckles of foxing starting to emerge in places. A small brown mark to the centre of the print, please refer to images. Light handling creases, however presents well overall.
After Andy Warhol (Usa, 1928-1987) - Two vintage late 20th century & later Neues Publisher exhibition / museum posters. The lot to include a Warhol Self Portrai - Orange, circa 2000 with authorised by the Andy Warhol Foundation for the Visual Arts logo to top. Together with a David Hockney ' Marilyn ' circa 1996 poster with Andy Warhol Foundation for the Visual Arts logo to corner. Both published by Neus. Both unframed.Largest measures approx. 90cm x 60cm.
David Hockney, artist. A signed (in green and blue ink) 1992 Single European Market FDC. The stamp was designed by Hockney, considered to be one of the most influential British artists of the 20th century. With insert and "British Presidency The European Community Downing St London SW1 13th October 1992" cancellation. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Drawing in a printing machine, David Hockney, 2009, First Edition, Hardback, Fine Condition. An Irish Portrait, Paul Henry, The Autobiography, 1988, Batsford, London, 2 nd Edition, (1 st ED – 1951) with Dust Jacket. Irish Tales & Sagas, Ulick O’Connor, Illustrated by Pauline Bewick, Granada Publishing 1981, with Dust Jacket. (3)
Baumeister, WilliStuttgart, 1889 - 195570,5 x 78 cm R."Badende", 1911. Öl auf Karton. In Öl unten links monogrammiert.Beye/Baumeister, 48.Privatsammlung.Sammlung Haag, Stuttgart.Sammlung Bunte.Ausstellung:"Badefreuden - Strandleben und Wasserspaß von Liebermann bis Hockney", Sammlung Haag, Städtische Sammlungen, Neu-Ulm 1999."Willi Baumeister - Figuren und Zeichen", Bucerius-Kunstforum, Hamburg 2005."Willi Baumeister - Figuren und Zeichen", Westfälisches Landesmuseum, Münster 2005/2006."Willi Baumeister - Figuren und Zeichen", Von der Heydt-Museum, Wuppertal 2006."Positionen der Klassischen Moderne aus der Sammlung Bunte", Kunst-Museum Ahlen, Ahlen 2007."Positionen der Klassischen Moderne aus der Sammlung Bunte", Lyonel Feininger Galerie, Quedlinburg 2008."Positionen der Klassischen Moderne aus der Sammlung Bunte", Städtische Galerie, Böblingen 2008."Adolf Hölzel und sein Kreis - Positionen der Klassischen Moderne aus der Sammlung Bunte", Museum Moderne Kunst, Passau 2008."Hermann Stenner (in der Sammlung Bunte), Egon Schiele Art Centrum, Krumau 2008/2009."Sammlung Bunte - Positionen der Klassischen Moderne", Kunsthalle Jesuitenkirche, Aschaffenburg 2009."Sammlung Bunte - Positionen der Klassischen Moderne", Ernst Barlach Stiftung, Güstrow 2010."Sammlung Bunte - Positionen der Klassischen Moderne", Kunsthaus Apolda Avantgarde, Apolda 2010."Die deutsche Avantgarde um Adolf Hölzel", Städtisches Museum Engen, Engen 2011."Wege in die Klassische Moderne - Sammlung Bunte", Schloss Achberg, Achberg & Schloss Kißlegg, Kißlegg 2010."Das Glück in der Kunst - Expressionismus und Abstraktion um 1914 - Die Sammlung Bunte", Kunsthalle Bielefeld, Bielefeld 2014, S. 125 (mit ganzs. Farbabb.)."Hermann Stenner und seine Zeit", Kunstforum Hermann Stenner, Bielefeld 2019, Kat.-Nr. 10, S, 157 (mit ganzs. Farbabb.)."Die Sammlung Bunte - Expressionistische Meisterwerke des 20. Jahrhunderts", Gut Altenkamp, Aschendorf 2020.
