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Two posters to inc 2012 Royal Academy exhibition poster for David Hockney (51x76cm affixed by tape to card), a 1985 published Cartier poster, possibly a limited edition (numbered 142 to lower corner) lithograph print (approx 68x99cm),

A large collection of art reference books ranging from the Titian to David Hockney. H.34 cm. (largest)

Greater London Arts Association & the Arts Council of Great Britain, 1971. Softcover, 21.5 x 25 cm, 28 pp. Edited by Robin Campbell and Norbert Lynton. Original purple card covers with seven pear-shaped windows cut out of the front cover and underlying blue sheet. Catalogue for the Art Spectrum London exhibition at Alexandra Palace Great Hall, 11 - 30 August 1971, part of a series of seven concurrent exhibitions forming a major nationwide survey of contemporary art in the United Kingdom. Among the circa 100 artists were David Hockney, John Lennon, Yoko Ono, Victor Passmore, Scratch Orchestra, Birgit Skiold, Allen Jones, Su Braden, Ian Breakwell, Marc Chaimowicz, Barry Flanagan, John Latham, Liliane Lijn, Bruce Mc Lean, Gustav Metzger, John Stezaker et al. Moderate soiling on covers with some small scratches on the purple front cover. Interior is fine. Scarce.

Multimedia magazine of the arts published by Phyllis Johnson from 1965 to 1971, editors and designers changed for each issue. The magazine came in a customized box filled with booklets, phonograph recordings, posters, postcards. Included in this lot are: (1) Aspen 5 + 6, for Stephane Mallarmé (aka The Minimalism Issue), 1967. Boxed edition consisting of 28 numbered elements edited and designed by Brian O’Doherty, with art direction by David Dalton and Lynn Letterman. Contributions by Susan Sontag, Roland Barthes, William Burroughs, John Cage, Marcel Duchamp, Merce Cunningham, Dan Graham, Sol LeWitt et al. Two-part box, with all items present except item 15 in photocopy (Michel Butor poem) and missing item 24, the often lacking 8 mm film reel that was meant to be send after publication but never made it to this copy (replaced by the publisher's note that the reel was to follow separately). Box a bit soiled and with small repair. (2) Aspen 6A: The Judson Manipulations (aka The Performance Art issue). This was an extra number only distributed to the subscribers, focused on the performance art scene around New York’s Judson Gallery. The contents are kept in a paper folder, missing the original mailing envelope (a photocopy of the front of the envelope is added). (3) Aspen 7, the British issue. Cardboard box with die-cut colour cover design by Richard Smith. Works by Ossie Clark, Eduardo Paolozzi, Peter Blake, Ian Hamilton Finlay, John Furnival, David Hockney, as well as two flexi-disks - one has John Lennon playing Radio Play and the other contains Yoko Ono's Song for John. Fourteen items as issued (not as described on box). Box with wear, item 13 (Finlay's poem) is trimmed 1 cm, all other contents fine. (total 3)

David Hockney OM CH RA (b.1937) 'Remember You Cannot Look At The Sun Or Death For Very Long', 2021,  Lithographic poster with a yellow silkscreen overlay.  Bears David Hockney Circa Economy label verso.  Edition 2751 of 3000. Measures 89.4 by 25.4cm.  Sold with Circa Economy Certificate of Authenticity. In fair condition with light handling marks. ARR charges may be applicable.

David Hockney, The Student (Aus: Homage to Picasso)Radierung und Aquatinta auf Karton 75,5 x 56,5 cm. Signiert, datiert und nummeriert. Exemplar 19/90. (+XXX +60). Edition Propyläen Verlag, Berlin.Scottish Arts Council/Petersburg Press (Hg.), David Hockney prints 1954-77, London 1979, WVZ-Nr.153ProvenienzPrivatsammlung, Hessen

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). „The Student: Homage to Picasso“. 1973Radierung und Aquatinta auf Papier. 57,3 × 44 cm (75,8 × 56,7 cm) (22 ½ × 17 ⅜ in. (29 ⅞ × 22 ⅜ in.)). Signiert und datiert.Scottish Arts Council 153.–Eines von 30 römisch nummerierten Exemplaren aus einer Gesamtauflage von 180. Aus dem Portfolio „Hommage à Picasso“. Berlin/Rom, Propyläen Verlag/Pantheon Press, 1974. [3333] Gerahmt. Provenienz: Privatsammlung, NorddeutschlandWir berechnen auf den Hammerpreis 32% Aufgeld.

