Horovitz (Michael). The Wolverhampton Wanderer, an Epic of Britannia in Twelve Books with a Resurrection & a Life, for Poetry United, 1st ed., pub. Lattimer, 1971, b&w illusts. throughout, errata slip tipped-in, orig. cloth in sl. rubbed and toned d.j., 4to. One of 100 copies signed by the author and artists and photographers who contributed to the book, this copy unnumbered. Autographs include Feliks Topolski, Peter Blake, Richard Hamilton, David Hockney, Jeff Nuttall, Adrian Henri, Tom Phillips, and Pete Hoida (the vendor). (1)
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JAMES WILLIAM MATHIESON (1931-2003), Young Man Sleeping, 1970, bronze with a rich brown patination, signed and inscribed 4/6, 24" x 12" x 7", on associated marble base (AR) J W Mathieson was born in Calcutta and moved to Scotland in 1947. His most famous public monument being his figure of William Hogarth and his Pug at Chiswick High Street, West London, unveiled by Ian Hislop and David Hockney in 2001
DAVID HOCKNEY, OM, CH, RA (1937-) HE ENQUIRED AFTER THE QUALITY FROM FOURTEEN POEMS BY C P CAVAFY [MCA TOKYO 49] etching with aquatint on Crisbrook handmade paper 1966, signed by the artist in pencil, dated `66 and numbered 7/75, published by Editions Alecto London, 35 x 22.5cm (s. 38.5 x 25cm) Undisturbed in the original c1960s silvered frame, lightly mount stained in the upper part but apparently not laid down and in generally good condition, unexamined out of the frame
Etching and aquatint After David Hockney (b. 1937) "Myself and my Heroes", bears a signature in the margin and dated '61, etched plate measurements 25.5 x 49.5cm (cropped to margins) NB This is the first print produced by Hockney on arriving at the Royal College of Art in London and depicts the artist together with Mahatma Gandhi (haloed) and Walt Whitman Artist's Resale Rights maybe payable on this lot
Searle (Ronald). Ronald Searle in Perspective, 1984, colour illustrations, original cloth, d.j., folio, together with Picasso.ÓArt Can Only Be EroticÓ, by Diana Widmaier Picasso, 2005, colour and b & w illustrations, original boards, 4to, plus China Diary, by Stephen Spender & David Hockney, 1982, illustrations, presentation inscription, original cloth, d.j., 4to, inscibed by Stephen Spender, with other art books including Jim Ede`s A Way of Life. Kettle`s Yard, 1984, Twelve Portraits by William Rothenstein, 1929, Ralph Steadman`s The Big I Am, 1988 and Robert Descharnes & Jean-Francois Chabrun`s Auguste Rodin`s 1967 (20)
HOCKNEY DAVID: (1937-) British Artist. An original pen and ink drawing signed by Hockney on a white 6.5 x 6 card, the abstract drawing possibly inspired by some of the artist`s Splash works. Signed with his name alone beneath the drawing. Double matted in white with black and red borders and framed and glazed in a plain black frame to an overall size of 15 x 15. A light horizontal central fold only very slightly touches the drawing, otherwise VG
HOCKNEY DAVID: (1937-) English Painter. Book signed, a hardback edition of David Hockney by David Hockney, edited by Nikos Stangos, First Edition published by Thames and Hudson, London, 1976. Signed by Hockney in bold blue crayon with his name alone to the title page. Accompanied by the dustjacket. Front board a little loose at the spine, about VG
A collection of eight exhibition posters, two Eduardo Paolozzi silk screen prints, “Sculpture Drawings Collages” 1965, Hatton Gallery, The University of Newcastle upon Tyne, one Fontana, one Jasper Johns Lithographs Hatton Gallery 1965, Henry Moore Hatton Gallery 1958, David Hockney Room B7 University of Newcastle upon Tyne, Jospeh Albers Hatton Gallery, Victor Pasmore.
