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Salvador Dalí (Figueres, 1904 - 1989)Felt tip pen drawing on paper. Signed and dated 1975. 30 x 43,5 cm. Drawn on the first page of the book "Dali…Dali…Dali...". New Concise Nal Edition. 1974.

Salvador Dalí (Figueres, 1904 - 1989) Ink drawing on an original black and white photograph of Salvador Dalí. Signed and dated 1979. 17,9 x 23,8 cm. The photograph was taken at a reception in the Académie des Beaux-Arts in France on 09/05/1979. On the back is text that reads: "Photo signée par Salvador Dali lors de sa réception à l'académie des Beaux-Arts" ("Photograph signed by Salvador Dalí during his reception at l'Académie des Beaux-Arts")

Salvador Dalí (Figueres, 1904 - 1989) Three original black and white photographs of Salvador Dalí in the Academy of Fine Art in Paris. One of them is dated 3rd November 1978 on the back. On the same image, also on the back, is text which reads: "L'acteur Pierre Dux avec Salvador Dali à droite fait son entrée à l'Académie des Beaux-Arts le 29 novembre 1978 à Paris, France. Photo by François LOCHON" ("The actor Pierre Dux with Salvador Dalí at his right makes his entry to the Academy of Fine Art on the 29th November 1978 in Paris, France. Photograph by François Lochon") It is likely that, of the two other photos, one would have been taken on the same day, on the 29th November 1978, and the other one on the 9th May 1979 18,5 x 25 cm, 17,8 x 23,7 cm and 17,5 x 24 cm.

Salvador Dali 1904 1989 by R Descharnes and G Neret Softback Book 1999 First Edition published by Taschen some ageing good condition.

Dali 1904 1989 by Robert Descharnes and Gilles Neret Hardback Book 1989 First Edition published by Taschen some ageing good condition.

Essential Dali by Kirsten Bradbury Hardback Book 1999 First Edition published by Dempsey Parr (Parragon) some ageing good condition.

The Dali Universe by Beniamino Levi Softback Book 2000 First Edition printed by Societa editrice Umberto Allemandi and C some ageing good condition.

Salvador Dali, 'Leonardo da Vinci', etching, 6.75" x 4.75".

Salvador Dali, an illustration from Alice in Wonderland, 'The Rabbit Sends in Little Bill', mixed technique printing, 16" x 11".

Salvador Dali, an illustration from Alice in Wonderland, 'The Queen Croquet', mixed technique printing, 16" x 11".

DANTE ALIGHIERI.- La Divina comedia / ilustraciones de [Salvador] Dali.- Madrid: Ediciones Velasquez, 1972.- 3 vols.: il.; 43 cm.- B., Copy nº 217 of a limited edition of 250 numbered copies (plus VIII for collaborators). The edition, funded by the Italian government, was published to commemorate the 700th anniversary of the birth of Dante (1265-1321), considered the greatest poet in the Italian language. It includes 100 original illustrations by the Catalan artist Salvador Dalí, (1904-1889), one of the greatest exponents of European surrealism, printed in Jean Estrade’s atelier (34 images in “Inferno”, 33 in “Purgatory” and 33 in “Paradise”). Copy with very slight foxing, confined to the text pages, as it was published, in loose sheets, with protective “chemises”.

SALVADOR DALI; a black and white photograph depicting Salvador Dali apparently stood next to his jeweller, holding the handset of a giant telephone, signed in blue pen 'Salvador Dali' and dated 1973, 25 x 16cm, in a mount, mount size 32 x 28cm. Provenance: This was originally purchased from Adam Andrusier Autographs, London NW2 4FF and there is an invoice from this purchase.

