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Evi Pangestu Silent Compromise, 2020 Graphite and Gesso on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Evi Pangestu (b.1992, Indonesia) is a painter who investigates rebellion and control within the parameter of convention. Pangestu is currently based between Oakland and Jakarta. She has lived and worked itinerantly since she graduated from Royal College of Art in 2019.     Education   2017 - 2019 MA Painting, Royal College of Art, London, UK 2015 - 2017 BA (Hons) Fine Art, Birmingham School of Art, Birmingham, UK 2011 - 2015 Fine Art - Painting, Indonesian Institute of the Arts Yogyakarta, Indonesia 
Exhibitions & Awards:   2021(Upcoming) PARADISE AIR residency, Matsudo, Japan 2021Influx: Inauguration, Ruang Dini, Bandung, Indonesia 2020Summer Exhibition, Royal Academy of Arts, London, UK 2020Touch Me, virtual exhibition
2020Online interview with Where's The Frame
2020Arisan Karya edisi pertama, Museum MACAN, Jakarta, Indonesia 2020Almost There, virtual exhibition of PADA Studios March Residency 2019Selected artist on Friend of the Artist Volume 10 2019Sekala / Niskala, Kinship Studio, Bali, Indonesia 2019 Royal College of Art Graduate Show, Royal College of Art, London, UK 2019We Can Only Have Fun on Certain Days, Stour Space, London, UK 2019 Longlisted for Ivan Juritz Prize 2019MICRO, Air Gallery, Altrincham, UK 2018Workshop scholarship, Anderson Ranch Art Center, Colorado, USA 2018Component, The Old Biscuit Factory, London, UK 2018Thumbnails, Hockney Gallery Royal College of Art, London, UK 2018RCA WIP Show, Royal College of Art, London, UK     About the postcard artworks Tolerable settlement between shapes, squared away by lines.  

Cecilia Charlton Shape Play (Triangle), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."    

Cecilia Charlton Shape Play (Vesica Piscis), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence." Condition Report:       Condition Report Disclaimer

Cecilia Charlton Shape Play (Diamond), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."

Cecilia Charlton Shape Play (Circle), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."