David Hockney, Grand Hotel Terrace, VittelFarbstift und Wachsfarben auf Karton 43,2 x 35 cm. Unter Glas gerahmt. Monogrammiert, datiert und betitelt 'Grand Hotel, Vittel. DH june 70'.ProvenienzKasmin Gallery, London; James Kirkman, London (jeweils mit rückseitigem Aufkleber); Sotheby's, New York, 01.05.1991, Lot 133; André Emmerich Gallery, New York (mit rückseitigem Aufkleber) (1992); Privatsammlung, BelgienLiteraturNikos Stangos (Hg.), David Hockney by David Hockney, London 1976, Kat.Nr.322, S.234 mit Abb.; Nikos Stangos, Pictures by David Hockney, London 1976, S. 108 mit Abb.Als schillernde Figur des „Swinging London“ in den 1960er Jahren und Chronist des „Californian Way of Life“ ist David Hockney bekannt geworden. Dabei verweigerte er selbst als Maler, Grafiker, Fotograf und Bühnenbildner mit Anklängen an die britische Pop-Art jegliche Zuordnung zu einer der Stilrichtungen des 20. Jahrhunderts. Auch bei der Wahl seiner Wohn- und Arbeitsorte liebte Hockney die Abwechslung – nach Jahren in London und Kalifornien weilte er Anfang der 1970er Jahre über einen längeren Zeitraum in Europa, dort überwiegend in Frankreich, später dann in Marokko und in Japan. Die farbige Zeichnung „Grand Hotel Terrace, Vittel“ ist 1970 in jenem Luxus-Hotel im Départment Vosges südlich von Nancy entstanden. Mit farbigen Wachskreiden zeichnete er einen grünen Tisch mit Sonnenschirm, zwei Korbsessel und einen dahinterliegenden Park mit Pool. Wie Hockney über das nur wenige Jahre später, 1974, entstandene Gemälde „Contre-jour in the French Style“ schrieb, sind die in Frankreich entstandenen Bilder in erster Linie eine Hommage an die französische Kultur und an das Land, in dem er von 1973-1975 lebte. Französisch wirkt „Grand Hotel Terrace, Vittel“ aufgrund des Mobiliars, der traditionellen Stühle, des grazilen Metalltisches und des Fransenschirms, aber auch aufgrund der Farbigkeit mit zartem Rosé, Koralle und den vielen Nuancen von Grün. Die Rückenlehne des vorderen Stuhls lädt den Betrachter ein, Platz zu nehmen und dem Maler Gesellschaft zu leisten. Das Werk gehört tatsächlich zu einer Serie von Kreidezeichnungen aus den frühen 1970er Jahren, die alle Hockneys Aufenthalts- und Urlaubsorte zum Thema haben und in Marrakesch, Calvi, Vichy, Nizza oder Kyoto entstanden sind. Die unter dem Titel „Travels“ zusammengefasste Reihe zeigt stets luxuriöse, aber immer menschenleere Räume oder Plätze und zur Ausstattung häufig einen Sonnenschirm, der als einziges Bildmotiv Schatten auf diese perfekte Welt wirft. Maltechnisch griff er in dieser Zeit häufig zu Wachskreiden und schuf die zauberhaften Zeichnungen, die ihm schon lange nicht mehr nur zur Vorbereitung eines Ölgemäldes dienten. Wie er selbst immer wieder betonte, liebte er das Reisen – auch aufgrund der landestypischen Speisen: „I had fallen in love with Europe again in 1967; it had been four or five years since I travelled around. I’d been so full of America for five years, but coming back to Europe you realise it’s certainly more interesting to drive around than America. America is wonderful as landscape, but every time you pull into a restaurant you know what the menu’s going to be. The thing is I love glamour places. I love going to places that have glamour. So any place that’s new for me is good. I like to travel…“ (Zit. nach: David Hockney, Travels with Pen, Pencil and Ink, London 1978, o.S.).

Peter Blake (British, b. 1932) For John Constable - Liberty as Suffolk child by John Constable Etching, signed and numbered 66/100. Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching.  Published by Bernard Jacobson 1976. 13 x 11.5cm ( 5" x 4 6/8") From the Bernard Jacobson Gallery Collection Sir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art. From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling. Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Hockney Paints the Stage by Martin L. Friedman is a hard cover book about the work of British artist David Hockney as a set and costume designer for the stage. It covers over 20 productions and includes interviews with Hockney and others. The book is illustrated with over 200 color and black-and-white reproductions within its 227 pages of Hockney's stage designs. It is an essential resource for anyone interested in Hockney's work, the art of stage design, or the performing arts in general. ISBN: 0896593967 Issued: 1983Dimensions: 10.75"W x 1.25"D x 10.75"HManufacturer: Abbeville PressCountry of Origin: United States

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). Ouesten. 1994Gouache auf Velin. 56 × 76,5 cm (22 × 30 ⅛ in.). Unten links monogrammiert und datiert: DH 94. Auf der Rückpappe mit dem Etikett und Stempel der Galerie Andre Emmerich, New York, den Etiketten der Nishimura Gallery, Tokio, und der Richard Gray Gallery, Chicago, sowie einem Etikett mit den gedruckten Werkangaben und der Werknummer: 94G23.[3216] Gerahmt. Provenienz: Privatsammlung, Bayern (1995 über die Richard Gray Gallery, Chicago, vom Künstler erworben)Wir berechnen auf den Hammerpreis 32% Aufgeld.

