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Lot 5
David Hockney, born in 1937 in Bradford, England, is a renowned British artist whose work spans various mediums, including painting, drawing, photography, and collage. He is considered one of the most influential artists of the 20th and 21st centuries, known for his vibrant use of color, innovative techniques, and exploration of space and perspective.Hockney rose to prominence in the 1960s as a leading figure in the Pop Art movement. He gained recognition for his iconic swimming pool paintings, which captured the California lifestyle and reflected his fascination with the interplay of water, light, and space. These works, characterized by their bold colors and clean lines, established Hockney as a master of depicting the modern urban environment.Beyond his exploration of the swimming pool motif, Hockney's diverse body of work encompasses a wide range of subjects and styles. He has painted landscapes, portraits, still lifes, and abstract compositions, continually experimenting with new techniques and approaches. Hockney's ability to capture the essence of his subjects and convey a sense of joy and vitality is a defining characteristic of his art.In addition to his paintings, Hockney has been at the forefront of using technology in art, particularly in his exploration of photography and digital media. He embraced the use of Polaroid cameras, creating innovative photo collages known as "joiners" that captured a scene from multiple perspectives. Later in his career, Hockney embraced iPad drawing, creating intricate and vibrant digital artworks that pushed the boundaries of traditional artistic practices.Hockney's contributions to the art world have been widely recognized and celebrated. He has been the subject of numerous major retrospectives and exhibitions around the world. In 2011, he was appointed a member of the Order of Merit, one of the highest honors bestowed on individuals who have made exceptional contributions in the fields of arts, science, literature, or other areas.David Hockney's artistic legacy is marked by his immense talent, versatility, and innovative spirit. His work continues to inspire and captivate audiences with its vibrant colors, meticulous craftsmanship, and unique perspectives. Hockney's ability to capture the beauty and essence of the world around him, combined with his constant exploration of new techniques and technologies, firmly places him among the most significant artists of our time.Measures 21 x 21.
Lot 222
David Hockney, born on July 9, 1937, is an English painter, printmaker, photographer, and stage designer, known for his contributions to the Pop Art movement and his exploration of various artistic styles. Born in Bradford, England, Hockney attended the Royal College of Art in London.Hockney's early works in the 1960s gained attention for their exploration of contemporary themes and popular culture, aligning with the principles of Pop Art. One of his iconic paintings from this period is "A Bigger Splash" (1967), known for its representation of a swimming pool scene in California.In addition to painting, Hockney is recognized for his experimentation with photography and technology. He embraced Polaroid collages and later created composite photographs using multiple viewpoints. His series of photo collages, like "Joiners," exemplifies his innovative approach to capturing space and time.Hockney has explored various styles and mediums throughout his career, from portraiture to landscapes. His interest in capturing the effects of light and color is evident in works such as "Mr and Mrs Clark and Percy" (1970–1971), a portrait of his friends.In recent years, Hockney has embraced digital technology, creating artworks on his iPad and exhibiting large-scale digital drawings. His versatility as an artist and his continuous exploration of new artistic techniques have contributed to his enduring influence on the contemporary art scene.David Hockney's impact on the art world is reflected in numerous awards and honors, including being appointed a Companion of Honour in 1997. His works are held in major art collections worldwide, and he remains a celebrated and influential figure in the realm of contemporary art.Measures 36 x 48.
Lot 17
David Hockney is a British artist who was born on July 9, 1937, in Bradford, England. He is known for his contributions to the pop art movement and his depictions of Southern California swimming pools, as well as his portraits and landscapes. Hockney studied at the Bradford College of Art before attending the Royal College of Art in London. His early work included paintings that featured gay themes and he became a part of the British pop art scene in the 1960s.Hockney's art is characterized by bright colors and a playfulness that often incorporates elements of humor. In addition to painting, he has also worked in other mediums, such as printmaking and photography. His work has been exhibited in museums and galleries around the world and he has received numerous honors, including being made a member of the Order of Merit in 2012.Hockney has also been an advocate for new technologies in art, experimenting with iPad drawing and other digital media. He currently divides his time between England and California, and continues to produce new artwork."A Bigger Splash, 1967".Measures 17.75 x 16.5 inches.
