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David HOCKNEY (1937), D’AprèsPetter getting out of Nick’s poolSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David HOCKNEY (1937), D’AprèsDavid swimming poolSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David HOCKNEY, D’AprèsStop AheadSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David Hockney (British b. 1937), Lithographic Print titled ' Le Nid du Duc ' signed with initials and dated May 1971, 58cm x 44cm, framed and glazed

After David Hockney OM, CH, RA (b.1937) ''My Mother, (Bridlington)'' 1988 Signed, offset lithographic poster, from an edition of 250 for the 1988 Tate retrospective, 74.5cm by 49.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Slight cockling to paper. Some light surface dirt and debris trapped under glass. Otherwise appears in good overall condition. Not examined out of the frame. The odd chip and knock to frame.

David Hockney OM, CH, RA (b.1937) ''The Haunted Castle'' - (The Boy Who Left Home to Learn Fear) Artist's proof aside from the unsigned edition of 400, etching, one of 39 etchings created for the series ''Six Fairy Tales from the Brothers Grimm'', 40.5cm by 25cm Provenance: Goldmark Gallery, Rutland Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration The paper has a deckled edge. Cockling to paper. Otherwise good overall condition. Not examined out of the frame.

After David Hockney OM, CH, RA (b.1937) ''The Rake's Progress'' Lithographic poster created in 1981 for an exhibition of costume drawings and set designs at The Ashmolean Museum, Oxford, 74.5cm by 94cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

David George Fawcett AID, FRSA (1935-1973) Kitchen interior Oil on board, 60.5cm by 22.5cm David Fawcett was a close friend and contemporary of David Hockney at art college Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Diverse Künstler des 20. Jahrhunderts,Kunstplakate Olympia 1972, 102 x 64 cm (Blattgröße),19 Plakate: Horst Antes, Ronald Kitaj, Charles Lapicque, Marino Marini, Piero Dorazio, Serge Poliakoff, Hans Hartung, Otmar Alt, David Hockney, Allen Jones, Jan Lenica, Allen d'Arcangelo, Eduardo Chillida, Fritz Winter, Tom Wesselmann, Shusaku Arakawa, Pierre Soulages, Josef Albers und Max Bill (beschnitten), jedes Blatt im Stein/Druck signiert, in Originalmappe, Gebrauchsspuren

David Hockney (British 1937-): Exhibition Poster 'Galerie Mikro Berlin, - David Hockney Complete Prints', pub. 1968 signed in pencil 84cm x 60cm

Art Car von David Hockney. "BMW 850 CSi". Aus dem Jahr 1995. Im Schaukasten aus Plexiglas. 14x 35x 21 cm.

Art Car von David Hockney und Art Car von Ken Done. "BMW 3 Series" aus dem Jahr 1995 und "BMW M3", aus dem Jahr 1989. L. ca. 23 cm. Beigegeben: Zwei Art Car Booklets.

HOCKNEY, D. A Bigger Picture 2012, London, 4to orig. cl. d/w, plus 3 others, plus SYKES, C.S. Hockney: The Biography 2 vols. 2011-12, London, 8vo orig. cl. d/ws (6)

David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 lithographic poster printed in colours, 1970, on wove, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich, the full sheet102 x 64cm. (40 1/8 x 25 1/4in.)unframedThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney Paintings, 2000 4to. British Art Now, 1993, large 4to, protected dj. The Arts of Thailand. Indigena, Native Canadian Art, 1992. (4)

After David Hockney (British 1937-): 'David Hockney & Allen Jones', exhibition poster with facsimile signature 71cm x 52cm (unframed)

After David Hockney (British 1937-): 'Sun - David Hockney prints 1954-77', exhibition poster pub. 1979, 96cm x 68cm

After David Hockney (British 1937-): 'The Nineteenth New York Film Festival', exhibition poster pub. 1981, 99cm x 67cm

After David Hockney (British 1937-): 'A Year in Yorkshire', exhibition poster pub. Annely Juda Fine Art, London 2006, 61cm x 72cm