Hockney (David) Hockney's Alphabet, edited by Stephen Spender, one of 250 copies signed by the artist and 23 of the contributors, colour lithographs and etchings, original vellum-backed boards, slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.⁂ A fine copy of Hockney's graphic interpretation of the alphabet, with each illustrated letter accompanied by a textual interpretation by the following contributors: Stephen Spender, Joyce Carol Oates, Iris Murdoch, Paul Theroux, Gore Vidal, Norman Mailer, Seamus Heaney, Martin Amis, Erica Jong, Ian McEwan, Nigel Nicolson, Margaret Drabble, Craig Raine, William Boyd, V.S. Pritchett, Doris Lessing, William Golding, T.S. Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, Julian Barnes, John Updike, Susan Sontag, Anthony Burgess, Douglas Adams and Patrick Leigh Fermor.

Hockney (David).- Spender (Stephen) Hockney's Alphabet, special edition signed by both Hockney and Spender, 26 colour illustrations by David Hockney, original yellow cloth, grey cloth slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.⁂ Produced in aid of the AIDS Crisis Trust; contributors include Iris Murdoch, Norman Mailer, Seamus Heaney, Ian McEwan, William Golding, T.S.Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, John Updike, and Susan Sontag.

(Counter Culture.) 'Oz Magazine', London, OZ Publications Ink, 33 issues May 1967 to November 1973 (final issue), comprising No.'s 4, 6-8, 19-44, 46-48. Includes the following issues/content amongst others: Oz No.4, June 1967, with large fold out Hapshash and the Coloured Coat cover poster by Michael English & Nigel Waymouth, Martin Sharp Tarot cards images to the reverse; Oz No.6 'OZ & Other Scenes', August 1967, Martin Sharp cover illustration; Oz No.7, October 1967, Bob Dylan 'Blowin in the Mind' psychedelic cover by Martin Sharp; Oz No.8, January 1968, Louise Ferrier cover, with Che Guevara poster and psychedelic While Dads Away, Mum Will Play poster on reverse); Oz No.19, March 1969, Germaine Greer/Viv Stanshall cover; Oz No.21, May 1969, Elektra Records Amazement advert cover with Outcry & Running Man inserts; Oz 24, November 1969, with Honeybunch Kaminski poster insert; Oz No. 26, February 1970, Pussy Power issue with rare "Print Mint" insert; Oz No. 27, April 1970, Acid Oz Robert Crumb cover The Acid Facts text and graphic 2; Oz No. 28, May 1970, The Schoolkids issue white & blue cover with green inset; Oz No. 30, October 1970, with Jimi Hendrix folding poster pull out; Oz No. 35, May 1971, Special Pig issue with pink cover by Ed Belchamber; Oz No. 36, July 1971, with Janis Joplin folding poster pull out; Oz No. 40, February 1972, Special 5th Anniversary John Hurford; Oz No. 41, April 1972, Crime & Conspiracy Issue; OZ No. 43, July 1972, Bali: Hippy Paradise/Van Gough Bowie Lou Reed Hawkwind Martin Sharp etc, The Rock 'n' Roll Show flyer intact; Oz No. 44, September 1972, The Virgin Sperm Dancer + cozmic comics flyer intact, John Lennon etc; Oz No. 47, April 1973, The Rising of the Women issue Soft Machine Yoko Ono Loudon Wainwright etc; OZ No. 48, November 1973, The last issue, nude Oz staff & Nixon cover, plus many others; together with a scarce lithograph print for the OZ Obscenity Fund by David Hockney, London, 1971, depicting the three editors Richard Neville, Jim Anderson and Felix Dennis posing nude. By celebrating the innocence of the naked male form, Hockney playfully portrays the OZ magazine editors as innocent. Approx size 58.5 x 91cm, a/f, with large closed tear. Oz was an independent alternative/underground counterculture magazine founded & edited by Richard Neville, and with many issues with cover art by, and containing superb cartoon, pop art and psychedelic art illustrations by co founder Martin Sharp, and whose staff writers included Germaine Greer, Philippe Mora, Lillian Roxon, Michael Leunig, Angelo Quattrocchi, Barney Bubbles & David Widgery. A good run of issues of the foremost anti-establishment underground press magazine of the 1960s, subject to a famous obscenity trial in the UK in 1971. (34)

