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Hockney (David) ill. Six Fairy Tales from the Brothers Grimm, Petersburg Press, 1970, Carol (L) Alice's Adventures in Wonderland, Macmillan & Co, 1903 with 32 colour illustrations by John Tenniel and other antiquarian children's books

David Hockney at Andre Emmerich, colour Exhibition poster dated 1969 print 91.5cm x 66cm Condition Report Click here for further images, condition, auction times & delivery costs

A framed David Hockney 1986 exhibition poster, 96 x 87cm.

Collector's Miscellany : The Taschen David Hockney Sumo Collector's Editions 1991 - Today, 2016. Folio Hb + Dj; Tolkien J. : Beren and Luthien, De Luxe slipcase edition, 2017; Bates H. : The Darling Buds of May, 2011. Folio Society. Brom G. : Diarium Van Arend Van Buchell, 1907. 8vo Hb. Scarce CONDITION REPORT: All vg+ / nf copies. Tolkien & Bates in publisher's sealed wrap.

*After David Hockney (British, b.1937)AN EXHIBITION OF POSERS BY DAVID HOCKNEY (BRADFORD ART GALLERIES & MUSEUMS)Offset lithographic poster printed in colours, 1986, signed in black ink, on smooth wove paper, with full sheet printed to the edgessheet 59 x 41.5cm, unframed*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)THE THREEPENNY OPERAOffset lithographic poster printed in colours, 1972, for the opera at Prince of Wales Theatre opened on 10 Feb 1972, before transferring to the Piccadilly Theatre on 10 Apr 1972, printed by A E King & Jackson Ltd.,together with another theatre poster for the Nottingham Playhouse Production of LULU, each on wove paper, the full sheets sheet 51 x 32cm, unframed (2)*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)INSIDE THE CASTLE (Tokyo 93)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 26cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)A ROOM FULL OF STRAW (TOKYO 101)Etching with aquatint, 1969, from 'Rumpelstilzchen' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 25 x 22cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)COLD WATER ABOUT TO HIT THE PRINCE (Tokyo 94)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 37.5 x 27cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)PLEADING FOR THE CHILD (Tokyo 103)Etching with aquatint, 1969, from 'Rumpelstilzchen' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 25cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE CLOCK TOWER AND THE CLOCK (Tokyo 76)Etching and aquatint, 1969, from 'Fundevogel' for 'The Brothers Grimm Fairy Tales', signed in pencil, from an edition of 400, on wove paper, with full marginsimage 28 x 12.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE PRINCESS SEARCHING (Tokyo 71)Etching with aquatint, 1969, from 'The Little Sea Hare' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 17.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)CORPSES ON FIRE (Tokyo 88)Etching with aquatint, 1969, from 'The Boy Who Left Home To Learn Fear' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)GREGORY (SAC 169)Etching with soft-ground etching printed in colours, 1974, signed, dated and inscribed 'A.P XIII' in pencil, an artist's proof, the edition was 75, printed and published by Petersburg Press, London, on Inveresk mould-made paper, with full marginsplate 68.5 x 54.5cm, framedExhibited: The Walker Gallery, Liverpool.*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)THE ARTIST’S EYE - LOOKING AT PICTURES ON A SCREENOffset lithographic poster printed in colours, 1981, signed in black pen, designed by Gordon House, printed by Rapier Press, Derbyshire, published by The National Gallery, London, on wove paper, the full sheet sheet 76 x 51cm, unframed*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)HOCKNEYS PROGRESS (THE ARTIST’S MOTHER)Offset lithographic poster printed in colours, 1997, signed and inscribed ‘for Paul, David’ in black crayon, printed by the Petersburg Press, London, published by Graves's Art Gallery, Sheffield, on wove paper, the full sheet sheet 80 x 57cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)ONE NIGHT (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE BEGINNING (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE SEXTON DISGUISED AS A GHOST (Tokyo 86)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 26.5 x 13cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE CARPENTER’S BENCH, A KNIFE AND FIRE (Tokyo 90)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)HE ENQUIRED AFTER THE QUALITY (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE PRINCESS IN HER TOWER (T.68)Etching with aquatint, 1969, from the unsigned edition of 400, from the story 'The Little Sea Hare', for the book 'Six Fairy Tales from the Brothers Grimm', on wove paper, with full marginsoverall 42.5 x 29.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE BLACK CAT LEAPING (TOKYO 91)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 23 x 26.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)TO REMAIN (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)MY MOTHER (BRIDLINGTON)Offset lithographic poster printed in colours, 1988, from the Tate Retrospective, signed in black pen, printed by Waterman Press Ltd., Kent, published by The Tate, London, on wove paper, the full sheet sheet 76.5 x 50.5cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)A BOUNCE FOR BRADFORDThe handmade print in colours executed on an office photocopier, 1987, limited edition of unknown size, published by Bradford & District Newspapers, designed by the artist for Bradford’s 'Bounce Back' campaign, on thin wove, the full sheetsheet 42 x 60cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE SEXTON DISQUISED AS A GHOST STOOD STILL AS STONE (TOKYO 87)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', signed in pencil, from an edition of 100, on wove paper, with full marginsimage 31 x 29.5cm, framed*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)TRISTAN UND ISOLDE - ROBERT WAGNEROffset lithographic poster printed in colours, 1997, signed and inscribed 'for Paul, love David' in gold pen, published by The LA Opera, Los Angeles, on wove paper, the full sheet sheet 56 x 35.5cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE LATHE AND FIRE (TOKYO 92)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE OLDER RAPUNZEL (Tokyo 81)Etching with aquatint, 1969, from 'Rumpelstilzchen' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 17.5cm, framed*Artist's Resale Right may apply to this lot.