Lot 42
DAVID HOCKNEY (B. 1937)Study circa 1962-1965 signed coloured pencil and pencil on paper28.8 by 22.7 cm.11 5/16 by 8 15/16 in.This work was executed circa 1962-1965.Footnotes:ProvenanceGift from the artist to the previous ownerAcquired from the above by the present ownerThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 17
Hockney (David).- Spender (Stephen, editor) Hockney's Alphabet, special edition signed by both Hockney and Spender, 26 colour illustrations by David Hockney, original yellow cloth, grey cloth slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.*** Produced in aid of the AIDS Crisis Trust; contributors include Iris Murdoch, Norman Mailer, Seamus Heaney, Ian McEwan, William Golding, T.S.Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, John Updike, and Susan Sontag.
Lot 40
David Hockney. Six Fairy Tales from the Brothers Grimm, presentation copy inscribed in blue pen to half-title, illustrated with six etchings by David Hockney, original blue leatherette, 12mo, London: Petersburg Press, 1970; David Hockney's Dog Days, with 84 illustrations, original publishers cloth, dust jacket, oblong 8vo, London: Thames and Hudson, 1998 (2) Provenance: the first given by David Hockney to Harry Tatlock Miller (1913-1989) founder of The Redfern Gallery and close personal friend of David.(i) dust marked, silver lettering with wear (ii) dust jacket slightly faded and scuffed at edges.
Lot 5
David Hockney (English, b. 1937). Mixed media of oil pastel and paint on paper titled "Birthday Card for Grey Gallery" depicting three pairs of rollerskates whirling in a circle, 1980.Provenance: Grey Art Gallery, New York, "David's Evening on Wheels" benefit auction, April 29, 1980; Private Minnesota Collection.Lot Essay:David Hockney grew up in Yorkshire, England, and received his artistic training at the Bradford College of Art and the Royal College of Art, from which he graduated in 1962 after shaking things up by refusing to write a graduation essay, claiming that his art spoke for itself. This self-assured and cheeky attitude has stuck with Hockney throughout his career, helping him launch himself into early international success. Hockney has worked in a wide variety of styles and media throughout his career, including pop art, prints, drawings, paintings, and digital art. He is best known for his eye-popping acrylic pool paintings, done in celebration of his adopted home of Southern California. In addition to a wide-ranging and prolific artistic career, Hockney has also found success as a teacher and a theorist, and has published several well-received monographs."Celia Musing" and "Celia Elegant" are from Hockney’s 1979 portfolio in collaboration with Gemini G.E.L. in Los Angeles. This portfolio consists of portraits of several of Hockney’s friends, a recurring theme throughout his body of work. It also shows his tremendous versatility as a portraitist, with works in a variety of styles and moods. These two works depict Celia Birtwell, a prominent British textile designer and longtime friend and model of Hockney’s. With spare, almost careless lines, he presents a vivid impression of Celia, chic and cheerful, drifting through an elegant home. The tonality of the lines builds the sense of fleetingness in her poses; it seems that she has briefly paused to contemplate the orchid in front of her before moving on through her day.Sight; height: 29 1/2 in x width: 38 1/2 in. Framed; height: 30 1/4 in x width: 39 in.
Lot 52
David Hockney (British 1937-), 'Little Boodge' 1993, offset lithograph on wove paper, bearing the Artists Copyright verso; sheet: 28 x 42cmARR sheet: 28 x 42cm In very good condition No knocks, tears or creases to the sheet Minor colour variation to the sheet edges, due to the age of the work This work has been stored flat and has never been framed.
Lot 55a
David Hockney (British 1937-), 'A Bigger Book', 2016, Sumo Collectors Edition Hard-Cover Book, signed and numbered from an edition of 10,000 to the title page, published by Taschen, with adjustable bookstand designed by Mark Newton; book: 72 x 52 x 9cmARR book: 72 x 52 x 9cm In very good condition Stored inside original packaging No apparent issues.
Lot 53
David Hockney (British 1937-) 'Olympische Spiele München 1972', 1970, lithographic poster printed in colours on paper, published by Edition Olympia, 1972; sheet: 101 x 64cmARR sheet: 101 x 64cm In very good condition/artist's condition No sign of later paint loss. This work is executed on a vintage paperback book and is framed by the artist/to the artist's specifications. This work has not been examined out of the frame.
Lot 55
David Hockney (British 1937-), 'Travels with Pen, Pencil and Ink Drawings and Print', 1980, Tate Gallery Exhibition Poster, signed in pencil; 76.5 x 51cm inc frameARR 76.5 x 51cm inc frame In good condition No visible knocks or tears to the sheet Light creasing to the upper edge and upper right hand section of the sheet, visible in raking light Some potential markings to background of sheet, visible upon close inspection This work has been framed in a gold frame This work has not been examined outside of the frame.