Elisabeth Frink: 'Elisabeth Frink Sculpture catalogue raisonné', Harpvale Books, 1984, 1st edition, profusely illustrated throughout in colour and b/w (some double page), 4to, original cloth, dust wrapper (fine/fine); together with 'David Hockney: A Bigger Picture', L, Royal Academy of Arts, 2012, profusely illustrated throughout in colour, original pictorial wraps (2)

Ten assorted art and illustrated titles, including four Philip Hofer Edward Lear limited edition booklets, comprising 'Calico Pie', 1952, (500), 'The Duck and the Kangaroo', 1956, (500), 'A Drawing Book Alphabet', 1954, (1000), Edward Lear', 1962, (960), each illustrated throughout, each original wraps; David Hockney: 'The Blue Guitar. Etchings by David Hockney. Who was Inspired by Wallace Stevens. Who was Inspired by Pablo Picasso', Petersburg Press, 1977, 2 colour plates as called for, original boards, d/w; Pete Morgan: 'One Greek Alphabet', Ceolfrith Press, 1980, signed & inscribed by Morgan on half title, orig. card wraps, dust wrapper; two Albert Skira published titles 1940's 'Anthologie du Livre Illustré par les Peintres et Sculpteurs de l'Ecole de Paris', [1946], ills. by Pierre Bonnard, Georges Braque, Marc Chagall, Raoul Dufy, Henri Matisse, Pablo Picasso etc., 'Editions Albert Skira - Vingt Ans D'Activité', 1948, ills. by Henri Matisse, André Derain, Pablo Picasso, Marc Chagall etc, of which some tipped in colour plates, orig. pictorial wraps (2nd title with front cover by Matisse); plus another French title with ills. by Raoul Domenjoz; plus 'London a la Carte', Habitat, 1967, 2nd edition, 30 facsimile menus from leading London restaurants of the period, housed loose as issued in original pictorial portfolio (10)

David Hockney (b.1937), California Scene (1966), signed in the print, lithograph on wove paper, 50.5 x 40 cm, unframedGood overall condition commensurate with age and use.

HOCKNEY, DAVID1937 BradfordTitel: Untitled, 468 (iPad-Drawing). Datierung: 2010. Technik: Inkjet-Print auf Archivpapier. Darstellungsmaß: 44 x 33cm. Blattmaß: 56 x 43cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Taschen Verlag, Köln (Hrsg.). Exemplar: 171/250. Bei diesem Druck handelt es sich um ein Exemplar der Art Edition C (Nrn. 501-750) zu dem Projekt "David Hockney. A Bigger Book" welches als "SUMO" Buch 2017 im Taschen Verlag erschien. Der Druck befindet sich in seinem originalen Umschlag. Zudem liegt das dazugehörige original verpackte "SUMO" mit Buchständer von Marc Newson bei. Hier im Impressum nochmals signiert, datiert, nummeriert sowie bezeichnet (Ex. 671/9000).Provenienz:- Privatsammlung Norddeutschland Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog

HOCKNEY, DAVID1937 BradfordTitel: "Stage". Datierung: 1964. Technik: Mischtechnik auf Papier. Maße: 35,5 x 28cm. Bezeichnung: Betitelt, monogrammiert und datiert unten rechts: Stage. DH. 64. Rahmen/Sockel: Rahmen. Provenienz:- Privatsammlung Nordrhein-Westfalen- Frühes Werk aus seiner Zeit in Los Angeles, wohin der Künstler 1964 übersiedelte - Mit wenigen Elementen dargestellte, menschenleere Theater-Bühne, die unverkennbar die Handschrift des Künstlers trägt - Während seiner Zeit in Californien gelingt Hockney der internationale Durchbruch - Hockney zählt zu den bedeutendsten Künstlern und hat einige der einprägsamsten und einflussreichsten Werke des 20. Jahrhunderts geschaffen David Hockney zählt zu den gefragtesten Künstlern weltweit. Spätestens seitdem im Jahr 2018 sein Gemälde "Portrait of an Artist (Pool with Two Figures)" für über 90 Millionen Dollar versteigert wurde ist er aus dem Olymp des Kunstmarktes nicht mehr wegzudenken. In der vorliegenden, sehr frühen Arbeit von Hockney aus dem Jahr 1964 wird bereits deutlich, warum sich Hockney zu einem der bedeutendsten Künstler unserer Zeit entwickeln wird. Die Zeichnung bildet den Ausgangspunkt seines künstlerischen Werkes und diente Hockney oft dazu, spontane Gestaltungsideen festzuhalten, auszuformen und schließlich in letzter Konsequenz als Malerei zu realisieren. Die vorliegende Zeichnung ist dabei bereits stark ausgearbeitet und deutlich treten die Charakteristika der Pop-Art - zu deren bedeutendsten Vertretern Hockney zählt - zum Vorschein. Ein Fransenvorhang, in unterschiedlichen Blaustufen schraffiert, schwebt über einer kleinen Bühne. Die roten Ornamente im Vorhang lassen den Betrachter unweigerlich an die "Flowers" seines Pop-Art-Kollegen Andy Warhol denken. Der Vorhang scheint den Blick auf das in der Bildmitte befindliche Quadrat nur widerwillig freizugeben und erst bei genauerem Hinsehen offenbart sich dem Betrachter ein gleichartiges Rechteck, welches fast gänzlich hinter dem Vorhang verborgen ist.Die vorliegende Arbeit zeigt eindrucksvoll, wie es Hockney mit einfachsten Mitteln gelingt, in seinen Arbeiten eine gesamte Geschichte zu erzählen. Mit simpel gehaltenen Elementen erzeugt Hockney eine unwahrscheinliche Dramatik und zieht den Betrachter in den Bann seines Werkes. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog

Robert Rosen: A Large Group of Vintage Polaroids Taken by Rosen and Signed by Various Film/Music/TV Stars,1980s-00s,approximately 340 colour Polaroids, each signed in various inks by the celebrity featured in the images, notable people include; David Bowie, Bill Wyman, Cliff Richard, Grace Jones, Donovan, Elton John, Sting, Zandra Rhodes, Mary Quant, Sylvester Stallone, Terence Stamp, Vera Lynn, Marianne Faithful, Pete Townsend, Charlie Watts (unsigned), Shirley Bassey, Audrey Hepburn, Stevie Knicks, Andrew Ridgeley, Rudolf Nureyev, Luciano Pavarotti, BB King, Joan Rivers, Jackie Collins, Ronnie Barker, Rowan Atkinson, Whoopie Goldberg, Diana Rigg, Tom Selleck, Mel Gibson, Kylie Minogue, Olivia Newton-John, Nicole Kidman, Ru Paul, Cate Blanchette, Yoko Ono, David Essex, Phil Lynott, Phil Collins, The Village People, David Hockney, Andrew Logan, Karl Lagerfeld, Joe Cocker, John Hurt, Edward Bell, Duggie Fields, Patrick Hughes, Naomi Campbell, Ossie Clark, Malcolm McLaren, Celia Birtwell, Grayson Perry, Peter Blake, Thierry Mugler, David Bailey, Martin Sharp, Paloma Picasso, Jean Shrimpton, Diana Ross, Ella Fitzgerald, Etta James, Issey Miyake, Marcel Marceau, Francis Bacon, Dean Martin, Bob Geldof, Michael York, Helmut Newton, Herb Ritts, Joan Collins, Carrie Fisher, Tom Stoppard, Lewis Morley, Anita Ekberg, Bill Gibb, David Attenborough, Kenny Rogers, Kenny Everett, Christopher Reeve, Jean Paul Gautier, Ronnie Corbett, Diana Dors, Tony Curtis, Joanna Lumley, Geraldine Chaplin, Omar Sharif, Ian McKellen, Michael Caine, Penelope Keith, Muhammad Ali, Les Dawson, Jane Asher, Janet Street-Porter, Bette Midler, Bonnie Tyler, Jerry Hall, Boy George, Quentin Crisp, William Burroughs, Andrew Lloyd-Webber, Deborah Kerr, Nina Simone, Leo Sayer, Lulu, David Hemmings, Barry Lategan, Nico, Vanessa Redgrave, among many others, all signed and dated on the reverse by the photographer, split across two leather-bound albums, sold without copyright or any reproduction rights, each 3 1/2in x 4in (9cm x 10cm), (Qty)Footnotes:Provenance:Offered by Australian photographer Robert Rosen.During 1975-1985 Rosen worked as a freelance photographer in London for Rolling Stone, NME and other music papers. He was also a society, portrait and catwalk photographer for Ritz Newspaper, Avant Garde Magazine, Root, Fashion Weekly & POL and freelanced for daily newspapers during this time. In 1985 Robert returned to Australia and continued his work with Harper's Bazaar, Vogue, Mode & Elle and the Sunday Telegraph, Sydney.Robert Rosen is one of Australia's foremost social photographers and an astute observer of Sydney and London society. He has covered social events for the past 30 years and through his lens brings us tantalizing shots of global celebrities. These are not the stiff poses and uncomfortable smiles captured by most social photographers. It is clear Rosen's subjects are willing participants, resulting in images that exude warmth and wit. This fascinating series of Polaroid photographs records the glamour, the personalities, the drama and the fun of London, Paris and Sydney social events. The images are also important social documents, recording key personalities among the world's social set‚ a mix of actors, rockstars, stage and screen stars and creatives. A visual history of his work appears in his latest book Glitterati. David Bowie Polaroid, London, 1981.'This polaroid was taken at a party at Regine's nightclub on top of a building in Kensington London. I spotted Bowie in the garden and nervously went up to him and asked if I could take his photo and do a Polaroid of him. He agreed but wanted us to go somewhere a little more secluded. I took the Polaroid and all the while I'm thinking, he's going to remember me as the photographer who'd taken his photo at the Blitz Club without his permission about six months before. He was asking me questions about my attire, especially the Andrew Logan mirror bowtie I was wearing. He then said ' Ahh, Robert Rosen with the looking glass bowtie.' I smiled and showed him the Polaroid that by now had fully developed. But it had my fingerprints across the top of it as I'd been nervously holding it too hard whilst talking to David. I suggested we take another one, but he said 'No I like it, it's art' and he signed it.'- Robert RosenThe Charlie Watts Polaroid is the only unsigned photograph in the collection. When Rosen asked Watts to sign it, his excuse for not doing so was because John Lennon had passed away that day.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Patrick Procktor RA,  British 1936-2003 -  Borough, c.1958-1962;  pencil on paper, signed lower right ‘Procktor' and titled centre left 'Borough', 71 x 54 cm (ARR)  Provenance:  with Marcus Galleries, Birmingham (according to the label attached to the reverse of the frame);  private collection  Note:   this early work was likely made while the artist was still a student at the Slade School of Art. Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco. His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London, Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil. With thanks to Dr. Ian Massey, author of 'Patrick Procktor: Art and Life' (Unicorn Press, 2010), for his assistance with the cataloguing of this work. 

