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David Hockney (b.1937) He enquired after the quality, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

David Hockney (b.1937) Beautiful and White Flowers, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

After David Hockney (b.1937) Hockney Paints the Stage, 1985 for The Hayward Gallery lithograph poster 148 x 101cm, unframed.

David HOCKNEY (né en 1937), D’Après Portrait of an artist Sérigraphie en couleur sur papier, signée dans la planche , Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 38 x 28 cm. Certificat de l'éditeur au dos

Allen Jones 1937 Southampton - lebt und arbeitet in London und Oxfordshire Night Watch (Why not tease?). 1973/74. Öl auf Leinwand. Verso auf der umgeschlagenen Leinwand signiert, datiert und betitelt. 122,5 x 122,5 cm (48,2 x 48,2 in). [CH]. • Zusammen mit David Hockney, Eduardo Paolozzi, Ronald B. Kitaj und Richard Hamilton gehört Allen Jones zu den Begründern der englischen Pop Art. • In seinen farbstarken Werken spielt Allen Jones mit den Symbolen weiblicher Erotik. • Seine Arbeiten befinden sich in zahlreichen renommierten Sammlungen, darunter in der Hamburger Kunsthalle, in der Londoner Tate und im Museum of Modern Art in New York. PROVENIENZ: Privatsammlung Norddeutschland. Privatsammlung (2008 vom Vorgenannten erworben). Aufrufzeit: 11.12.2020 - ca. 15.46 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONAllen Jones 1937 Southampton - lebt und arbeitet in London und Oxfordshire Night Watch (Why not tease?). 1973/74. Oil on canvas. Verso of folded canvas signed, dated and titled. 122.5 x 122.5 cm (48.2 x 48.2 in). [CH]. • Together with David Hockney, Eduardo Paolozzi, Ronald B. Kitaj and Richard Hamilton, Allen Jones is one of the founders of English Pop Art. • In his colorful works, Allen Jones plays with the symbols of female eroticism. • His works are in numerous renowned collections, including the Hamburger Kunsthalle, London's Tate and the Museum of Modern Art in New York. PROVENANCE: Private collection Northern Germany. Private collection (acquired from aforementioned in 2008). Called up: December 11, 2020 - ca. 15.46 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Hockney, David (geb.1937 Bratford) Original-Ausstellungsplakat "Two Boys aged 23 or 24", der Galerie Mikro Berlin im Jahr 1968. Offsetlithographie (auf Velin) nach der gleichnamigen, 1966 entstandenen Radierung, re. u. mit Bleistift sign. Blattgröße 83,5x 59,5 cm.

After David Hockney (1937-) - Coloured print - 'Celia, Carennac, August', 59cm x 49.5cm, framed and glazed, Artist Resale Rights May Apply Condition: The frame has been hand painted. **General condition consistent with age

Geh durch den SpiegelGeh durch den Spiegel Folge 47. Englische Graphik. Köln 1966. Fol Geh durch den Spiegel Geh durch den Spiegel Folge 47. Englische Graphik. Köln 1966. Fol. Mit zahlr. Abb. u. 1 Lithogr. von David Hockney. 12 Bl. Obrosch. - Eines von 400 Ex. - Spindler 153, 91.

Salomé (d.i. Wolfgang Ludwig Cilarz,Salomé (d.i. Wolfgang Ludwig Cilarz, 1954 Karlsru Salomé (d.i. Wolfgang Ludwig Cilarz, Salomé (d.i. Wolfgang Ludwig Cilarz, 1954 Karlsruhe). 'Im Pool'. Acryl auf Velin 1997. 69,5 x 100 cm. Sign. 'Salomé', dat. u. betitelt. Unter Glas gerahmt (nicht ausgerahmt). Salomé war Meisterschüler von Karl Horst Hödicke an der Hochschule der Künste Berlin. 1977 gründet er gemeinsam mit Helmut Middendorf, Bernd Zimmer, Rainer Fetting, Anne Jud, Berthold Schepers, Rolf von Bergmann und anderen die 'Galerie am Moritzplatz' in Berlin. Salomé entwickelt sich zu einem der bekanntesten Vertreter der Jungen Wilden. Sein künstlerisches Wirken ist eng mit der Geschichte Berlins in den 1980er Jahren verbunden und bricht mit den damals vorherrschenden Tabus der Bürgerlichkeit. Unser Werk 'Im Pool' steht ganz in der Tradition des 'Schwimmer'-Zyklus, mit dem Salomé sich über 30 Jahre auseinandersetzte. In einer hohen Farbintensität, Ausdruckskraft und atmosphärischen Schönheit lässt er die nackten Körper in horizontalen Linien sich mit dem Wasser verbinden. Die Dynamik und Kraft der sich bewegenden Schwimmer durchströmt die gesamte Komposition und schafft eine nahezu abstrakte Räumlichkeit. Das Oszillieren zwischen Impressionismus und Expressionismus macht Salomés Werk aus und trifft darin den Zeitgeist. In unserer Komposition erzeugen die pastellhaften Farbtöne von Hellblau, Gelb und Rosa eine kühle Eleganz, die an David Hockney erinnern lässt. - In the pool. Acrylic on wove paper, signed, dated and entitled. Framed under glass.