Freya Douglas-Morris Evening Dove, 2021 Watercolour and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   My painting practice covers both work on canvas and on paper. In many ways the scenes I paint are based on something tangible, but there is a leaning on memory and a heightened sense of colour that leaves the paintings somewhere in the realm of the remembered and unreal. Narrative plays a part and for these two postcard paintings I took inspiration from poetry and music alongside many other sources.   Education   Painting MA, Royal College of Art, London 2011 - 2013 Fine Art BA, Brighton University 1999 - 2002   Exhibitions/Awards   2021 (Solo show, Lychee One, London UK - future) (Solo show, Arusha Gallery UK - future) Inside/Outside, Janet Rady Fine Art, UK 2020 10 Year anniversary exhibition, Contemporary 6, UK Viewing Rooms, on-line presentation of paper works, Lychee One, UK Staycation, Lychee One, UK Tides, Arusha Gallery, UK Isolated Observations, Candida Stevens Gallery, UK London Art Fair, Lychee One, UK Picture Palace, Transition Gallery, UK 2019 The Sun Long Night, Lychee One, UK (Solo) Art Shenzhen, HDM Gallery, Shenzhen China Art 021, HDM Gallery, Shanghai China 2018 Winter Exhibition, Campden Art Gallery, UK Bone Memory, Lychee One, UK Exhibition and shortlisted for Denton's Art Prize 2018, UK Fresh Paint, Messums Wiltshire, UK 2017 The Manchester Contemporary, Manchester UK The Diamond Sea, Saatchi Gallery, curated by Kristian Day, London UK Where They Hum, Lychee One, London UK What is This Place? Group Exhibition, Newlyn Art Gallery, Cornwall UK Benefit Auction & Exhibition, CS Hospiz is Rennweg & Sotheby's, Vienna, AT 2016 The Classical, Transition Gallery, London UK Landing, curated by Kristian Day, London UK Sampler, Arcade Fine Arts, curated by Kristian Day, London UK Artificial Arcadia, Bosse & Baum, London UK Paper, Publication, Performance, Lychee One, London UK Light For Company, Lychee One, London UK - January (Solo) 2015 Carnival Glass, Block 336, London UK A Crazed Flowering, Frameless Gallery, London, UK 2014 Studiolo #11 'One place or another' Studiolo Project, Milan, IT (Solo) 100 Painters of Tomorrow, New York, USA Elsewhere, Yellow Gallery & Transition Gallery, Varese, IT East End Painting Prize, Bow Arts Trust, London, UK Freya Douglas-Morris & Marita Fraser, Peter Von Kant Gallery, London, UK Re-Define, Dallas Contemporary Museum, USA Paper & Colour, Griffin Gallery, London, UK The Catlin Guide, Art London, UK 2013 Atomic, Transition Gallery (off-site) London, UK Art Britannia, Miami, USA New Sensations 2013, Saatchi Gallery & Channel 4, London, UK Painting Show, Winter Projects, London, UK Paper, Saatchi Gallery, London, UK Selected Works from the RCA Show, Christie's, London, UK RCA Degree Show, Royal College of Art, London, UK See Think Different, Drawing Room Projects (off-site) London, UK Big Rock Candy Mountain, MOT International Projects, London, UK Secret Postcards, Royal College of Art, London, UK Near that place, Hockney Gallery, RCA, London, UK 2012 Passing Through Landscape Campden Gallery, UK (Solo) Bloomberg New Contemporaries, ICA, London, UK Bloomberg New Contemporaries, Liverpool Biennial, UK CHASE Charity Exhibition, Royal College of Art, London, UK Collectible Zeitgeist Art Group, London, UK WIP Show, Royal College of Art, London, UK   Residencies/Awards Nigel Greenwood Prize, shortlisted 2018 Denton's Art Prize, commended 2018 Varese, Italy - Residency with Yellow Space, Varese & Transition Gallery, London, September 2014 Kuwait - Participated in Out of Britain with the RCA and British Council, September 2012 & April 2013 Barcelona - Pantocrator Gallery, May 2011 Berlin - Milchhof Art Studios, May 2008 Publications, Catalogues, Articles Journal, Cohabiting' Dateagle Interview with Anna Souter, '2019 Talking Points, Make Believe - Harper's Bazaar, 2019 Buying Art - House & Garden, 2018 5 Questions with Freya Douglas-Morris, Elephant, Magazine Issue 32, 2016 Elsewhere/Altrove - Exhibition Publication, Vera Portatadino & Cathy Lomax, Italy, 2015 100 Painters of Tomorrow - Kurt Beers and Thames & Hudson, 2014 The Catlin Guide 2014 - Justin Hammond, 2014 Freya Douglas-Morris Studiolo#11 - Wall St International, 2014 New Sensations 2013 - Exhibition Catalogue, Saatchi Gallery, 2013 Paper - Exhibition Publication, Saatchi Gallery, 2013 Bloomberg New Contemporaries Review - The Guardian, 2012 Bloomberg New Contemporaries Catalogue, 2012 - Nairy Baghramian, Cullinan Richards, Rosalind Nashashibi, ICA & Cornerhouse Collections Saatchi Gallery and many private collections worldwide   About the postcard artworks   Evening dove' & 'Lilac tree' - these scenes are part imagined, part remembered and part observed. Two moments captured in time, both have an air of narrative. And a sense of escape ..." Condition Report:   Condition Report Disclaimer