Lot 123
• MICHAEL UPTON (BRITISH 1938-2002) Michael Upton (lots 123-138)Tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard John Russell Taylor, IntroductionUpton grew up in Birmingham where he attended the College of Art before joining the Royal Academy Schools in 1958. In London he became close friends with David Hockney and Patrick Proctor, shared a flat with nascent pop artist Peter Phillips, and was awarded an RA Leverhulme Scholarship. His work was featured in the influential annual ‘Young Contemporaries’ exhibitions that Phillips masterminded over four years (1959-63). The reviewer of the 1962 show in The Times commented: 'The exhibition fairly bubbles with bright ideas and visual excitement... its weird mixture of impudence, whimsicality and beautifully tender painting is well exemplified by Derek Boshier [and] Michael Upton...' A year later, however, after completing six identical canvases, Upton abandoned painting entirely, turning instead to conceptual art. He spent 1967-68 in New York, the recipient of a grant from the Cassandra Foundation. Others who received grants from the Foundation included John Cage, Bruce Nauman, Christo, Eduardo Paolozzi and Richard Hamilton. Increasingly Upton's interests lay in performance, and in the 1970s he founded London Calling with Peter Lloyd Jones which became an influential part of London's performance art scene. One of his works included burying a number of his paintings on a Dorset hillside. But at the end of 1970s Upton returned again to painting, taking up a teaching role at the RA Schools. In this later period Upton's preference was for small scale works. He often used photocopy or newspaper print as the support and he regularly produced series of images, similar to stills from a reel of film (lots 123-126). Upton considered them 'conceptual paintings', and gained a new fan for his work in John Russell Taylor the influential art critic of The Times. In a review of 1979 Russell Taylor enthusiastically described Upton's paintings as 'tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard', and in his review of the British Council touring exhibition Picturing People, British Figurative Art since 1945, he singled out Upton as one of a handful of 'highly sophisticated stylists'. Also won over to Upton was the critic Mel Gooding who commented on Upton's 'subtle allusiveness (hints of Piero, Vermeer, Sickert)...another way of deepening the game, of adumbrating the mystery. An art of intimations'. As his work evolved so Upton also gave it more loaded political messaging, inspired in part by both his earlier pop art years and current events (lots 129 & 130). But following retirement and his retreat to Mousehole, Cornwall in 1996 his artistic focus shifted. He put aside subversive messaging, urban subject matter and his customarily muted palette. Instead the innate beauty of the local landscape and coastal views became his primary focus (lots 135-138). 123MICHAEL UPTON (BRITISH 1938-2002)THE STUDIO: BED - A PAIRthinned oil on boardeach: 18 x 13cm; 7 x 5in46 x 56cm; 18 x 22in (two framed as one) (2)ExhibitedLondon, Anne Berthoud Gallery (1980s)
Lot 1018
KONVOLUT 27 PLAKATE OLYMPIA, 1972, München, darunter David Hockney, Tom Wesselmann, Hans Hartung, E. Chillida, P. Wunderlich, H. Antes, Josef Albers, O. Kokoschka, S. Poliakoff, P. Soulages, Offset-Farblithographien auf leichtem Velin, ca. 102 x 63,5 cm. Im Stein signiert. „Edition Olympia 1972, GmbH 1970 Printed in Germany“. ungerahmt
Lot 1013
DAVID HOCKNEYThe Boy Hidden in a Fish (aus: Illustrations for Six Fairy Tales from the Brothers Grimm) 1969Aquatinta auf Velin. Signiert. Ex. 17/100. Petersburg Press, London. 23,5 x 27,5 cm (44,5 x 40,5 cm). Scottish Arts Council 73.(Randbereiche mit Altersspuren; etwas lichtrandig bzw. gebräunt. Obere Ecken verso mit Falzen montiert.)
