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Lot 74
Salvador Dali (1904 - 1989) Original self-portrait surrealist etching. On arches paper. Pencil signed and numbered (137/175) in lower portion. Comes with original purchase receipt from Galerie Orangerie Verlag from back in 1968 for BF 4,000.Provenance: Private Longboat Key, Florida estate. Image size: 20.75 x 16 in. Overall framed size: 30.5 x 22 in. Framed behind glass.
Lot 4270
Art - Cubicism including Picasso, Surrealism including Dali, Modernism, other 20th century genres; Lowry, Jack Vettriano, Norman Rockwell, Escher; maritime and sporting art; design reference, including Art Nouveau, Art Deco, etc; some antique reference; mostly h/b, d/j, folios; others, [79]
Lot 478
Salvador Dali(Spanish 1904-1989)THE NEGLECTFUL MEET VIOLENT DEATH from THE DIVINE COMEDY SERIES authenticated by Frank Hunter of the Salvador Dali Archives Ltd,New York on the reversewoodblocksheet size: 33 by 26,2cm, unframed “But while their sudden flight was scattering those souls across the plain and toward the mountain where we are racked by rightful punishments.”¹ Eccentric and imaginative, Salvador Dali’s repertoire extended far beyond his painting. In the 1950s, Dali was commissioned by the Italian Minister of Culture to illustrate a special edition of Dante’s Divine Comedy, which was released in 1965 on the 700th Anniversary of Dante’s birth. The Divine Comedy Suite is made up of 100 colour woodcuts produced between 1960 and 1964. This particular work is titled The Neglectful Meet Violent Death. It is from the second part of Dante's Inferno, Purgatory. The work is the illustration that accompanies the third canto of purgatory. Purgatorio 3 is written as a song and falls into two parts. The separation of the canto into two parts allows Dante to employ the technique of authorial dialogic- human consciousness exists in two paradoxical parts which are always opaque to one another, but not absolutely opaque. The partial opacity of human consciousness allows Dante to blur right and wrong. This is particularly apt in Purgatorio 3, which focuses on a group of departed souls trapped between worlds. Dali’s illustrations for Dante’s Divine Comedy employ metaphorical imagery, rather than being literal representations.² The delicate washes of colour in Purgatorio 3 perfectly complement the story of drifting souls in purgatory. The blandness of the colours, muted browns and greys, emphasise the nothingness of purgatory, the world that stands between heaven and hell. (Inferno and Paradiso). In our February 2020 Premier Auction in Cape Town a very similar work by Dali, Prayer of Saint Bernard also from the Divine Comedy series and similar in size and medium, sold for R16 000 on the hammer, outperforming its estimate of R 6000 – R 9000. Source: 1. Dante Aligheiri, Canto 3- Purgatorio, Accessed 10/6/2020 Dante Aligheiri 2. Dali, Psychoanalysis and Dante’s Divine Comedy, Accessed 9/6/2020 Dali, Psychoanalysis and Dante’s Divine Comedy
Lot 860
A large hand-blown glass sculpture of lovers embracing, raised on a conforming glass base with engraved signature 55cm high excluding base Pino Signoretto is renowned as one of the most famous and widely recognised glass masters in the world. He began his apprenticeship with a glass chandelier manufacture near Venice at just 10 years of age, and by the age of 16, his skill and unrivalled technical expertise earned him the title of ‘maestro’. In 1978 he opened his own studio in Murano, and during his prolific career he collaborated with many artists, including Jeff Koons and Salvador Dali. The Lovers is a fine example of the artistry and technical expertise for which he was famed.