A GROUP OF BOOKS ON EUROPEAN ARTISTS Comprising nine titles; including Magritte, Ferdinand Hodler, Salvador Dali, John Singer Sargent, Lives of the Great 20th Century Artists, Ferdinand Hodler Le Paysage, Gustav Klimt and Claudel et Rodin Condition: Minor signs of wear commensurate with age and sure

Salvador Dali * (1904-1989), La Noblesse du Temps, Persistance de la Memoire, Bronzeguss, braun patiniert und teils poliert 1984 signiert im Guss Dalí links hinten auf der Plinthe, rückseitig auf der Plinthe Gießerstempel von Jemelton Ltd. London (1984) und Venturi Arte, Bologna (Herausgeber); nummeriert 81/350, 59 x 38 x 28,5 cm. * Dieses Lot unterliegt der Folgerechtsabgabe | Salvador Dali * (1904-1989), La Noblesse du Temps, Persistance de la Memoire, cast bronze, brown patina, partly polished signed in the cast ‘Dalí’ left behind on the plinth, Foundry mark of Jemelton Ltd. London (1984) and Venturi Arte, Bologna (Editor) at the back on the plinth; numbered 81/350, 59 x 38 x 28.5 cm. *this lot is subject to the resale right tax

DALI, Salvador, "Kronos", Heliogravure mit Kaltnadel und Aquatinta in Helltürkis und Rosa zu der Folge "Mythologien", 1963-65, 60 x 48,5, WV Michler-Löpsinger 118, bez. E.A., handsigniert und datiert, läs., ungerahmt

Chateau Mouton Rothschild -- 1989 Chateau Mouton Rothschild 1er Grand Cru Classe Pauillac Bordeaux. Mit dem Etikett von Georg Baselitz.Um manche Wein-Etiketten ranken sich Geschichten und Legenden und das eine oder andere Mal wurden sie auch für die Übermittlung von Botschaften genutzt, in einzelnen Fällen auch politischen. Und natürlich bildeten Etiketten auch immer wieder eine Leinwand für Maler und bildende Künstler, das berühmteste Beispiel ist längst Legende - Château Mouton-Rothschild. Seit 1945 ist jeder Jahrgang des 1er Grand Cru Classe einem berühmten Künstler gewidmet und gilt damit als »Mutter« aller Künstleretiketten. Ikonen der bildenden Kunst des 20. Jahrhunderts wie z.B. Pablo Picasso, Victor Vasarely, Marc Chagall oder Salvador Dali wurden mit der Gestaltung betraut. 1992, wenige Monate bevor der überragenden Bordeaux-Jahrgang 1989 auf den Markt kam, ging allerdings ein Raunen durch Frankreich. Im Januar des Jahres hatte die Familie Rothschild bekanntgegeben, dass die Gestaltung des Etiketts des 89er Mouton-Rothschild dem deutschen Maler Georg Baselitz übertragen worden war. Eine jüdische Familie engagiert einen deutschen Maler - schon das war eine Überraschung, aber längst nicht die letzte. Denn Baselitz thematisierte in seiner Gestaltung ein sehr deutsches Thema, das wichtigste der 2. Hälfte des 20. Jahrhunderts: die Wiedervereinigung Deutschlands. Und dafür durfte er sogar mit einem Tabu brechen: Den Künstlern gehörte bis dahin stets nur das oberste Drittel des Etiketts, die restlichen zwei Drittel waren dem Château vorbehalten. Georg Baselitz hingegen durfte sein Drittel verlassen und links und rechts des Familienwappens mit den Worten "drüben sein / jetzt hier" die einstige deutsche Teilung, den Fall der Berliner Mauer, und die Wiedervereinigung Deutschlands thematisieren. Darüber hinaus bezieht er sich mit dem "Die Mauer" betitelten Aquarell, das einen roten und einen grünen Schafbock, natürlich auf dem Kopf stehend, zeigt, auch auf das Weingut (Mouton).Wir garantieren die Echtheit des Weins und die professionelle Lagerung.Provenienz: Aus dem klimatisierten Keller eines subskribierenden Weinsammlers. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