John Ridgewell (1937-2004) ''Gasometer and Canal locks at Bingley, W. Yorks'' Signed, inscribed and dated 1977 on old label verso, oil on canvas, 64.5cm by 100cm Born in Essex in 1937, John Ridgewell studied at Colchester School of Art between 1954-8 where he was taught the skill of wood engraving by John O'Conner, who was related to the surrealist painter Paul Nash. In 1958 John entered the Royal College of Art aged just 21, he was a student at the same time as David Hockney and R B Kitaj. On graduation he accepted a position to teach at Scarborough School of Art from 1961-6, leaving to focus solely on painting. His artistic style was strongly influenced by the work of Georges Braque in 1956, who John admired throughout his life. John's distinctive artistic style developed during his time in Scarborough where he was inspired by the dramatic landscape around him. It was during his time in Yorkshire that John began to represent and interpret landscape in the surrealist style, which became characteristic of his work. Throughout his life he exhibited in mixed shows at the New Art Centre, Piccadilly Art Gallery and Royal Academy Summer Exhibition. He has a loyal connection with the Austen Hayes Gallery, York. Austen Hayes believed in John's work and held a number of one man exhibitions in the gallery in the 1960's. He also exhibited at the Grape Lane Gallery and Minstral Galleries.

Petersburg Press, London. Hard Cover. Hockney, David (illustrator). Blue boards with silver gilt titles.1970, contains 6 fairy tales: The Little Sea Hare, Fundevogel, Rapunzel, The Boy Who Left Home To Learn Fear, Old Rinkrank, Rumpelstilzchen. 52pp, 39 black and white plates of etchings by David Hockney, approx 8 x 10.5 cms

FRANK L JOHNSONWoman With A NecklaceOil on canvas33 x 25 cmFrank Johnson was a teacher for David Hockney at Bradford college

'Sun' poster for David Hockney touring exhibition, 'David Hockney prints 1954-1977', 96cm x 67.5cm,

David Hockney poster 'Celia in a black dress', 1981, Zeichnungen und Grafik, Hamburg 1981, 87.5cm x 62cm,

•DAVID HOCKNEY (b. 1937) TWO APPLES & ONE LEMON & FOUR FLOWERS coloured print 34.5 by 54.5 cm; 13½ in by 21½ in unframed