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash“. 1978-80Farblithografie auf Bütten. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signiert und datiert.Tyler 245. Einer von 80 nummer­ier­ten Abzügen aus einer Gesamtauflage von 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (mit dem Präge­stempel). [3489] Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash”. 1978-80Colour lithograph on laid paper. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signed and dated.Tyler 245. One of 80 numbered prints from a total edition of 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (with blindstamp). [3489] We charge 30% premium and 7% import tax on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Peter brushing his teeth“. 1966Tinte auf gestrichenem Papier, auf Karton aufge­zogen. 32 × 25,7 cm ( 12 ⅝ × 10 ⅛ in.). Unten rechts betitelt, monogrammiert und datiert: Peter brushing his teeth. DH. '66.[3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Peter brushing his teeth”. 1966Ink on coated paper, laid down on cardboard. 32 × 25,7 cm ( 12 ⅝ × 10 ⅛ in.). Titled, monogrammed and dated lower right: Peter brushing his teeth. DH. '66.[3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Chair, 38 The Colony Malibu“. 1973Lithografie auf Velin. 59 × 48,3 cm (Blattmaß) ( 23 ¼ × 19 in. (Blattmaß)). Betitelt, signiert und datiert.Scottish Arts Council 143. Einer von 60 nummerierten Abzügen aus einer Gesamtauflage von 71. Los Angeles, Gemini GEL, 1973. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1975 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Chair, 38 The Colony Malibu”. 1973Lithograph on wove paper. 59 × 48,3 cm (sheet size) ( 23 ¼ × 19 in. (sheet size)). Titled, signed and dated.Scottish Arts Council 143. One of 60 numbered prints from a total edition of 71. Los Angeles, Gemini GEL, 1973. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1975 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Godetia“. 1973Radierung und Aquatinta auf Velin. 43,5 × 29 cm (59 × 41,5 cm) ( 17 ⅛ × 11 ⅜ in. (23 ¼ × 16 ⅜ in.)). Signiert und datiert.Scottish Arts Council 155. Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 123. New York, Petersburg Press, 1973. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Godetia”. 1973Etching and aquatint on wove paper. 43,5 × 29 cm (59 × 41,5 cm) ( 17 ⅛ × 11 ⅜ in. (23 ¼ × 16 ⅜ in.)). Signed and dated.Scottish Arts Council 155. One of 100 numbered prints from a total edition of 123. New York, Petersburg Press, 1973. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „pretty tulips“. 1970Farblithografie auf Velin. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Betitelt, signiert und datiert.Scottish Arts Council 115. Einer von 200 nummerierten Abzügen aus einer Gesamtauflage von 230. New York, Petersburg Press, 1970. Unregelmäßig gebräunt. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”pretty tulips”. 1970Colour lithograph on wove paper. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Titled, signed and dated.Scottish Arts Council 115. One of 200 numbered prints from a total edition of 230. New York, Petersburg Press, 1970. Unevenly time stained. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Ohne Titel (Two young Men on a Sofa, für: „Illustrations for Fourteen Poems from C.P. Cavafy“). 1966Radierung und Aquatinta auf Velin. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signiert.Vgl. Scottish Arts Council 47-59. Künstlerabzug. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Untitled (Two young Men on a Sofa, for: ”Illustrations for Fourteen Poems from C.P. Cavafy”). 1966Etching and aquatint on wove paper. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signed.See Scottish Arts Council 47-59. Artist's proof. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Corpses on Fire“ (aus: Six Fairy Tales). 1969Radierung und Aquatinta auf Velin. 25,8 × 24,5 cm (45 × 31,4 cm) ( 10 ⅛ × 9 ⅝ in. (17 ¾ × 12 ⅜ in.)). Signiert und bezeichnet.Scottish Arts Council 91. Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 120. Petersburg Press, New York, 1970. [3359] Gerahmt. Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Corpses on Fire” (from: Six Fairy Tales). 1969Etching and aquatint on wove paper. 25,8 × 24,5 cm (45 × 31,4 cm) ( 10 ⅛ × 9 ⅝ in. (17 ¾ × 12 ⅜ in.)). Signed and inscribed.Scottish Arts Council 91. One of 100 numbered prints from a total edition of 120. Petersburg Press, New York, 1970. [3359] Framed. Provenance: Private Collection, BerlinWe charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „The Student: Homage to Picasso“. 1973Radierung und Aquatinta auf Velin. 57 × 43,8 cm (75,2 × 56,5 cm) ( 22 ½ × 17 ¼ in. (29 ⅝ × 22 ¼ in.)). Signiert und datiert.Scottish Arts Council 153. Einer von 90 arabisch nummerierten Abzügen aus einer Gesamtauflage von 180. Berlin, Propylaen Verlag, 1974. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1975 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”The Student: Homage to Picasso”. 1973Etching and aquatint on wove paper. 57 × 43,8 cm (75,2 × 56,5 cm) ( 22 ½ × 17 ¼ in. (29 ⅝ × 22 ¼ in.)). Signed and dated.Scottish Arts Council 153. One of 90 Arabic numbered prints from a total edition of 180. Berlin, Propylaen Verlag, 1974. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1975 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

