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‡ DAVID HOCKNEY RA (British, b.1937) offset lithographic poster - Fiesta (Baggott 178) 1988, signed by the artist, on glossy thick wove paper, the full sheet 63 x 43cmsProvenance: private collection Vale of GlamorganAuctioneer's note: This poster was created on the occasion of the artist's inclusion in the Fiesta of 1988 in Bradford, the artist's birthplace. It is unusual in that the reproduced image of 'Flowers, Apple & Pear on a Table, July 1986' is exactly the same size as the original artwork.Comments: original condition with a few creases, unframed.

Mary Fedden OBE RA RWA, British 1915-2012 - Esch-sur-Sure, 1934; oil on panel, signed and dated on the reverse 'Mary Fedden 1934 signed 1990', 32 x 40.6 cm (ARR) Provenance: Bonhams, London, Modern Pictures, 27th April 2004, lot 225;  private collection, purchased from the above and thence by descentNote: this early work was made while the artist was still at the Slade. Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.

Adam Birtwistle, British b.1959 - David Hockney, 2002; gouache and pencil on paper, signed with initials, titled and dated lower left 'Hockney 2002', 76 x 56.5 cm (ARR) Note:The Glyndebourne in Lewes commissioned Birtwistle to paint a portrait of Hockney in the same year of this work, along with portraits of Sir Peter Hall, Anja Silja, Sir George and Lady Christie and Peter Sellars for the opera house’s permanent collection.

Patrick Procktor RA RE RWS,  British 1936-2003 -  Plant and horse-riders;  ink and pencil on paper, 25.8 x 18 cm (ARR)  Provenance:  The Estate of the Artist  Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco.His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil.

John Hoyland RA,  British 1934-2011 -  Unknown World, 2007; acrylic on canvas, signed, titled and dated on the reverse 'John Hoyland Unknown World 15.7.2007', 127 x 101.5 cm (unframed) (ARR)  Provenance:  private collection, purchased directly from the artist  Note:  John Hoyland was one of Britain's leading abstract artists, who pursued non-figurative painting for its potential to convey an advanced depth of emotion and feeling. The 1960s were a crucial decade for Hoyland, during which he found his voice as an artist. In 1964 he travelled to America, where he befriended Robert Motherwell, and visited the studios of Mark Rothco and Barnett Newman. In this same year he featured in Bryan Robertson’s ‘New Generation’ showcase, alongside the likes of David Hockney, Paul Caulfield and Briget Riley. Retrospectives of his work have been hosted at Serpentine Gallery (1979), Royal Academy (1999) and Tate St Ives (2006). He appears in public and private collections, including the Tate and Damien Hirst’s Muderme Collection. 

Mary Fedden OBE RA RWA, British 1915-2012 - Santiricceri, 1995; felt-pen on paper, signed and dated lower left 'Fedden 1995', 27.5 x 22.3 cm (ARR) Provenance: John Iddon Fine Art, Richmond, purchased directly from the artist; private collection Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.

David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in)

David Hockney (b. 1937)1st British International Print Biennale Poster (Baggott 14)Offset lithograph printed in colours, 1969, from the edition of unknown but presumably small size, printed by Curwen Studio, Cambridge, published by Bradford City Art Gallery, on TH Saunders wove paper, the full sheet printed to the edges, sheet 780 x 587mm (30 1/2 x 22 7/8in)

David Hockney (b.1937)Grey Art Gallery, New York, 1980 (Baggott 66)Offset lithograph printed in colours, 1980, signed in pencil, published for the exhibition David Hockney at Grey Art Gallery and Study Center, New York from 3 April - 3 May 1980, on wove paper, the full sheet printed to the edges, sheet 705 x 505mm (27 3/4 x 19 7/8in)

David Hockney (b.1937) after.David Hockney Pearblossom Hwy., 11-18th April 1986, The J. Paul Getty Museum Exhibition PosterOffset lithograph printed in colours, 1997, from the edition of unknown size, with full margins, sheet 1015 x 760mm (40 x 29 7/8in)