Art, antiques and furniture reference. SAXTON (Christopher) An Atlas of England and Wales. The Maps of Christopher Saxton 1574-1578. Introduction by R.V. Tooley. Collector's Library of Fine Art, 1979, folio, one of 500 numbered copies, facsimile colour plates (double-page, or folding), notice leaf loosely inserted, publisher's quarter calf, slipcase, folio, DILKE (Lady) French decoration and Furniture in the XVIII Century, 1901, no.28 of 100 copies, small folio, cloth gilt; HAYDEN (A) The Furniture Designs of Chippendale Hepplewhite and Sheraton, 1910, 4to; HOCKNEY (David) Secret Knowledge, 2001, dust wrapper; others including soft backed

•AFTER DAVID HOCKNEY, OM, CH, RA (b.1937) TWO APPLES, ONE LEMON AND FOUR FLOWERS Offset lithograph (the artist called it a `newsprint`), in colour, 1997, as published in The Independent newspaper on January 7th 1997 33 x 52.5cm. * Although printed in the normal run of the newspaper, this image is a direct result of the production of the newspaper itself. The Independent explained: "Hockney has provided us with four separate pieces of work, all in black and white. Each corresponds with one of the four colours of the printing process - cyan, magenta, black and yellow. The print itself only exists once the presses roll." ++ Soft creasing, typical of this print

•DAVID HOCKNEY, OM, CH, RA (b.1937) PETER SCHLESINGER Lithograph, printed in red/brown, 1976, signed, dated and numbered 9/90, published by Gemini G.E.L. and with their blindstamp Sight 38.5 x 28.5cm. ++ Good condition

DAVID HOCKNEY (born 1937); a signed limited edition black and white etching, 'Peter at Odins', 2/80, 41.5 x 33.75cm, framed and glazed. (D)Provenance: Purchased from The Alice Simsar Gallery, 1987. CONDITION REPORT: There are two yellow/brown rectangular stains where 'tabs' have been used to stick the image down, there are traces of dead insects beneath the glass. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A large collection of art and exhibition posters, including three signed by David Hockney, mostly from the 1970s and 1980s, including exhibitions for works by Francis Bacon, David Hockney, Georges Braque, Picasso, Fernand Leger, Alexander Calder, Ben Nicholson, Jean Dubuffet, Eduardo Paolozzi and others

DAVID HOCKNEY (b. 1937) PRINT OF AN ETCHING 'Home', an illustration from 'Grimms Fairy Tales' 17 1/2" x 12 1/2" (44.5 x 32cm)

§ David Hockney, OM, CH, RA (British, b.1927) Poster for Editions Electo, 1973 lithograph, published by Cotswold Collotype 97 x 73cm (38 x 28in)

ST JOHN HOPE, W H The Stall Plates of the Knights of the Order of the Garter 1348-1485, Archibald Constable, 1901 Fo, 89 colour plates, 1/2 clf some scuffing & foxing, together with Hockney, D, David Hockney, Thames & Hudson 1976 cloth, with dust jacket plus 3 other titles.

δ David Hockney (b.1937) (after) Celia. Poster for The Tate Gallery Offset lithograph printed in colours, 1980, signed in pencil, on wove paper, published by the Tate Gallery, London for the exhibition Travels with Pen, Pencil, and Ink, Drawings and Prints but no Paintings, 1961-1979, with full margins, sheet 750 x 500mm (29 ½ x 19 ¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937) In an old book (MCA Tokyo 52) Etching, 1966, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook handmade paper, published by Editions Alecto, London, 1967, the full sheet, with a deckle edge on three sides, sheet 575 x 395 mm (22 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937) Poster for Olympische Spiele München Lithograph printed in colours, 1972, published by Edition Olympia 1972 GMBH, Munich, on wove paper, with full margins, 1000 x 650mm (39.6 x 25 ½ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (after) Poster for Grey Art Gallery and Study Center Offset lithograph printed in colours, 1980, signed in red felt-tip pen, on wove paper, published by the Grey Art Gallery, New York, with full margins, sheet 700 x 495mm (27 ½ x 19 ½ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937) Rapunzel, Rapunzel, Let hair down (from Illustrations for Six Fairy Tales from the Brothers Grimm) (MCA Tokyo 83) Etching with aquatint, 1969, signed in pencil, inscribed for Rudolph verso in brown ink, a proof aside from the edition of 100, published by Petersburg Press, London, 1970, with full margins, 450 x 410mm (17 5/8 x 16 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