Patrick Procktor RA, British 1936-2003 - Life studies, c.1958-1962; ink and pastel on paper, signed lower right 'Patrick Procktor', 58.6 x 33.5 cm (ARR) Provenance: with Marcus Galleries, Birmingham (according to the label attached to the reverse of the frame); private collection Note: this early work was likely made while the artist was still a student at the Slade School of Art. Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco. His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London, Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil. With thanks to Dr. Ian Massey, author of 'Patrick Procktor: Art and Life' (Unicorn Press, 2010), for his assistance with the cataloguing of this work. 

Y DAVID HOCKNEY RA (b.1937) "Salts Mill Saltaire", lithographic poster, signed, 17 1/4" x 38 3/4", blond wood frame (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Condition very good

Y DAVID HOCKNEY RA (b.1937) "Road Across The Wolds", lithograph, signed, 19 1/4" x 24", blond wood frame (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Very good. Hand signed. Provenance; given by Jonathan Silver deceased (founder of the Hockney Gallery, Salt's MIll, Bradford) to his friends, (a local family) who in turn gifted it to the vendor in lieu of payment for professional services.

David Hockney by Marco Livingstone. Hand signed on the title page by Hockney. Published 1992 by Fundacion Juan March, Madrid. First edition. 108 pages illustrated in colour. Text in Spanish. Signed boldly by Hockney across two pages. H.29 W.2 cm.

Two publications That's the way I see it. David Hockney. Published 1993 by Thames and Hudson Ltd. Hardback. Hockney's Portraits and People. Marco Livingstone and Kay Heymer. Published 2003 by Thames and Hudson Ltd. Hardback.

HOCKNEY, David, "The Swimmer (Olympische Spiele München 1972)", 1970. Farblithographie auf leichtem Velin. 87 x 63,5 cm (102 x 63,5 cm). Im Stein signiert, datiert. Copyright-Vermerk, besch., Griffspuren, eines von 4000 nicht nummerierten Exemplaren, Druck bei Matthieu, Zürich, ungerahmt

