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Hockney, David - - Englische Graphik. Mit 1 Original-Lithographie auf Velin von David Hockney und zahlreichen Abbildungen. Köln, Galerie Der Spiegel, 1966. 12 Bl. 38 x 26 cm. Original-Broschur.Geh durch den Spiegel Folge 47. - Eins von 400 Exemplaren mit der Lithographie von D. Hockney. - Spindler 153, 91. - Schönes Exemplar.
David Hockney (Bradford/West Yorkshire 1937 – lebt in Los Angeles)Portrait of Cavafy IIRadierung mit Aquatinta. 1966. 35,6 x 22,6 cm (49,7 x 39,8 cm). Signiert, datiert und nummeriert. (37)Exemplar X/XXV. – Scottish Arts Council 59. – Erschienen im Verlag der Editions Alecto in London. – Schöner Abzug auf hartem Kupferdruckpapier. – Sehr gut erhalten.
DAVID HOCKNEY (b.1937) - 'Red Square and the Forbidden City' (1982), lithograph in colours, signed, dated and numbered 131/1000 in pencil, 49 x 54 cm (excluding frame), framed and glazed. For another example no. 266/1000 see Christie's Sale: Modern Edition, Works on Paper and Prints, 15 JUN - 1 JUL 2020 - LOT 109
§ † David Hockney O.M, C.H., R.A. (British 1937- ) In an Old Book (from Illustrations for Fourteen Poems from Constantine Cavafy), 1966-67 (Tokyo 52) annotated A/P DH in pencil, not in the artist's hand, below the plateetching on paper, working proof, aside from the edition of 75Final edition published by Editions Alecto, London Dimensions:35cm x 22.5cm (13 3/4in x 9in) (plate); 47cm x 36cm (18 1/2 x 14 1/4in) (sheet)Provenance:ProvenancePrivate collection, UKLiteratureAndrew Brighton, David Hockney Prints, 1954-77, Scottish Arts Council, Edinburgh, 1979 cat. no. 52David Hockney Prints, 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co., Tokyo, 1996, cat. no. 52Marco Livingstone, David Hockney: Etchings and Lithographs, Thames and Hudson, London, 1998, repr. b/w p.19 and pl.19 Note:'Illustrations for Poems from C P Cavafy, etched in 1966 and published in 1967, can be regarded not only as Hockney’s first sustained exercise in line drawing but as one of the most impressive achievements of his naturalist phase…The Cavafy images arose in three different ways: most of the figures were drawn from life; others, such as the boy frontally posed in In an Old Book were taken from photographs; and the buildings were based on drawings made on a visit to Beirut…Metaphor continues to operate in these prints in subtle and emotive ways. Whereas in his prints of the early 1960s Hockney had treated the paper as the support for a tactile and often heavily textured surface, in these images the white of the paper become both an enveloping atmosphere – all the more physically palpable for being undefined in its limits – and an equivalent for the sensuous smoothness of skin.Hockney’s originality as an illustrator is amply demonstrated in the Cavafy prints by his decision not to make pictures of particular poems but to capture the general mood in Cavafy’s poetry of a nostalgia for the erotic and then to select the poems to accompany the images.’Marco Livingstone, David Hockney: Etchings and Lithographs, Thames and Hudson, London, 1988, pp.20-21
NO RESERVE Castellani (Valentina) & others, editors. Francis Bacon: Triptychs, loose as issued in original orange cloth drop-back box, Gagosian Gallery, 2006 § Lynton (Norbert) Ben Nicholson, 1993 § Stephens (C.) & Andrew Wilson. David Hockney, 2017 § Chapman (Jake & Dinos) Like a Dog Returns to its Vomit, 2005, plates and illustrations, many colour, all but the first original cloth or boards, the second with dust-jacket; and c.25 others on modern and contemporary British art, v.s. (c.30)
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, the full sheet printed to the edges, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Vide-PocheHand-cast, fine bone china ash-tray, 2020, numbered from the edition of 200 on accompanying pamphlet, housed within the original box, the overall size 160 x 200 x 30mm (6 1/4 x 7 7/8 x 1 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 ¼ x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
▴ David Hockney CH RA (b.1937)'The Print Collector (Felix Mann)'lithograph,1970, studio proof, signed 'David Hockney' in pencil l.r.sheet 66 x 53.5cmProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe print has deckled edges. There are light handling creases to the top edge and bottom left corner and some very small spots of light surface dirt, please see images.
David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 6 May iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 9/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)Footnotes:ProvenanceGalerie Lelong, Paris.Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue description:- attached to backboard in several places along sheet edges verso, with associated very slight undulation of the paperOtherwise in very good condition. In the original frame as purchased from Galerie Lelong, Paris, with their label at the back of the frame. Unexamined outside the frame.