David Hockney (b.1937)Rapunzel & Rumpelstiltskin, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 79, 80, 83 & 103)Five etchings, 1969, including four plates from 'Rapunzel' and one plate from 'Rumpelstiltskin', signed on the laparello front cover, numbered from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, with full margins, each sheet 450 x 305mm (17 3/4 x 12in)

David Hockney (b.1937)David Hockney: A RetrospectiveOffset lithograph printed in colours, 1987, printed by Westerham Press Ltd., Kent, published by the Tate Gallery, London, on the occasion of the artist's exhibition, on wove paper, with full margins, sheet 758 x 509mm (29 7/8 x 20in)

David Hockney (b.1937)Composition Red & Blue (Momart)Lithograph printed in colours, 2005, on wove paper, housed within the original blue paper portfolio with the artist's name embossed on the cover, the full sheet printed to the edges, sheet 114 x 279mm (4 1/2 x 11in)

Set of four Alan Keohane, signed photographs, ladies in interiors, together with a small quantity of unframed posters and prints, including David Hockney etc.

Jean-Paul Sartre Nourritures suivi d'extraits de la Nausée. Paris, J. Damase 1949. Erste Ausgabe und das erste von Jacques Damase publizierte Buch. Mit 3 Orig.-Radierungen von Wols. 1 von 424 numerierten Exemplaren. - Der Sartre-Text entstand bereits 1935 in Neapel. Exemplar mit den drei Kaltnadelradierungen von Wols Die Stadt - Quer , Grosse Tache I und Aktblüte . Breitrandiger Pressendruck auf unbeschnittenem, chamoisfarb. 'Johannot'-Papier, die drei Graphiken liegen lose ein. Vermutlich wurde die geplante Gesamtauflage von 450 Exemplaren nicht realisiert und bedeutend weniger Exemplare gedruckt, was die Seltenheit der Publikation erklären würde. - 'From 1948, Wols illustrated a number of books of existentialist writers, including those of his friend Sartre. Michel Tapié characterised Wols as a 'catalyst of lyrical non-figuration, explosive, anti-geometric, informal'.' (From Manet to Hockney 118). EINBAND: Orig.-Broschur. 19,5 : 15 cm. - ILLUSTRATION: Mit 3 Orig.-Radierungen von Wols. - PROVENIENZ: Privatsammlung Hessen. LITERATUR: Busch 1, 32 und 33. - Grohmann I, XXXII und XXXIII. - Monod 10170. - Weber (Kat. Kassel 1985) Nr. 7, 43 und 45. - From Manet to Hockney 119. - Maler machen Bücher 96. - Arnold 2538. - Bibl. Matarasso II, 290 (1994, versteigert für 28.000. - Francs). First edition. 1 of 424 numbered copies, printed on strong paper. With 3 orig. etchings by Wols. Orig. wrappers. - Slightly browned. Spine with small tear. - Fine and mainly uncut copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000716 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000716 This lot can be purchased subject to differential or regular taxation.