Richard Spare Spring Bullfinch (Detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Richard Spare Chat (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Richard Spare Honeysuckle (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Claire Houlihan Piano Player Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Claire Houlihan Fluffy Cat Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Claire Houlihan Chandos Place Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Claire Houlihan The Yellow Door Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Christabel Blackburn Oh, California Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About London based artist Christabel Blackburn (born London, 1986) is a painter who conjures atmospheric scenes which focus on the interplay between people and spaces. Using a sensitively reduced visual language, Christabel distils the modern world and our interaction with it into quiet, concentrated scenes. Her figures are largely locked in their own universe, traversing streets formed of intersecting flat planes or drinking in art in colour drenched galleries. Her practice exists in a finely tuned space; we believe this world and yet it is removed from our own in its timelessness and absences. Largely gone is the paraphernalia of the twenty first century and what emerges in the space is a sense of order but more importantly psychological suspension. Perhaps these are what our memories or dreams of a sunny day might look like, no sound, rarely any shadows and none of the encumbrances of existing in the world. Women particularly take up space in an interesting way, confidently walking away or engaging with art alone. Education LARA, London, Figurative Painting and Sculpture, 2009-2011 Charles Cecil Studios, Florence, Figurative Drawing, 2008-2009 University of Newcastle Upon Tyne, Newcastle, Classical Studies, 2005-2008 Select Exhibitions/Awards Recent Paintings, Alex Eagle, Soho | current Splash, Ode to Hockney, Sophie Breitmeyer, Notting Hill | Current Art Uk Charity Auction, London | Sept, 2021 Faces || places, Group Exhibition, Nordic Art Agency, Malmö, Sweden | 2020 Pavements, Solo exhibition, Partnership Editions | 2020 Winner, Sky Arts Portrait Artist of the Year | 2020 Shortlisted for The BP Portrait Award | 2020 Recent Paintings, Alex Eagle, Soho | 2019 'Multiples', Bridgeman Editions, Green and Stone, London | 2019 Sky Arts Portrait Artist of the Year | 2017   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Christabel Blackburn Dry cleaners, Pacific Palisades Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About London based artist Christabel Blackburn (born London, 1986) is a painter who conjures atmospheric scenes which focus on the interplay between people and spaces. Using a sensitively reduced visual language, Christabel distils the modern world and our interaction with it into quiet, concentrated scenes. Her figures are largely locked in their own universe, traversing streets formed of intersecting flat planes or drinking in art in colour drenched galleries. Her practice exists in a finely tuned space; we believe this world and yet it is removed from our own in its timelessness and absences. Largely gone is the paraphernalia of the twenty first century and what emerges in the space is a sense of order but more importantly psychological suspension. Perhaps these are what our memories or dreams of a sunny day might look like, no sound, rarely any shadows and none of the encumbrances of existing in the world. Women particularly take up space in an interesting way, confidently walking away or engaging with art alone. Education LARA, London, Figurative Painting and Sculpture, 2009-2011 Charles Cecil Studios, Florence, Figurative Drawing, 2008-2009 University of Newcastle Upon Tyne, Newcastle, Classical Studies, 2005-2008 Select Exhibitions/Awards Recent Paintings, Alex Eagle, Soho | current Splash, Ode to Hockney, Sophie Breitmeyer, Notting Hill | Current Art Uk Charity Auction, London | Sept, 2021 Faces || places, Group Exhibition, Nordic Art Agency, Malmö, Sweden | 2020 Pavements, Solo exhibition, Partnership Editions | 2020 Winner, Sky Arts Portrait Artist of the Year | 2020 Shortlisted for The BP Portrait Award | 2020 Recent Paintings, Alex Eagle, Soho | 2019 'Multiples', Bridgeman Editions, Green and Stone, London | 2019 Sky Arts Portrait Artist of the Year | 2017   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

NO RESERVE Braque (Georges) Le Solitaire, illustrations, original cloth, slip-case, 1959 § Hockey (David) David Hockney, edited by Nikos Stangos, illustrations, original boards, dust-jacket, lightly sunned, 1976; Photographs, original boards, dust-jacket, lightly sunned, 1982, first editions; and a group of ephemera, v.s. (sml qty.)

David Hockney OM CH RA, British b. 1937-  On It May Stay His Eye (from 'The Blue Guitar' series), 1976/77; etching, softground etching, and aquatint (printed from 2 copper plates) on wove paper, signed and numbered '104/200' in pencil,  printed at Petersburg Studios, published by Petersburg Press, London, image: 34.5 x 42.3 cm,  (framed) (ARR) 

David Hockney OM CH RA,British b. 1937-Exhibition Poster (Fiesta), 1988; The Other Side, 1993 (poster); Mount Fuji (poster); Montcalm Interior at 7 o'clock, 1988 (poster); Me Draw - Drawn On Ipad, 2011; each offset lithographic poster, (i) sheet:  63 × 42.9 cm,(ii) sheet: 63.0 x 101.0 cm,(iii) sheet: 86.5 x 64 cm,(iv) sheet: 70 × 83.4 cm,(v) sheet: 84.1 × 59.4 cm,(unframed)(ARR)(5)