DAVID HOCKNEY (born 1937)Olympische Spiele München 1972 1970 Affiche lithographique en couleurs. Signée et datée dans la plancheKleurenlithografie poster. Getekend en gedateerd in de plaatLithographic poster printed in colours. Signed and dated in the plate102 x 64 cmFootnotes:This work is from the edition of an unknown size, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, MunichThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
HOCKNEY DAVID: (1937- ) English painter, an important contributor to the pop art movement in the 1960s. Signed colour 6 x 4 postcard, the image being a reproduction of Hockney´s famous acrylic on canvas painting entitled Mr and Mrs Clark and Percy (1971) depicting the fashion designer Ossie Clark and the textile designer Celia Birtwell in their flat at Notting Hill Gate in London shortly after their marriage, and accompanied by one of their cats, the original painting today housed in Tate Britain. Signed by Hockney in black ink with his name alone to the lower white border. About EX
Original vintage London Electricity Board poster entitled The Power of London - Electricity featuring fantastic artwork From the painting by Leonard Rosoman produced for L.E.B. by the Royal College of Art showing a traffic light illuminating the streets of London with buildings in the background and people in the foreground. Leonard Rosoman was a notable British artist. At the beginning of the Second World War, he joined the Auxiliary Fire Service, which in 1941 became the National Fire Service, and began making paintings based on his experiences as a fire-fighter during the Battle of Britain and the Blitz in London. He later taught at a number of art schools in the country, including the Royal College of Art where he taught David Hockney. One of a series commissioned by the London Electricity Board (1948-1998) featuring work by various artists and produced by the Royal College of Art. Printed by the Baynard Press. Condition: Excellent condition. Country of printing: UK, designer: Leonard Rosoman, size (cm): 76x51, year of printing: 1950s.
Original vintage sports poster for the 1972 Summer Olympic Games held from 26 August to 11 September 1972 in Munich Germany featuring a colourful abstract design by Alan Davie (1920-2014) in orange, purple, white, yellow, green and red. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Good condition, creasing, tears. Country of issue: Germany, designer: Alan Davie, size (cm): 101x64, year of printing: 1972.
After David Hockney OM, CH, RA (b.1937)"Fiesta '88"Lithographic poster together wiith two further posters, "1853 Saltswill Gallery, Bradford" and "David Hockey: Some Very New Paintings, 1853 Gallery Salts Mill Saltaire Yorkshire 1 September to 30 November 1993" 63.5cm by 43.5cm, 73cm by 83.5cm and 63cm by 101cm respectively (3) (unframed)All three in overall very good condition, kept reasonably flat with cardboard backing and clear plastic wallets. Possible slight bend to the paper.Please see photos. Not examined out of the wallets.
DIE KUNST DER SECHZIGER JAHRESammlung Ludwig im Wallraf-Richartz-Museum. Hrsg. von Gert von der Osten und Horst Keller. 1. und 4. verb. Aufl. 2 Bde. Köln 1969-1970. 29,5 x 24 cm. OrKunststoffeinband mit blindgepr. Deckeltitel, Acrylglasrücken und Schraubheftung nach Entwürfen von Wolf Vostell.(Kunststoffband des späteren Bandes etwas aufgebogen.)Aufwendig gestalteter Katalog der berühmten Sammlung Ludwig, die 1968 als Leihgabe an das Kölner Wallraf-Richartz-Museum übergeben wurde. Mit Beiträgen zu Joseph Beuys, Jim Dine, Eva Hesse, David Hockney, Yves Klein, Roy Lichtenstein, Gerhard Richter, Cy Twombly, Pierre Soulages, Allan Jones, Bernard Schultze, Andy Warhol u. v. a.
DAVID HOCKNEYDiver (Olympische Spiele München 1972) (1970)Farblithographie auf Plakatpapier. Im Druck signiert und datiert '70'. Edition Olympia 1972 GmbH, Zürich. 100 x 64 cm.(Leichte Alters-, Montage- sowie Stauchspuren, stellenweise kleine Rand- und Eckdefekte, oberer und unterer Rand beschnitten.)
DAVID HOCKNEYFourteen poems by C. P. Cavafy, chosen and illustrated with twelve etchings by David Hockney, translated by Nikos Stangos and Stephen Spender. London: Editions Alecto Limited 1966. 46,5 x 33,0 cm. Mit 12 OrRadierungen (Plattengröße 34,8 x 22,3 cm) sowie einer zusätzlichen signierten und datierten 13. OrRadierung, lose beiligend. 21 nn. Bll. Violette OrBaumwollseide in OrSchuber.Nr. 34 von 250 Exemplaren der Edition A (num. 1-250) auf Crisbrook Waterleaf Handpapier, sämtliche Tafeln rückseitig gestempelt und im Druckvermerk vom Künstler signiert. - Hogben "From Manet to Hockney" 137.