Walasse Ting One cent life. Herausgegeben von Sam Francis. Bern, E. W. Kornfeld 1964. Großartiges Malerbuch der 60er Jahre, eine der schönsten Publikationen der Pop-Art und des abstraktem Expressionismus. 'Die Bibel der amerikanischen Pop-Art' (Wulf D. von Lucius) Die wohl bekannteste und wichtigste Synthese der avantgardistischen künstlerischen Strömungen Europas und Amerikas der 60er Jahre. Unter anderem im Stil des abstrakten Expressionismus, Tachismus und der Pop-Art verbinden sich hier Text und Illustration auf einfallsreiche Art. - 1 von 2000 numerierten Exemplaren. Druck bei Maurice Baudet, Paris, die Typographie stammt von Georges Girard. Enthalten sind u. a. Arbeiten von Pierre Alechinsky (Rivière 324-238), Karel Appel, Enrico Bay, Allen Davie, Jim Dine (Bonin/Cullen 78), Sam Francis (Lembark L78-L83), Robert Indiana, Asger Jorn (van de Loo 266, 267), Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Antonio Saura, K. R. H.Sonderborg, Walasse Ting, Bram van Velde, Andy Warhol und Tom Wesselmann. 'In Wahrheit handelt es sich bei weitem nicht nur um Pop-Künstler, sondern ebenso um viele Vertreter des abstrakten Expressionismus wie Sam Francis oder außerhalb Amerikas A. Saura. Das vom Buch insgesamt ausstrahlende Lebensgefühl von Grellheit, Lebensfreude und Ansätzen von trash culture (z. B. bei Mel Ramos) ist aber doch ganz das der Pop-orientierten 60er Jahre.' (W. D. von Lucius) 'This book was characteristic of the casual and iconoclastic nature of the 1960s.' (Logan Coll.) EINBAND: Lose Bogen in farbig illustriertem Orig.-Leinenband mit Orig.-Umschlag, in gelbem Orig.-Leinenschuber. 41 : 30,5 cm. - ILLUSTRATION: Mit 62 tlw. doppelblattgroßen farbigen Orig.-Lithographien von S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle u. a. - PROVENIENZ: Privatsammlung München. LITERATUR: Castleman S. 208-209. - From Manet to Hockney 135. - Logan Collection 155. - Lucius, Bücherlust 40. - Das Buch des Künstlers 14. - Arnold 2827. The presumably most renowned and most important synthesis of avant-garde artistic European and American tendencies of the late 1960s, a great publication of Pop art and Abstract expressionsim. With 62 orig. lithographs, partly double-page and in colors, by S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle et al. Loose sheets in orig. cloth illustrated in colors with illustr. orig. wrappers, slipcase in Green. - With some minim. creases in the margins, only few ll. somewhat browned. Dust jacket with little marginal fraying, slipcase slightly soiled. Overall good copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=124000950 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=124000950 This lot can be purchased subject to differential or regular taxation.

Jean-Paul Sartre Visages. Précédé de portraits officiels. Paris, P. Seghers 1948. Mit 4 Orig.-Radierungen von Wols. Erste Ausgabe. - 1 von 900 numerierten Exemplaren auf kräftigem Marais-Bütten. - Breitrandiger Druck in Rotbraun und Schwarz, Druck der Graphiken im Atelier R. Haazen. 'Das kleine Buch ist ein schönes Beispiel für eine tieflotende Einheit von Text und Bild, für die vollkommene Gleichzeitigkeit im Denken bei Dichter und Künstler, die lange Jahre befreundet waren.' (Lucius). EINBAND: Orig.-Broschur. 19,5 : 13 cm. - ILLUSTRATION: Mit 4 Orig.-Radierungen von Wols. - PROVENIENZ: Privatsammlung Hessen. LITERATUR: Busch 46-49. - Grohmann XLVI-XLIX. - Monod 10172. - Weber (Kat. Kassel 1985) 58. - From Manet to Hockney 118. - Französ. Maler illustrieren Bücher. Kat. Stuttgart 1965, Nr. 192. - Lucius, Bücherlust 36. Dabei: Borne, Alain, Brefs. Mit 1 Tafel mit Illustration von Wols. Lyon, Cahier de Poèsie des Confluences 1942. Orig.-Broschur. 19,5 : 14,5 cm. - Monod 1709. - Erste Ausgabe und das erste von Wols illustrierte Buch. First edition. With 4 orig. etchings by Wols. Orig. wrapper. 19.5 : 13 cm. - Fine copy. - 1 addition. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000713 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000713 This lot can be purchased subject to differential or regular taxation.

HOCKNEY, DAVID OM CH RA (born 1937) British (AR), Celia with Green Hat, a limited edition lithographic printed poster for the 1998 David Hockney Prints 1954-1995 Exhibition, held at The Peter Gwyther Gallery (limited run of 1,000). 71 x 41 cm.