Lot 1455
HENRI LAURENSRAYMOND RADIGUET: Les Pélican. Paris: Galerie Simon (1921). 32,5 x 23 cm. Mit 5 rad. Vign. (1 auf d. Umschlag) und 2 Radierungen auf Tafeln von Henri Laurens. 11 Bll. OrUmschlag mit Vign. von H. Laurens.Nr. 91 von 90 Ex. (num. 11-100; GA 112) auf Van Gelder Bütten, im Druckvermerk von Autor und Künstler signiert. - The Artist and the Book 156. Skira 194. From Manet to Hockney 62. Monod 9448. - Neben „Poèmes en Prose“ (1916) eine der ersten Arbeiten des Bildhauers Laurens als Buchillustrator, unter Kahnweilers Direktive erstellt. Kahnweiler betitelte den Kubisten Henri Laurens (1885-1954) als den größten Bildhauer seiner Zeit. Laurens Bekanntheitsgrad als Illustrator begann während und nach dem Zweiten Weltkrieg mit Illustrationen zu Ausgaben der Autoren Tzara, Eluard, Theocritus und Lucian. Er verkehrte in Kreisen George Braques und Guillaume Apollinaires, Kahnweiler wurde 1921 sein Agent. - Selten.
Lot 367
AR * Rosoman (Leonard, 1913-2012). Ballet Dancers, ink and wash on paper, en grisaille, depicting two dancers dressed in traditional Traje de luces outfits in an auditorium, with inscription to verso in ink ‘Many happy returns, dear Fred. Here is a drawing by Leonard Rosoman of you in one of your greatest roles with love from Buckle’, image size 13.5 x 12.5 cm (5 1/4 x 5 ins), image framed and held within another larger frame, glazed, overall size 29 x 28 cmQTY: (1)NOTE:‘Buckle’ is Richard Buckle (1916-2001), ballet critic and exhibition designer, gifting the artwork as a birthday present to Frederick ‘Fred’ Ashton (1904-1988), ballet dancer and choreographer. It is possible that the role referred to in Buckle’s note is that of the matador Espada in Don Quixote (originally choreographed by Marius Petipa to the music of Ludwig Minkus).Richard Buckle is best known for his innovative exhibition designs, particularly the 1954 exhibition marking the anniversary of the death of the ballet impresario Sergei Diaghilev which was held in Edinburgh and London. He subsequently designed an exhibition for David Hockney (1964) and also worked with Cecil Beaton, Nicholas Georgiadis and Leonard Rosoman.Rosoman worked as the main designer for Buckle's Diaghilev exhibition and taught at Camberwell School of Art, Chelsea School of Art and the Royal College of Art, numbering David Hockney and Peter Blake among his students.Provenance: From the estate of Martyn Thomas (partner of Frederick Ashton), thence by descent to the present owner.
Lot 351
AR * Hockney (David, 1937-). Portrait of Martyn Thomas, circa 1970s, pencil on thick wove paper, a detailed study of the head of the sitter, with the outline of the upper body lightly sketched, signed and inscribed by the artist ‘For Freddie + Martyn with love David’ to centre right of the sheet, in very good condition, fixed to mount with tape on two sides to verso, two small pieces of old tape and remnants of adhesive to top of sheet to verso, sheet size 43 x 35.5 cm (17 x 14 ins), framed and glazed (59 x 51 cm)QTY: (1)NOTE:Martyn Thomas (who died in a car accident in 1986) was the partner of ballet dancer and choreographer Frederick Ashton (1904-1988). Hockney had already produced a number of studies of prominent figures from the world of ballet from the late 1960s onwards, including Wayne Sleep, Rudolf Nureyev and Ashton. Hockney and Ashton later collaborated on a production of Stravinsky's Le Rossignol (alongside Le Sacre du Printemps and Oedipus Rex) at the New York Metropolitan Opera in February 1981. The pair also worked together on a production of the ballet Varii Capricci (1983).Provenance: From the estate of Martyn Thomas (Frederick Ashton's partner), thence by descent to the present owner.