Freya Douglas-Morris Lilac Tree, 2021 Watercolour and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My painting practice covers both work on canvas and on paper. In many ways the scenes I paint are based on something tangible, but there is a leaning on memory and a heightened sense of colour that leaves the paintings somewhere in the realm of the remembered and unreal. Narrative plays a part and for these two postcard paintings I took inspiration from poetry and music alongside many other sources.   Education   Painting MA, Royal College of Art, London 2011 - 2013 Fine Art BA, Brighton University 1999 - 2002   Exhibitions/Awards   2021 (Solo show, Lychee One, London UK - future) (Solo show, Arusha Gallery UK - future) Inside/Outside, Janet Rady Fine Art, UK 2020 10 Year anniversary exhibition, Contemporary 6, UK Viewing Rooms, on-line presentation of paper works, Lychee One, UK Staycation, Lychee One, UK Tides, Arusha Gallery, UK Isolated Observations, Candida Stevens Gallery, UK London Art Fair, Lychee One, UK Picture Palace, Transition Gallery, UK 2019 The Sun Long Night, Lychee One, UK (Solo) Art Shenzhen, HDM Gallery, Shenzhen China Art 021, HDM Gallery, Shanghai China 2018 Winter Exhibition, Campden Art Gallery, UK Bone Memory, Lychee One, UK Exhibition and shortlisted for Denton's Art Prize 2018, UK Fresh Paint, Messums Wiltshire, UK 2017 The Manchester Contemporary, Manchester UK The Diamond Sea, Saatchi Gallery, curated by Kristian Day, London UK Where They Hum, Lychee One, London UK What is This Place? Group Exhibition, Newlyn Art Gallery, Cornwall UK Benefit Auction & Exhibition, CS Hospiz is Rennweg & Sotheby's, Vienna, AT 2016 The Classical, Transition Gallery, London UK Landing, curated by Kristian Day, London UK Sampler, Arcade Fine Arts, curated by Kristian Day, London UK Artificial Arcadia, Bosse & Baum, London UK Paper, Publication, Performance, Lychee One, London UK Light For Company, Lychee One, London UK - January (Solo) 2015 Carnival Glass, Block 336, London UK A Crazed Flowering, Frameless Gallery, London, UK 2014 Studiolo #11 'One place or another' Studiolo Project, Milan, IT (Solo) 100 Painters of Tomorrow, New York, USA Elsewhere, Yellow Gallery & Transition Gallery, Varese, IT East End Painting Prize, Bow Arts Trust, London, UK Freya Douglas-Morris & Marita Fraser, Peter Von Kant Gallery, London, UK Re-Define, Dallas Contemporary Museum, USA Paper & Colour, Griffin Gallery, London, UK The Catlin Guide, Art London, UK 2013 Atomic, Transition Gallery (off-site) London, UK Art Britannia, Miami, USA New Sensations 2013, Saatchi Gallery & Channel 4, London, UK Painting Show, Winter Projects, London, UK Paper, Saatchi Gallery, London, UK Selected Works from the RCA Show, Christie's, London, UK RCA Degree Show, Royal College of Art, London, UK See Think Different, Drawing Room Projects (off-site) London, UK Big Rock Candy Mountain, MOT International Projects, London, UK Secret Postcards, Royal College of Art, London, UK Near that place, Hockney Gallery, RCA, London, UK 2012 Passing Through Landscape Campden Gallery, UK (Solo) Bloomberg New Contemporaries, ICA, London, UK Bloomberg New Contemporaries, Liverpool Biennial, UK CHASE Charity Exhibition, Royal College of Art, London, UK Collectible Zeitgeist Art Group, London, UK WIP Show, Royal College of Art, London, UK   Residencies/Awards Nigel Greenwood Prize, shortlisted 2018 Denton's Art Prize, commended 2018 Varese, Italy - Residency with Yellow Space, Varese & Transition Gallery, London, September 2014 Kuwait - Participated in Out of Britain with the RCA and British Council, September 2012 & April 2013 Barcelona - Pantocrator Gallery, May 2011 Berlin - Milchhof Art Studios, May 2008 Publications, Catalogues, Articles Journal, Cohabiting' Dateagle Interview with Anna Souter, '2019 Talking Points, Make Believe - Harper's Bazaar, 2019 Buying Art - House & Garden, 2018 5 Questions with Freya Douglas-Morris, Elephant, Magazine Issue 32, 2016 Elsewhere/Altrove - Exhibition Publication, Vera Portatadino & Cathy Lomax, Italy, 2015 100 Painters of Tomorrow - Kurt Beers and Thames & Hudson, 2014 The Catlin Guide 2014 - Justin Hammond, 2014 Freya Douglas-Morris Studiolo#11 - Wall St International, 2014 New Sensations 2013 - Exhibition Catalogue, Saatchi Gallery, 2013 Paper - Exhibition Publication, Saatchi Gallery, 2013 Bloomberg New Contemporaries Review - The Guardian, 2012 Bloomberg New Contemporaries Catalogue, 2012 - Nairy Baghramian, Cullinan Richards, Rosalind Nashashibi, ICA & Cornerhouse Collections Saatchi Gallery and many private collections worldwide   About the postcard artworks   Evening dove' & 'Lilac tree' - these scenes are part imagined, part remembered and part observed. Two moments captured in time, both have an air of narrative. And a sense of escape ..."  

