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David Hockney (British, b. 1937). Offset lithograph print titled "Celia, Carennac, August" depicting a portrait study of Celia Birtwell, a textile designer and fashion designer, in a green chair wearing a long, flowing floral patterned dress in red, blue, and white. Titled and signed in plate along the lower right. Sight; height: 27 5/8 in x width: 21 5/8 in. Framed; height: 33 3/8 in x width: 27 3/8 in.
LUCIAN FREUD; a 1967 first day cover inscribed 'Dear Kate, I don't think signatures count for much. Very much love' and bearing the signature of Lucian Freud and a further first day cover bearing the signature of David Hockney and one other (2).We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.
§ David Hockney OM, CH, RA (British 1937-) Dog Paintingssigned 'David Hockney' (lower right)offset lithographic exhibition poster printed on gloss paper and published by Salts Mill, Yorkshire, 199552 x 64cm;together with three books by David Hockney including A Bigger Picture (2012), My Early Years (1976), Dog Days (1995) and an exhibition guide for A Bigger Picture (5)
David Hockney (B. 1937)Portrait of Shea 1981 ink on paper 29.7 by 21 cm. 11 11/16 by 8 1/4 in. This work was executed in 1981. Footnotes:ProvenancePrivate Collection, UK (gift from the artist) Thence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Howard Hodgkin (1932-2017)Out of the Window 2000 signed three times, titled and dated 2000 on the reverseoil on wood97 by 113.6 by 10.6 cm.38 3/16 by 44 1/2 by 4 3/16 in. This work will be included in the forthcoming catalogue raisonné being compiled by The Estate of Howard Hodgkin.Footnotes:ProvenanceAcquired from the artist by the present owner in 2001ExhibitedLondon, Dulwich Picture Gallery, Howard Hodgkin at Dulwich Picture Gallery, 2001, p. 25, illustrated in colourLiteraturePaul Levy, 'Hanging it Howard's way' in Evening Standard, 28 June 2001, p. 38, illustrated in colourM. Price (ed.), Howard Hodgkin: The Complete Paintings Catalogue Raisonné, London 2006, p. 336, no. 357, illustrated in colourFresh to the market, after remaining in the same collection since its acquisition from the artist in 2001, Out of the Window from 2000 is a dazzling and vibrant display of Howard Hodgkin's masterful practice. Hodgkin's virtuosic brushwork is exquisite and expressive, his choice of colour bold and unapologetic. Emerging from the Bath Academy of Art at Corsham in 1954 under the pupillage of William Scott, Hodgkin's early inspiration came in The New American Painting exhibition of Abstract Expressionist artists at the Tate Gallery in 1959: one cannot help but draw comparisons with Rothko's serene planes of colour or De Kooning's exaggerated brushstrokes. Yet he rejected the flatness of American Modernism, pushing the painting out of its frame and creating abstract depths of field that translate as windows onto a vivid and luscious landscape. Abstract at first glance, Hodgkin's paintings consistently deal with memory and psychic landscapes that are often exposed to the viewer most opaquely in their titles, such as Goodbye to the Bay of Naples, A Rainbow or Night Thoughts. He captures and transforms moments of intimacy, memories of travels, relationships, both erotic and platonic, the recollection of a beautiful view or sunset, shifting weather or the feeling of the first days of a new season. Hodgkin's close friend and writer Julian Barnes wrote: 'H.H.'s paintings are not narratives. Mostly, they are memories. But it is not a case of emotion recollected in tranquillity. Rather, it is emotion recollected in intensity. In that sense his pictures are operatic' (Julian Barnes, Keeping an Eye Open, London 2015, p. 260). Hodgkin was given his first solo show in 1962 at Arthur Tooth & Sons and his international appeal and career grew steadily from there. In 1984, he represented Britain at the Venice Biennale, and the next year he was awarded the Turner Prize. In 1992, Hodgkin was knighted. A retrospective in 1995-96, organized by the Modern Art Museum of Fort Worth, travelled to the Metropolitan Museum of Art in New York and Dusseldorf, Germany. In 2000, Hodgkin was invited to exhibit ten recent works, the present painting included, alongside the permanent display in South London's Dulwich Picture Gallery. The exhibition sought to centre Hodgkin's practice as part of a longstanding history of painting. Influences in Hodgkin's work can be seen across centuries, including Henri Matisse, Albert Pinkham Ryder, Ellsworth Kelly, Pierre Bonnard and Les Nabis, as well as painterly dialogues with contemporaries such as David Hockney. At Dulwich Picture Gallery, the artist searched for roots and qualities in the works of the predominantly 17th Century museum collection that inspired him and nurtured his own practice. What Hodgkin was able to do, however, was establish a timelessness to abstract painting that emphasised the nature of painting – drawing attention to composition, colour, speed and execution, even the traditional moulded and gilt framing. Here, the pieces were not selected to highlight difference and encourage comparisons, but rather to show Hodgkin's in a renewed context and cast them in a deeply historical light. Out of the Window was placed between The Locksmith by a follower of Ribera