David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 Lithographic poster printed in colours, 1970, on wove, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich, the full sheet, 1017 x 640mm (40 x 25 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)David Hockney, Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches, signed, dated and numbered 107/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet; together with the book 'David Hockney: Paper Pools', within the original card slipcase, both stamp-numbered 107, the book signed in red ink on the justification, published by Thames & Hudson, London, 267 x 228mm (10 1/2 x 9in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

20th cenutry school, a pen and watercolour sketch in the style of David Hockney, titled 'Roger and Ann', indistinctly signed, dated 1969, 31 cm x 47 cm , glazed in a gilt frame.Footnote: Provenance: From the collection of Monty Bloom (See Dawsons website articles for more details)

HOCKNEY, David (b. 1937. illustrator) & Stephen SPENDER (1909-95). China Diary. [London:] Thames and Hudson, 1982. 4to (250 x 190mm). Plates and illustrations, many coloured. Original red cloth with Chinese character stamped in gilt on the upper cover and the spine lettered in gilt, original white slipcase with red printed label. FIRST EDITION, SIGNED AT THE FRONT BY THE ARTIST AND AUTHOR. WITH AN ORIGINAL FOLDING COLOURED LITHOGRAPH BY DAVID HOCKNEY, SIGNED AND NUMBERED "310/1,000" IN PENCIL BY THE ARTIST. "This folder contains an original five-colour hand-drawn lithograph, specially made for the signed edition of China Diary which is limited to 1,000 numbered copies worldwide. The lithograph, Red Square and the Forbidden City, 1982, by David Hockney, was printed at Petersburg Studios, New York, from one lithographic stone and four aluminium plates, all drawn by the artist, on Somerset satin-finish mould-made rag paper ... The lithograph is folded three times to form four paper panels ..." (from the folder). With 5 other books by, or relating to, David Hockney, including the brochure for Victoria Wood in Cabaret at Salts Mill. Sunday 3rd March 1996 (Bradford, 1996, front cover with a reproduction of a painting by David Hockney, number 352 of 500 copies), David Hockney's That's the way I see it (London, reprinted 2002) and the same author's Secret Knowledge. Rediscovering the lost techniques of the Old Masters ... new and expanded edition (London, 2006). (6)