Lot 56
David Hockney (b.1937)Two Vases in the Louvre (Scottish Arts Council 168; MCA Tokyo 154)Etching with aquatint printed in colours, 1974, signed and dated in pencil, numbered from the edition of 75, printed by Maurice Payne, Kent Jones and Dany Levy, published by Petersburg Press, London, on wove paper, with full margins, sheet 985 x 908mm (38 3/4 x 35 3/4in)
Lot 59
David Hockney (b.1937)Portrait of Cavafy in Alexandria, from Illustrations for Fourteen Poems from C. P. Cavafy (MCA Tokyo 47)Etching with aquatint, 1966, signed and dated in pencil, numbered from the edition of 75, published by Editions Alecto, London, on Crisbrook handmade wove paper, with full margins, sheet 565 x 393mm (22 1/4 x 15 3/8in)
Lot 62
David Hockney (b.1937)Los Angeles 1984 Olympic Games (Baggott 105)Offset lithograph printed in colours, 1982, signed in pencil, from the edition of circa 750, published by Knapp Communications Inc., Los Angeles, on Parsons Diploma Parchment wove paper, with full margins, sheet 914 x 610mm (36 x 24in)
Lot 57
David Hockney (b.1937)Illustrations for Six Fairy Tales from the Brothers Grimm (Scottish Arts Council 70-108; MCA Tokyo 67-105) The deluxe portfolio edition of 39 etchings, some with aquatint, 1969-70, with title-page, text, contents table and justification and with the additional suite of 39 etchings, the justification page signed and inscribed 'portfolio' in pencil, numbered from the edition of 100, each tale bound separately as a leporello and signed and numbered in pencil on the title page, the suite loose as issued, each sheet signed in pencil, numbered from the edition of 100 and inscribed 'G. Portfolio' in ink verso, published by Petersburg Press, London, on Hodgkinson handmade wove paper, each with full margins, various sheet sizes, and with the original dark blue calf portfolio box 650 x 480mm (25 5/8 x 18 7/8in) Provenance: Acquired directly from the publisher, Petersburg Press, London, 1971.
Lot 58
David Hockney (b.1937)The Church Tower and the Clock, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 76) Etching with aquatint, 1969, signed in pencil, numbered from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, each 444 x 397mm (17 3/8 x 15 5/8in)
Lot 60
David Hockney (b.1937)Beautiful and White Flowers, from Illustrations for Fourteen Poems from C. P. Cavafy (MCA Tokyo 58) Etching with aquatint, 1966, signed and dated in pencil, numbered from the edition of 75, published by Editions Alecto, London, on Crisbrook handmade wove paper, with full margins, sheet 569 x 397mm (22 3/8 x 15 5/8in)
Lot 1086
HOCKNEY DAVID: (1937- ) English painter, an important contributor to the pop art movement in the 1960s. Signed 8 x 10 photograph of Hockney in a comtemplative half-length pose and with a lit cigarette in one raised hand. Signed by the artist in bold black fountain pen ink with his name alone to the lower white border. EX
Lot 1085
HOCKNEY DAVID: (1937- ) English painter, an important contributor to the pop art movement of the 1960s. Book signed, being a folio hardback German text edition of Geheimes Wissen: Verlorene Techniken der Alten Meister wiederentdeckt ('Secret Knowledge: Lost Techniques of the Old Masters Rediscovered'), published by Knesebeck, Munich, 2001, profusely illustrated with many colour reproductions of paintings. Signed ('David H') by Hockney in blue ink to the half-title page. Accompanied by the dust jacket (a few very minor faults). VG
Lot 55
Mary Fedden OBE RA RWA, British 1915-2012 - Man and Bird, 2001; watercolour on paper, signed and dated lower left 'Fedden '01', 23 x 25.8 cm (ARR) Provenance: with New Grafton Gallery, London, N6747 (according to the label attached to the reverse of the frame); the Collection of Paul Clarke and thence by descent Exhibited: New Grafton Gallery, London, July 2001(according to the label attached to the reverse of the frame) Note: the man in this work is the artist's husband, the painter Julian Trevelyan. Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.
Lot 54
Mary Fedden OBE RA RWA, British 1915-2012 - Still life with lamp, 1987; watercolour on paper, signed and dated lower left 'Fedden 1987', 14.4 x 19.6 cm (ARR) Provenance: the Collection of Paul Clarke and thence by descent Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.
