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STAR WARS: THE EMPIRE STRIKES BACK (1980) - Production-made Darth Vader Helmet CastingA Darth Vader helmet casting from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. This helmet was made using the original moulds in the production's workshop, but was ultimately unused. The helmet comes in two parts - the face mask and the dome - and is predominantly made of fibreglass, with a metal grate over the mouth, clear plastic eyes and a foam lining. It has been finished in black paint, although this is unlikely to have been during production. The mesh and foam are also likely added later. The face mask features elastic straps on the back. The lot has some wear from age - most notably cracked fibreglass around the throat and some of the edges, and chips to the paint work.Estimate: £10,000 - 20,000 M View all lots from STAR WARS: THE EMPIRE STRIKES BACK (1980)View all lots from STAR WARS - ALL ITEMSBidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
Viktorianisches Schreibzeug Silber, Tintenfass-Présentoir, punziert London 1884, Hersteller-Punzierung. Die ovale Basis mit durchbrochen gearbeitetem Rand durch geschweifte Grate in vier Felder unterteilt. In drei der Felder qualitätvoll getriebene, galante Genre-Szenen mit Paaren in Landschaftskulisse. Im Uhrzeigersinn ergibt die Folge der Szenen einen narrativen Zusammenhang. Zunächst ein Herr, der an eine lesende Dame herantritt, begleitet von einem Pfau, der das Werben symbolisiert. Die zweite Szene zeigt die Frau Schwäne fütternd, während der Mann sie im Hintergrund musizierend begleitet. In der dritten Szene spazieren Frau und Mann Arm in Arm, begleitend ein Hund als Symbol der Treue . In der konvex gewölbten Mitte der Basis montiert findet sich erhöht ein gläsernes Tintenfass mit kugelförmigem Corpus und scharniertem Deckel mit Nodus in Form eines Adlers mit ausgebreiteten Schwingen. Die Schultern des Gefäßes in durchbrochen gearbeiteter Silber-Montierung mit Schweifwerk, darin integriert vier Figuren-Darstellungen: Dame und Flöte spielender Herr sowie Dame und Laute spielender Herr. Das vierte Feld mit Rocaillenkartusche, eventuell zur Gravur eines Hochzeitsdatums. Scharnier beschädigt, der Deckel lose. Höhe: ca. 16 cm, Länge: ca. 31,5 cm. Provenienz: Süddeutsche Privatsammlung.
Slave Trade/Madagascar. 1717 (Jan. 27) Entire letter from James Hunter, Surgeon on a slave ship returning from Madagascar, written from "St De Lana" to his brother in Leeds, probably carried by an East India Co vessel to London and posted upon arrival with "25/FE" Bishop Mark, charged 4d. The letter includes "We arrived hear from the Cape of Good Hope being obliged by Charter of Party to deliver some of our slaves for ye use of the East India company ...... We left ye Island of Madagascar Decem ye 1st and brought captive from there 386 slaves. We was upon the island above five months before we got fully slaved and in ten weeks after ye date hearof expect to deliver them being our full cargo at Bonis Airs in ye Spanish West Indies ..... I left my good wellwisher and truly no less than experienced surgeon Mr Barcly at Madagascar last August 1716 he was a man in years and being super cargo and our Capts father in law went a grate way up in ye country to accomidate the King of Timmohriffe and settle a factory for trade so expostulated himself in his journey fell into delirium .....". The East India Co sanctioned the taking of slaves from Madagascar from 1716 to 1721; slaves could be bought for 10/- of goods, the EIC requiring nine slaves to be delivered for every £500 of goods exported to Madagascar. In 1716 two licences were granted, to the vessels "Hamilton" and "Mercury". Some soiling and splitting of folds, which have been repaired, but a historic letter with good content on the slave trade, only one earlier letter recorded from St. Helena with postal markings. Photo on Page 216.
Silver vinaigrette, Nathanial Mills, Birmingham 1844, rectangular with engraved scrolls and engraved cartouche, cast thumb piece, pierced and engraved grille, partial gilt interior, 3.7cm.Condition report:Fine surface scratches to the inside. Doing to the edge of the grate. Two dents to the base, most noticeable when looking at the inside. Please see additional uploaded images.
Silver vinaigrette, Nathaniel Mills, Birmingham 1852, rectangular with engraved scrolls, overlaid blank cartouche, cast thumbpiece, pierced grille and partial gilt interior, 3.5cm.Condition report:Fine surface scratches to the vacant cartouche. Scratch to the inside of the lid and some minor loss of gilding to the inside of the base. Couple of dings to the grate. Please see additional uploaded images.
Silver vinaigrette, Nathaniel Mills, Birmingham 1853, rectangular with serpentine engraved edges, blank cartouche, piered and engraved grille, partial gilt interior, 2.8cm.Condition report:Fine surface scratches to the vacant cartouche and inside. Discolouration and some cleaning residue to the inside too. Couple of dings to the grate. Please see additional uploaded images.
An early to mid-18th century wrought iron bar-grate trivet, with rare maker’s initials, English, circa 1700-30 The arched top centred by a 'baluster-arrowhead’ issuing pairs of scrolls, with turned sycamore handle, on three rectangular-section legs terminating with penny feet, maker’s initials ‘I B’ to underside, height 23cm, overall length 38cm Provenance: Former Andrew Crawforth Collection
A large George III pewter domed-lidded ale jug, Birmingham, circa 1790-1820 Having a body of bulbous ovoid form, a large spout with perforated grate, open chairback thumbpiece, and double-C overlap handle with upper escutcheon reinforcement, a number ‘6’ stamped next to upper handle, touchmark to underside of base, possibly referring to John Ingram (fl.1755-1799), (PS5083), along with ownership triad ’S’ over ‘RM’, 109 fl.oz., height 23cm
Royal Sanitary Institute, bronze prize medals (3), unsigned, revs. named (Bratt, Colbran & Co., for Heaped Fire, 1905; Bratt, Colbran & Co., for “Heaped Fire” Grate, 1905; Bratt, Colbran & Co., for “Heaped” Fireplace in Glazed Earthenware, 1907), each 51 x 41mm [3]. Extremely fine; in fitted cases £60-£80
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5784 item(s)/page