δ David Hockney (b.1937)A Bigger BookThe book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 ½ x 27 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Iphone Drawing No 535, 28th June 2009Digitial pigment print in colours, 2019, signed and dated in pencil, numbered from the edition of 250, published by Taschen, Cologne, on archival white wove paper, with full margins, 558 x 431mm., 22 x 17in.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Two David Hockney books, a book relating to Japanese master Katsushika Hokusai & other artist related books

Pair of David Hockney prints in match oak frames,Each print measures 49 x 61 cm

* Rouault (Georges, 1871-1958). French Painter. Signed postcard, 'Georges Rouault', no date, a vintage gelatin silver print photograph of Rouault by Yvonne Chevalier, head and shoulders pose in semi-profile, signed by the photographer lower left, and signed by the artist in blue ballpoint pen to plain back verso, 9 x 13.5 cm, together with: Delvaux (Paul, 1897-1994). Belgian Surrealist Painter. Signed and Inscribed Postcard, 'P. Delvaux', no date, a colour postcard with a reproduction of his work entitled 'La Ville Rouge', signed and inscribed by Delvaux in black ink to blank area of verso, light smudge slightly affecting final two letters of surname, 10.5 x 14.5 cm, plus: Hockney (David, 1937-). English Artist. First Day Cover, 1999, the postcard and stamp featuring Hockney's painting Salts Mill, Saltaire, (limited edition, 452/2000), artist's signed presentation inscription for James and Sally below limitation details, 10 x 21cm, Stella (Frank, 1936-). American painter. Signed postcard, circa 2000, showing a colour reproduction of Stella's painting Hyena Stomp, 1962, signed 'F. Stella' in blank ink to wide white margin beneath image, postally unused, 15 x 10.5cm, Cummings (Michael, 1919-1997). British Newspaper Cartoonist. Self-caricature, 1980, drawn in the centre of the paper in black marker pen and signed by Cummings, with a brief autograph note signed by Cummings in blue ballpoint pen to upper left corner, sending the cartoon and autograph, some overall light spotting, Daler Artboard, 36 x 47cm, plus 3 modern books signed by the British cartoonists Gerald Scarfe, Peter Brookes and Ralph Steadman, all VGQty: (8)

DAVID HOCKNEY 'Stanley & Boodge', 1994, lithograph print after the pencil sketch, on wove paper, published by 1853 Gallery, 69cm x 84cm, framed and glazed.

DAVID HOCKNEY 'Peter Getting out of Nick's Pool with Self Portrait', off set lithograph in colours, 33cm x 26cm, framed.

Lithographie David Hockneygeb. 1937 Bradford "Walking Man" 1964 u. re. im Stein monogr. DH 32 x 48,5 cm (Blattmaß) Freiliegend, säurefrei gerahmt, montiert mittig horizontale Knickfalte. Provenienz: Sammlung Clifford Chance, Frankfurt.

After DAVID HOCKNEY 'Still Life', monochrome, 21cm x 25cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

David Hockney R.A. (British, born 1937)Vertical Dogs, 1995 (MCA Tokyo 345) Etching and aquatint printed in colours, on Arches, signed, dated and numbered 'AP. IX/XV' in pencil, an artist's proof aside from the numbered edition of 80, printed by Maurice Payne, Los Angeles, co-published by Lococo Mulder Inc., St. Louis and the artist, with his blindstamp, with full margins385 x 465mm (15 1/8 x 18 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Still Life with Hats, from Twenty Photographic Pictures by David Hockney portfolio, 1973Chromogenic print, initialled and numbered '77/80' (there were also 20 sets in Roman numerals) in ink in the margin, published by Sonnabend Editions, New York23.7 x 17.7cm (9 5/16 x 6 15/16in)This lot is subject to the following lot symbols: Ω ARΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Band AidVisual Aid For Band Aid, 1985no.149 of 500, limited edition print, published by Coriander Studios, featuring various artworks, signed and annotated in various inks and pencils by 104 artists such as; David Hockney, Bridget Riley, Howard Hodgkin, Eduardo Paolozzi, Peter Blake, Sandra Blow, Paula Rego, Patrick Heron, John Piper, Richard Hamilton, Elisabeth Frink and Patrick Caulfield - among others, rolled, accompanied by original shipping tube 91.5 x 122cm (48 x 36in)Footnotes:The aim of the Visual Aid for Band Aid prints was to raise £250,000 for the poorest people of Africa following the Live Aid broadcast.For further information on this lot please visit Bonhams.com

The Ritva ManDavid Hockney Jumper, circa 1970Purple acrylic jumper with 'Pico BVD' patch to front, numbered '106' to the label and embroidered to the necklineLabelled size 34, chest approx. 30'/76cmFootnotes:The 'Ritva Man' label was launched in 1969 by Mike and Ritva Ross whose knitwear was a fusion of fashion with pop culture, their aim being to turn fashion into wearable art. They collaborated with contemporary artists such as David Hockney, Elisabeth Frink, Patrick Hughes and Allen Jones.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY 'Bounce for Bradford', on printed newspaper, 1987 - info verso, 40cm x 60cm, framed and glazed.