An artists plate featuring David Hockney, Andy Warhol, Pablo Picasso and Salvador Dali

David Hockney (b. 1937), Still life, glass with marguerites, lithograph, signed in pencil and dated 1973, 14cm x 10.5cm (Lot subject to ARR if hammer price exceeds 999EUR)

Ossie Clark wool crepe "Heavenly Twins" navy blue & cream dress, A Version of this dress was worn by Celia Birtwell for the Hockney painting of the couple in 1970. Size 8/10. Measures 17 inches across bust, 13.5 inches across waist and 44 inches length. (1) Condition Note: Good, couple of spot marks and 3 pin holes near one cuff.

'The Road Across The Wolds' and 'North Yorkshire', two colour prints after David Hockney 49cm x 59cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

DAVID HOCKNEY R.A. (b.1937), Salts Mill Saltaire Yorkshire, lithograph, signed, 8 3/4" x 19 1/2", blond wood frame (Est. plus 18% premium inc. VAT)

Hockney (David and Stephen Spender). Hockney's Alphabet, Faber and Faber for the Aids Crisis Trust, 1991, 26 colour illustrations, original yellow buckram, slipcase, 4to Signed by David Hockney and Stephen Spender. (1)

DAVID HOCKNEY, Grimm's Fairy Tales, Exhibition Catalogue WITH unsigned Hockney etching: 'Riding around on a Cooking Spoon' labelled 'AP' - artist's proof - in pencil, bottom left. Etching tipped into a display folder. WITH Hockney's Itineraire d'un Regard, Chene, No 907/ 1000 copies, a pair of fine books contained within worn slipcase (3) (Est. plus 18% premium inc. VAT)

A Gustav Klimt framed print, The Forest, David Hockney, coloured print, a retrospective the Metropolitan Museum of Art and another, (3).

HOCKNEY DAVID: (1937-    ) British Artist. A good signed and inscribed 10 x 8 photograph, the appealing image depicting Hockney seated in a full length pose on a bridge, with his overcoat and cap lying at his side. The bridge spans the Arno River and part of the city of Florence, capital city of the Italian region of Tuscany, can be seen in the background. Signed in black ink to the lower white border. One very slight, extremely minor crease to the right white border, otherwise EX         The present image most likely dates from2003 when Hockney was awarded the Lorenzo de' Medici Lifetime Career Award of the Florence Biennale.

Ashton (Dore). Richard Linder, 1st edition, New York, 1969, 52 tipped in colour plates and 135 black and white plates, original red cloth in dust jacket, oblong 4to, together with Brown (Christopher, Kelch, Jan, & van Thiel, Pieter), Rembrandt: De Meester & zijn Werkplaats, volumes 1 & 2, Amsterdam, 1991, numerous colour and black and white plates, original black cloth in dust jackets, and slipcase, large 4to, and Hockney (David), David Hockney, reprint edition, 1977, numerous black and white illustrations, original red cloth in dust jacket, 4to, plus other modern art reference and related, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/4to (3 shelves)

FOUR FRAMED ARTIST POSTERS 'David Hockney at Andrew Emmerich, May 1973' 'Miro, Christie's Contemporary Art' 'Department of European Paintings, The Metropolitan Museum of Art' 'Brassi, Browsing through books' and A COLOUR PRINT - stylised Middle Eastern scene with camels and battle in front of a town 37 1/2" x 23 1/2" (95.2cm x 59.7cm) and smaller (5)