Mappenwerke -- Edition Olympia25 Plakate. Rastersieb- und Offsetdrucke auf Velin. 1972.Bis ca. 100,8 x 63,7 cm (Blattgröße).Herausgegeben von der Edition Olympia, 1972. Neben der signierten Auflage von 200 Exemplaren entstand die unsignierte, limitierte Auflage von 3000 Exemplaren. Die Veranstalter der XX. Olympischen Spiele München 1972 und der Bruckmann Verlag forderten international bekannte Künstler der Gegenwart auf, Werke zu schaffen, die im Sinne des Baron de Coubertin die Verbindung zwischen Kunst und Sport dokumentieren. Das Ergebnis ist eine Folge, die einen breiten Überblick über die Kunst um 1970 bietet und ein beeindruckendes Zeugnis der stilistischen Vielfalt dieser Zeit darstellt. Enthalten sind Arbeiten folgender Künstler: Valerio Adami, Josef Albers, Ottmar Alt, Horst Antes, Shusaka Arakawa, Allan d'Arcangelo, Max Bill, Eduardo Chillida, Alan Davie, Piero Dorazio, Hans Hartung, David Hockney, Ronald Brooks Kitaj, Oskar Kokoschka, Charles Lapicque, Jacob Lawrence, Jan Lenica, Marino Marini, Peter Phillips, Richard Smith, Pierre Soulages, Victor Vasarely, Tom Wesselmann und Paul Wunderlich (2).- Erratum: Bei der Technik handelt es sich um Rastersieb- und Offsetdrucke statt, wie ursprünglich angegeben, um Siebdrucke und Lithographien. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Henry Avoiding the Sun, August. 1975C-Print, 1976. Kodak-Papier. 24 × 17,9 cm (27 × 20,6 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ⅛ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Henry Avoiding the Sun, August. 1975C-print, 1976. Kodak paper. 24 × 17,9 cm (27 × 20,6 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ⅛ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Yves Marie Asleep, May. 1974C-Print, 1976. Kodak-Papier. 24 × 17,9 cm (27 × 20,8 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Yves Marie Asleep, May. 1974C-print, 1976. Kodak paper. 24 × 17,9 cm (27 × 20,8 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ¼ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). John St. Clair Swimming, April. 1972C-Print, 1976. Kodak-Papier. 18 × 23,8 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). John St. Clair Swimming, April. 1972C-print, 1976. Kodak paper. 18 × 23,8 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Two Lemons and Four Limes, Santa Monica. 1971C-Print, 1976. Kodak-Papier. 18 × 23,9 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Two Lemons and Four Limes, Santa Monica. 1971C-print, 1976. Kodak paper. 18 × 23,9 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

David Hockney, Hockney's Alphabet, with contributions by Stephen Spencer, limited edition, signed by the author and the editor, yellow library buckram, Faber & Faber, 1991, no slip case, and four further books on Hockney (5)Condition report: No slip case, other with dust jackets worn.

Art to include David Hockney by David Hockney, Gordon Smith "Mervyn Peake", Sue Rowe "Gwen John", Thames & Hudson Art History, many volumes, Degas, Gaugin, etc (1 box and volumes) BOOKS NOT COLLATED UNLESS OTHERWISE STATED, PLEASE ENSURE YOU ARE SATISFIED BEFORE YOU BID

DAVID HOCKNEY (BORN 1937)AN EXHIBITION POSTER FOR THE TATE GALLERY EXHIBITION, "TRAVELS WITH PEN, PENCIL AND INK, DRAWINGS AND PRINTS, 1961-1979", July 2 - August 3 1980, unframed. 76cm by 50.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Not signed, poster print. Good condition. Unframed, slight folding to tips of two corners. 

Olivia Manning, The Levant Trilogy: 'The Danger Tree - The Battle Lost and Won - The Sum of Things', London, Weidenfeld & Nicholson, 1977, 1978, 1980, 1st editions, all original cloth, all in unclipped dust wrappers by David Hockney, Edward Ardizzone & Alun Hood respectively. Manning's second major semi autobiographical wartime novel sequence (3)

A collection of approximately 20 assorted art books, mainly Modern art including Edward Hopper, Paula Rego, Andre Derain, Lucian Freud, Euan Uglow, Anita Klein, Francis Bacon, David Hockney, Julio Larraz, Kevin Sinnott, Paula Modersohn-Becker etc. From the collection of Nicholas Simington (1930-2020), DA Glasgow School of Art, professional artist of over 40 years, who exhibited at The Serpentine Gallery, London, and in one-man shows in numerous galleries across the UK. Following his studies at the Glasgow School of Art from 1968-1972, he taught at Garrion Academy before moving to Norfolk in 1975, from then on painting tirelessly and producing an impressive body of work. To his delight, at the age of 83, he was shortlisted for the Artist of the Year award by Artists & Illustrators magazine, and he continued to paint every day until he was 86.

