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A framed and glazed David Hockney exhibition poster - Nishimura Gallery, Tokyo, February/March '83, the poster as detail from 'Parade' by Hockney 1980 (91.5cm x 79cm)In the Auctioneer's opinion it looks like an original poster from the '83 exhibition, later framed and glazed. There are some marks mostly to be found on the outside of the glass which do appear to rub off. The poster appears to be in good honest condition with no tears, rips, folds or restoration noted.

David Hockney R.A. (British, 1937-), "Sunflowers II", signed, dated '95 and numbered 36/80 in pencil in the margin, on Arches paper, co-published by the artist and Lococo Mulder, Inc., St. Louis, with the artist's blindstamp, with full margins, etching and aquatint, plate size 46.5 x 39cm, 18.25 x 15.25in, sheet size 68.5 x 57.5cm, 27 x 22.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are one or two tiny spots of foxing in the margins and a small area of light browning in the top centre margin. The sheet has slipped from its mountings and will need reattaching. The print is ornately framed and glazed.

David Hockney R.A. (British, 1937-), "A Picture of a Landscape in an Elaborate Gold Frame" from A Hollywood Collection, 1965, signed, dated '65 and numbered 76/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on wove paper, lithograph in colours, 77 x 56.5cm, 30.25 x 22.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some very light creases to the corners of the sheet and some light time staining and browning in the central white area. The print has dropped slightly in its mount and would need reattaching. The print is framed and glazed.

David Hockney R.A. (British, 1937-), "Study of Lightning Medium", signed, dated '73 and numbered 28/60 in pencil, published by Gemini G.E.L, Los Angeles, 1973, with their blindstamp, on Arches paper, the full sheet, with deckle edges at left and right, lithograph, image size 63.5 x 48.5cm, 25 x 19.25in, sheet size 76.5 x 57cm, 30 x 22.5in.Condition report: The print is in good, original condition. The paper has yellowed universally across the sheet. The paper is mounted by tape in each corner of the sheet. The print is framed and glazed.

David Hockney R.A. (British, 1937-), "Picture of a Simple Framed Traditional Nude Drawing" from A Hollywood Collection, 1965, signed, dated '65 and numbered 19/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on Rives BFK, lithograph in colours, 76.5 x 56cm, 30 x 22in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some very light creases across the sheet and some light time staining and browning in the central white area. There is a very slight scuff to the top right corner of the sheet. The print is ornately framed and glazed

David Hockney R.A. (British, 1937-), "Dark Mist", 1973, signed, titled and dated in pencil, numbered 8/25 (there were also seven artist's proofs), on Moulin du Verger du Puymoyen handmade paper, published by Gemini G.E.L., Los Angeles, with their blindstamps, lithograph in black and brown, image size 73 x 63cm, 28.75 x 24.75in, sheet size 88 x 71cm, 34.5 x 28in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition. There is some very light time staining and yellowing around the edge of the print and running approximately half way across each margin. There are some small spots of foxing and browning in the margins and some light creases running in from and around the edges of the sheet. The paper is mounted by tape in each corner of the sheet. The print is ornately framed and glazed.

AR Colin Self (born 1941 "Nuclear Bomber" black and white etching, signed, dated 2 Nov 2005, inscribed (Unique Variation) intaglio, Odyssey/Iliad Suite in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Odysseus, the Resourceful" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Euro" (from The Odyssey Series) black and white etching, signed, dated 27 Sept 2006 and numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "The Roots of Language" (primary colours) (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 106 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Ploughman" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Holly Johnson, Frankie goes to Hollywood (Two Tribes)" (from The Odyssey Series) mixed media, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower image 105 x 74cmColin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "The Siege of Troy" (Old Men's Battle Tales (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "John Barry, String Beat" (from the Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "The Dream of the Trojan Horse" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Stealth Bomber II" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Dirty Money" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40, and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "A Journey to my Childhood" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Money Man" (from The Odyssey Series) black and white etching, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower right image 105 x 75cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Madonna" (from The Odyssey Series) mixed media, signed, dated 27 9 2006, numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Nuclear Bomber" (variation) (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

AR Colin Self (born 1941 "Stealth Bomber I" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

After David Hockney, oil on canvas board, Figure beside a swimming pool, 49 x 74cm