and Guernico's St Cecilia. The work was also reproduced alongside a poem by James Fenton for a Tate poster to mark the opening of the Tate Modern in May 2000.In the present work, a rapturous rainbow of colour is composed in broad orchestral brushstrokes and confident strokes of vibrant jewel like paint, reminiscent of the colours of India, a country he would adore and return to throughout his life. The pigments intermingle, push, and pull on each other, instilling a sense of vivacity in its boisterous movement and energy. The size and shape of the antique oval picture frame – a less common format in Hodgkin's oeuvre – adds to the sense of a real window, transporting the work to a third dimension. Hodgkin made frames integral to his practice. He would fit the wooden panels to found old frames and treat them as one joint painting surface. With paintings residing in museums internationally, including the Museum of Modern Art, New York; the Museu de Arte Contemporanea de Sao Paulo, Brazil; and the Centro de Arte Moderna, Lisbon, this represents an opportunity to acquire a work of exceptional quality with wonderful provenance, by one of the most prominent and celebrated British painters of the modern era.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (B. 1937)Figure Drawing 1962 signedchalk and pencil on paper 39.9 by 49.8 cm. 15 11/16 by 19 5/8 in. This work was executed in 1962.Footnotes:ProvenanceDavid Blackburn Collection (acquired directly from the artist in 1962) Acquired directly from the above by the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ART INTEREST. 'Raffaello: The Paintings, The Drawings,' unclipped dj, Grange Books, Itay, 1998; 'Michelangelo: The Complete Sculpture, Painting, Architecture,' by William E. Wallace, Beaux Arts Edition, 1998; 'David Hockney by David Hockney.' Unclipped dj, Thames and Hudson, 1976; with five other books including 'Robert Lenkiewicz,' signed by the author Keith Nichols. (7) Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £35 Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Various authors - A collection of Art reference books to include 'Goya - The Witches and The Old women Album', Courthauld Gallery Press, 'Picasso - Portrait of Picasso as a Young Man', Norman Mailer, 'The Real Van Gogh - The Artist and His Letters', Royal Academy of Arts Press, 'Joan Miro', Walter Erben, 'Paul Cezanne', Isabelle Cahn, 'Vincent By Himself', Bruce Bernard, 'Le Morte D'Arthur', Sir Thomas Malory, illustrated by Aubrey Beardsley, 'Secret Knowledge', David Hockney, 'A History pf Pictures', David Hockney and Martin Gayford, 'Art Nouveau 1890-1914', V&A Press, and 'Cinecitta', Fellini. (11)
•AN INTERESTING FOLIO OF MODERN ART POSTERS for exhibitions by Richard Diebenkorn, Noel Forster (3 of the same one), Lucian Freud, Max Gill (?), Gunther Haese, David Hockney, R. B. Kitaj, Henri Matisse, Ian McKeever, Victor Pasmore, Pablo Picasso, Mark Rothko, Andy Warhol, and others, 1970-1982, various sizes (23) ++ Good condition throughout; minimal handling creases; the majority very fresh
λ David Hockney (British b. 1937)Olympische Spiele München 1972 (Baggott 34)Lithographic poster printed in colours, 1970Published by Edition Olympia 1972 GMBH, MunichSheet: 99.5 x 63cm (39 x 24¾ in.)UnframedCondition Report: Unframed. Slightly curled top and bottom commensurate with being stored in a tube. A very small crease to the very lower left edge. Otherwise appears to be in good original condition. Condition Report Disclaimer
After David Hockney OM, CH, RA (b.1937) ''Diver Poster for Olympische Spiele München'' Lithograph printed in colours, 1972, printed by Matthieu AG, Zurich, published by Edition Olympia 1972 GmbH, Munich, 99cm by 63cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
After David Hockney OM, CH, RA (b.1937) ''Remember That You Cannot Look at the Sun or Death for Very Long'' With Circa stamp and numbered 2906/3000, lithographic poster, 89cm by 25.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business In an excellent state of preservation
After David Hockney OM, CH, RA (b.1937) ''The Road Across the Wolds'' Signed, lithographic poster, together with a further signed poster after the artist ''The Road to York Through Sledmere'', 49cm by 60.5cm and 34cm by 66cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
*DAVID HOCKNEY (B. 1937) 'The Little Sea Hare' 1969, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' displayed as a seven page a leporello, four etchings with aquatint, three en-texte, on Hodgkinson hand-made paper, signed and numbered 57 from the edition of 100 in pencil to the title page, overall dimensions 49cm x 221cm including the perspex box frame
*Leonard Rosoman RA (1913-2012)Design for a mural at the Royal Garden Hotelsigned 'Leonard Rosoman' l.r., watercolour32 x 24.5cmIn the early to mid-1970s, Leonard Rosoman contacted the vendor of this, and the following nine lots, requesting help to buy his studios, at Pembroke Studios, Kensington. He and other artists, such as David Hockney, had the opportunity to buy the studio for £68,000. He could not pay for the services provided and thus offered drawings and watercolours to cover the fee.*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, a light wave to the sheet, otherwise appears to be in good condition. Well-presented.