Group of Eight Prints and Photos - Sailing related and others to include: Limited edition print 'Classic Yacht Event 2005' 207/450, indistinctly signed by the artist; Limited edition lithograph 5/8, indistinctly signed lower right; '1908 Chart Showing Olympic Courses' limited edition print 36/100; Photograph titled 'Calvados '93' indistinctly signed below, 40 x 47 cm; and others including After David Hockney 'The Grand Canyon' print, all framed (8)
David Hockney OM CH RA (British b.1937) 'Mount Fuji and Flowers' poster, 2016 An authorised David Hockney poster printed on poster paper in the USA by the Metropolitan Museum of Art, New York. Measures 86.5 by 63.5cm Unframed and rolled in a tube Condition is good and only opened to be photographed and inspected. ARR charges may be applicable.
David Hockney OM CH RA (British b.1937) 'Fiesta 88, Bradford Festival' vintage poster, 1986 An archive poster printed to promote the Bradford Festival. Printed on thick, card like paper. Measures 43 by 63cm. Unframed, rolled and in a tube. Printed in 1986 and in good condition with no obvious marks, tears or damage. ARR charges may be applicable.
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), ROCKY MOUNTAINS & TIRED INDIANS 1965 lithograph on paper for the Pop Art Exhibition at the Royal Academy of Arts, September 13-December 15framed and under glass image size 59cm x 79cm, overall size 67cm x 87cm Note: The painting from this poster was painted at the University of Colorado, Boulder in 1965, where the university campus is on the edge of the Rocky Mountains. However Hockney's studio had no windows, so he painted this imaginary picture instead. It is inspired entirely by pictures in magazines and romantic ideas of the 'Wild West'. The nearest 'Indians' are in fact at least three hundred miles from Boulder. The chair was included for compositional purposes, and to explain its being there Hockney called the Indians 'tired'. The striped mountains in the background were a light-hearted response to contemporary striped, abstract paintings by American artists.
Hockney (David). A Bigger Picture, London: Royal Academy of Arts, 2012, numerous colour & monochrome illustrations, original wrappers, large 4to, together with:Adelson (Warren et al), Sargent's Venice, 1st edition, New Haven: Yale University Press, 2006, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, plusStevens (Mary Anne, editor), Alfred Sisley, 1st edition, New Haven: Yale University Press, 1992, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, andAuping (Michael et al), Howard Hodgkin Paintings, with a catalogue raisonné..., 1st edition, London: Thames and Hudson, 1995, numerous colour illustrations, original cloth in dust jacket, large 4to, plusSinclair (Nicholas), Kyffin Williams, 1st edition, Aldershot: Lund Humphries, 2004, numerous colour illustrations, original cloth in dust jacket, large 4to, and other British artist reference & related, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/4toQTY: (3 shelves)
§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) A BIGGER BOOK - 2016 First edition, one of 10,000 copies signed by the artist, elephant folio, original pictorial cloth and dust jacket (each to the same design by Hockney), limitation leaf printed on translucent paper, illustrated throughout. Housed in publisher's cardboard case with original stand designed by Marc Newson (incorporating multicoloured metal tripod and glass top), two white gloves and two allen keys (in pink plastic zip-up wallet), a copy of David Hockney: A Chronology, 40th Anniversary edition (unopened in original shrink wrap), and polystyrene packing material. Cologne: Taschen, 2016.Dimensions:the box 110cm x 58cm x 20cm (43.25in x 22.75in x 8in)Note: Note: 'A Bigger Book is a majestic visual survey of David Hockney’s art. In it, Hockney takes stock of more than 60 years of work, from his teenage days at art school up to his recent extensive series of portraits, iPad drawings, and Yorkshire landscapes. Never before has Hockney’s oeuvre been published in such scope, with such investment from the artist, and on such an astonishing, immersive scale' (publisher's website).