DAVID HOCKNEY, 'The Marriage in Hawaii of David and Ann', etching, 93cm x 62cm, signed and dated, framed. (Subject to ARR - see Buyers Conditions)

AFTER DAVID HOCKNEY, Bounce for Bradford& illustrated menu from Langans Brasserie byDavid Hockney, featuring Michael Caine.

DAVID HOCKNEY (BRITISH, B. 1937)Diver, Olympische Spiele München 1972 offset lithograph on heavy stock paper 98 x 62cm (unframed) ARRCondition reportA little discolouration and yellowing to edges of paper in lower section (under main image), to lower left, right and bottom edge of paper.Otherwise appears generally good.

DAVID HOCKNEY (BRITISH, B. 1937) (2)The Boy Hidden in an Egg (from The Brothers Grimm) etching with aquatint 20 x 17cm together with a book, Six Fairy Tales from the Brothers Grimm with original etchings by David Hockney, Petersburg Press, in association with the Kasmin Gallery (2) ARRCondition reportThis print is not signed or numbered.Small spot of foxing to lower left of egg.A few small spots of foxing and marks below mount on wider page (see additional photos).Otherwise appears generally good.Foxing to mount.

DAVID HOCKNEY (BRITISH, B. 1937)David Hockney Complete Prints, Galerie Mikro Berlin (featuring 'Two Boys Aged 23 or 24') signed in pencil 'David Hockney' (lower right) exhibition poster 82 x 58cm ARR Provenance Private collection, UKCondition reportAppears in generally good condition and ready to hang.Under glass and not examined out of frame.

DAVID HOCKNEY (BRITISH, B. 1937)Modern Graphics 1969-1979, The Arun Art Centre, Arundel, West Sussex (featuring 'Home') exhibition poster sheet size 80.5 x 50cm ARR Provenance Private collection, UK

David Hockney OM CH RA, British b. 1937-A Bigger Splash, 2017;giclée print in colours on Somerset rag paper, with the Tate blind stamp, printed in 2017 by King and McGaw in collaboration with Tate Britain and David Hockney, after the painting of 1967, sheet: 45 x 35 cm, (unframed) (ARR)Note: the work comes in its own branded black presentation folder.

After David Hockney OM CH RA, British b. 1937-Dog 38, 1995; Dog 43, 1995;each offset lithographic poster, each 53 x 64.8 cm, (unframed) (ARR) (2)

David Hockney OM CH RA, British b. 1937-Garden, 2015;giclée print in colours on Somerset rag paper,  with the Tate blind stamp,  printed in 2017 by King and McGaw in collaboration with Tate Britain and David Hockney,  after the painting of  2015,  sheet: 35  x 45 cm, (unframed)  (ARR)Note: the work comes in its own branded black presentation folder.

David Hockney OM CH RA, British b.1937-Little Boodge, 1993;offset lithographic poster on wove, sheet: 28 X 42 cm, (unframed) (ARR)

David Hockney OM CH RA, British b.1937-Dessins et Gravures, Galerie Claude Bernard, Paris 1975;offset lithograph in colours on paper, signed in pencil and numbered 209/450, published by Galerie Bernard, sheet: 62 x 42.5 cm, (framed) (ARR)

David Hockney OM CH RA, British b. 1937-Six Fairy Tales of The Brothers Grimm, 1969/1970;an illustrated book (does not contain the six signed prints) with original etchings and text on Hodgkinson wove, signed on the back page by the artist in pencil and inscribed 'Edition D - artist's proof III' leather bound in navy in its own slipcase,  published by the Petersburg press in association with the Kasmin gallery, (ARR) 

David Hockney OM CH RA,  British b.1937- Vide Poche No. 33, 2020; hand cast Fine Bone China ashtray dish in colours,  stamp numbered 84/200 to base,  published by The Royal Academy of Arts,  contained within original card box,  overall: 20 x 16 x 4 cm,  (ARR) Note: together with a numbered certificate from RA Editions. 