David Hockney sheet size: 26 by 22cm

δ David Hockney (b.1937)Composition Red & Blue (Momart)Lithograph printed in colours, 2005, on wove paper, the full sheet printed to the edges, housed within the original blue paper portfolio with the artist's name embossed on the cover, sheet 114 x 279mm (4 1/2 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Fiesta (Baggott 178)Offset lithographic poster printed in colours, 1988, on glossy thick wove paper, the full sheet printed to the edges, 630 x 425mm (24 3/4 x 16 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)My Pool and TerraceLithograph printed in colours, 1983, signed and dated in pencil, numbered from the edition of 250, as included in the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by the Museum of Contemporary Art, Los Angeles, on BFK Rives paper, the full sheet printed to the edges, sheet 737 x 1057mm (29 x 41 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Baby Sumo. My WindowThe book 2019, signed in black ink, numbered from the edition of 1000, with title-page, text and illustrations, published by Taschen, London, on wove paper, bound as issued in the original boards with pictorial boards, and matching clamshell box, overall size 500 x 385mm (19 ¾ x 14 7/8 in) (book)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)A Young ModelUnique polaroid print in colours, 1977, signed and titled in black ink, sheet 105 x 90mm (4 1/8 x 3 1/2in) (unframed) Provenance:The estates of David & Ann Graves.David Graves was Hockney's assistant and Ann Upton was his muse. The sitter Byron is Ann Upton's son who was killed tragically in a train accident in 1982, aged 16. Byron was also the model for two lithographic portraits in 1979-1980 Study of Byron and Byron on hand.Ann Upton met Hockney in 1960, and became his model around 1962. David Graves met Hockney at the opening night of The Rake's Progress at the Glyndebourne Opera, 1975, which Hockney designed. A practising sculptor, Graves was working at the time as a paper restorer at Petersburg Press, with a studio opposite Hockney's in London. By the late 1970s he was working as Hockney's assistant, helping with stage sets and later with the preparation and editioning of Hockney's composite photographs. David began to appear in Hockney's drawings from 1982 or 1983. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet, 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Tree (Tokyo 61)Lithograph printed in colours, 1969, signed and dated in pencil, numbered from the edition of 95, published by Petersburg Press, London, on BFK Rives paper, with full margins, sheet 653 x 499mm (25 ¾ x 19 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Mo Asleep (Tokyo 116)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 75, published by Petersburg Press, London, on J. Green wove paper, with full margins, sheet 892 x 705mm (35 1/8 x 27 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Hockney's AlphabetThe book, 1991, comprising twenty-six lithographs printed in colours, with title-page, text and justification this copy signed in ink by the artist and the contributing writers, numbered from the edition of 300, published by Faber & Faber, London, on wove paper, bound as issued in the original quarter vellum paper wrapped boards, and matching slipcase, overall size 343 x 245mm (13 ¾ x 10in) (book)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet, 845 x 620mm (33 1/8 x 24 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Byron UptonUnique polaroid print in colours, 1977, signed and Inscribed 'It's inspiring me already. Much love David' black ink, sheet 105 x 90mm (4 1/8 x 3 1/2in) (unframed) Provenance:The estates of David & Ann Graves.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Celia Reclining (Tokyo 225)Lithograph, 1979, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G.E.L., Los Angeles., with their blindstamp, on wove paper, the full sheet printed to the edges, sheet 580 x 550mm (22 3/4 x 21 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)My Little House at the seaThe scarce colour copier print, 1989, signed and inscribed in black ink, one of only a few proofs printed, on Parsons Linen Ledge 100% Cotton fibre paper, printed by the artist, the full sheet 278 x 428mm (10 7/8 x 16 3/4in) (unframed)Provenance:The estates of David & Ann Graves.In 1988, after almost a decade of designing operatic sets and experimenting with photo-collages and printing, David Hockney moved to a small studio in Malibu. Although he mainly returned to painting Hockney was still experimenting with print techniques. This is an example of his first experimental print on a Canon NP 4835 colour copier print created at Mr. Mits Kataoka's Westwood Village studio in 1989.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)A Bigger BookThe book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 ½ x 27 ½ in) (book)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Second Detail, Snails Space, March 25th 1995. 1995Farbiger Inkjet-print auf Karton. 82,6 × 105 cm (88,5 × 110,5 cm) ( 32 ½ × 41 ⅜ in. (34 ⅞ × 43 ½ in.)). Signiert, datiert und nummeriert. Mit dem Stempel des Herausgebers versehen.Eines von 45 nummerierten Exemplaren. [3678] Gerahmt. Wir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.David Hockney (Bradford 1937 – lives in London and Los Angeles). Second Detail, Snails Space, March 25th 1995. 1995Coloured inkjet print on cardboard. 82,6 × 105 cm (88,5 × 110,5 cm) ( 32 ½ × 41 ⅜ in. (34 ⅞ × 43 ½ in.)). Signed, dated and numbered. With the stamp of the publisher inscribed. .One of 45 numbered copies . [3678] Framed. We charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.