‡Salvador Dalí (Spanish 1904-1989) Santiago El Grande Signed and numbered 87/300 Dali (in pencil to margin) Lithograph 57.3 x 43.1cm (image) Provenance: Galeries Artco, Paris, 1983 (their certificate of authenticity to frame)

‡Salvador Dalí (Spanish 1904-1989) Noah's Ark Signed and inscribed EA Dali (in pencil to margin) Etching with stencil, 1975, from 'Our Historical Heritage' portfolio, an artist's proof aside form the edition of 30050.2 x 65cm (sheet)Unframed

A SALVADOR DALI 1969 Paris Exhibition poster, “Chemins De Fer Franca’s, Printed in France for and by the French National Railways”, dated 1970; framed & glazed, 40” x 25½” over-all.

Salvador Dalí Tristan et Iseult. Folge von 15 signierten Orig.-Farbkaltnadelradierungen mit dem Text in der Überarbeitung von L. Lacina. New-York und Paris, L. Amiel 1969-1970. Schöne breitrandige Farbradierungen aus der seltenen Tristan und Isolde-Serie von Salvador Dalí. 1 von 125 arabisch numerierten Exemplaren der englischen Ausgabe auf Velin de Mandeure mit Wasserzeichen und Trockenstempel 'L.A.'. - Doppelblatt mit Text, jeweils mittig gefalzt 45,5 : 65 cm. - Tafelgröße ca. 45,5 : 32,5 cm. EINBAND: Lose Lagen in Orig.-Umschlag und Orig.-Leinendecke mit goldgeprägter Deckelsignatur. 45,5 : 32 cm. - ILLUSTRATION: Folge von 15 (1 signierten, 14 monogrammierten) farbigen Orig.-Kaltnadelradierungen (st. 21) von S. Dali. LITERATUR: Michler/Löpsinger 406, 408-410, 413-418, 420-421, 423-425 (sämtlich b). 1 of 125 numb. copies of the English edition (there were also editions of 125 in German, English and Italian). Portfolio comprising 15 (of 21) drypoints in colors, on Velin de Mandeure, 1 signed and 14 monogrammed in pencil. Loose double sheets in orig. wrappers and orig. cloth cover. - 6 text leaves with traces of mounting, wrappers with small tear. Plates in good condition and clean. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.

SALVADOR DALI, COLOURED PRINT, F/G

Künstlerteller 'Dali'Rosenthal, 1976, Jahresteller entworfen von Salvador Dali für Rosenthal mit demtypischen Motiv der surrealistischen zerfließenden Uhr Dalis, Porzellan, weiß, reliefiert, polychrom bemalt, signiert und datiert, verso bezeichnet, 588/3000 nummeriert und datiert, Ø 34 cm, unterseitig Manufakturmarke, Zertifkats-Heft anbei, Zustand A

Framed Dali etching of El Cid by Templeton and Rawlings Ltd - 42cm x 48cm - SOLD IN AID OF PANCREATIC CANCER CHARITY RESEARCH

Joseph Somers (American Contemporary) Librarysigned, titled and inscribed to the reverseacrylic on board, a three dimensional trompe l'oeil 65 x 98 x 31cmProvenance:Collection of Thomas Guy Voyce, Covent Garden, LondonInfluenced by the illusory art of M. C. Escher and Salvador Dali, American artist, Joseph Somers, has received international acclaim for his three-dimensional “window to the world” works, which manipulate the illusion of movement to striking, and unexpected, effect. In addition to his paintings, Somers is also known for his whimsical and eccentric furniture designs.