A pair of David Hockney prints, 16 x 32cms, framed

Tea in Athens signed 'Patrick Procktor' (lower left); titled and dated 'Athens 6.8.63' (lower right) oil and pastel Provenance Sale; Bonhams, Knightsbridge, 20 Jan 2004, lot 43 Patrick Procktor, a contemporary of David Hockney, was a prominent British artist known for his thin wash watercolours and depictions of the male form. The subject of Tea in Athens may be the artist, Michael Upton, who travelled with Procktor on his Grecian Odyssey. In 1962, upon graduating from the Slade, Procktor was awarded an Abbey Minor travel scholarship of £250. He spent the summer in Italy and Greece with Upton and his girlfriend, Anne McKechnie, and produced a number of watercolours of Upton swimming in the Aegean Sea. (Dimensions: 33.5 x 22.5cm)(33.5 x 22.5cm)

ART BOOKS. Four books: The Shining Sands, Artists in Newlyn & St. Ives 1880 - 1903, hardback by Tom Cross, 1999; Catching the Wave, First Edition hardback, by Tom Cross, 2002; Forty Years of Modern Art, 1945 - 1985, Tate Gallery 1986 & Portrait of David Hockney, a hard back First Edition by Peter Webb, 1988.

DAVID HOCKNEY FOR OZ , 1971, a print originally published to raise money for the OZ Obscenity Trial and portraying the OZ magazine editors Richard Neville, Jim Anderson and Felix Dennis as naked/innocent; thirty of these signed and numbered prints were auctioned to raise money and public awareness for the magazine's Obscenity Trial Appeal, but this print is unsigned and unnumbered, 58.5 x 91.5cm

DAVID HOCKNEY 'Stanley & Boodge II', lithograph, produced in 1995, on wove paper, published by 1853 Gallery, 81cm x 62cm, framed.

DAVID HOCKNEY 'Little Boodge', off set lithograph, produced in 1993, 27cm x 40cm, framed and glazed.

David Hockney, 'The Boy Hidden in a Fish', unsigned, etching, aquatint and drypoint, pl.23.5 x 27.5cm. 

David Hockney (b.1937)'In The Dull Village' from Fourteen Poems by C. P. CavafyEtching on handmade Crisbrook paperPublished by Editions Alecto 1966/7from the numbered book edition 258/500- Edition B.With receipt from The Goldmark Gallerysigned in pencil22cm x 34cm Framed - 48cm x 63cm*This Lot May Be Subject To Artist's Resale Rights*

A souvenir ash tray 'David Hockney' Royal Academy of Arts plus other item

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet, 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet, 845 x 620mm (33 1/8 x 24 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b.1937) framed lithographic exhibition poster print 'The Metropolitan Museum of Art 1992' 45 cm x 57 cm (size including frame)

DAVID HOCKNEY 'Living Room and Terrace', 1986, lithograph in colours, 66cm x 91cm, unframed. (Subject to ARR - please see Buyers Conditions)

DAVID HOCKNEY 'Snow without Colour', original lithograph, on white Arjoman paper, signed in pencil, with publisher's blindstamps, 19/88, framed and glazed, 111cm x 95cm. (Subject to ARR - please see Buyers Conditions)

David Hockney, 4 menu card prints, including Langans Brasserie and Maxim's, framed (4)

David Hockney, lithograph, portrait of John Gielgud, signed in ink and in the plate, image 10" x 8", framed

δ David Hockney (b.1937)Rain on the Studio WindowInkjet printed computer drawing, 2009, signed, dated and numbered from the edition of 75 in pencil, on Epson Hot Press Natural paper, the full sheet, loose (as issued), together with the volume David Hockney My Yorkshire: Conversations with Marco Livingstone, the colophon page signed and numbered from the edition of 75 in pencil, the deluxe edition published in 2011 by Enitharmon, sheet 559 x 432mm (22 x 17in); Portfolio 588 x 458 x 30mm (23 1/8 x 18 x 11 3/4in) (one framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)The Poet (S.A.C 190)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 456 x 525mm (18 x 20 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Untitled No.12Ipad drawing printed in colours, 2010, signed, dated and numbered from the edition of 25 in pencil, on wove paper, with full margins, image 840 x 635mm (33 x 25in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Untitled No. 516, from A Bigger Book: Art Edition DiPad drawing in colours, 2010/2016, signed, dated and numbered from the edition of 250 in pencil, printed on archival paper, co-published by the artist, with their blindstamp, and Taschen, Berlin, the full sheet, sheet 560 x 432mm (22 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x 25 1/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Michelle and John SpikeInkjet printed computer drawing in colours, 2009, signed and numbered from the edition of 12 in pencil, on wove paper, framed to the artist's specificiations, with full margins, image 1150 x 780mm (45 1/4 x 30 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A modern presentation silver Armada dish, by Asprey Plc, London 1997, circular form, inscribed 'To Jimmy Benson with deep appreciation and affection from your Trustees American Associates of The Royal Academy Trust,' and with the names of the Trustees including David Hockney and Alfred Taubman, diameter 34.4cm, approx. weight 47.5oz. Sold on behalf of the Executors, The Estate of James 'Jimmy' Benson deceased. James "Jimmy" Benson (1925-2018) had two completely different distinguished careers: the first during World War II as a 'charioteer' and submariner; and the second from the 1960s in advertising at Oglivy & Mather International, where he oversaw many successful campaigns including Rolls Royce, Shell and Schweppes. In 1953, drawing on his war-time experiences, he co-wrote with his fellow submariner C E T Warren 'Above Us the Waves', which chronicled the attacks undertaken by the chariots and midget submarines on the German battleship 'Tirpitz' in the fjords of Norway. The book proved to be highly successful, and in 1955 turned into a film of the same name starring John Mills and Donald Sinden.

