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David Hockney (British, b.1937) Peter, signed lower right "David Hockney 1969" and numbered 30/75, etching, 72 x 56ccm. Provenance: Kasmin Ltd, 118 New Bond Street, London, W1

* Hockney (David, b. 1937). Three printed cheques, 1990-91, one made out to Mike and Janine Ryan for $40,000, the other two made out for cash for the sums of $700 and $600, together with a signed colour photo portrait postcard, a dog painting art postcard signed by Hockney in silver pen and a brief typed letter signed David, sent to Philip DOffay in 1972, plus two unsigned b&w photos of Hockney. (8)

David Hockney, b. 1937 BILLY WILDER LIGHTING HIS CIGAR signed, titled, dated Dec 1982 and inscribed #17 colour photograph collage on paper 67 by 44cm.; 26.5 by 17.25in. Literature Marco Livingstone & Kay Heymer, Hockney's Portraits and People, London 2003, p. 164, illustrated in colour

dAVID HOCKNEY (B. 1937) sNOW, 1973 signed and numbered in green crayon, lithograph and screenprint printed on on Arjomari mould-made paper, edition of 98, number 19/98. From The Weather Series, published by Gemini G.E.L., Los Angeles. 85cm x 72 cm (plate size) 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4cm x 71.9cm

dAVID HOCKNEY (B. 1937) tHE CHURCH TOWER & THE CLOCK, 1969 signed and numbered in pencil, etching and aquatint, edition of 99/100. Plate 10 from Illustrations for Six Fairy Tales from the Brothers Grimm, from the fairy tale, Fundgevogel. 28cm x 12cm (plate size)

DAVID HOCKNEY, SIGNED IN PENCIL TO IMAGE AND DATED ’66, COLOURED LITHOGRAPH, ‘A Hollywood Collection, David Hockney, Editions Alecto 1965’, (This was the frontispiece for the collection of prints entitled ‘Hollywood Collection’), page size 29” x 22”

* Derain (Andre, 1880-1954). Illustration for Pantagruel, by Francois Rabelais, pub. Albert Skira, Paris, 1943, colour woodblock, image size approx. 150 x 90mm (6 x 3.5ins), framed and glazed, with St. Georges Gallery Prints label to verso From Manet to Hockney 111. (1)

After David Hockney RA b.1937- Exhibition poster 'David Hockney, Zeichnungen und Duckgraphik, Staatliche Graphische Sammlung Munchen Meiserstr. 10 Aussetellung 25. Februar- 17. April 1977'; lithograph, 84x59cm: Chris Orr b.1943- 'Arthur's Kitchen'; lithograph, signed, titled numbered 32/100 and dated 1978, bears publisher's blind stamp, 37x52cm: together with an colour aquatint by a different hand, signed indistinctly in pencil and dated 1974, tondo, 24cm., dia., (3)

**David Hockney (b1937). Poster for the 1972 Munich Olympics, Edition Olympia 1972, printed signature, 39" x 24", framed. ILLUSTRATED.

A David Hockney Munchen 1972 Olympic Poster and other assorted pictures and prints (qty)

POSNER, David-A Rake's Progress, illustrated by David Hockney, Lion & Unicorn Press, London 1967, original black boards with plastic backstrip, end paper creased, marginal discolouration, boards with some marks, etc., oblong 4to.

*Blake (Peter). "The Meeting" or "Have a nice day, Mr. Hockney", 1981-83, pub. Tate Gallery, 1985, colour reproduction poster, signed by the artist, with heart-shape, and dated London, May 16th 1999, to lower right hand corner, approx. 67 x 67 cm (1)

David Hockney coloured print 'Bouncing Balls', 'A Bounce for Bradford February 24th, 1987', 39 x 57cm framed

Hockney (David and Spender, Stephen). Hockney's Alphabet, Drawings by David Hockney, written contributions edited by Stephen Spender, pub. Faber for the AIDS Crisis Trust, 1991, twenty-six col. illusts., orig. cloth with slipcase, folio Special edition (unspecified limitation), signed by Hockney and Spender. (1)

SPENDER Stephen, Hockney's Alphabet, drawings by David Hockney, pub Faber & Faber, pub 1991, bound in Library buckram, signed by author and editor, in slip case (1).

