A George III silver nutmeg grater of stylized acorn form, the interior fitted with a steel grate, the exterior engraved with floral decoration, Birmingham 1794 by Samuel Pemberton, height 3.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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A George III silver oval nutmeg grater, the hinged lid revealing a hinged steel grate, Birmingham 1807 by Matthew Linwood, length 3.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small cast iron fire grate, 44.5cm wide x 24cm deep x 28cm high together with a 19th century pierced brass fender, 128cm wide x 24cm deep x 23cm high; a copper coal bucket; one fire iron and a fire guard (5)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
A WILLIAM IV SILVER BOOK FORM VINAIGRETTE TAYLOR & PERRY, BIRMINGHAM 1830 Engraved with foliate swag borders, opening to a gilt foliate pierced and engraved grille, 3.5cm (1 /14in) long; and a George IV vinaigrette by Edward Smith, Birmingham 1827, with engine turned decoration, opening to a gilt pierced and engraved floral grille, 3.5cm (1 1/4in) long 35g (1.13 oz) gross (2) Condition Report: Taylor & Perry - Marks are partially obscured, hinges good, slight gap when closed, engraving good, no splits to grate Edward Smith - Marks are partially obscured, hinges good, engine turning worn, no splits to grate Light scratches and wear commensurate with age and use Condition Report Disclaimer
English school (19th century),A cottage kitchen scene,Oil on canvas,Unsigned,20cm x 30cm,Framed (at fault) CONDITION REPORT:The paint surface shows craquelure throughout. There is a small depressed puncture to the canvas at the top right of the fire grate, and a depressed scratch approximately 15mm long at junction of the front leg and arm of the chair on the right of the picture. There is a repair to the top right corner of the canvas approximately 7cm in from the right hand side and 4cm down from the top edge, corresponding to the patch on the back of the canvas. There are punctures to the canvas at each of the four corners on the stretcher, which may relate to how the picture was initially framed. The canvas is loose in its frame, and this has resulted in some wear to the edges of the picture. Examination under UV reveals no evidence of further restoration or repair. The frame is not original, and has been overpainted with gold and brown paint, which is now beginning to rub and wear, particularly at the high points.
Zebra Grate Polish - A large contemporary oil on board artist's impression painting of a traditional advertising enamel sign. The sign depicting a zebra head framed with a yellow boarder & surrounded by large red block lettering that reads "Zebra Grate Polish", with imitation rusting to the edges. Minor wear, overall good. Measures approx; 116cm x 77cm x 2cm
Jakob Gasteigero.T.1996Acryl auf Leinwand; ungerahmt270 x 180 cmRückseitig signiert und datiert: Jakob Gasteiger 7.7.1996österreichischer PrivatbesitzJakob Gasteigers Kunst nahm ihren Anfang in den 1980er Jahren, als er begann sich intensiv mit der Farbe als Material auseinanderzusetzen. Über das Erproben verschiedener Farbqualitäten, wie etwa Lack, Acryl oder Ölfarbe, sowie dem Ausprobieren von unterschiedlichen Techniken und im Speziellen durch das Experimentieren mit den Möglichkeiten des Farbauftrags, wie Schütten, Tropfen, Kämmen oder Spachteln, gelangt Gasteiger schließlich zu einer minimalisierten und reduktiven Bildsprache. Monochrome Oberflächen und einfache lineare Bildelemente bestimmen die Kunst Gasteigers ab Mitte der Achtzigerjahre. In weiterer Folge rücken der Prozess selber und damit auch das Prinzip der Wiederholung und Ritualisierung sowie das serielle Schaffen ins Zentrum seines Interesses. Er arbeitet seine gewählten Stilmittel und seine spezialisierte Technik, die Farbe mit dem Ziehen eines Kammwerkzeugs auf dem Bildträger zu verteilen, immer perfektionierter und signifikanter heraus. Mit diesem bevorzugten Malwerkzeug können feine oder scharfkantige, breit auseinander liegende oder schmale Furchen in der