*David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours101 x 64cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light creasing at the corners and a few handling creases elsewhere, slight discolouration to the white border at the bottom. Image is bright and bold.
*David Hockney RA (b. 1937)'David Hockney, New Drawings, Salt Mill, 1994'offset lithographic, signed 'David Hockney' in pen l.r.,image 69 x 82.5cm*Artist's Resale Right may apply to this lot.Lots 301-302 have been donated to the Dogs Trust to raise funds for the charity.Dogs Trust is the UK’s largest dog welfare charity and normally cares for around 14,000 dogs across its network of 21 rehoming centres in the UK and one in Dublin. Dogs Trust has a non-destruction policy and will never put a healthy dog to sleep. The charity also focuses its efforts on understanding dogs and sharing that knowledge with the wider public to prevent problem behaviours that can result in relinquishment or abandonment. We are working towards the day when all dogs can enjoy a happy life, free from the threat of unnecessary destruction. Condition report: Not viewed out of glazed frame. Glass dirty. Poster appears to be in good condition.
A large mixed collection of various 20th Century and contemporary art promotional advertising Exhibition posters of varying sizes, artists and venues. Many posters being laminated to include Hockney Tate Britain, Edvard Munch Scottish National Gallery, Stratos Saint-Clar-Galerie, Constable Scottish National Gallery, Visions Of Modernity, Van Gogh and many more. Varying sizes.
David Hockney (British 1937-), 'Red Square and the Forbidden City, from China Diary (M.C.A.T. 254)', 1982, lithograph in colors on Somerset paper, signed, dated and numbered from an edition of 1000 in pencil, published by Thames and Hudson, folded three times to form four panels (as issued), with accompanying book and text by Stephen Spender, housed in the original red paper folio, all within the original slipcase; sheet: 49 x 54cm ARR
δ David Hockney (b.1937)A Bigger BookThe book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 ½ x 27 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Rain on the Studio WindowInkjet printed computer drawing, 2009, signed, dated and numbered from the edition of 75 in pencil, on Epson Hot Press Natural paper, the full sheet, 430 x 310mm (16 7/8 x 12 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Untitled No.346, from A bigger book: Art edition BiPad drawing printed in colours, 2010/2016, signed, dated and numbered 204/250 in pencil, co-published by the artist, with their blindstamp, and Taschen, Berlin, the full sheet, printed on archival paper, with full margins, image 460 x 345mm (18 1/8 x 13 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Fiesta (Baggott 178)Offset lithographic poster printed in colours, 1988, on glossy thick wove paper, the full sheet printed to the edges, 630 x 425mm (24 3/4 x 16 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)White Lines Dancing in Printing InkLithograph printed in colours, 1990, signed and dated in pencil, numbered from the edition of 35, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, on Arches cover paper, with full margins, sheet 737 x 991mm (29 x 39in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Diver. Poster Olympische Spiele München (Baggot 34)Lithograph printed in colours, 1972, printed by Mattheiu, Zurich, published by Edition Olympia 1972, Munich, on heavy wove paper, the full sheet printed to the edges, sheet 1150 x 640mm (40 x 25 1/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Walking, June (MCA Tokyo 304)Homemade print executed on an office colour copy machine in colours, 1986, signed, dated and numbered from the edition of 59, published by the artist, on Arches Text paper, the full sheet printed to the edges, sheet 432 x 279mm (17 x 11in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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4312 item(s)/page