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Fire grate and pair of dogs Grate W.78cm

Advertising: a vintage 'Licensed Slaughter House Ministry of Food' advertising sign, hand painted on hard board and framed, 40 by 64cm, together with 'Zebra Grate Polish', an Edwardian shop display board, with a Pears print verso, depicting three musicians, with Pears logo lower right, in an oak frame, 32 by 50cm. (2)

A cast iron fire grate, 75cm, together with a pair of fire dogs

A cast iron fire back, 72cm, together with a grate and a pair of fire dogs

A steel fire grate, 67cm, together with a brass coal box

A collection of Georgian fireplace brasswares, comprising spark guard with cast roundel to the front, ember tray, three sectioned grate front and wrought iron and brass fender (4)

A cast iron fire place, comprising back panel, grate with shaped top raised with lion and floral rosettes, 74cm wide, a heavy slated dog grate and two fire dogs with ash pan, parts possibly 19thC.

A pair of Antique cast-iron fire dogs and grate.

Fire grate and tools, and another fire grate

A steel work 28 bottle wine rack along with a wire work fire guard and dog grate.

A cast fire grate with back plate a/f

A Regency cast iron fire grate, 62.5cm wide.

A pair of reproduction mahogany and green marble grate front side cabinets, 166cm wide.

A CAST IRON FIRE GRATE, with a farrier scene to shallow back, approximate height 34cm x width 49cm x depth 30cm

EXPANDABLE BRASS FIRE FENDER (IN THREE PARTS) AND ORNATE BLACK VICTORIAN IRON GRATE AND BASE

A cast iron fire grate raised on pair of brass fire dogs, with matching fire back

An iron fire grate and fire dogs

Cast Iron Fire Front, Dog Grate and Irons

A cast iron fire grate

A cast iron fire grate

Modern cast iron fireback 87W x 73H & fire grate 83 x 47 cm

FIRE GRATE, Georgian style, serpentine fronted with turned finials, 61cm W x 60cm H.

A cast iron fire grate and a fireguard

A cast iron fire grate and four cast iron bath feet

A cast iron fire grate, together with a pair of irons, 82cm overall

A cast iron fire grate, 46cm, together with another and various fire tools

An Edwardian style cast iron fire grate, 56cm

A Regency style cast iron and brass fire grate, 65cm

ADAM STYLE STEEL SERPENTINE FIRE GRATE, with pierced apron, width 82cm; together with a similar bow fronted, steel fender and conforming fire guard (3)

Cast iron fire grate Condition:

2 vintage iridescent cast Iron fire grate fronts. One has "Haighton" makers mark on back.

A cast iron fire grate and a pair of fire dogs

An old cast iron fire grate

Fire grate (W18 x D38cm)

3 cast fire grate fronts

A GEORGIAN STYLE CAST IRON AND BRASS FIRE-GRATE, the shaped sides with beaded rims headed by classical urns above the bowed pierced frieze, with oval foliate filled medallions on tapering supports.

A GEORGE III BRASS AND CAST IRON FIRE GRATE the back with arching top and shell cast decoration, the bowed front with pierced brass apron, applied oval patera, turned brass finials and standing on tapering legs, terminating in bracket feet 83cm wide x 84cm high

A PAIR OF ANTIQUE BRASS FIREDOGS of turned form with scrolling legs, supporting a later fire grate, each dog 60cm high, the fire grate and dogs 97cm wide overall and 54cm deep

A CAST IRON FIRE GRATE, of rectangular form, the shaped outset sides headed by gilt brass lion mask on rectangular plinth supports,62cms x 97cms x 41cms.

A George III  brass mounted steel serpentine fronted fire grate W.105cm

Two brass coal boxes, fire hose, garden tools, cast iron fire grate, tiles, etc.

A 19th Century Nutmeg Grater with foliate engraved decoration and with integral grate

A QUANTITY OF METALWARE TO INCLUDE A MAGIC LANTERN, CAST IRON FIRE GRATE, THREE BRASS FENDERS, 95CM AND SMALLER ETC

A BRASS AND CAST IRON FIRE GRATE AND CAST FIRE BACK, 61CM H

Various late 19thC/early 20thC Eastern metalware, to include a water pot, 38cm high, open grate style furnace stack, brass tabletop, crescent top canopy dome, etc. (a quantity)

A Victorian cast iron and brass fire-grate, with a scroll and shell decorated back and a serpentine railed front, with flaming finials, 67cm high, 48.3cm wide, 26.7cm deep. Provenance: Moreton House, South Grove, Highgate, London.

A cast iron fire-grate, comprising: a pair of andirons with dished tops, above a part fluted stem and scroll supports, together with railed basket, 61.5cm high, 90.5 + 26cm wide, 62cm deep.

A cast iron fire-grate, with a railed front, flanked by ribbon tied husk panels and torch front supports, 45cm high, 81cm wide, 29.5cm deep.

