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An 18th century cast iron fire grate with embossed scene to the back plate, 55 by 30 by 10cm high. a/f

TWO ETHNIC OCCASIONAL TABLES TOGETHER WITH A METAL GRATE

A GEORGIAN FIRE GRATE, FIRE DOGS ETC.

A brass fire kerb together with a fire grate etc

A HEAVY CAST IRON GOTHIC TYPE FIRE GRATE, flanked by andirons width 86cm x depth 55cm x height 76cm

FIRE GRATE

FIRE GRATE AND BACK

A Late Victorian cast iron fire grate, stamped David Foulis registered vent dampers 61 George Street Edinburgh H64cm, W80cm, D43cm

Jahresbecher, Silber 925, Gbr. Kühn, 1981, nummeriert 52/600, innen vergoldet, Behangzier, vertikale Grate, 10.8 cm hoch, ca. 162 g, mit originalem Etui und Zertifikat

A cast iron fire grate, in the neo classical style, 92cm high x 75cm wide. 

Chelston model engineers No. 004 'Lady Jessie', 3.5 inch gauge side tank locomotive 0-4-0 contractors type engine with 2 outside cylinders, removable grate for solid fuel-burning, open cab for back head access, usual fittings, manometer, regulator, hand water pump, sight glass etc

A HEAVY WROUGHT IRON FIRE GRATE

AN ASSORTMENT OF ITEMS TO INCLUDE A TROMBONE, A FIRESIDE COMPANION SET AND A FIRE GRATE

Full title: A Flemish wrought iron stove grate, 17th C.Description:L 78,5 cmAbout this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.