A postcard of a pencil drawing of a dog by David Hockney signed and dated 1993. Good condition, small crease and very small corner lift to back right corner.

Hockney (David ) Things Recent, number 488 of 1250 copies with an additional colour print, colour plates, original ring-bound pictorial wrappers, oblong 4to, New York, Andre Emmerich Gallery, 1990.

Photography.- Hamilton (Richard) Polaroid Portraits, 4 vol., colour illustrations, original cloth with dust-jackets, the last two still sealed in publisher's wrapping, 8vo, Stuttgart, [1972-2001].⁂ The first is an amusing record of the artist Richard Hamilton over the course of his career. Hamilton always carried a small polaroid camera with him, and upon meeting other artists he would ask them to take a photograph of him with it. Artists include Bacon, Cartier-Bresson, Hockney, Lichtenstein, Man Ray, Andy Warhol and many others.

DAVID HOCKNEY, Self Portrait, print, framed and glazed. 26.5 x 32.5 cm.

After David Hockney OM, CH, RA (b.1937) ''Painting on Paper'', 17th January - 1st March 2003 Annely Juda Fine Art, London Lithographic poster, 68.5cm by 79.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A large collection of Art Books with themes of World ceramics to include: Tracey Emin, surrealist Art, Banksy, David Hockney, Michael Ayrton, Jackson Pollock etc

SOFA AND CHAIR COMPANY HOCKNEY SOFA, 101cm D x 71cm H x 173cm W.

DEREK BOSHIER (British b. 1937) A PAINTING, "Between Sunset and Sunrise, Houston," 1980, oil on canvas, signed verso. 42 1/8" x 55 1/8" Note: Derek Boshier's "Texas paintings" completed during the 1980s explore cowboy mythology, pop culture, and relationships between politics and art. One particular focus was the dramatically flat landscape of the Houston skyline, which appears in many of these works. Derek Boshier lived in Houston for thirteen years after accepting a temporary teaching position that turned into a long and successful career at the University of Houston. He had first come to prominence during the 1960s in London while still a student at the Royal College of Art, where he helped to launch the British Pop Art movement along with fellow students David Hockney, Allen Jones, R.B. Kitaj, and others. Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: Some discoloration verso, surface in very good to excellent condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

*After David Hockney, Two posters, Paintings and Drawings for 'Parade', 1981, Riverside Studios Hammersmith in association with Knoedler Gallery, 99 x 68.5cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Some tiny tears to outer edges of margins. Corners a little creased, some handling marks.

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) COMPOSITION RED & BLUE (MOMART) - DECEMBER 2005 Lithograph, in original Momart card folder, embossed with artist and title, and accompanied by Momart information sheet(10.5cm x 28cm (4.25in x 11in) full sheet, 21cm x 30cm (8.25in x 11.75in) folder, unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) BLACK AND WHITE DOGS EXHIBITION POSTER Off-set lithograph on gloss paper, signed in ink, published by Salts Mill for the exhibition 'David Hockney - New Drawings - 1994'(70cm x 83.5cm (27.5in x 33in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) DOG 43 POSTER Off-set lithograph on gloss paper, signed in ink, published by Salts Mill for the exhibition 'Dog Paintings - 1995'(53cm x 65cm (20.75in x 25.5in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) OLYMPISCHE SPIELE MUNCHEN, 1972 (BAGGOTT 34) Lithograph, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, signed and dated 1970 in plate(the sheet 102cm x 64cm (40in x 25.25in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) DAVID HOCKNEY (GREY ART GALLERY) - 1980 Off-set lithograph, signed(95cm x 68cm (37.5in x 26.75in))

*David Hockney RA (b.1937)'Two Apples, One Lemon and Four Flowers', 1997offset lithograph in colour, as published in The Independent newspaper on 7 January 1997, the artist called it a 'newsprint' image size 34 x 54cm, mounted and framed*Artist's Resale Right may apply to this lot.Condition report: faded, mounted and framed.