Lot 362
Annegret Soltau, "Zeiterfahrung", Fotovernähung im Acrylkasten, mit KatalogAnnegret Soltau , *1946 Lüneburg, deutsche Collagekünstlerin der "Body-Art", hier: Zerrissenes Aktfoto (wohl die Künstlerin selbst) mit Fadenstichen wieder zusammengenäht, eingebaut in einen Acrylkasten, 19 x 10,5 x 4,5 cm, verso sign. u. dat. 1995/8, dazu Katalog: Annegret Soltau, Fragmente des IchsAnnegret Soltau studierte an der Hochschule für Bildende Künste Hamburg und der Akademie der Bildenden Künste Wien (1967-1972) bei Hans Thiemann, Kurt Kranz, David Hockney und Rudolf Hausner. Ab 1975 entwickelte sie die Fotoübernähung und Fotovernähung, in der sie erstmals den realen (haptischen) Faden mit fotografischem Material verbindet. Sie arbeitet mit dem Abbild ihrer eigenen Person und nahen Verwandten: „Ich nehme mich selbst zum Modell, weil ich mit mir am weitesten gehen kann" Für ihre eigenwilligen Bildwerke, die sich in zahlreichen renommierten Sammlungen befinden, hat sie im Jahr 2000 den Wilhelm-Loth-Preis der Stadt Darmstadt erhalten. In größter Beharrlichkeit und Radikalität setzt Annegret Soltau sich seit mehr als drei Jahrzehnten mit dem Bild ihrer Selbst auseinander. In ihren sinnlich greifbaren Fotoübernähungen und -vernähungen spinnt sie mit schonungslosen Nadelstichen Fäden über fotografische Selbstporträts
Lot 339
Five works on modern art. Nicolas Calas and Elena Calas. 'The Peggy Guggenheim. Collection of Modern Art,' folio, unclipped dj, colour illustrations throughout, Rizzoli, New York, 2001; David Hockney. 'Secret Knowledge. Rediscovering the Lost Techniques of the Old Masters,' original cloth, unclipped dj, colour illustrations throughout, Thames & Hudson, 2001; With a Taschen promotional publication; David Fraser Jenkins and Frances Spalding. 'John in the 1930s. Abstraction on the Beach,' unclipped dj, profuse with colour illustrations throughout, vg, Merrell, London, 2003; Stefan van Ray et al. 'Modern British Art at Pallant House Gallery,' unclipped dj, colour illustrations throughout, Scala, 2004. (5)
Lot 131
After David Hockney OM CH RA, British b. 1937- David Hockney at Andre Emmerich, 1969; Das graphische Werk - Koln 1970; Complete Prints Galerie Mikro Berlin [Baggott 15], 1968; Zeichnungen und Grafik, Galerie Kammer, Hamburg, 1981; Print Retrospective, Stockholm, 1984; Young Playwrights Festival, 1982; each offset lithographic poster on wove, smallest sheet: 84.3 x x 59.5 cm, largest sheet: 104 x 76.5 cm, (unframed) (6)
Lot 122
David Hockney OM CH RA,British b.1937- The Singer from 1963, 1994; offset lithograph printed in colours on wove, signed in black marker pen, and signed with initials and dated in the plate, printed in 1994 for the Drawings retrospective exhibition 1954-1994 at the Hamburg Kunsthalle, the sheet is trimmed along the left and lower edges,sheet: 73 x 57 cm, (unframed) (ARR)
Lot 117
David Hockney OM CH RA, British b. 1937-Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78), 1969; etching and aquatint on Hodgkinson handmade paper, watermarked PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, lower and side margins have possibly been slightly cut down, sheet: 44.5 x 31 cm, (framed) (ARR)
Lot 132
After David Hockney OM CH RA,British b. 1937- Exhibition Poster (Fiesta), 1988; The Other Side, 1993 (poster); Mount Fuji (poster); Montcalm Interior at 7 o'clock, 1988 (poster); Me Draw - Drawn On Ipad, 2011; each offset lithographic poster, (i) sheet: 63 × 42.9 cm,(ii) sheet: 63.0 x 101.0 cm,(iii) sheet: 86.5 x 64 cm,(iv) sheet: 70 × 83.4 cm,(v) sheet: 84.1 × 59.4 cm,(unframed)(5)
Lot 125
After David Hockney OM CH RA, British b. 1937-Pool and Steps, Le Nid du Duc, 1971;offset lithographic poster in colours on paper, for the Louisiana Museum of Contemporary art, Denmark, printed in 1987 by Grafodan offset, Vaerlose, allegedly in an edition of no more than 500, sheet: 84 x 59.5 cm, (unframed) (ARR)
Lot 130
After David Hockney OM CH RA,British b. 1937- Les Mamelles De Tiresias l'enfant Et Les Sortileges Parade, 1981; Ninth British International Print Biennale, 1986; Insights: Reflecting the Tate Collection, 2022; Tate Gallery Centenary 1897 to 1997, Tate Gallery by Bus or Tube Poster, 1997; Hockney Paints the Stage, 1983-84; Barbican Centre for the Arts, 1982; each offset lithographic poster on wove, smallest sheet: 62.9 x 43.2 cm, largest sheet: 101.5 x 63.7 cm, (unframed)(6)
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