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David Hockney (b.1937) (after)A poster for Tyler Graphics Print Retrospective An offset lithographic poster printed in colours, 1989, on glossy wove paper, published by Tyler Graphics on the occasion of the artist's exhibition at Wetterling Gallery, Stockholm/London, the full sheet printed to the edges, 1000 x 670mm (39 2/5 x 26 2/5in) (unframed)
David Hockney (b.1937) (after)A poster for David Hockney: BMW Art CarOffset lithographic poster printed in colours, 1995, on glossy thin wove paper, published by Royal Academy of Arts, London, on the occasion of the artist's exhibition, the full sheet printed to the edges, 850 x 600mm (33 1/2 x 23 1/2in) (unframed)
David Hockney (b.1937) (after)A poster for Fiesta '88Offset lithographic poster printed in colours, 1988, signed in black ink, on glossy thick wove paper, the full sheet printed to the edges, 630 x 425mm (24 3/4 x 16 3/4in) (unframed)This poster was created on the occasion of the artist's inclusion in the Fiesta of 1988 in Bradford, the artist's birthplace. It is unusual in that the reproduced image of 'Flowers, Apple & Pear on a Table, July 1986' is exactly the same size as the original artwork.
David Hockney (b.1937) (after)A poster for The Modern Art Department: David HockneyOffset lithographic poster printed in colours, on glossy wove paper, published by the Metropolitan Museum of Art, New York, on the occasion of the artist's exhibition, the full sheet printed to the edges, 715 x 1070mm (28 1/5 x 42in) (unframed)
David Hockney (b.1937) (after)A poster for David Hockney: A RetrospectiveOffset lithographic poster printed in colours, 1988, on wove paper, published by the Metropolitan Museum of Art, New York, on the occasion of the artist's exhibition, the full sheet printed to the edges, 765 x 940mm (30 1/8 x 37in) (unframed)
δ David Hockney (b.1937)A poster for David Hockney: A RetrospectiveLithographic poster printed in colours, 1987, signed in pencil, the edition was 250, on TH Saunders wove paper, co-published by the Tate Gallery and The Daily Mail on Sunday, London, on the occasion of the artist's exhibition, sheet 750 x 500mm (29 1/2 x 19 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Hockney (b.1937) (after)A poster for David Hockney: A RetrospectiveOffset lithographic poster printed in colours, 1988, on wove paper, published by the Metropolitan Museum of Art, New York, on the occasion of the artist's exhibition, the full sheet printed to the edges, 750 x 780mm (29 1/2 x 30 3/4in) (unframed)
David Hockney (b.1937) (after)A poster for David Hockney: PhotocollagesOffset lithographic poster printed in colours, 1986, on thin glossy wove paper, published by the International Centre for Photography, New York, on the occasion of the artist's exhibition, the full sheet printed to the edges, 830 x 935mm (32 3/8 x 36 3/4in) (unframed)
EXHIBITION CATALOGUES ETC.A large collection of exhibition view cards, catalogues, posters & printed ephemera relating to mostly Cornish artists, including Terry Frost, Jason Wason, Eric Ward, Andrew Waddington, Ken Symonds, Kurt Jackson & others. Also, Eric Ravilious, David Hockney, Felix Topolski etc.
DAVID HOCKNEY EXHIBITION POSTERS - a group of four, 1979 - 1993. includes Some very new paintings, Gallery Salts Mill, Yorkshire, 1993, 63cm x 102cm; David Hockney Prints 1954 - 1977, Touring Exhibition 1979 - 1980, 97cm x 68.5cm; Drawings for the Theatre, Nishimura Gallery Tokyo, 1983, 92.4cm x 80cm; An Exhibition of Costume Drawings and Set Designs, Oxford, 1981, 76cm x 95.5cm, unframed. (4) 1953 + 1961 + 1962 + 1957
DAVID HOCKNEY EXHIBITION POSTERS: a group of four, includes, City of London Barbican Centre, 1982, 'Cubistic Bar', Petersburg Press, 95cm x 62.5cm; A Bigger Splash, The Tate Gallery, London, 1985, Hillingdon Press, 75.5cm x 50.5cm; Art for Equality, ICA Nash Rooms, 1981, 'Red Flowers and Blue Spots', 59.5cm x 42.5cm: Fiesta'88, St. James Market, Bradford, 1988, 'Flowers Apple and Pear on a Table', 63cm x 43cm, unframed, (4) 1960 + 1958 + 1963 + 1952
DAVID HOCKNEY EXHIBITION POSTERS: a group of four, includes Tivoli Gardens 150th Anniversary Jubilee, 1993, Copenhagen, Denmark, 85.5cm x 62cm; Chelsea Arts Ball, Royal Albert Hall, London, Count Basie Orchestra, 1992, 59.5cm x 39.4cm; You Make the Picture Paintings and Prints, 1982 - 1995, Art Galleries, Manchester, 1996 - 1997, 67cm x 49cm; Art Car, RAA, London, BMW Art Collection, 1995 - 1996, 84cm x 59.2cm, unframed, (4) 1951 + 1955 + 1959 + 1954
Picasso Paintings 1939-1946 with Introduction by John Russell, published Lindsay Drummond 1946 first edition with mounted colour plates in original colour wrappers, Pablo Picasso Man & His Work illustrated hardback, Van Gogh by L. Goldscheider and W. Uhde 1945 with full-page plates in dust-wrapper, Ruseckis, Stanley Spencer, David Hockney and Edward Lear books (8)