DAVID HOCKNEY 'Picture of Melrose Avenue in an Ornate Gold Frame', off set lithograph, 25cm x 19cm, framed and glazed.

David Hockney (b.1937) Print entitled 'Two boys in a pool' published in the Netherlands circa 1990s. ****Condition report**** Image size 148mm x 148mm.Frame size 52.5cm x 42.5cm

David Hockney, A signed exhibition poster from the national portrait gallery, 30" x 20"

DAVID HOCKNEY 'Still Life', 1969, black and white offset lithograph, numbered 50/75, signed in the plate, 21cm x 25cm, matted, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Patrick Procktor R.A. (British, 1936-2003)Portrait of Peter Docherty oil on canvas28.5 x 24cm (11 1/4 x 9 7/16in).Painted in June 1966Footnotes:ProvenanceThe Artist, by whom gifted toPeter Docherty, in June 1966, by whom gifted to the present ownerPrivate Collection, U.K.Peter Docherty (1944-2020) was a friend and lover of the artist Patrick Procktor. He was a distinguished and prolific ballet and theatre designer, frequently collaborating with choreographer Ronald Hynd to create productions for the English National Ballet. He studied at Regent Street Polytechnic, the Central School of Art and Design and the Slade School of Fine Art, where he became friends with Procktor, and also David Hockney. He worked at a number of theatres, including the Royal Opera House where he served as a dresser to Rudolf Nureyev. His costume designs are in the collection of the Victoria & Albert Museum, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)My Window, Art Edition No. 535, 28th June 2009 iPad drawing in colours, 2009/2019, on archival paper, signed, dated and numbered 126/250 in pencil, the full sheet, in very good condition, within a cream cloth-bound slipcase; together with the accompanying book David Hockney: My Window, signed in black ink on the title page and stamp-numbered 126, from the total edition of 2000, published by Taschen, CologneImage 440 x 293mm. (17 3/8 x 11 1/2in.); Sheet 560 x 432mm. (22 1/8 x 17in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Untitled No.346, from A bigger book: Art edition B iPad drawing in colours, 2010/2016, printed on archival paper, signed, dated and numbered 133/ 250 in pencil, co-published by the artist and Taschen, Berlin, with their blindstamp, the full sheet, in very good condition, with the original blue fabric-covered portfolio, together with the publication A Bigger Book, copy number 383 of 1000 and the accompanying Marc Newsom standImage 435 x 330mm. (17 x 13in.); Sheet 560 x 432mm. (22 x 17in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)My Window, Art Edition No. 778, 17th April 2011 iPad drawing in colours, 2011/ 2019, on archival paper, signed, dated 2011 and numbered 78/250 in pencil, published by Taschen, Cologne, the full sheet, within a cream cloth-bound slipcase, in very good conditionImage 440 x 330mm. 17 3/8 x 13in.); Sheet 560 x 432mm. (22 1/8 x 17in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)My Window, Art Edition No. 610, 23 December 2010 iPad drawing in colours, 2010/2019, on archival paper, signed, dated 2010 and numbered 67/250 in pencil, published by Taschen, Cologne, the full sheet, within a cream cloth-bound slipcase, in very good conditionImage 440 x 330mm. 17 3/8 x 13in.); Sheet 560 x 432mm. (22 1/8 x 17in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Rue de Seine (Scottish Art Council 121; M.C.A. Tokyo 111) Etching and aquatint, 1971, on J. Green mould-made paper, signed, dated and numbered 16/150 in pencil (there were also sixty proofs), published by Petersburg Press, London, the full sheet, some pinpoint fox spots principally to the margins, in good condition, framedImage 530 x 435mm. (20 7/8 x 17 1/8in.); Sheet 885 x 711mm. (34 3/4 x 28in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on Arches wove paper, signed, dated and numbered 85/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with wide margins, with pale light-staining at the sheet edges, the pink slightly attenuated, otherwise in good conditionPlate 235 x 175mm. (9 1/4 x 6 7/8in.);Sheet 399 x 302mm. (15 3/4 x 11 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Green Bora Bora (M.C.A. Tokyo 214) Lithograph in colours, 1979, on Rives BFK wove paper, signed, dated and numbered 28/50 in pencil (there were also 18 proofs), published by Tyler Graphics Ltd., Mount Kisco, New York, 1980, with their blindstamp, the full sheet, in very good condition, framedSheet 890 x 1067mm. (35 x 42in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 52/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, with pale time and light-staining, the colours strong and vibrant, generally in good condition, framedSheet 265 x 228mm. (10 1/2 x 9in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY (b.1937)a rare 1974 theatre poster for The Three Penny Opera at the Piccadilly Theatre, Denman Street W1, designed by David Hockney and printed by A E King and Jackson Ltd. 'The Threepenny Opera by Bertolt Brecht, Music: Kurt Weill, English Adaptation: Hugh MacDiarmid, Directed by: Tony Richardson, Sets: Patrick Robertson, Costumes: Rosemary Vercoe, Choreography: Eleanor Fazan', actors included Barbara Windsor and Hermione Baddeley50 x 32cmAn identical poster is included in the Victoria & Albert Museum collection.Condition report: Excellent / fine condition, with original applied slip of paper covering the names Lon Sutton and Helen Cotterill to replace with just Helen Cotterill