A cast iron fireplace with grate

The fine mid-19th century childhood Dolls' House of Katherine Jeffray (1841-1929), an important English simulated stone painted wooden dolls' house, on detachable wooden stand with four turned legs terminating in lacquered brass castors, the breakfront three-bay façade with two storeys, the central key-lockable wood-grained four-panelled front door with brass knob, opening, with concealed hook releasing to open the whole front of the house, the door framed by pilastered Tuscan portico and painted glass Adam-style semi-circular fanlight above, roof pediment, five large twelve-light windows to the front and two to each end, grey-painted tiled pitched roof, trough gutter, stone painted chimney at each end with two angled upper sections, two flues to each chimney, the front opening to the left of the front door in two parts to reveal four large rooms with original decoration and furnishings, the ground floor on the left, kitchen with wooden fitted blackened range, burgundy, black and cream plaid wallpaper, painted paper marblised ceiling paper, blue and brown patterned glazed cotton chintz curtains, rush-effect embossed oil-cloth floor, a tin spit with 'clockwork' bottle jack on stand with drip tray, basting spoon and skimming spoon, Evans & Cartwright painted tinplate - yellow rush seat chair, yellow log basket and green kettle, six tin graduated meat covers, two copper kettles, six pewter platters with embossed food and a similar basket, a wooden birdcage with yellow feather canary and two Grödnerthal female servants (one missing legs); to the right on the ground floor, dining room with grey marblised wood fireplace with black Evans & Cartwright tinplate embossed surround with gilt-painted grate and fender, green and red wavy water simulated silk wallpaper, a pair of blue and white printed cotton patterned curtains with pelmet, silk blue rosette and white fringing, marblised painted paper ceiling, painted grey floor with teal silk velvet fitted carpet printed with pink roses, a pair of Evans & Cartwright painted wood-grained tinplate console tables in manner of William Kent, a simulated 'tortoiseshell' covered card gilt paper trimmed bookcase bon-bon or sewing box in the form of a glazed bookcase, a working pewter urn of spherical form with brown spirit-wash, a mahogany tilt-top circular table, a gentleman Grödnerthal doll in white jacket with a blue zig-zag line decoration, red waistcoat, cotton shirt and black britches, a lady Grödnerthal doll, a china shoulder-head doll, skirt made into a pin-cushion, in cream evening dress with train, five blown stemmed wine glasses, a gilt painted wooden clock in dome, a Waltershausen work-table and green paper covered circular box with various card discs with applied printed images, probably a game; the first floor left, sitting room with Siena marblised painted wood fireplace with black painted tinplate Evans & Cartwright embossed surround and gilt-painted grate and fender, red, black and cream plaid wallpaper, burgundy, pink and cream printed pattern curtains with pelmet and white fringing, painted marblised paper ceiling, blue and brown cotton chintz fitted carpet, a large Waltershausen Biedermeier style bureau with mirrored niche, a German eleven piece chromolithographed wood grain and inlay paper covered suite of furniture with purple velvet upholstery including sofa, unusual elaborate floor standing clock, square piano and six chairs, four currently in the dining room (one chair missing two legs), a china shoulder head doll with jointed wooden body, china limbs and green dress with lace trim, five Grödnerthal children (various limbs missing), Murano glass vases under glass domes, one with original glass roses (some damage), a turned painted wooden tea set on tray and a stack of handwritten calling cards for 'Miss Jeffray'; and the top floor right, bedroom with deep and light pink wavy stripe simulated water silk wallpaper, grey painted marblised fireplace with black painted tinplate Evans & Cartwright embossed surround with gilt painted grate and fender, painted marblised paper ceiling, grey, burgundy, pink and cream printed cotton curtains with pelmet and white fringing, a teal silk velvet fitted carpet printed with pink roses, grey and white printed cotton bed curtains with white fringing hung on left wall, an Evans & Cartwright painted tinplate washstand with green tinplate jug and basin and a toilet mirror, an interesting set of nine Biedermeier style blonde wood furniture with black ink decoration comprising sleigh bed, day bed, two tables, chest of drawers and four chairs, a china shoulder head doll with jointed wooden body, china limbs and green dress (missing one china leg) a washstand with bone shaving brush, cut throat razor, two nit combs and strap, a home-made card and pink silk half-tester bed, a German pink painted tinplate three piece bath set, two gilt metal leaf shaped chamber sticks, two bottles of Patchouly oil (for clear skin) and a bottle of Ambroisie; two small beds with tiny Grödnerthal babies and seven calling cards, two printed for Gnr Tom Thumb and five handwritten for Aunt Henrietta, Aunt Mary, Aunt Elisa and Aunt Caroline (who were Katherine's aunts on her mother's side) and a Miss Whitehead --57½in. (146cm.) high x 39½in. (100.5cm.) wide x 19in. (48.5cm.) deep (slight damage to house, crack down right hand side and top front left window broken, some slight damage to contents); and sold with an original painted portrait of Katherine Jeffray circa 1864 (aged 23) in gilt frame in leather carrying case --8¾in. (22cm.) height of image --16¾in. (42.5cm.) x 14¾in. (37.5cm.) size of case (case worn) Provenance - this house and contents have come directly down a female line of the family from Katherine; the house appeared on the BBC Antiques Roadshow in Dorking in 1998 and Homes & Antiques magazine in December 1998. Family tree - Grandparents Paternal - James Jeffray 1759-1848 was a Professor and born in Aberdeen, his wife was Margaret Lockhart 1775-1864 born in Stirling, Grandparents Maternal - Thomas Millar (Preston), 1767-1840 and his wife Catherine May, 1775-1844, Parents - Rev Lockhart William Jeffray, rector at Aldford, Cheshire (1815-1862) and Catherine Millar (1809-1900) born in Preston, Catherine Millar’s siblings - Anne Marshall (1800), Elisa Horrocks (1804), Thomas (1811-1865) married Henrietta Pitt (Winckley Preston), Mary Cairns (1812) and Henry (1813) married Caroline Robbins (Thistleton), Katherine Jeffray who owned the dolls' house was born in 1841 and died in 1927.Married Archibald Hamilton, 29th May 1867 at St Mary’s, Windermere.Children - Alexander Cairns Hamilton (1878-1928), Lilihs, Elsie (1869-1960) and Stella (1872-1955)

Georgian cast iron hob grate with diamond-pattern decoration, 59cm x 85.5cm x 24cmCondition ReportPlease see further images attached

A pair of fire dogs and fire grate

An antique style cast iron fire basket of rectangular form with fleur de-lys finials, (lacks internal grate) 65 cm wide, together with a pair of fire dogs with decorative scrollwork detail, beneath copper ball finials, 48 cm high, and a firescreen

A Victorian brass mounted cast iron serpentine fire grate, width 80cm, depth 46cm, height 72cm

A fire grate

A large oval swing handled pot, together with a grate crane

A wooden box containing a large quantity of assorted items including cast iron and enamel knight form fire grate, wooden handles, etc.