David Hockney OM CH RA, British b. 1937-Two Apples & One Lemon & Four Flowers, 1997; A Bounce for Bradford, 1987;two lithographs in colours on news print paper, one for the Independent, one for the Bradford Telegraph and Argus, each signed in the plate, the largest: 42 x 60 cm, (unframed) (ARR) (2) 

After David Hockney OM CH RA,British b. 1937- Musée des Arts Décoratifs, Paris, 1974; Travels with Pen, Pencil and Ink, 1980; Die Frau ohne Schatten, 1992; Peter Gwyther Gallery (Celia with Green Hat), 1998; each offset lithographic poster on smooth wove, largest sheet: 76 x 51 cm, (unframed)(4)

David Hockney OM CH RA, British b. 1937-Red pots in the garden, 2000;giclée print in colours on Somerset rag paper,  with the Tate blind stamp,  printed in 2017 by King and McGaw in collaboration with Tate Britain and David Hockney,  after the painting of 2000,  sheet: 45 x 35 cm, (unframed)  (ARR)Note: the work comes in its own branded black presentation folder.

David Hockney OM CH RA, British b. 1937-Six Fairy Tales from The Brothers Grimm Series, 1969;six monochrome etchings on Hodgkinson hand made paper, each signed in pencil, some with water damage, one editioned 46/100, five sheets: 44.5 x 30.5, one sheet: 31.5 x 51.5 cm, (framed) (ARR) (6)Literature: Scottish Arts Council 70-108; Tokyo 67-105   

David Hockney OM CH RA, British b.1937- The Glass Mountain, (from Illustrations for Six Fairy Tales from the Brothers Grimm), 1969;etching on wove, from the unsigned and unnumbered edition, sheet: 31.5 x 45.5 cm,  (framed) (ARR)

David Hockney OM CH RA (British b. 1937-), & Others The Rake's Progress;an illustrated book by Hockney and David Posner, published by Lion and Unicorn Press 1962,  together with a signed etching by Bertand Dorny (22 x 15 cm), a screenprint by Anni Albers (14.5 x 12 cm) in an Olympic art poster folder, plus assorted art catalogues, (6 items)Please note the two Francis Bacon catalogues are NOT part of this lot

David Hockney OM CH RA, British b.1937- Olympische Spiele München, 1972; offset lithograph in colours on thin paper, signed and dated 70 in the plate, printed in Germany by Edition Olympia, sheet: 100 x 64 cm, (unframed) (ARR) 

David Hockney OM CH RA, British b.1937- Hockney’s Alphabet, 1991; the complete book including 26 lithographs in colours on Exhibition Fine Art Cartridge paper, with full margins,with full text and title page, the sheets bound (as issued) in quarter vellum with handmade Fabriano Roma paper boards, housed in the original grey slip case,signed by the artist and the editor in ink on the justification page, from the special edition of unknown size, aside from the numbered deluxe edition of 250 (there was also an edition of 26 lettered A-Z and an edition of 24 in Roman numerals), published by Faber & Faber, London,dimensions: 34.4 x 25.5 x 2.8 cm, (ARR)

* Politics & The Arts. An Autograph Album compiled by Peter Bland, c. 1990s, containing approx. 270 autographs, mostly of British politicians, plus musicians, actors, sportsmen and sundry other professions, including autographs of Tony Blair, Gordon Brown, John Smith, Chris Smith, Mo Mowlam, Barbara Castle, Denis Heaney, Jack Straw, Robin Cook, Placido Domingo, Gary Kasparov, Vivienne Fuchs, John Hunt, Edmund Hillary, Salman Rushdie, David Frost, Roger Federer, Henryk Gorecki, Keith Payne, Eric Wilson, Ernest Smith (the last three VC winners), Derek Walcott, Seamus Heaney, Wole Soyinka, Giles, George Soros, Terry Waite, Cleo Laine, David Hockney, Andre Previn, Pierre Boulez, Julian Bream, John Tavener, Jackie Stewart, Uri Geller, Stephane Grappelli, Richard Rogers, Harrisson Birtwhistle, Ben Kingsley, Bobby Charlton, John Banham, etc., signed singly and as multiples, sometimes with dates, to rectos and many versos of white pages, all edges gilt, contemporary limp morocco, small 4to (255 x 250 mm)QTY: (1)