§ David Hockney (British B.1937) Paper Pools Signed and dated '80 and numbered 453/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, bears blindstamp, on Arches Cover paper, lithograph; Together with 'Paper Pools', the accompanying book, signed by the artist in red ink and stamp numbered 453 on the justification, with blue canvas covers and original slipcase (Dimensions: 26.5cm x 23cm (10.5in x 9in) (2))(26.5cm x 23cm (10.5in x 9in) (2))Footnote: Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were then applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre.

§ David Hockney (British B. 1937) Olympische Spiele Munchen, 1972 (Baggott 34) Lithograph, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, unframed (Dimensions: 115cm x 64cm (40in x 20.25in))(115cm x 64cm (40in x 20.25in))

§ David Hockney (British B.1937) 'Little Boodge' poster Offset lithograph, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire, unframed (Dimensions: 28cm x 42cm (11in x 16.5in))(28cm x 42cm (11in x 16.5in))

David Hockney, print for The Obscenity Fund, Richard, Jim and Felix, signed in the plate, 58 x 90cm and a group of assorted drawings and prints

After David Hockney (British 1937-): 'Nichols Canyon', lithograph exhibition poster 'A Retrospective The Metropolitan Museum of Art' 98cm x 60cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

A DAVID HOCKNEY ROYAL ACADEMY EXHIBITION CARRIER BAG circa 1980s, 38cm x 30.5cm, framed.

[David Hockney] Six Fairy Tales from the Brothers Grimm with Original Etchings by David Hockney published Petersburg Press 1970 first edition, a miniature leather bound book with silver lettering on cover  

R Nichols modern abstract 3D sculpture in perspex display case, label to front reads 'R Nichols Opus 2094 Oct 2004', width 44cm together with various modern art prints including Collywood tower block, Peter Joseph limited edition print, David Hockney interest print etc

1780 leather dictionary, David Hockney Six Fairy Tales etc

David Hockney R.A. (British, born 1937)Prisoner Offset lithograph, 1975, on wove, signed and numbered 13/100 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet printed to the edges, 735 x 600mm (29 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR

David Hockney (British, born 1937)Untitled (Ashtray for Museo Tamayo Exhibition) Painted and glazed ceramic ashtray, 1984, signed with initials in red ink, from the edition of an unknown size, published on the occasion of the artist's exhibition at Museo Tamayo, Mexico City, 85 x 130 x 30mm (3 3/8 x 5 1/8 x 1 1/8in)(overall)This lot is subject to the following lot symbols: AR

After Sir Peter BlakeDavid Hockney in a Hollywood/ Spanish Interior Offset lithograph printed in colours, on smooth wove, signed and numbered 194/250 in pencil, with margins, 450 x 370mm (17 3/4 x 10 5/8in)(I)This lot is subject to the following lot symbols: AR

AR After David Hockney colour poster "An Exhibition of costume drawings and set designs" Ashmolean Museum, Oxford May 18 - June 30 1981, 75 x 93cm together with a further David Hockney poster "Parade" (2)

DAVID HOCKNEY, SWIMMING POOL CARPET, VORWERK -ARTERIOR COLLECTION, SIGNED WITH APPLIED LABEL TO UNDERSIDE. C.1988 196 x 301cms.