Zanders (Hrsg.). Art and Light. Mit 12 größtenteils signierten Offset-Prints auf hochwertigem Papier. Bergisch Gladbach, Zanders Feinpapiere AG, (1986). 14 Bll. Gr.-Folio. In OPapp. mit Schrauben (leicht berieben) mit montiertem und geprägtem DTitel (leicht knickspurig). Selten, weltweit nur ein Exemplar nachweisbar. (Kunstbibliothek, Staatliche Museen zu Berlin). Prachtvolle und aufwendige dreisprachige Publikation wohl für Mitarbeiter und Künstler der Edition in Kleinstauflage herausgegeben, die als Bildkalender für das Jahr 1987 herausgegeben wurde. Von Harald Schlüter konzipiert und fotografiert für die Zanders Feinpapiere AG. Auf der linken Seite je montiertes Informationsblatt mit kurzer Künstlerbiographie in drei Sprachen und mit farb. Abb. Auf der rechten Seite je das montierte, meist auf der Unterlage signierte Künstlerphoto (74 x 56 cm) mit Zanders-Blindstempel. Die Arbeiten zeigen die Künstler, wie sie mit künstlichen Lichtquellen (farbigen Glühbirnen, Neonröhren, Taschenlampen) Bilder in den Raum malen. Künstler: Arakawa, Horst Antes (handsigniert), Max Bill (handsigniert), Jan Dibbets, Johannes Grützke (handsigniert), David Hockney, Roy Lichtenstein (handsigniert), Arnulf Rainer, Antonio Tàpies (handsigniert), Roland Topor (handsigniert), Victor Vasarely (handsigniert) und Emilio Vedova. Gedruckt auf Ikonorex Special-Matt Papier (Künstlerphotographien) und Chromolux 700 Papier (Titel und Informationsblätter.) - Informationsbll. und Künstlerphotographien tlw. leicht knickspurig. Insgesamt in wohlerhaltenem und farbleuchtendem Zustand. Copy of a very small edition. - With 12 mostly signed offset prints on high quality paper. In original card board (slightly rubbed) with mounted and embossed title (slightly creased). - Extremely rare, so far no copy in the trade provable. Splendid and lavish trilingual publication, probably published in a very small edition for employees and artists of the Edition, which was published as a picture calendar for the year 1987. Designed and photographed by Harald Schlüter for Zanders Feinpapiere AG. On the left side of each page is a mounted information sheet with a short biography of the artist in three languages and with colored illustrations. On the right side the mounted artist's photo (74 x 56 cm) with Zanders blind stamp, mostly signed on the base. The works show the artists painting pictures in the room with artificial light sources (colored light bulbs, neon tubes, flashlights). artists: Arakawa, Horst Antes (signed), Max Bill (signed), Jan Dibbets, Johannes Grützke (signed), David Hockney, Roy Lichtenstein (signed), Arnulf Rainer, Antonio Tàpies (signed), Roland Topor (signed and numbered), Victor Vasarely (signed) and Emilio Vedova. Printed on Ikonorex Special-Matt (artists' photographs) and Chromolux 700 (title and information sheets.) - Information sheets and photographs partly slightly creased. Overall in well preserved and colorful condition.

NO RESERVE British art.- Joyce (Paul) Hockney on 'Art', 1999 § Hockney (David) David Hockney, edited by Nikos Stangos, 1977 § 20th-Century Art Book (The) 1996, colour-printed illustrations and plates, original cloth or boards, dust-jackets, light bumping or creasing to spine ends, last with minor paint marks to upper panel, else clean and fresh copies; and 37 others, British art and art reference, v.s. (41)

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Pretty Tulips, February. 1970C-Print, 1976. Kodak-Papier. 24,1 × 18 cm (27 × 20,9 cm) ( 9 ½ × 7 ⅛ in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2066] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Pretty Tulips, February. 1970C-print, 1976. Kodak paper. 24,1 × 18 cm (27 × 20,9 cm) ( 9 ½ × 7 ⅛ in. (10 ⅝ × 8 ¼ in.)). Initialed in the margin lower right: "DH“, editioned lower left.One of 80 editioned prints from the Edition "Twenty Photographic Pictures by David Hockney“, published by Sonnabend Gallery, New York, 1976. [2066] Framed. We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Tennis Court, Berkeley, November. 1971C-Print, 1976. Kodak-Papier. 17,9 × 24 cm (20,9 × 26,9 cm) ( 7 × 9 ½ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2066] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Tennis Court, Berkeley, November. 1971C-print, 1976. Kodak paper. 17,9 × 24 cm (20,9 × 26,9 cm) ( 7 × 9 ½ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left.One of 80 editioned prints from the Edition "Twenty Photographic Pictures by David Hockney“, published by Sonnabend Gallery, New York, 1976. [2066] Framed. We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Pink Garden House. 1972C-Print, 1976. Kodak-Papier. 17,9 × 23,9 cm (20,8 × 27 cm) ( 7 × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2066] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Pink Garden House. 1972C-print, 1976. Kodak paper. 17,9 × 23,9 cm (20,8 × 27 cm) ( 7 × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left.One of 80 editioned prints from the Edition "Twenty Photographic Pictures by David Hockney“, published by Sonnabend Gallery, New York, 1976. [2066] Framed. We charge 30% premium on the hammerprice.