Music Posters Plus, four mainly Indie Gig and Promo posters comprising The Nightingales / We've Got A Fuzzbox, The Swell Maps, Modern English and Colin Newman- sold together with nine non music posters with subjects including Anti Nuclear, Anti Smoking, Strawberry Studio, Hockney Exhibition, Sculpture for the Blind exhibition and more - all rolled and unfolded - various sizes and conditions

After David Hockney (b.1937), colour lithograph, ‘The Polish Royal Family, Ubu Roi’ unframed, 19 x 25cm. Condition - good

After David Hockney (b.1937), Exhibition poster, Tate Gallery, 1980, 76 x 50cm, unframed. Condition - fair

Original vintage sports poster advertising the 1972 Summer Olympics in Munich - Olympische Spiele Munchen - featuring an abstract design in red, blue and black by the modernist artist and painter Serge Poliakoff (1900-1969), the Olympic Rings and Munich Olympics logo with the title in German below - Olympische Spiele Munchen 1972. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Very good condition, minor creasing, small tears. Country of issue: Germany, designer: Serge Poliakoff, size (cm): 101x64, year of printing: 1972.

Original vintage sports poster for the 1972 Summer Olympics in Munich - Olympische Spiele Munchen - designed by the German artist and sculptor Horst Antes (b. 1936) depicting an abstract illustration of a silhouette of a head and legs by a winners' podium numbered 1 2 3. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Very good condition, creasing. Country of issue: Germany, designer: Horst Antes, size (cm): 101x64, year of printing: 1972.

Original vintage sport poster for the 1972 Summer Olympic Games held from 26 August to 11 September 1972 in Munich Germany featuring an abstract design by the Italian artist Piero Dorazio (1927-2005) of colourful ribbons on a white background, the Olympic Rings and Munich Olympics logo with the title in German below - Olympische Spiele Munchen 1972. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". Edition Olympia printed in Germany. Good condition, creasing, small tears, minor staining. Country of issue: Germany, designer: Piero Dorazio, size (cm): 101x64, year of printing: 1972.

Original vintage sports poster for the 1972 Summer Olympics in Munich - Olympische Spiele Munchen - designed by the French artist Pierre Soulages (1919-2022) depicting an abstract black design on a white background. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Good condition, creasing, staining. Country of issue: Germany, designer: Pierre Soulages, size (cm): 101x64, year of printing: 1972.

Original vintage sport event poster for the 1972 Summer Olympics in Munich / Olympische Spiele Munchen featuring artwork by Austrian artist Oskar Kokoschka (1886-1980) depicting a silhouette in yellow, pink, blue, green and red. This Munich Olympic diving poster with the artist's signature and date David Hockney 70 in the print is one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". Good condition, minor creasing, minor staining. Country of issue: Germany, designer: Oscar Kokoschka, size (cm): 101x64, year of printing: 1970.

Original vintage sport poster for the 1972 Summer Olympic Games held from 26 August to 11 September 1972 in Munich Germany featuring a design by the Japanese artist and architect Shusaku Arakawa ?? ?? (1936-2010) depicting photography frames of a runner with different coloured paint below each image on a silver graph paper background with a colourful flowing line and bold black line above, the Olympic Rings and Munich Olympics logo with the title in German below - Olympische Spiele Munchen 1972. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Good condition, creasing, small tears. Country of issue: Germany, designer: Shusaku Arakawa, size (cm): 101x64, year of printing: 1972.

Original vintage sports poster promoting the 1972 Summer Olympic Games in Munich Germany featuring a great minimalist design by the Swiss architect, artist, painter and graphic designer Max Bill (1908-1994) depicting a colourful cross with a white centre creating triangular and rectangular shapes in blue, green, purple, orange and red, the Olympic Rings and Munich Olympics logo with the title in German below - Olympische Spiele Munchen 1972. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Very good condition, creasing. Country of issue: Germany, designer: Max Bill, size (cm): 101x64, year of printing: 1972.