David Hockney (b.1937) The Older Rapunzel from Six Fairy Tales from the Brothers Grimm, 1969 from an unsigned edition of 600 etching 24.5 x 27cm. Provenance: Robert Christian Gallery, Lincolnshire.

David Hockney (b.1937) He enquired after the quality, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

David Hockney (b.1937) Beautiful and White Flowers, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

After David Hockney (b.1937) Hockney Paints the Stage, 1985 for The Hayward Gallery lithograph poster 148 x 101cm, unframed.

David HOCKNEY (né en 1937), D’Après Portrait of an artist Sérigraphie en couleur sur papier, signée dans la planche , Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 38 x 28 cm. Certificat de l'éditeur au dos

Allen Jones 1937 Southampton - lebt und arbeitet in London und Oxfordshire Night Watch (Why not tease?). 1973/74. Öl auf Leinwand. Verso auf der umgeschlagenen Leinwand signiert, datiert und betitelt. 122,5 x 122,5 cm (48,2 x 48,2 in). [CH]. • Zusammen mit David Hockney, Eduardo Paolozzi, Ronald B. Kitaj und Richard Hamilton gehört Allen Jones zu den Begründern der englischen Pop Art. • In seinen farbstarken Werken spielt Allen Jones mit den Symbolen weiblicher Erotik. • Seine Arbeiten befinden sich in zahlreichen renommierten Sammlungen, darunter in der Hamburger Kunsthalle, in der Londoner Tate und im Museum of Modern Art in New York. PROVENIENZ: Privatsammlung Norddeutschland. Privatsammlung (2008 vom Vorgenannten erworben). Aufrufzeit: 11.12.2020 - ca. 15.46 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONAllen Jones 1937 Southampton - lebt und arbeitet in London und Oxfordshire Night Watch (Why not tease?). 1973/74. Oil on canvas. Verso of folded canvas signed, dated and titled. 122.5 x 122.5 cm (48.2 x 48.2 in). [CH]. • Together with David Hockney, Eduardo Paolozzi, Ronald B. Kitaj and Richard Hamilton, Allen Jones is one of the founders of English Pop Art. • In his colorful works, Allen Jones plays with the symbols of female eroticism. • His works are in numerous renowned collections, including the Hamburger Kunsthalle, London's Tate and the Museum of Modern Art in New York. PROVENANCE: Private collection Northern Germany. Private collection (acquired from aforementioned in 2008). Called up: December 11, 2020 - ca. 15.46 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Hockney, David (geb.1937 Bratford) Original-Ausstellungsplakat "Two Boys aged 23 or 24", der Galerie Mikro Berlin im Jahr 1968. Offsetlithographie (auf Velin) nach der gleichnamigen, 1966 entstandenen Radierung, re. u. mit Bleistift sign. Blattgröße 83,5x 59,5 cm.

After David Hockney (1937-) - Coloured print - 'Celia, Carennac, August', 59cm x 49.5cm, framed and glazed, Artist Resale Rights May Apply Condition: The frame has been hand painted. **General condition consistent with age

Geh durch den SpiegelGeh durch den Spiegel Folge 47. Englische Graphik. Köln 1966. Fol Geh durch den Spiegel Geh durch den Spiegel Folge 47. Englische Graphik. Köln 1966. Fol. Mit zahlr. Abb. u. 1 Lithogr. von David Hockney. 12 Bl. Obrosch. - Eines von 400 Ex. - Spindler 153, 91.