δ David Hockney (b.1937)The boy Hidden in an Egg (Tokyo 69)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 198 x 170mm (7 7/8 x 6 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)The Princess in Her Tower (Tokyo 68)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 447 x 323mm (17 1/2 x 12 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Wayne Sleep (Scottish Arts Council 112)Etching, 1969, signed and dated in pencil, numbered from the edition of 30, printed by Maurice Payne, London, on Crisbrook handmade paper, with full margins, plate 245 x 245mm (9 5/8 x 9 5/8in) (framed) Wayne Sleep, dancer, director and choreographer, was the shortest male dancer ever to be admitted to the Royal Ballet School, he is noted for his unusual physique and often had roles created specifically for him including notably that of Mr. Mistoffelees by Andrew Lloyd Webber in Cats. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Cardigan Road, BridlingtonInkjet printed computer drawing on paper, 2008, signed, dated and numbered from the edition of 25 in pencil, published by the artist and Annely Juda Fine Art, London, housed within the artist's original designated frame, with the Annely Juda label affixed to the reverse of the frame, with full margins, sheet 1137 x 813mm (44 3/4 x 32in) (artist's frame)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
HOCKNEY, DAVIDNEW PAINTINGS, DRAWINGS AND GRAPHICS OCTOBER 29 - NOVEMBER 16, 1977 New York: André Emmerich Gallery, 1977. 4to, signed on leaf after title "For Jonathan, David", original pictorial wrappers, wrappers slightly discoloured; Hockney, David Another copy. 1977, signed on leaf after title "For Tom, David"; Hockney, David On Photography. With Hockney's "Squiggle" signature: "[Squiggle] was here, 18, 19 20 July 1985 Bradford" on leaf before title. 8vo, National Museum of Photography, 1985. 8vo; Hockney, David Six Fairy Tales. Petersburg Press. First edition, 32mo, original leatherette, slightly rubbed (4)
Robert Ballagh b.1943HOMAGE TO MAGRITTEAcrylic on 8 panels, each 24" x 24" (61 x 61cm), overall 96" x 48" (244 x 122cm), signed with initals and dated 1973Robert Ballagh began his series of ‘People Looking at Art’ in the late 1960s when he was the most challenging new kid on the block in Irish art. Coming from a background in pop/rock music and a discontinued education in architecture, he brought a new and iconoclastic eye to the art world, not just in Ireland but internationally. From the outset, Ballagh carved a wide gap between himself and the traditionalists in the RHA as well as the cult of international modernist abstraction, favoured by the Arts Council. The ‘Looking at Art’ series was given its first public iteration in the artist’s inaugural exhibition at the Hendriks Gallery in 1972, when it threw Irish critics and collectors into a spin of excitement. It later formed the basis for a commission for a shopping centre in Clonmel in which many of the compositional elements in the paintings here were used. The series provides a visual equivalent to Brian O’Doherty’s[1] ground-breaking essays about how knowledge of art empowers the privileged, who can enjoy it, in clean, white spaces, neatly separated from the vicissitudes of the world outside. For the series Ballagh employed a neo-realist style derived from advertising, and thus, quite shocking to traditionalists. The paintings exposed the crass commercial realities and the crude branding of art works, as ‘a Lichenstein’, ‘an Ellsworth Kelly’, ‘a Hockney’ or ‘a Bridget Riley’, and also pointed out the preciousness of the gallery space, where the audience is generally fashionable but sparse. That first series was an immediate sell out to collectors like Gordon Lambert, the Arts Council and Ronnie Tallon (on behalf of Bank of Ireland) and led to considerable international exposure for the artist.Catherine Marshall, October 2016.[1] Brian O’Doherty, Beyond the White Cube, 1975.In this work the viewer is looking at Renee Magritte’s Le Monde des Image 1950.[1] Brian O’Doherty, Beyond the White Cube, 1975. In this work the viewer is looking at Renee Magritte’s Le Monde des Image 1950.
After David Hockney (British, b. 1937): 'My Mother, Bridlington, 1988', four colour lithograph, limited edition of 250, unnumbered, signed in pen lower right on October 22nd 1988, published by Tate Gallery Publications, printed by Westerham Press Ltd, 76 by 51cm, unframed, together with Certificate of Authenticity from The Mail on Sunday who commissioned this edition of 250 prints. ***Subject to ARR***Provenance: private collection since purchase via The Mail on Sunday in 1989.
Three volumes E T McDermot, History of the Great Western Railway by GWR 1927-31An H Greenly and W J Bassett Lowe "Model Railways and Locomotives", bound copies of the magazines, volumes 1 to 5, 1909 to 1913. ABC Railway Guide for 1921, The Life of George Stephenson, second edition, published 1857, R Jung, Timothy Hackworth and the Locomotive, first edition published 1923 along with other assorted railway interest, A box of ephemera and pamphletsTo include a David Hockney BT Bradford Phone Book, 1989, Dennis Wheatley murder mystery "Who killed Robert Prentice", first edition, two titles in the Ariel Poem series by W H Auden and Stephen Spender, a set of Cruik Shank prints, a Francis Moore's Loyal Almanac for 1858, Maple's Furniture Catalogue 1953 and other items, 8 Volumes The Children's Hour Illustrated with Numerous Colour Plates.
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3741 item(s)/page