Hockney, David - - Cavafy, Constantine P. Fourteen Poems by C.P. Cafafy chosen and illustrated with twelve etchings by David Hockney. Mit 12 Original-Radierungen von David Hockney. London, Editions Alecto Limited, 1966. Unpaginiert, 47,5 x 33,5 cm. Im Impressum mit Bleistift signiert und nummeriert: “David Hockney 317/500”. Jede gebundene Radierung verso mit dem Stempel: Edition B ea 362-373. Darstellung: je 35 x 22,5 cm, auf Vélin: 47 x 33 cm, Gesamtgröße Buch: 47,5 x 33,5 x 3,5 cm. Violettfarbener Original-Seideneinband in schwarzem Original-Leinenschuber (dieser gering fleckig und kratzspurig).Scottish Arts Council, Nr. 47-59 - From Manet to Hockney 137 - Arnold 457 - Das Buch des Künstlers 15. - Eins von 250 (GA 600) nummerierten Exemplaren der Ausgabe B, Druckvermerk von Davd Hockney signiert. Die Radierungen auf Velin von Barcham Green und verso gestempelt. - Tadelloses Exemplar der berühmten Radierfolge zu den Gedichten von C.P. Cavafy. - Provenienz: Sammlung Helmut Anton und Margot Krätz.

Hockney, David - - Englische Graphik. Mit beigelegter Original-Lithographie auf Velin von David Hockney und zahlreichen Abbildungen. Köln, Galerie Der Spiegel, 1966. 12 Bl. 38 x 26 cm. Original-Broschur (leicht gebräunt).Geh durch den Spiegel Folge 47. - Eins von 400 Exemplaren mit der Lithographie von D. Hockney. - Spindler 153, 91. - Gutes Exemplar.

Hockney, David. Celia in an Armchair. Lithographie auf Vélin d'Arches. Signiert, datiert und nummeriert unten links mit Bleistift sowie rechts unten mit den Copyright- und Herausgeber-Trockenstempeln versehen. Exemplar: 44/74. Herausgegeben von Gemini G.E.L., Los Angles, 1980. Blattmaße: 101,6 x 121,9 cm.Gemini 918 - Museum of Contemporary Art Tokyo 239. - Verso an mehreren Punkten auf weiße Kartonunterlage montiert. - Entlang der Blattkanten minimal gebräunt und dort partiell schwach gestaucht, im äußersten Randbereich vereinzelt winzige Fleckchen, der Druck selbst in tadellosem Zustand. - Aufgrund der Größe muss der Transport vom Käufer selbst organisiert werden.

Hockney, David. First Detail, Snails Space, March 25th, 1995. Inkjet-Print auf Bütten. Signiert, datiert und nummeriert unterhalb der Darstellung mit Bleistift sowie links unten mit dem Trockenstempel des Herausgebers versehen. Exemplar: 41/45. Herausgegegben von Nash Editions, Los Angeles, 1995. Blattmaße: 88,5 x 109 cm.Museum of Contemporary Art Tokyo 356. - Seltener, farbfrischer Druck in ansprechendem Großformat. - Verso an mehreren Punkten auf weißer Kartonunterlage unter Passepartout montiert. - In sehr gutem Zustand. - Aufgrund der Größe muss der Transport vom Käufer selbst organisiert werden.

Hockney, David. Slow Rise. Lithographie und Siebdruck auf Vélin d'Arches. Signiert, datiert und nummeriert unterhalb der Darstellung mit Bleistift sowie dort mit den Copyright- und Herausgeber-Trockenstempeln versehen. Exemplar: 37/68. Herausgegeben und gedruckt von Gemini G.E.L., Los Angeles, 1993. Blattmaße: 63,7 x 77,5 cm.Gemini 1626 - Museum of Contemporary Art Tokyo 342. - Verso an mehreren Punkten auf weißer Kartonunterlage unter Passepartout montiert. - Die rechte, obere Blattecke leicht bestoßen, ansonsten tadellos. - Provenienz: Galerie Kaess-Weiss, Stuttgart.