* Sandra Blow, RA (British, 1925-2006), Sketch Book Page, stamped with Estate stamp, mixed media collage, 17 x 13cm (7 x 5in). Provenance: The Sandra Blow Estate, St. Ives. This Sketch Book Page shows the artist`s typical use of manipulates materials, like torn paper and canvas cut-outs. This page could be part of preliminary work for a final brightly coloured large-scale work. It is this technique and process that highlights how Henri Matisse`s work influenced Blow. In the 1950s and early 1960s, she regularly exhibited at the London gallery Gimpel Fils, who gave her, her first solo exhibition in 1951 and whose association with St Ives artists like Barbara Hepworth, Ben Nicholson and Peter Lanyon inspired her move to live in 1957 in St Ives. Returning to London in 1960 Blow acquired a large studio at Sydney Close in Kensington, where she worked for the next 24 years. In 1961 she started a 14-year stint teaching at the Royal College of Art, where David Hockney, Patrick Caulfield and Ron Kitaj were students. Not only did Blow feature in the first John Moores biannual exhibition in Liverpool but was included in the Young Artists Section at the Venice Biennale the following year. She also won the International Guggenheim Award in 1960 and won second prize at the third John Moores exhibition at the Walker Art Gallery in 1961. In 1978 Blow was elected to the Royal Academy and took part in every Summer Exhibition at Burlington House where she also had her retrospective in 1994. She was also a prominent member of the Chelsea Arts Club.
AFTER TRACEY EMIN RA (b.1963), `Remember Easter Is Not Just For Christmas IT`S FOR LIFE`, monochrome offset lithograph, 41cm x 70cm, framed; also, after David Hockney OM CH RA (b.1937), `A Bounce for Bradford: February 24, 1987`, offset lithograph reprinted from the `Bradford Telegraph and Argus`, 41cm x 57cm, framed. (2)
DIANE WALDMAN: MARK ROTHKO, L 1978, 1st edn, 4to, orig cl gt, d/w + BEN NICHOLSON: PAINTINGS RELIEFS DRAWINGS VOLUME 1, Intro Herbert Read, 1955, 4to, orig cl, d/w + MARCO LIVINGSTONE: R B KITAJ, Oxford 1985, 1st edn, 4to, orig cl, d/w + DAVID HOCKNEY: A RETROSPECTIVE, Los Angeles 1988, 4to, orig pict wraps + MARILENA PASQUALI: MORANDI ACQUERELLI CATALOGO GENERALE, Milan 1991, 1st edn, 4to, orig bds, pict paper label, s-c (5)
Alexander, L. & Cohen, E. 150 SOUTH AFRICAN PAINTINGS - PAST AND PRESENT Cape Town: Struikhof Publishers, 1990 square 4to signed by both authors Lucy Alexander and Evelyn Cohen col. & b/w illustrations hardcover, dustjacket and four others ? TUCHMAN, M. & BARRON, S. - David Hockney: Retrospective, 1989, hardcover, dustjacket ? DE JAGER, E. J. - Contemporary African Art In South Africa, 1973, hardcover, dustjacket ? BARGNA, I. - African Art, 2000, hardcover, dustjacket ? WELZ, S. - Art At Auction In South Africa, 1996, hardcover, dustjacket all books in excellent condition 5
HENRY R WILKINSON (EXH 1907-1908) THE HOSPITAL OF ST CROSS WINCHESTER SIGNED AND INSCRIBED, WATERCOLOUR HEIGHTENED WITH WHITE, 22 X 23CM AND A WATERCOLOUR STUDY OF A THATCHED COTTAGE BY THE SAME HAND (2) ++ Both in fine condition and framed as a pair as supplied to the late owner by Mary Hockney Fine Arts Ltd Oakham
A Large Quantity of Art Reference Books, to include: David Hockney by David Hockney, edited by Nikos Stangos, publ Thames & Hudson, Max Ernst, Life and Work by John Russell, publ Thames & Hudson, The Surrealists by William Gaunt, publ Thames & Hudson, The Art of Egon Schiele by Erwin Mitsch, publ Phaidon, Oskar Kokoschka 1886-1980, publ Tate Gallery, British Art in the 20th Century, Royal Academy of Art, edited by Susan Compton, publ Prestel, plus many others, (approx 70 books)