A group of four framed posters, Includion exhibition posters for the works of David Hockney, Edward Cross, and Lucien Freud. (4)

Hockney (David). Flowers, Faces and Spaces, 2 vols., Annely Juda Fine Art, 1997, col. illusts. throughout, orig. wrappers, contained in slipcase, 4to Both signed by Hockney, 'Faces and Spaces' to title-page and 'Flowers and Spaces' to upper cover. (1)

*Hockney (David). A Bigger Splash, colour poster, pub. Tate Gallery, 2000, signed in pencil by the artist, approx. 80 x 60 cms. (1)

Duncan (David Douglas). Picasso's Picassos. The Treasures of La Californie, pub. London, 1961, port. frontis., num. tipped-in col. reprods., orig. canvas in frayed d.j., together with Cooper (Douglas), Picasso Theatre, Weidenfeld & Nicolson, 1968, tipped-in col. plts., num. b & w illusts., orig. pict. canvas with printed glassine d.j., plus Picasso, His Recent Drawings, 1966-1968, Preface by Rene Char, text by Charles Feld, 1969, num. col. and b & w illusts., orig. pict. cloth with printed glassine d.j., all 4to, with other modern art, mostly Picasso and Hockney (21)

Hockney (David and Spender, Stephen). Hockney's Alphabet. Drawings by David Hockney, written contributions edited by Stephen Spender, pub. Faber & Faber for the Aids Crisis Trust, 1991, twenty-six col. illusts., orig. cloth with slipcase, folio, VG special edition (unspecified limitation), signed by Hockney and Spender. (1)

David Hockney: A Bounce for Bradford, February 24, 1967, coloured print on paper with central fold, 39 x 58cm.

David Hockney R.A. (b.1937) Towpath at Apperley Road, Looking Towards Thackley] Signed, oil on canvas, 51cm by 68cm (20in by 26 3/4in) *Originally commissioned from the artist by the present owner in the 1950's *Dating from circa 1956-57 and painted whilst the artist was a student at Bradford Art College, it was a special commission from the vendor and has remained in her collection from its concept. In 1960 the painter was at the Royal College of Art, where his fellow student’s were Derek Boshier, Allen Jones, R.B. Kitaj and Peter Phillips. The artist had focused on abstract paintings which were influenced by the American abstract expressionists. He also produced many works of a homoerotic strain as well as satirical imagery which includes attractive compositions of swimming pools, showers and Californian life. (See the reverse of the catalogue for a more detailed biography on the artist)

David Hockney (British 20th Century) Richard Jim and Felix from the Oz Trial signed lower right in pencil ÒDavid Hockney 19/30Ó for the Oz Trial Fund 1971 lithograph 71 x 93cm Provenance From the collection of Peter Inskip Esq.

David Hockney, R.A. (b. 1937) VIEWS OF HOTEL WELL II (T.281: DH68) Lithograph printed in colours, 1985, signed in pencil and dated, numbered 24 from an edition of 75, with blind stamp of the publisher, Tyler Graphics Limited, in original wood frame designed by the artist, stained red, yellow and black. Overall 75 x 93cm

David Hockney- Untitled composition with two figures in bed from '14 poems by Cavafy'; etching, unsigned, 34.5x22cm: together with three other etchings from the same edition, all unsigned: Note: publ: by Editions Alectro 1969, according to label verso, (4)

Hockney (David).- Cavafy (C.P.) Fourteen Poems by C. P. Cavafy Chosen and Illustrated with Twelve Etchings by David Hockney, Edition A, number 24 of 500 signed by the artist, handmade paper, lacking loose signed etching 'Cavafy II', bookplate on front pastedown, original publishers cloth, slip-case, folio, 1967.