David Hockney 'A Bigger Picture' RA Exhibition Poster & 'The Stage' Hayward Gallery Exhib. poster, both framed 75cm x 50cm and 'Danse a l'Opera' Stephane Ruet photo. Exhib. poster (3)

Norah McGuinness HRHA (1901-1980) Melon on Terrace Table (1950) Oil on canvas, 55.5 x 89cm (21¾ x 35'') Signed; inscribed with title verso 'Terrace Table with Melon' Provenance: With Taylor Galleries, Dublin, March/April 1979, where purchased by the current owner. In the early 20th century Irish Art was steeped in tradition. The formation of the Free State in 1922 saw a nation scrambling to recapture its identity, focussing on academic depictions of rural life to separate them from an ever more modern Britain. For those artists who wished to escape this insularity, continental Europe provided the perfect opportunity. Like many Irish artists before her, Norah McGuinness travelled to Paris in 1929 to study under André Lhote and was immersed in the excitement of the European art scene. Under Lhote, McGuinness learned Cubism but, within her circles, she would have been exposed to Fauvism, Impressionism, Futurism and a myriad of ideologies in between. Leaving Paris, McGuinness took what she had learned and went to London where she briefly settled until WWII convinced her that it was time to return to Ireland. Arriving in Dublin alongside many fellow artists in the same position, McGuinness found a country devoid of new thought. Art remained in the clutches of academia, with the RHA acting as the sole exhibition space for contemporary artists. Dissatisfied, the Irish Exhibition of Living Art was established in 1943, with McGuinness among its founding members. A year later, McGuinness succeeded Mainie Jellett as president of the foundation and she continued to head it for over twenty years, encouraging and promoting modern art in Ireland. The IELA served as a platform for non-academic artists to show their works and, following the end of the War, continental artists were invited to exhibit their pieces also, creating an influx of modern ideals to the country. Suddenly, pieces by Hockney, Picasso, Manet and Miro were all accessible from Dublin and the artistic revolution was well underway. A pioneer for the modern art movement, Norah McGuinness was selected, alongside Nano Reid, to represent Ireland at the 1950 Venice Biennale. This was the first time that Ireland had entered the exhibition and it was therefore paramount that they put their best work forward. Believing that the unique styles of Reid and McGuinness could proudly hold their own against paintings by Jackson Pollock and Willem de Kooning, they were sent off with twelve works each. The exhibition was a success, with the Italian president even purchasing one of McGuinness' works. In the same year, McGuinness painted the current lot, 'Melon on Terrace Table'. A joyful and eclectic mix of different styles, this work oozes continental charm and demonstrates McGuinness as someone who is acutely aware of the progress ravaging the art world. The neon yellow table tips its hat to the Fauves, whilst the flattened subject matter and distorted perspective shows Lhote's Cubist legacy. Furthermore, the swift, loose treatment of the spoon and cloth belie the influence of early 20th century Impressionism, yet the image is distinctly McGuinness. The bold lines remember her time as an illustrator and the carefully placed items are reminiscent of her days in set design. A beautiful piece, 'Melon on Terrace Table' is representative of mid-20th century Irish art in that, rather than following a specific and doctored method of painting, it is all-inclusive, allowing the scene's energy to dictate the style.