David Hockney (British 1937-), 'Royal Academy Exhibition Posters (4), 2021, a set of four offset lithographs; sheet: 76.2 x 50.8cm (each) (4)In overall good conditionTop left sheet - Wear and tear along the left hand edge, including a small tearTop right sheet -Edge wear to the bottom right hand edge of the sheetHandling creases can be seen in raking light, predominantly along the bottom edgeBottom left sheet - Two extremely minor creases to the bottom corners, visible upon very close inspectionHandling creases can be seen in raking lightBottom right sheet - Minor edge wear along left edge of sheetStored rolled, not framed
David Hockney (British 1937-) 'Olympische Spiele München 1972', 1970, lithographic poster printed in colours on paper, published by Edition Olympia, 1972; sheet: 101 x 64cmARR sheet: 101 x 64cm In good condition No knocks, tears or creases to the sheet Extremely minor imperfections to the sheets edges verso, not visible recto Some minor discolouration to the lower section of the sheet, however this is commonly seen on these works This work has been stored rolled and has not been framed.
David Hockney (British 1937-), 'Little Boodge' 1993, offset lithograph on wove paper, bearing the Artists Copyright verso; sheet: 28 x 42cmARR sheet: 28 x 42cm In very good condition No knocks, tears or creases to the sheet Minor colour variation to the sheet edges, due to the age of the work This work has been stored flat and has never been framed.
Patrick Procktor RA RWS, British 1936-2003 - Plant and horse-riders; ink and pencil on paper, 25.8 x 18 cm (ARR) Provenance: The Estate of the Artist Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco.His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil.
Patrick Procktor RA RWS, British 1936-2003 - Portrait of a young man; watercolour and charcoal on paper, signed lower left 'Patrick Procktor', 49.5 x 45.2 cm (ARR) Provenance: Frederick Charles Art, London, no.1384 (numbered on the reverse of the frame); the Estate of W. J. Erroll Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco. His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil.
Patrick Procktor RA RWS, British 1936-2003 - Alexander; oil on board, signed lower left 'Patrick Procktor', 39 x 29 cm (ARR) Provenance: Frederick Charles Art, London, no.2204 (numbered on the reverse of the frame); the Estate of W. J. Erroll Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco. His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil.
Art. David Hockney OM CH RA (b. 1937), A Bigger Book, the limitation leaf signed in black by the artist, copy no. 2172/10,000, Taschen, 2016, text prelims, the prints reproduced in polychrome, 13 of which are folding, original pictorial dustjacket over pictorial printed cloth boards conforming, the dustjacket with slightly creased wear, original polychrome painted metal tripod stand designed by Marc Newson CBE (b. 1963), Taschen issued card box en suite, folio (71.5 x 51cm)
David Hockney OM CH RA, British b.1937- Vide Poche No. 33, 2020; hand cast Fine Bone China ashtray dish in colours, stamp numbered 137/200 to base, published by The Royal Academy of Arts, contained within original card box, overall: 20 x 16 x 4 cm, (ARR) Note: Together with a numbered certificate from RA Editions.
Various Artists, 20th Century,Visual Aid for Band Aid, 1985; screenprint in colours on Velum Arches, signed in pencil by all 104 contributing artists, numbered 154/500 in pencil, with blind stamps, printed and editioned by Coriander Studio, London, in October/November 1985, sheet: 122 x 91.5 cm, (framed) Note: together with a certificate of authenticity and visual location chart for each artist, numbered 154/500 in pencil and signed by Brad Faine, director of Coriander Studio, with blind stamp. Included in this print are examples of works donated by David Hockney, Patrick Caulfield, Howard Hodgkin, Paula Rego, Richard Hamilton, Eduardo Paolozzi, Patrick Heron, Bridget Riley, Joe Tilson, Terry Frost, Elisabeth Frink, Craigie Aitchison and many others.
David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, from the third edition of circa 10,000, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, with full margins, sheet 1010 x 640mm (39 7/8 x 25 1/8in)
Various ArtistsOlympische Spiele München 1972 (25 Posters)Twenty-five lithographs printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on wove paper, the full sheets printed to the edges, each sheet 1055 x 640mm (39 1/2 x 25 3/8in) and similar (25)To include: Max Bill, David Hockney, R.B. Kitaj, Tom Wesselmann, Jacob Lawrence, Peter Phillips, Richard Smith, Paul Wunderlich, F. Hundertwasser, Horst Antes, Shusaka Arakawa, Eduardo Chillida, Piero Dorazio, Allen Jones, Pierre Soulages, Victor Vasarely, Alan Davies, Otmar Alt., Allan D'Arcangelo, Valerio Adami, Hans Hartung, Oskar Kokoschka, Charles Lapicque, Jan Lenica, Marino Marini, Serge Poliakoff and Fritz Winter. Not including the Josef Albers Poster.
David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)
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