‡ DAVID HOCKNEY R.A. etching - ‘To Remain’, figure standing in the doorway of a Dry Cleaners, from 'Illustrations for Fourteen Poems by C.P. Cavafy', c. 1966Dimensions: 35 x 22cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeAuctioneer's Note:Hockney found inspiration as a teenager in the writings of Constantine Cavafy (1863-1933) and created a set of thirteen etchings reflecting Cavafy's reflections on homosexual desire.Condition Report:framed and glazed
‡ DAVID HOCKNEY R.A. etching - ‘Beautiful and White Flowers’ from 'Illustrations for Fouteen Poems by C.P. Cavafy',Dimensions: 35 x 22cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeAuctioneer's Note:Hockney found inspiration as a teenager in the writings of Constantine Cavafy (1863-1933) and created a set of thirteen etchings reflecting Cavafy's reflections on homosexual desire.Condition Report:framed and glazed, foxing, paper tinted.Unsigned
‡ DAVID HOCKNEY R.A. etching - 'The Black Cat Leaping', 1969, from 'Illustrations for Six Fairy Tales from the Brothers Grimm'Dimensions: (PL) 23.4 x 27.4cm Provenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:very good overallUnsigned, unnumbered
‡ DAVID HOCKNEY R.A., limited edition (441/500) etching - ‘French Shop’, signed in pencilDimensions: 53 x 45cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:There is foxing to the mount.The print looks good, no damage or other issues.It is signed and dated.The frame is very dirty and has corner wear
‡ DAVID HOCKNEY R.A. 'A Bigger Book', Taschen 2016, limited edition (467/10000), in dust wrapper, together with original box, signed by artist, complete with adjustable acrylic and painted metal and perspex tripod stand designed by Marc NewsonDimensions: 71 x 52cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:some water damage to box, book pages not entirely flat, and stand in good condition
‡ DAVID HOCKNEY R.A., 'Fourteen Poems' by C. P. Cavafy, chosen and illustrated with twelve etchings by David Hockney, translated by Nikos Stangos and Stephen Spender, London - editions Alecto, 1966, twelve etchings on handmade Crisbrook Waterleaf paper by Barcham Green, each with publishers ink stamp to verso 'edition B', and numbered 362/373, signed by the artist to colophon at rear, numbered 451/500, tissue guard to each print, original magenta cloth, in original publishers black cloth slip caseProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:black slipcase has shelf wear
David Hockney, a signed (in green and blue ink) 1992 European Market FDC with insert. The stamp was designed by Hockney. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
David Hockney, a signed (in silver ink) 8X6 promotional card. There is a scratch below the signature and a few other minor marks. The card was produced in 2017 for the dual celebration of Hockneys 80th birthday and the 30th anniversary of the opening of Salts Mill. An art gallery, shopping centre and restaurant complex based in Saltaire, Bradford which houses one of the largest collections of Hockneys work. Further information and calendar of events to back of card. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Hockney (David) and Stephen Spender. China Diary, number 132 of 1,000 copies signed by the authors with original folding five-colour lithograph 'Red Square and the Forbidden City' signed and numbered by Hockney, illustrations, some colour, original cloth, lithograph housed in original printed card folder, together in original card slipcase, numbered in pencil, 8vo, 1982.
David Hockney (British 1937-), 'Olympische Spiele München', 1972, lithographic poster printed in colours on wove smooth wove paper, published by Edition Olympia, 1972; sheet: 101 x 64cmARRsheet: 101 x 64cmIn good conditionNo knocks or tears to the sheetSome minor creasing/wear to the lower corners and lower edge of the sheet, visible upon close inspectionThis work has been stored flat and has not been framed.
David Hockney (British 1937-), 'Untitled. 468', 2010, iPad Drawing printed in colours on cotton-fibre archival paper, signed and numbered from an edition of 250 in pencil, published as part of 'A Bigger Book'; 72.5 x 58.5cm inc frameARR72.5 x 58.5cm inc frameIn Excellent ConditionNo visible knocks, tears, or creases to the sheetFramed to a high standard using UV Protection GlassNot examined out of the frame or under the mountIn Excellent Condition
David Hockney (British 1937-), 'Pool and Steps, 1971, Mount Fuji and Flowers, 1972 & Me Draw On iPad, 2011', a collection of three exhibition posters; sheets: Pool and Steps: 59.5 x 84cm; Mount Fuji and Flowers: 63.5 x 86.5cm; & Me Draw On iPad: 59.5 x 84cm (3)ARR sheets: 59.5 x 84cm: 63.5 x 86.5cm: & 59.5 x 84cm
David Hockney (British 1937-), 'Fiesta 88, 1988, The Other Side, 1993, Pembroke Studio, 1986 & Montcalm Interior At 7 O'Clock, 1988' a collection of four exhibition posters; Fiesta 88: 63 x 42.6, The Other Side: 63 x 101cm, Pembroke Studio: 76.2 x 50.8cm, & Montcalm Interior At 7 O'Clock: 70 x 83.4cm (4)ARR Sheets: 63 x 42.6, 63 x 101cm, Pembroke Studio: 76.2 x 50.8cm, & 70 x 83.4cm
David Hockney (British 1937-), 'My Mother Bridlington', 1988, lithograph in colours on 250grm T.H Saunders Waterford paper, signed in ink, from an edition of 250, accompanied by a Certificate of Authenticity from The Mail On Sunday; sheet: 76.2 x 50.8cm (Framed)ARRsheet: 76.2 x 50.8cm (Framed)In overall good condition No visible knocks, tears or creases to the sheetOne potential minor mark to the upper border of the sheet, visible upon close inspectionThis work has been framed in a black frame This work has not been examined outside of the frame.

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