David Hockney David Hockney David Hockney (Geb. 1937 Bradford/Yorkshire. Seit 2019 ansässig in der Normandie) Plakat für die Ausstellung "David Hockney" im Louisiana Museum of Modern Art in Humlebæk 1976 Farboffsetlithographie/Papier, 1976. Sign.; Wiedergabe der Radierung "Home" (1969) als Hauptmotiv. Minim. stockfleckig. Blatt 83,5 cm x 59 cm. Vgl. Baggott: "Hockney Posters", Verlag C. J. Bucher, München u. Luzern 1988, Nr. 20. Poster for the exhibition "David Hockney" in the Louisiana Museum of Modern Art in Humlebæk 1976. Offset lithograph in colours, 1976. Minor fox stains.

David Hockney David Hockney David Hockney (Geb. 1937 Bradford/Yorkshire. Seit 2019 ansässig in der Normandie) Signiertes Original-Plakat für das "The new world festival of Arts" in Miami 1982 Farboffsetlithographie/Papier, 1982. Sign.; Mit der Wiedergabe eines Details des Gemäldes "The Zanzibar with postcards" (1980) als Hauptmotiv. Zu den Blatträndern Knickfalten. Blatt 104 cm x 87,5 cm. Vgl. Brian Baggott: "Hockney Posters", Verlag C. J. Bucher, München u. Luzern 1988, Nr. 88. Hand-signed original poster for the "The new world festival of Arts" in Miami 1982. Offset lithograph in colours. Minor creases to the margins.

David Hockney David Hockney David Hockney (Geb. 1937 Bradford/Yorkshire. Seit 2019 ansässig in der Normandie) Signiertes Original-Plakat für die Ausstellung "XVI RIP Arles" 1985 Farboffsetlithographie/Papier, 1985. Sign.; Wiedergabe der Fotocollage "Nude" (Theresa Russell) aus dem Jahr 1984 mit der Schauspielerin als Hauptmotiv. Blatt 108 cm x 72,5 cm. Vgl. Baggott: "Hockney Posters", Verlag C. J. Bucher, München u. Luzern 1988, Nr. 119. Hand-signed original poster for the exhibition "XVI RIP Arles" in 1985. Offset lithograph in colours, 1984. Showing the photocollage "Nude" of the actress Theresa Russell (1984).

Mappenwerke: Edition Olympia Edition Olympia 3. Teilserie von 7 Plakaten (Lithographien/Serigraphien) auf Velin. 1972. Je ca. 101 x 63,8 cm (Blattgröße). Herausgegeben von der Edition Olympia, 1972. Neben der signierten Auflage von 200 Exemplaren entstand die unsignierte, limitierte Auflage von 3000 Exemplaren. Die Veranstalter der XX. Olympischen Spiele München 1972 und der Bruckmann Verlag forderten international bekannte Künstler der Gegenwart auf, Werke zu schaffen, die im Sinne des Baron de Coubertin die Verbindung zwischen Kunst und Sport dokumentieren. Das Ergebnis ist eine Folge, die einen breiten Überblick über die Kunst um 1970 bietet und ein beeindruckendes Zeugnis der stilistischen Vielfalt dieser Zeit darstellt. Enthalten sind Arbeiten folgender Künstler: Josef Albers, Otmar Alt, Allan d' Arcangelo, Max Bill, David Hockney, Ron Brooks Kitaj und Tom Wesselmann. Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Hockney, David: Warm Start Warm Start Farblithographie und Siebdruck auf Arches-Velin. 1993. 48,8 x 57,5 cm (54,6 x 64,5 cm). Signiert "David Hockney" und datiert. Auflage 68 num. Ex. Gemini 1601. Farbige Abstraktion aus der sechs Blätter umfassenden Serie "Some New Prints", herausgegeben von Gemini G.E.L., Los Angeles, mit deren Copyright-Blindstempel unten rechts. Prachtvoller, klarer Druck in leuchtender Farbigkeit mit dem vollen Rand, oben mit dem Schöpfrand. Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

David Hockney - Tate Gallery 'Travels With Pen, Pencil and Ink Drawings and Prints 1961-1979... but no paintings', colour offset lithograph poster featuring Celia in The Black Dress, 30" x 20" within glazed frame

Hockney (David ) A Year in Yorkshire, first edition, signed by the author/ artist on title, illustrations by Hockney, gallery invitation and prospectus loosely inserted, original pictorial boards, 4to, 2006.