Farbe erzeugt werden. Den Ablauf der Bildentstehung legt der Künstler dabei vorher fest. Er möchte sich als Subjekt bei der künstlerischen Arbeit ganz zurücknehmen und persönliche Stimmungen vermeiden. Er spielt jedoch mit Format, Texturen und Strukturen. Im vorliegenden Bild von Jakob Gasteiger aus dem Jahr 1996 hat er die Bewegung des Kammwerkzeugs auf der hochformatigen Bildfläche ausschließlich vertikal durchgeführt. Der gesättigte, dicke Auftrag der Farbe auf die Leinwand und die Bewegung des Durchkämmens führen zu einer interessanten Vermischung der beiden absoluten Endpunkte der Farbigkeit Schwarz und Weiß. Es entsteht ein beeindruckender Hell-Dunkel-Effekt, der auch zu einer räumlichen Wirkung in die Tiefe des Bildgrundes führt. Die Grate durchziehen die bichrome Farbe gleichmäßig und bei näherer Betrachtung wird die Körperlichkeit des Farbauftrags deutlich. Gasteiger fordert den Betrachter mit seiner Kunst auf, sich über den ersten Blick hinaus auf minimale Differenzierungen in seinen Bildern einzulassen, um das ganze Wesen seiner Kunst, die für ihn Skulptur, Plastik und Malerei einschließt, erfassen zu können. Durch diese Sensibilisierung in der Wahrnehmung kann sich der Betrachter der ganzen Schönheit durch Reduktion, Farbigkeit und Ästhetik seiner Werke hingeben.(Sophie Höfer)
A CAST IRON FIRE GRATE19th centuryOf urn form, draped with a swag, flanked by scroll handles, 59cm wide, 35cm deep, 59cm high (23in wide, 13 1/2in deep, 23in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A cast iron vase fire grate19th centuryWith mask head scrolling handles, on pedestal and stepped square base, lacking ash tray, 52cm wide, 21cm deep, 59cm high (20in wide, 8in deep, 23in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An Interesting and Early approx 1" scale scratch-built live steam Traction Engine by unknown maker, with single cylinder and lever-operated reversing, this appears to be an older model with some more recent repairs/additions probably by Cherry's as their pressure gauge is fitted, the boiler is externally-fired (enclosed), possibly intended for spirit-firing though now fitted with ashpan and perforated 'grate', original parts including the stamped 'tin' wheels, approx ¾" x ¾" cylinder mounted on cast frame with crankshaft bearings, approx 4" diameter flywheel, water pump driven from eccentric at opposite end, disengageable gear-drive to off-side rear wheel, manual-operated cylinder drain cocks and worm-operated steering, more modern fittings include the Cherry's pressure gauge, safety valve to top of regulator block and fittings to water tank at rear, overall G, crankshaft bent on flywheel side, some parts painted in black but the majority unpainted
Asian Painted Cabinets (2) items including a Japanned William and Mary style cabinet in tones of blue and black having (2) doors over (2) drawers with an interior converted to an ice box having enameled metal walls and a metal grate shelf (38.5-inches tall by 17-inches wide by 13-inches deep); and a veneered cabinet in tones of green and gold having dragon imagery, ornate brass hardware, pagoda style feet and base with (2) doors having hanging drawer pulls that open to reveal an internal shelf Property from: a Chicago, Illinois (Streeterville) estate Height: 29 1/2 inches, Width: 33 inches, Depth: 19 1/4 inches (green / gold cabinet) Condition: Good, overall light to moderate wear consistent with normal use; nicks, scuffs, scratches and ocassional areas of paint loss overall; William and Mary style cabinet having heavier wear to top including finish distress, scuffs, scratches, water spots, feet having areas of finish loss; green and gold cabinet having heavier wear to base with nicks, scuffs and scratches, 0.5-inch area of veneer loss on right front corner of cabinet top, plus top having a moisture ring, 6-inch crack to veneer at center, inside shelf pegs missing Category: Furniture > Asian Estimated Sale Time: 10:07 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
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5784 item(s)/page