David Hockney OM CH RA, British b.1937- Little Boodge,1993, Dog 38, 1995; Dog 43, 1995; The Dog Show Exhibition Poster, 1990;each offset lithograph on wove,  the largest 65 x 53 cm, (unframed) (ARR) (4)   

David Hockney OM CH RA, British b.1937- Parade, 1981; screenprint poster in colours on wove, published by the Metropolitan Opera, New York, sheet: 204.5 x 103.5 cm, (framed) (ARR) 

Stephen Spender (British 1909-1985) & David Hockney OM CH RA (British b.1937-)China Diary, 1982;book, including 158 offset lithograph prints of watercolours, drawings and photographs, hand signed by David Hockney RA and Stephen Spender on the frontispiece, published in 1982 by Thames and Hudson, overall: 25.5 x 19.5 cm, (ARR) 

* Hockney (David, born 1937). Two photographs of the artist David Hockney by Raymond Foye, 1981, vintage gelatin silver prints, photographer's credit label sellotaped to verso of each, 220 x 140 mm, together with:Godbold (David), Maggi Hambling standing before her painting '6th Bull' [at the Serpentine Gallery], London, 1987, gelatin silver print with photographer's small label to verso, 250 x 180 mmQTY: (3)

DAVID GENTLEMAN (BRITISH, B. 1930) (5)Fortifications signed, dated and inscribed 'David Gentleman '71 A.P' (in margin) screenprint 58.5 x 56cm together with: Black Quarters (1970), a screenprint by Gordon House; Contour II, a relief print by Lesley Davy; David Hockney, The Tate Gallery, 1980 exhibition poster; Parity Study in Red and Blue (1972), a screenprint by Anthony Hill (5, all unframed) ARR Provenance Private collection, UK

DAVID HOCKNEY (BRITISH, B. 1937)Olympische Spiele München colour poster published by Edition Olympia 1972 GmbH 1971 printed in Germany 102 x 64cm (unframed) ARR

DAVID HOCKNEY (BRITISH, B. 1937)Little Boodge (1993) lithographic poster published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire 28 x 42cm (unframed) ARR

ARR David Hockney (born 1937)David Hockney: A Retrospective, 27 October 1988 - 8 January 1989'Tate Gallery Exhibition Postersignedoffset lithograph on wove paper (rolled) 76 x 51cm The poster is in very good condition; it is rolled, but there is minimal further damage to the artwork. Some light foxing to the surface, but no more severe visible damage. The signature looks authentic and is consistent with other signed examples of the poster.

David Hockney. Hockney Paints the Stage. Lithograph poster. 1984. Framed and glazed. H.72 W.102 cm.

David Hockney. Metropolitan Opera 1981. Lithograph poster. Framed and glazed. H.102 W.64 cm.

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, with full margins, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b.1937) after.Fiesta (Baggott 178)Offset lithograph printed in colours, 1988, on wove paper, the full sheet, sheet 630 x 429mm (24 5/8 x 16 3/4in)

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, 420 x 280mm (16 3/8 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b.1937) after.Dog 38Offset lithograph printed in colours, 1995, from the edition of unknown size, on wove paper, the full sheet printed to the edges, sheet 530 x 648mm (20 3/4 x 25 1/2in)

David Hockney (b.1937) after.Dog 43 Offset lithograph printed in colours, 1995, from the edition of unknown size, on wove paper, the full sheet printed to the edges, sheet 530 x 648mm (20 3/4 x 25 1/2in)

David Hockney (b.1937) after.For LouisianaGiclée in colours, 2021, from the edition of 500, published by the Louisiana Museum of Modern Art, Humlebaek, on heavy wove paper, with full margins, sheet 592 x 840mm (23 1/4 x 33 1/8in)

δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Große Sammlung Fachliteratur David Hockney22 Bände über das Leben, die Zeichnung, Malerei und Fotografie des Künstlers, teilweise Ausgaben in Englisch, verschiedene Alter und Formate, darunter eine Doublette und zwei Bücher zusätzlich in einer anderen Ausgabe vorhanden, geringe Alters- und Studierspuren.

After David Hockney a large print 'New Drawings-Salt Mill 1994' of two dogs snuggled in a chair and another print after Joseph Crawhall 'Girl on a Bicycle' AF.

David Hockney (British, b.1937) 'Parade, Metropolitan Opera, New York 1981', offset lithograph, printed by the Petersburg Press, 23.5x35ins, framed and glazed.

David Hockney (British, b.1937) "David Hockney Pritns and Drawings of Celia 1970-1980 Petersburg Press at the Chicago Art Fair 14-19 May 1981", offset lithograph, circa 1981, framed and glazed.