Hockney, David. The Student. Radierung mit Kaltnadel und Aquatinta auf Vélin d'Arches aus "Hommage à Picasso". Signiert, datiert und nummeriert sowie bezeichnet "EA" unterhalb der Darstellung mit Bleistift. Exemplar: 3/15. Herausgegeben vom Propyläen Verlag, Berlin und der Panthéon-Presse, Rom, 1973. Plattenmaße: 57,5 x 44,3 cm. Blattmaße: 75,5 x 57 cm.Scottish Arts Council 153 - Museum of Contemporary Art Tokyo 143 . - Eins von nur 15 äußerst seltenen Künstlerexemplaren. Hockney (geb. 1937) verleiht in diesem Doppelbildnis der Bedeutung von Picassos Werk für seine eigene künstlerische Schaffenspraxis einen prägnanten Ausdruck. - Im äußersten unbedruckten Randbereich umlaufend etwas gebräunt, partiell minimal griffspurig.

Hockney, David. Two Lemons and Four Limes. C-Print auf Kodak-Papier. Vintage. Monogrammiert sowie nummeriert unterhalb der Darstellung. Exemplar: 16/80. 1971/ Abzug von 1976. Bildmaße:20,8 x 26,9 cm.Schöne Aufnahme Hockneys (geb. 1937) aus Santa Monica 1971, welche in der Mappe "Twenty Photographic Pictures" (Hrsg. Sonnabend Editions, New York) in einer Gesamtauflage von 80 Exemplaren sowie 20 Künstlerexemplaren erschien. - Verso entlang der oberen Blattkante auf Karton unter Passepartout montiert. - Altersbedingt leicht vergilbt bzw. minimal verblasst.

Hockney, David. Two Peppers. Farbradierung auf Vélin d'Arches. Signiert, datiert und nummeriert unterhalb der Darstellung mit Bleistift sowie dort mit dem Copyright-Trockenstempel versehen. Exemplar: 98/100. Herausgegeben von Petersburg Press, London sowie gedruckt im Atelier Crommelynck, Paris, 1973. Plattenmaße: 24,7 x 39 cm. Blattmaße: 37,7 x 51,5 cm.Scottish Arts Council 156 - Museum of Contemporary Art Tokyo 140. - Entlang der Blattränder sehr schwach gebräunt, zwei winzige, unauffällige Löchlein oberhalb der Darstellung nahe des Plattenrandes, partiell minimal griffspurig.

Hockney, David. Views of Hotel Well II. Farblithographie auf strukturiertem Bütten von John Koller HMP aus der Serie "Moving Focus". Signiert, datiert und nummeriert unterhalb der Darstellung mit Bleistift sowie dort mit Trockenstempel des Herausgebers versehen. Exemplar: 58/75. Herausgegeben von Tyler Graphics Ltd., New York, 1985. Blattmaße: 63,5 x 81,3 cm. Tyler Graphics 281 - Museum of Contemporary Art Tokyo 273. - Verso an mehreren Punkten auf weißer Kartonunterlage montiert. - Entlang der Blattkanten leicht gewellt, ansonsten tadellos. - Provenienz: Knoedler Gallery, London.

Hockney, DavidBradford 1937, britischer Maler, Grafiker, Bühnenbildner und Fotograf. "Pool Made with Paper and Blue Ink for Book", 1980, rechts unten mit Bleistift sign. und dat., unten links num. "765/1000", Farblithographie auf Arches-Velin, Trockenstempel Tyler Graphics Ltd., Mount Kisco, New York, verso mit Bleistift num. "DH80-460", HxB: 26,7/22,9 cm (Blattmaße), zusammen mit dem Begleitbuch David Hockney: Paper Pools, sign. und mit Stempelnummer "765", herausgegeben von Thames & Hudson, London, im Original-Kartonschuber.