Cast iron fire grate

A spot sampler, worked with geometric wool work motifs and pictorial subjects including a kettle on a grate, on canvas ground, glazed and framed, 80 x 21cms, and two wooden embroidery frames, one floor standing. (3)

19th Century grate guard, mesh fronted with swivel supports, 39cm wide 

LARGE & HEAVY CAST IRON FIRE GRATE OF CONSIDERABLE AGE WITH ORNATE LEGS, 32" WIDE

A pierced brass Fender, in the Adams style with urn finial and pierced honey comb panel, 128cms (50") together with a small brass grate front. (2)

A very good heavy Victorian brass and metal Dog Grate, in the Adams stye, with raised decorated arched back, over a large basket grate with pierced apron, on brass fluted and tapered legs with large classical urn finials, Registration stamp on reverse, 85cms high x 86cms wide (33 1/2" x 34"). (1)

A good George III style chased and bright cut Fire Grate, "Belvedere" with scrolling foliage roundels and urn finials above a steel basket with open work frieze, 39 1/2" h x 35"w (100cms x 89cms). (1)

A BRASS AND IRON FIRE GRATE IN NEOCLASSICAL STYLE19TH CENTURY64cm high, 66cm wide, 40cm deepCondition Report: With pitting, discolouration, backplate cracked Clear signs of age and use in a domestic setting for intended purpose Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A George III serpentine fire grate,brass, mounted with urn finials, on tapering square legs,93cm wide50cm deep52cm highProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportThe back plate is buckled, but not cracked.

Cast iron fire grate front, 43x62cm.

A serpentine brass and cast iron fire grate, possibly Thomas Elsley, early 20th c, in George III style, 82cm h; 39cm d, 93cm l Lacks back, pierced apron slightly bent and damaged in one place, lacks basket

19TH CENTURY CAST IRON INSET FIRE GRATE MARKED TO TOP RAIL 'FBR 12', 61CM WIDE

Georgian cast iron fire hob grate, with Adam style decoration, together with a Victorian cast iron fire front, decorated with Britannia and Prince of Wales's feather motifs Dimensions: Height: 61cm  Length/Width: 77cm  Depth/Diameter: 30cm

Cast iron fire grate

A pair of cast iron fire dogs, together with further cast iron fire grate, insert, etc

A Robin Starch and Zebra Grate Polish square counter top dispensing tin in good condition.

A 3 1/2 INCH GAUGE LIVE-STEAM L.B.S.C. 'MONA' 0-6-2 TANK LOCOMOTIVE the copper tube boiler marked '11-75-162', green livery, 70cm long. Condition Report : Boiler history unknown; lacking injector and grate. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

A large metal fire grate.

Stone jars, fire grate and bottle carrier.

Cast iron fire grate, L86cm

A George III silver rectangular vinaigrette, the hinged lid and base decorated in relief with a band of shells within engraved borders, the interior with pierced gilt hinged grille, Birmingham 1818 by Ledsam & Vale, length 3.2cm, another silver rectangular engine turned vinaigrette, Birmingham 1837 by Gervase Wheeler, length 3.2cm, a silver barrel shaped nutmeg grater with reeded decoration, fitted with a steel grate, London, no date letter, by David Field, height 3.2cm, a silver pin cushion in the form of a basket with swing handle and pierced decoration, and a .925 silver pillbox in the form of a scallop shell, weight excluding steel grate and pin cushion 56.6g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A large George IV silver vinaigrette, by Thomas & William Simpson, Birmingham 1824, rectangular with engraved floral design and initials 'WMB', and pierced leaf scrolling grate to interior, 4.5cms wide, 0.8oz.

GLASGOW HISTORY - CAST IRON FIRE GRATE FROM THE WILLOW TEA ROOMS,removed from the Willow Tea Rooms of Miss Cranston & Charles Rennie Mackintosh fame during recent renovations, presented alongside a letter of authenticity written and signed the trustNote: The Willow Team Rooms Trust owns the only surviving Team Rooms building designed in its entirety for Miss Catherine Cranston by Charles R. Mackintosh in 1903

GLASGOW HISTORY - CAST IRON FIRE GRATE FROM THE WILLOW TEA ROOMS,removed from the Willow Tea Rooms of Miss Cranston & Charles Rennie Mackintosh fame during recent renovations, presented alongside a letter of authenticity written and signed the trustNote: The Willow Team Rooms Trust owns the only surviving Team Rooms building designed in its entirety for Miss Catherine Cranston by Charles R. Mackintosh in 1903