Lot 351
Original vintage advertising poster for a Salvador Dali exhibition at the Zurich Art House / Kunsthaus from 18 August to 22 October 1989 featuring a surrealist design by the notable Spanish painter Salvador Dali (1904-1989) entitled The Face of Mae West depicting a portrait of the American actress Mae West (1893-1980) layered with an image of a gallery room with a decorated ceiling, red walls and wooden floor, the eyes as framed artwork on the wall, nose a mantel clock and mouth a red sofa with the text in white letters against a black background. Good condition, creasing, folds. Country of issue: Switzerland, designer: Unknown, size (cm): 128x90, year of printing: 1989
Lot 453
SALVADOR DALI (SPANISH 1904-1989)Jeremiah, from Our Historical Heritage, 1975 etching on Arches paper plate mark: 56.5 x 40 cm (22 1/4 x 15 3/4 in.) signed lower right, inscribed with edition number 302/400 lower left LITERATUREMichler & Lopsinger 7521; Field 75-4-K CONDITIONObserved in frame, crisp impression. Even and light overall toning. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 459
DALI SALVADOR: (1904-1989) Spanish Surrealist Painter. Signed First Day Cover featuring a colour image of Dali's artwork for a postage stamp used by the French postal authorities, also featuring a postage stamp with the same design, postmarked at Paris, 17th November 1979. Signed ('Dali') by the artist in bold black ink with his name alone to a clear area. About EX
Lot 460
DALI SALVADOR: (1904-1989) Spanish Surrealist Painter. An excellent signed `Dali´, limited edition 20 x 26 print (50cm x 66cm), drypoint etching coloured with stencil, being Dali´s work entitled Japanese Fairy Tale JUGOYE. The copy being number 142 of a total edition of 175 copies.Signed in dark ink by Dali to the bottom right corner. Framed in wooden gilt and glazed to an overall of 24 x 30 (60cm x 75cm). VG
Lot 39
δ Salvador Dali (1904-1989)Le Bestiaire de la Fontaine Dalinise (Michler & Lopsinger 653-664)The complete set of 12 drypoints with pochoir in colours, 1974, each signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Atelier Rigal, Paris, published by Mouret, Paris, with colophon, the sheets loose (as issued) contained in the original brown velvet-covered portfolio with embossed artist's name in gold, , each with full margins 770 x 570mm (30 3/8 x 22 1/2in) (12) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 40
δ Salvador Dali (1904-1989)The Cycles of Life. Reflections (Field 79-C)Etching with lithograph printed in colours, 1979, signed in pencil, numbered from the German edition of 125, published by Graphos Verlag, Germany, on BFK Rives paper, with full margins, sheet 615 x 440mm (14 ¾ x 21 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 41
δ Salvador Dali (1904-1989)Aquarius (Michler and Lopsinger 1185; Field 67-6 K)Lithograph printed in colours, 1967, signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Mourlot, Paris. Published by Amiel, Paris, with margins, sheet 760 x 550mm (30 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 47
δ Salvador Dali (1904-1989)Ananas (Field 67-11)Photolithograph with etching, 1967, signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 49
δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state with the aquatint, signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 812
BUKOWSKI, Charles (1920-94). Mockingbird Wish Me Luck. Los Angeles: Black Sparrow Press, 1972. 8vo (236 x 154mm). Title printed in colours. Original wrappers (some light staining). FIRST EDITION IN WRAPPERS. SIGNED by the author on the title page. With 24 other books including John Keats' The Poems (London, Chiswick Press, 1904, 2 vols., cloth, dust-jackets, ONE OF 350 COPIES), Transition. An International Workshop for Orphic Creation. Edited by Eugene Jolas (The Hague, The Servire Press, March 1932, No. 21, original wrappers), Pierre Cabanne's Dialogues with Marcel Duchamp ... Preface by Salvador Dali (London, 1971, cloth, dust-jacket), William S. Burroughs' & Eric Mottram's Snack ... Two tape transcripts ([London], Aloes Books, 1975, original wrappers), William S. Burroughs' Roosevelt after Inauguration and Other Atrocities (San Francisco, City Lights Books, 1980, original wrappers, second printing), Ian McEwan's The Comfort of Strangers (London, 1981, cloth, dust-jacket, FIRST EDITION, SIGNED by the author), Charles Bukowski's War All the Time. Poems 1981-1984 (Santa Barbara, Black Sparrow Press, 1984, original wrappers, SIGNED by the author and with a small sketch by him) and Michael Ondaatje's The English Patient (London, 1992, cloth, dust-jacket, FIRST EDITION). (25)
Lot 2226
Salvador Dali (Spanish, 1904-1989), "Victory: The Spanish War," 1947, watercolor and India ink on Strathmore paper, signed and dated lower right, sheet: 28.75"h x 22w"w, overall (with frame): 38.25"h x 32.25"w. Note: Accompanied by letter of authenticity from Nicolas R. Descharnes and Robert P. Descharnes (March 27, 2000, Paris)
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5597 item(s)/page