After David Hockney,Two posters, Paintings and Drawings for 'Parade', 1981, Riverside Studios Hammersmith in association with Knoedler Gallery (2)Condition report: some handling marks

David Hockney (British, b. 1937), Little Boodge, 1993, lithographic poster, 28 x 42cm (unframed)ARR Condition Report Some yellowing and discolouration to paper, especially to outer perimeters. Otherwise appears in generally good appearance.

Kay Spare Blue Iris (detail), 2020 Drypoint and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   A Master printmaker, Richard Spare has editioned work for many contemporary artists, including David Hockney, Robert Ryman, Francesco Clemente, Donald Sultan and Keith Haring. In the late 70's he worked as David Hockney's assistant. In 1988 Richard spent several months in New York working with Jasper Johns, proofing and editioning complex carborundum prints.   Since founding his Wellington Studio in 1989, Richard has focused on his own artwork. Using his studio's garden, its wildlife and travel as his inspiration, he has published over 400 images. Richard is undertaking his 13th tour of Japan in late 2021, having already held over 200 solo exhibitions in over 30 cities across the country so far.   A frequent exhibitor at the Royal Academy Summer Exhibition and a twice invited exhibitor at the Discerning Eye Exhibition at the Mall Galleries, Richard also regularly shows his work internationally, including being guest international artist for an inaugural Malborne Art Fair in 2012. Public Collections include British Library, Cartwright Hall, Hunterian Art Gallery, Museum of London, Leeds Art Gallery, The Victoria and Albert Museum. www.richardspare.art  

Richard Spare The Showmen (detail) 2020 Drypoint and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) A Master printmaker, Richard Spare has editioned work for many contemporary artists, including David Hockney, Robert Ryman, Francesco Clemente, Donald Sultan and Keith Haring. In the late 70's he worked as David Hockney's assistant. In 1988 Richard spent several months in New York working with Jasper Johns, proofing and editioning complex carborundum prints.   Since founding his Wellington Studio in 1989, Richard has focused on his own artwork. Using his studio's garden, its wildlife and travel as his inspiration, he has published over 400 images. Richard is undertaking his 13th tour of Japan in late 2021, having already held over 200 solo exhibitions in over 30 cities across the country so far.   A frequent exhibitor at the Royal Academy Summer Exhibition and a twice invited exhibitor at the Discerning Eye Exhibition at the Mall Galleries, Richard also regularly shows his work internationally, including being guest international artist for an inaugural Malborne Art Fair in 2012. Public Collections include British Library, Cartwright Hall, Hunterian Art Gallery, Museum of London, Leeds Art Gallery, The Victoria and Albert Museum. www.richardspare.art    

Richard Spare The Showmen (detail), 2020 Drypoint and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) A Master printmaker, Richard Spare has editioned work for many contemporary artists, including David Hockney, Robert Ryman, Francesco Clemente, Donald Sultan and Keith Haring. In the late 70's he worked as David Hockney's assistant. In 1988 Richard spent several months in New York working with Jasper Johns, proofing and editioning complex carborundum prints.   Since founding his Wellington Studio in 1989, Richard has focused on his own artwork. Using his studio's garden, its wildlife and travel as his inspiration, he has published over 400 images. Richard is undertaking his 13th tour of Japan in late 2021, having already held over 200 solo exhibitions in over 30 cities across the country so far.   A frequent exhibitor at the Royal Academy Summer Exhibition and a twice invited exhibitor at the Discerning Eye Exhibition at the Mall Galleries, Richard also regularly shows his work internationally, including being guest international artist for an inaugural Malborne Art Fair in 2012. Public Collections include British Library, Cartwright Hall, Hunterian Art Gallery, Museum of London, Leeds Art Gallery, The Victoria and Albert Museum. www.richardspare.art    