Moore (Henry) Sheep Sketchbook first edition, inscribed by the artist on title "For Denis Thomas with best wishes from Henry Moore Much Hadham February 12th 1981", illustrations, original cloth, 1980 § Bowness (Alan, editor) Henry Moore, first edition, illustrations, original cloth, bookplate, 1977 § Melville (Robert) Graham Sutherland, first edition, one of 2000 copies, illustrations, original boards, dust-jacket, slightly rubbed, 1950 § Friedman (Martin) Hockney Paints the Stage, first edition, illustrations, original cloth, dust-jacket, 1983 § Mallalieu (H.L.) The Dictionary of British Watercolour Artists up to 1920, 2 vol, first edition, text and plates, original cloth, dust-jackets, 1976; and a quantity of others similar, v.s. (c.75)
Israeli School, mid-late 20th century- Adam and Eve; hand-coloured lithograph, signed in Hebrew and numbered 38/150 in pencil, 49.5x35cm: After Leslie Mathew Ward (Spy), British 1851-1922- "The Prince of Prince`s (Mr H Mallaby-Deeley)", publ by Vanity Fair; hentschel-colourtype, colour reproduction print, 38x26cm: French School, early 19th century- "Secrétaire-Bibliotèque", from Meubles et Objets de Goût, No 195; hand-coloured engraving, 19x31.5cm: Pellerin & Co Imp, Paris, Imagerie d`Épinal, No 11- "Sa Majesté Mozaffer-ed-Dine, Shah de Perse"; hand-coloured lithograph, 35.5x27cm: William Henry Bartlett 1809-1854- "The Park and City Hall, NY", after Pollock; hand-coloured engraving, 12.5x19cm: Dissey, French, mid-late 20th century- Group of clowns; black felt-tipped pen, signed, dedicated and dated 63, 26x37cm: together with two colour photocopies after a print by David Hockney and a book of photogravures titled `Les Hotels de Paris`, by Georges Pillement, II Rive Gauche et Ille Saint-Louis, editions Tel, (a lot) (unframed)
Hockney (David) Martha`s Vineyard and other places: My Third Sketchbook from the Summer of 1982 2 vol. including introductory booklet edited by Nikos Stangos text in original wrappers (a little yellowed at edges) facsimile sketchbook original half rexine together in original slip-case slightly rubbed New York 1985 § Clemmesen (Erik) Vers & Strophes que j`ai aimés one of 300 copies signed by the author/artist illustrations loose as issued in original wrappers with etched illustrated title to upper cover original drop-back board box Copenhagen 1950 4to (2)
Ink and wash Julian Trevelyan (1910-1988) Roman-style stone baths in rustic building, looking out towards trees - "Le Lavoir", signed and dated 1930, 33 x 52cm NB Julian Trevelyan initially known for his surrealist prints in the 1930`s, joined S.W. Hayter`s print workshop in Paris in 1931 and during the 1930`s worked alongside influential artists of the day. In 1935 he arrived back in England and set up an etching studio in Hammersmith where he remained until his death. During this time Trevelyan became head of the etching department at the Royal College of Art and was himself a highly influential teacher of such students as David Hockney, etc
After David Hockney 3 Hockney posters 2 exhibition posters Tate Gallery and Galerie Kammer Hamburg and for the Nineteenth New York Film Festival colour-printed offset lithographs .v.s 760 x 500mm. (30 x 19 3/4 in) to 965 x 680mm. (38 x 26 3/4 in) (3). Condition report: All under glass with no visible faults.
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3742 item(s)/page