GLASGOW HISTORY - CAST IRON FIRE GRATE FROM THE WILLOW TEA ROOMS,removed from the Willow Tea Rooms of Miss Cranston & Charles Rennie Mackintosh fame during recent renovations, presented alongside a letter of authenticity written and signed the trustNote: The Willow Team Rooms Trust owns the only surviving Team Rooms building designed in its entirety for Miss Catherine Cranston by Charles R. Mackintosh in 1903

A Louis XV style fire grate, Charles CasierGilt bronze and metal grid Rococo decoration of central foliage scrolls and putti fleuron Marked France, 19th century78x73 cm

A Louis XVI style fire grateGilt bronze and metal grid Reliefs decoration of drapes and foliage motifs Musical trophy to centre Hoof feet France, 19th century (signs of wear)75x77 cm

Polished and blacked metal fire grate, with ball and square andirons, basket 46 x 31 cm

Model with openwork sides, pearl rims and removable grate. Standing on 3 legs with twisted decoration and ivory feet. Netherlands, Voorschoten, J.M. van Kempen & Sons, 1916, hallmarks: lion, Minerva, maker's mark, G - signs of use. 140 grams, 835/1000. Dim: L 11,5 cm, W 10,7 cm, H 10,2 cm.

A 19th century cast iron fire grate together with a pair of fire dogs

A Victorian cast-iron fire grate of rectangular form with serpentine front & pair of hob stands, decorated with classical female figures & floral wreaths with gadrooned edges, 28” wide x 25¼” high x 14” deep.

A Victorian cast-iron fire grate of rectangular form with serpentine front & pair of hob stands, decorated with classical fluted designs & floral roundels, 32½” wide x 23½” high x 12” deep.

Max Beckmann Expressiv Großes Selbstbildnis. Orig.-Kaltnadelradierung. In der Platte seitenverkehrt bezeichnet 'Weihnachten 1919 Berlin' und monogrammiert, zudem unten rechts signiert. 1919. Hrsg. von J. B. Neumann, Berlin, 1920. Auf Vélin. 24 : 19,5 cm. Papierformat 43,5 : 32 cm. - 1 von ca. 50 Exemplaren - Ausdrucksstarkes Selbstbildnis in eindringlicher Strichführung Die Gattung des Selbstporträts nimmt im Oeuvre Max Beckmanns eine herausragende Stellung ein. Über die Jahre schuf er mehr als 80 Bildnisse von sich selbst, teils auch umgeben von anderen Menschen. Die Werke, die ausschließlich sein charakteristisches Gesicht zeigen, haben jedoch die größte Eindringlichkeit und Intensität. In den Jahren 1910 bis 1930 nutzt er häufig das druckgraphische Verfahren, um sich mit seinem Selbst auseinander zu setzen. Im Großen Selbstbildnis sind es besonders seine stechenden Augen, die den Betrachter fesseln. Die Zigarette lässig im linken Mundwinkel haltend, zeigt er auf diesem Bildnis sogar leicht seine Zähne, was er sonst eher vermeidet. Die scharfen Grate der kraftvoll radierten Linien unterstreichen seinen eher skeptischen Gesichtsausdruck. - PROVENIENZ: Privatsammlung Süddeutschland. LITERATUR: Hofmaier 153 B (von B). 1 of approx. 50 copies. Expressive self-portrait. Orig. drypoint etching. Inverted in the plate 'Weihnachten 1919 Berlin' and monogrammed, also signed lower right. 1919. Edited by J. B. Neumann, Berlin, 1920. On wove paper. 24 : 19.5 cm. Paper size 43.5 : 32 cm. - Verso mounted at the upper margin on two places on firm cardboard, in the passe-partout opening hardly noticeably sunned and minim. browned. The margins partly minim. soiled, on the left side with a small, repaired tear. Overall in good condition. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

FIRE GRATE, FIRE TOOLS AND SPARK GUARD

A cast iron fire grate and back

A Thomas Elsley Georgian style serpentine brass mounted cast iron fire grate, lacking back plate, width 68cm, depth 34cm, height 73cm

A 19th-century fire grate with a pair of steel and brass andirons, 100cm by 48cm by 50cm