28 books on Sickert (2), Hockney, Sickert, Picasso, Whistler, David Cox etc

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). The Student: Homage to Picasso. 1973Radierung und Aquatinta auf Velin. 57,7 × 44,4 cm (75,6 × 56,5 cm) ( 22 ¾ × 17 ½ in. (29 ¾ × 22 ¼ in.)). Signiert und datiert.Scottish Arts Council 153.–Eines von 90 arabisch nummerierten Exemplaren aus einer Gesamtauflage von 120 + 15 A.P. Berlin, Propyläen Verlag und Rom, Pantheon Press. [3862]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 42/90. In gutem Zustand. Im Passepartoutausschnitt minimal gebräunt. Entlang der Passepartoutkanten sehr schwacher Lichtrand. Stellenweise winzige braune Stockfleckchen. Unten rechts mit einer minimalen Fingerspur. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit weißem Klebestreifen am Unterkarton montiert. Sehr schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). The Student: Homage to Picasso. 1973Etching and aquatint on wove paper. 57,7 × 44,4 cm (75,6 × 56,5 cm) ( 22 ¾ × 17 ½ in. (29 ¾ × 22 ¼ in.)). Signed and dated.Scottish Arts Council 153.–One of 90 Arabic-numbered copies from a total edition of 120 + 15 a.p. Berlin, Propyläen Verlag and Rome, Pantheon Press. [3862]Provenance: Private Collection, BerlinCondition report: No. 42/90. In good condition. Minimal time staining in the mat window. Very pale light staining along the passepartout edges. Tiny brown foxing points in some places. A light fingerprint in the lower right. No tears or losses at the sheet edges. There are no repairs visible under UV-light. Mounted with white adhesive strip onto the support cardboard in the upper corners on the reverse. Very fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Photography is dead. Long live painting. 1995Farbiger Inkjetprint auf Karton. 83 × 105,5 cm (88,5 × 110,8 cm) ( 32 ⅝ × 41 ½ in. (34 ⅞ × 43 ⅝ in.)). Signiert, datiert und nummeriert. Mit dem Stempel des Herausgebers.Eines von 45 nummerierten Exemplaren. Los Angeles, Nash Editions, 1995. [3557]Provenienz: Ehemals Unternehmenssammlung, DeutschlandZustandsbericht: Ex. 40/45. In sehr gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten ohne Einrisse oder Fehlstellen. Am unteren Blattrand mittig und rechts unter dem Buchstaben H. jeweils mit minimaler Fingerspur. Unter UV-Licht sind keine Restaurierungen erkennbar. Sehr schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.David Hockney (Bradford 1937 – lives in London and Los Angeles). Photography is dead. Long live painting. 1995Coloured inkjet print on cardboard. 83 × 105,5 cm (88,5 × 110,8 cm) ( 32 ⅝ × 41 ½ in. (34 ⅞ × 43 ⅝ in.)). Signed, dated, and numbered. Inscribed with the publisher's stamp.One of 45 numbered copies. [3557]Provenance: Formerly Corporate Collection, GermanyLiterature and illustration: Exh. cat.: David Hockney - Prints 1954-1995. Tokyo, Museum of Contemporary Art, 1996, p. 192, ill. 362Condition report: No. 40/45. In very good condition. The colours fresh and luminous. The sheet edges without tears or losses. Minimal fingerprints on the lower margin in the centre and to the right under the letter H. There are no repairs visible under UV-light. Very fine harmonious overall appearanceWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.

Mixed Lot including Thee mid 20th century mantel clocks a 1989 David Hockney calender 1989, and a quantity of cigarette cards, Limited Edition Stieff Teddy Bear and four Beryl Cook books.

A David Hockney 'Bodega' Poster for The New World Festival of Arts, Greater Miami And The Beaches, June 1982, image 74.5 x 81cm.

HOCKNEY, David (b.1937). Hockney's Alphabet. Stephen Spender, editor. London: Faber & Faber, 1991.  Folio. Each letter of the alphabet and "&" illustrated by Hockney and accompanied by a poem or short text by a contributor. Original quarter vellum, handmade Fabriano Roma paper sides; original slipcase.  LIMITED EDITION, one of 250 copies SIGNED HOCKNEY, SPENDER, AND 22 CONTRIBUTORS: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney, David Hockney, Kazuo Ishiguro, Erica Jong, Doris Lessing, Norman Mailer, Ian McEwan, Arthur Miller, Iris Murdoch, Nigel Nicolson, John Julius Norwich, Joyce Carol Oates, V.S. Pritchett, Craig Raine, Susan Sontag, Stephen Spender, and John Updike. Printed for the AIDS Crisis Trust, all proceeds from the book were donated to support its programs to help people suffering from the disease. A FINE COPY.  For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