DAVID HOCKNEY, SIGNED IN PENCIL, LIMITED EDITION POSTER (OF 250), ‘My Mother (Bridlington) 1988’ with letter of authenticity attached, 29" x 18"

A First Day Cover, 13 Oct 1992 for Single European Market designed by David Hockney and signed in felt tip pen "For Patricia David H"

David Hockney, R.A. (b. 1937) AN ETCHING AND A LITHOGRAPH FOR EDITIONS ALECTO 1973 Etching and colour lithograph, limited edition reproduction proof, numbered 218/2000 93 x 67cm

David Hockney (1937-) colour silkscreen poster, Igor Stravinsky Metropolitan Opera, 1981, Petersburg Press, signed in pencil, 80 x 35 ins.

DAVID HOCKNEY, An Etching, signed, limited edition collotype, 41/2000, 36 1/2" x 26 3/4", aluminium frame

DAVID HOCKNEY, Vase, Apple and Pear On a Table, Fiesta '88, reproduction in colours, signed in ink, 24" x 16 1/2", aluminium frame

A quantity of nursery china, including: a Spode trio; a Poole pottery Mad Hatter's Tea Party set, comprising: a mug; milk jug; and two plates; a Robinsons breakfast bowl and plate; a Royal Doulton 'Salt Diner' plate and mug set by David Hockney; and various other babies' sets.

AFTER DAVID HOCKNEY, ' Celia, Nov 10th 1972', reproduction design for the invitation and program folder of the collection for quorum November 1972, 14" x 10".

David Hockney, b. 1937, WATER POURING INTO SWIMMING POOL, SANTA MONICA, signed, titled, dated '64 and numbered 15/75, colour lithograph, 49.5x64.5cm.; 19.5x25.5in. This work is from an edition of 75 plus 16 artist's proofs.

David Hockney (after), "Salts Diner Menu", coloured print, framed and glazed

David Hockney (b. 1937) A poster for the City of London Barbican Centre for the Arts, March 1982 Photolithograph S. 94cm x 71.5cm

David Hockney (b.1937) Man offset lithograph, 1964, on wove paper, signed in pencil, numbered 60/60, with margins, overall pale scattered foxing, pale mount-staining, otherwise in good condition, framed L. 315 x 183mm., S. 450 x 565mm.

David Hockney In an old book, from Fourteen Poems by C.P. Cavafy (Scottish Arts Council 6) etching, 1966, on Crisbrook, signed and dated in pencil, numbered 40/75 (there were also fifteen artist's proofs), published by Editions Alecto, London, with full margins, light- and mount-staining, a stain in the upper left margin on the plate mark but not extending into the image, remains of old tape to the left and right sheet edges on the reverse, other minor blemishes, framed P. 470 x 335mm., S. 560 x 400mm.

David Hockney The carpenter's bench, a knife and fire, from Illustrations for six fairy tales from the Brothers Grimm (S.A.C. 24) etching and aquatint with drypoint, 1969, on Hodgkinson, signed in pencil, numbered 43/100, published by Petersburg Press, London, with margins, pale scattered foxing mainly in the image and to the reverse, light-staining and remains of old glue in the margins P. 153 x 172mm., S. 292 x 293mm.; and Corpses on Fire (S.A.C. 22), from the same series, signed in pencil, numbered 72/100 (2)

David Hockney (B. 1937) Tree (Scottish Arts Council 61) lithograph in colours, 1968, on BFK Rives, signed and dated in pencil, dedicated 'for Jean' in black ink, numbered 64/95 (there were also 22 artist's proofs), published by Petersburg Press, London, the full sheet, light-staining, a large pale moisture stain in the upper half of the sheet, a few handling marks at the sheet edges, other minor blemishes, otherwise generally in good condition L., S. 650 x 500mm.

After David Hockney Igor Stravinsky, Metropolitan Opera, New York (Baggott 104) screenprint in colours, 1981, on wove paper, published by Petersburg Press, a little minor rubbing in the image, otherwise in good condition(poster)S. 2050 x 880mm.