Olympische Spiele München 1972. 28 originalgraphische Plakate (Farblithographien, Farbserigraphien). 1972. 102 : 64 cm. Im Druck signiert. Vollständige Folge aller 28 Plakate zu den Olympischen Spielen. - Jeweils 200 Exemplare erschienen nummeriert und signiert und in unterschiedlichen Formaten, weitere 4000 Exemplare wurden (wie hier vorliegend) originalgraphisch gedruckt. Die Blätter dieser Auflage sind im Druck signiert. Die unlimitierten Offsetdruck-Auflagen weichen im Format ab. - Folgende Künstler waren an dem Projekt beteiligt: Valerio Adami, Josef Albers, Otmar Alt, Horst Antes, Shusaki Arakawa, Max Bill, Eduardo Chillida, Allan d'Arcangelo, Alan Davie, Piero Dorazio, Hans Hartung, David Hockney, Friedensreich Hundertwasser, Allen Jones, Ronald Brooks Kitaj, Oskar Kokoschka, Jan Lenica, Charles Lapicque, Jacob Laurence, Marino Marini, Peter Philipps, Serge Poliakoff, Richard Smith, Pierre Soulages, Victor Vasarely, Tom Wesselmann, Fritz Winter und Paul Wunderlich. - Enthalten sind 18 Farblithographien, davon drei mit Prägedruck (Davie, Philipps, Wunderlich) und eine mit Papiermontagen (Richard Smith) sowie zehn Farbserigraphien, davon eine mit Metallauflagen (Hundertwasser) und eine auf Silberfolie (Arakawa). - Gedruckt wurden die Poster bei Matthieu, Kroll, Mourlot, Maeght, Domberger u. a. - Sehr gut erhaltene Folge.Vier Blätter im Unterrand und rückseitig etwas fleckig (druckbedingt), eins mit leichten Randknittern - sonst tadellos frisch.Werkverzeichnisse (Auswahl): Antes: Lutze 638 a. - Chillida: vgl. van der Koelen 72032. - Hundertwasser: Koschatzky HWG 54. - Kokoschka: Wingler/Welz 449. - Marini: Guastalla 264. - Poliakoff: Rivière 77. - Soulages: Rivière 31. - Wunderlich: Jenssen 191

David Hockney signed colour postcard. Signed on reverse. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

David George Fawcett AID FRSA (1935-1973), Wooded landscape, oil on board, together with a further example by the same hand (2) David George Fawcett was a friend and contemporary of David Hockney

After David Hockney (b.1937), a poster for 'David Hockney: A Retrospective', offset lithographic poster printed in colours, 1988, on wove paper, published by the Metropolitan Museum of Art, New York, 24.2 cm x 29.3 cm with margins, framed and glazed.

Alan CristeaPatrick Caulfield The Complete Prints 1964-1999The catalogue raisonné, with Craig Hartley The Etchings of Lucian Freud, 1946-1995, five books on David Hockney, two on R.B.Kitaj and a catalogue on Paula Rego's Nursery Rhymes, all with title-pages, text and reproductions, bound as issued in the original boards and most with slipcases, various sizes (vol) (11)

δ David Hockney (b.1937)David Hockney at Andre EmmerichOffset lithographic poster printed in colours, from the first edition, 1969, published by Andre Emmerich Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 664 x 930mm (26 x 36 6/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet printed to the edges, 845 x 620mm (33 1/8 x 24 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Anthony Gross (1905-1984) La Bourdette, 1932 signed and titled in pencil (in the margin), dated (in the plate) etching 25 x 38cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

David Hockney (b.1937) Modern Graphics 1969-1979 exhibition poster for Arun Art Centre, West Sussex offset lithograph 81 x 51cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

David Hockney (b.1937) The Nineteenth New York Film Festival, 1981 exhibition poster for The Film Society of Lincoln Center offset lithograph on wove paper 99 x 67cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Brendan Neiland (b.1941) West Central II, 1976 signed, titled, dated, and numbered in pencil (in the margin) screenprint 68 x 88.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Jeffery Edwards (b.1945) The Morning After, 1973 53/85, signed, titled, dated, and numbered in pencil (in the margin) screenprint 64 x 74cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Boyd & Evans (b.1944 and b.1945) Passing Through, 1980 115/125, signed, dated, and numbered in pencil (in the margin) screenprint 38 x 89cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Oxtoby (b.1938) Roger Who?, 1974 28/30, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Roger Daltrey etching and aquatint 58 x 39cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

David Oxtoby (b.1938) Rock on J.C, 1974 24/50, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Jim Capaldi etching and aquatint 58.5 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Terry Willson (b.1948) Eighteen Portraits, 1978 portfolio of 18 etchings, aquatints, lithographs and screenprints 92/100, each signed and numbered in pencil published by Palm Tree Editions, London 26.2 x 22cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Hockney (b.1937) Santa Fe Festival Theatre, 1981 exhibition poster offset lithograph published by Petersburg Press 79 x 63cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Peter Schmidt (1931-1980) Flowing in the Right Direction, 1971 artist's proof, signed in pencil (in the margin) lithograph 73 x 53cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Gerd Winner (b.1936) Underground Holborn, 1970 67/75, signed and numbered in pencil (in the margin) screenprint 97 x 70cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

Anthony Gross (1905-1984) Study of Waves, 1935 36/50, signed, titled, and numbered in pencil (in the margin) etching 21 x 27cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.