TING, Walasse. One Cent Life. Bern: E. W. Kornfeld, 1964.  Folio. 68 lithographs including examples by Andy Warhol, Sam Francis, James Rosenquist, Robert Indiana, Robert Rauschenberg, Roy Lichtenstein, Pierre Alechinsky, Claes Oldenberg, Jim Dine and others. Loose as issued in original cloth-covered boards, pictorial dust jacket designed by Machteld Appel (minor losses to spine ends); original cloth slipcase (some minor rubbing).   Provenance: Alma and Sam (presentation inscriptions and letter, see below). LIMITED EDITION, number 202 of 2,000 copies. PRESENTATION COPY, INSCRIBED BY TING in two acrostic poems to Sam and Alma: "to Splendor Ambassador & Man from Walasse Summer 1970"; "America Lovely Mermaid Alma." Manet to Hockney 135; A Century of Artist Books pp. 208-9. [Laid in:] Autograph letter signed ("Walasse"), to Alma and Sam. N.p., 20 July 1970. 1 page, 4to, on pink sheet. In full: "Dear Alma & Sam Thank so much for the most beautiful party in flint it is just like the Painting Raining Sunshine, I love your house, full of sunshine on hundred thousand flower garden maybe I should sending you 2 dozen lively butterflies let they fly in your house love. Enclosed a Book was published 6 years ago."  Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

WEBB, Peter. The Erotic Arts. London: Secker & Warburg, 1975.  8vo. 14-color screen print SIGNED BY ALLEN JONES in pencil lower margin, and numbered 100/100; copper plate engraving SIGNED BY DAVID HOCKNEY in pencil lower margin, and numbered 100/100; numerous reproductions. Modern green morocco gilt, edges gilt.    FIRST EDITION, LIMITED ISSUE, number 100 of 126 copies.  Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

1964, signed and dated in pencil, numbered 61/75 (there were also 15 artist's proofs), published by Editions Alecto, London, 1965, with their blindstamp, the full sheet, with deckle edges on all four sides, on Japon nacré paper, (S.A.C. 38; Tokyo 38), lithograph in colours.sheet size 51.5cm x 66.5cm (20.25in x 26.25in)Footnote: * When Hockney moved to Los Angeles in 1964, he was fascinated by the use of water for irrigation and recreation in the semi-arid environment. He delighted in experimenting with various methods of depicting drops and sprays of water. This lithograph was made at the instigation of the Atelier Matthieu in Zurich and relates to a 1965 painting, Different Kinds of Water Pouring into a Swimming Pool, Santa Monica (private collection). The depiction of water in these pictures is highly stylised. Hockney later said that water 'offered an opportunity for abstraction - almost as much a recurring desire as painting a portrait' (Stangos, p.100). Hockney's 1964 lithographs marked a return to the technique after a gap of ten years.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some small spots of foxing across the paper and some light creases running in from and around the edges of the sheet. There is a light scuff to the paper in the lower right-hand corner near the blindstamp. Approximately halfway down on each edge of the paper there is what appears to be a pinhole which has been covered with a spot of white paint as can be seen in the images. The paper is mounted in each corner of the sheet. The print is framed and glazed.

Hockney (David). Secret Knowledge, Rediscovering the lost techniques of the Old Masters, 1st edition, Thames & Hudson, 2001, numerous colour & monochrome illustrations, original boards in dust jacket, large 4to, together with; Pope-Hennessy (John), Paradiso, The Illuminations to Dante's Divine Comedy by Giovanni Di Paolo, 1st edition, Thames & Hudson, 1993, numerous colour & black & white illustrations, original cloth in dust jacket, minor tear to head of the spine, large 4to, and Kren (Thomas & Scot McKendrick), The Renaissance, the Triumph of Flemish Manuscript Painting in Europe, Royal Academy of Arts, 2003, numerous colour & black & white illustrations, publishers original wrappers, large 8vo, plus other art reference & related, some foreign language, G/VG, 8vo/folioQty: (6 shelves)

David Hockney (British b 1937), A BOUNCE FOR BRADFORDpublished by the Telegraph & Argus Special, Bradford, Feb 24 1987, photolithograph, 42 by 59cm., mounted on cardboard, overall 51 by 76cm. fold marks, discoloured

Gerald French (British 1927-2001): Portrait of a Sailor, oil on board signed and dated '53, 61cm x 38cm Provenance: with David Duggleby Ltd. 16th Sept. 2013 Lot 25 Artist's Studio Collection. French studied at Bradford College of Art with David Hockney whom he sketched several times DDS - Artist's resale rights may apply to this lot - Condition Report

'My Mother, Bridlington', A David Hockney poster for the Tate Gallery 1988 Exhibition, signed in pencil, 29"x19".

David Hockney - a bigger picture 2012 exhibition catalogue book