A George III style cast iron and brass fire-grate, with a serpentine rail front, pierced frieze and turned urn finials, 66.5cm high, 51.3cm wide, 35cm deep.

A George III style brass and cast iron fire-grate, with an arched back above a rail front and a pierced frieze, with turned urn finials, early 20th century, 71.7cm high, 66.2cm wide, 36cm deep.

Vintage scythe together with a metal hanging ceiling light with lanterns and a fire grate.(B.P. 24% incl. VAT)

A cast-iron ducks nest fire grate and a pair of firedogs.

A 19TH CENTURY CAST-IRON BEDROOM HOB GRATE, 18'' high x 20'' wide

A cast iron grate of "16th/17th Century" design, with ornate cast iron andirons, 24ins wide x 14ins deep x 19ins high

FIRE SURROUND, Georgian style cream painted carved wood with steel insert and fitted hob grate, 175cm W x 133cm H x 19cm D.

An oval mirror, fire grate, brass hand rail and a mahogany corner shelf

A MINIATURE CAST AND PAINTED METAL DOLLS HOUSE ROCKING CHAIR, a similar child's HIGH CHAIR, and a cast metal GRATE (3)

Gerard Dillon (1916-1971)Cottage InteriorOil on board, 30 x 40cmSigned; Inscribed with title versoBorn in Belfast, Gerard Dillon lived most of his life in urban environments which was in stark contrast to Connemara which he visited to seek out subject matter for his exhibitions. Enthralled by the daily lives of the people in the West of Ireland, the landscape evoked strong feelings, which Dillon expressed in his paintings throughout his life. In the early 1950’s he rented a thatched cottage in Moyard situated between Clifden and Letterfrack, where he entertained friends and family from Belfast, Dublin and London. The layout of the cottage was a central type hearth with one principal room and another smaller room. Between 1950-1955, Dillon painted a series of works depicting the interior of this cottage under various titles. In 1953, this work, ‘Cottage Interior’ was exhibited in Dillon’s second solo exhibition at Victor Waddington’s gallery and was chosen by Waddington to travel to America for Dillon’s solo exhibition at the Maxwell Galleries, San Francisco in 1954. Known as ‘Cloonederowen’ the cottage in Moyard was owned by the Baker family who lived nearby among a cluster of houses. In August, 1950, in search of his ancestors, the historian, BernardSmith visited Dillon in Moyard. He stayed a few days while Dillon’s sister, Molly was visiting. Writing to his wife, he described aspects of his visit,‘…The kettle seems to take hours to boil. When it rains, we read aloud from Ethel Mannin’s book on Connemara. She lives over at Clifden seven miles from here. She came over here seven years ago because her family seems to have come from Connemara, ……Having been unable to buy any saucepan in Letterfrack on Friday we had to boil the cabbages in the kettle and the potatoes in the teapot. Yesterday we managed to get a saucepan in Clifden…’ (A Pavane for another Time, Macmillan p, 402). Seated on a low stool known as a ‘creepy,’ an elderly figure is dozing beside the hearth in the sparsely furnished cottage as hens feed from crumbs on a floor. Common fireside appliances of a pot hanger, tongs, trivet and one oatmeal toaster are depicted near household domestic tools. Saucepans and a tea pot sit on a grate over a turf fire. The artist’s boots and clothes drying over the fire signify Dillon’s presence in the cottage. A fire burning at floor level, domestic appliances, and stray hens feature in other interior scenes from this cottage. The unidentified figure by the fire may be a neighbour, or a friend from the local village of Letterfrack. These images of cottage interiors represent a time in Connemara when lives and traditions were simple. A turf fire burning continuously day and night dried clothes, brought warmth and allowed smoke to circulate among the rafters keeping the under thatch dry. Considered insanitary by the 1960’s, lime washed cottages gave way to new fashions based on urban styles consisting of slated two story houses of cement-blocks with chimney flues. The open fire and furniture designed at low level disappeared with mechanisation. This cottage interior reminds us how effective floor level fires were at keeping people warm and preserving the thatched roof. As an urban dweller, Dillon’s attachment to these humble dwellings in small straggling rural villages in Connemara never altered during his life time.

FINE AND LARGE ADAM STYLE CAST IRON, STEEL, AND BRASS FIREGRATE LATE 19TH CENTURY the double arch moulded backplate with trophy above a grate flanked by steel urn finials over a serpentine fret flanked by brass wings with tapered legs on ball feet and surmounted by urn finials 114cm wide, 99cm high, 52cm deep

GEORGIAN STYLE IRON AND BRASS FIRE GRATE BY THOMAS ELSLEY 19TH CENTURY the arched backplate with a swagged urn above grate and serpentine fret flanked by square tapered legs surmounted by urn finials 80cm wide, 76cm high, 39cm deep Provenance: By repute, ex Skibo Castle