David Hockney The Boy who left home to learn fear, from Illustrations for six fairy tales from the Brothers Grimm (S.A.C. 87-97) ten etchings and aquatints in-texte, 1969, on Hodgkinson, bound together as a concertina folder, from the portfolio edition, signed in pencil on the final page, inscribed A.P., one of fifteen artist's proofs aside from the edition of 100, published by the Petersburg Press, London, the full sheet, a little surface dirt to the cover, remains of old tape on the reverse, otherwise in good condition S. 450 x 310mm. (overall)

David Hockney Made in April, from The Blue Guitar (S.A.C. 209) etching and aquatint in blue and red, 1977, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.; and The Blue Guitar (S.A.C. 199), frontispiece from the same series (2)

David Hockney In a chiaroscuro, from The Blue Guitar (S.A.C. 207) etching and aquatint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.

David Hockney Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 425 x 345mm., S. 530 x 460mm.

David Hockney What is this Picasso, from The Blue Guitar (S.A.C. 218) etching and aquatint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.

David Hockney Red Flowers and Green Leaves, Separate, May 1988 handmade print in colours, executed on an office colour copier, 1988, on two sheets of laid paper, signed and dated in pencil, numbered 68/70 (there were also sixteen artist's proofs), published by the Metropolitan Museum of Art, New York, the full sheets, in very good condition, framed S. 355 x 430mm.

David Hockney It picks its way, from The Blue Guitar (S.A.C. 202) etching and aquatint in blue and red, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 35 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.

David Hockney, R.A'SHOWING MORRIS THE SUGARLIFT' Etching and aquatint, unsigned impression, 69 x 54cm; and another by the same hand; STONE OBJECTSSigned in pencil and dated 1969, artist's proof, 39 x 56cm (2)

David Hockney (b. 1937) after Leonardo da Vinci. Portrait of an old women. Etching. Signed in pencil within the margin lower right. Inscribed 'A.P.' lower left. P. 19cm x 20cm.

David Hockney Colour photographic print Male by curtains Signed in ink 21cm x 19cm

After David Hockney, RA (born 1937) French Shop Etching and aquatint Pencil signed and dated (19)71 Limited edition 192/500 Condition: Foxed 53cm x 45cm

Ha Van Vuong- 'Basket of Cinnamon, Apples and Grapes; black chalk and watercolour, signed, and inscribed verso, 90x36cm: Follower of David Hockney- 'Paris Opera'; watercolour, 59x41.5cm., (2)

Horovitz (Michael). The Wolverhampton Wanderer, An Epic of Britannia in Twelve Books With a Resurrection and a Life, for Poetry United, pub. Latimer, 1971, illusts. throughout, orig. cloth in rubbed and sl. marked d.j. with cover design by Peter Blake, 4to Limited edition 74/100, signed by "the author and the artists and the photographers who have contributed to the book", including Adrian Henri, Peter Blake, Richard Hamilton, Feliks Topolski, David Hockney, Jeff Nutall and many others. (1)

Hockney, David, Six Fairy Tales, London, The Petersburg Press in association with the Kasmin Gallery, 1970, 16mo (105 x 70mm.), half title, frontispiece, illustrations, many full-page, original blue calf, front cover lettered in silver

DAVID HOCKNEY RA (b.1937): Bolton Junction, Eccleshill, oil on canvas, 28 x 36in (71 x 91.5cm). Painted in 1956.

Hockney (David) Hockney's Alphabet, edited by Stephen Spender, limited edition signed by the author & the artist, colour plates by Hockney, original boards, slip-case, 4to, 1991.

Family Group, World War Two, Group of Four, 1939-45, F&G, Def, War, mounted on bar, with Special Constabulary, Elizabeth II, SERGT CECIL G.HOCKNEY, Lincolnshire S.C. Badge; with World War Two, Group of Three, War, Def, Special Constabulary George VI, JOHN T HOCKNEY, with Victory G.GDS; Def, War (2); others

THREE COLOURED MUSEUM PRINTS including David Hockney - A Retrospective, The metropolitan Museum of Art, 1988, 23" x 30", (3)