Salvador Dali (1904 - 1989) 'Profile of Time' inscribed Dali, lost wax bronze, limited edition, numbered 20 of 350, stamped with the foundry mark Jemelton 1984, bronze with a green and brown patina, 51cm overall height x 34 cm overall width x 24 cm overall depthPlease note that unfortunately, the certificate for this work is missing. However, our client has given this brief account of their provenance"The Dali bronzes consigned were purchased directly from what was the Dali Universe Gallery in County Hall on London’s South Bank. They had quite a large Dali exhibition at the time. I believe it was approx 2005"Please note that unfortunately, the certificate for this work is missing. However, our client has given this brief account of their provenance"The Dali bronzes consigned were purchased directly from what was the Dali Universe Gallery in County Hall on London’s South Bank. They had quite a large Dali exhibition at the time. I believe it was approx 2005"Good orderNo certificate is present.Both the Dali bronzes in this sale were purchased at an exhibition.Very slight rubbing through to the corners of the green patination see images

Salvador Dali (1904 - 1989), 'Space Venus' inscribed Dali, limited edition, numbered 134/350, lost wax bronze, foundry stamp for Jemelton 1984, bronze with a green and polished patina, 65cmPlease note that unfortunately, the certificate for this work is missing. However, our client has given this brief account of their provenance"The Dali bronzes consigned were purchased directly from what was the Dali Universe Gallery in County Hall on London’s South Bank. They had quite a large Dali exhibition at the time. I believe it was approx 2005"Private collectionPlease note that unfortunately, the certificate for this work is missing. However, our client has given this brief account of their provenance"The Dali bronzes consigned were purchased directly from what was the Dali Universe Gallery in County Hall on London’s South Bank. They had quite a large Dali exhibition at the time. I believe it was approx 2005"The upper torso has some rubbing to the shoulder blades, see the images for clarificationThe lower torso has some blemishes from assembly again see imagesThe left-hand side of the plinth has a scratch see imagesThe lower torso has a slight mark to the edge see images

Salvador Dali, by and after, Inferno Chant 15, The Seducers, Le Divine Comedie Suite, woodcut, signed, in pencil, 27cm x 33cm, certificates

Omar El-Nagdi (Egypt, 1931-2019)Gaza oil on canvas, four panelssigned and dated, executed in 2009250 x 900cm (98 7/16 x 354 5/16in).250 x 225 cm per panelFootnotes:A MONUMENTAL NINE METRE QUADTYCH BY OMAR EL NAGDI DEPICTING THE 2009 GAZA WARProvenance:Property from the Artist's EstateExhibited:Arts-Mart Gallery, Omar El Nagdi: Fragments of a Luminary Cairo, February-March 2016 This monumental and highly significant painting captures the unimaginable hardship, fear and anguish of the Palestinian civilians during the Gaza War which was also better known in the Muslim world as the Gaza Massacre. This three-week armed conflict between The Israeli Defence Forces and the Gaza Strip Palestinian paramilitary groups began on the 27th of December 2008 and ended on the 18th of January 2009 with a unilateral ceasefire. The unrelenting attack on Gaza resulted in over a thousand Palestinian and thirteen Israeli deaths. Omar El-Nagdi found the persecution and the brutal assault on his Palestinian brothers and sisters deeply unsettling and distressing. The ongoing massacres by the Israelis, deeply affected the Egyptian artist and urged him to react to these monstrosities by impulsively expressing himself in this profound composition. Suffering has been an enduring theme in art for centuries, and the tradition of painting violence, pain and oppression has long been a source of expression for artists experiencing conflict.The artist communicates a deep and painful reality; this painting serves as a reminder and reflections of Palestinian history and the ongoing struggle. The historic moment of the 1948 Palestinian exodus also known as the Nakba in Arabic led to the displacement of hundreds of thousands of children and the ongoing war left many casualties. Towering and striking, the present work was painted two months after the conflict ended in 2009 and is one of the finest examples of the artist reacting almost concurrently to the world around him. A seminal piece of artistic activism, in the vein of some of the greatest recorded works in history like Picasso's 'Guernica' and Goya's 'Disasters of War'. In his treatment of conflict, Nagdi clearly recalls Goya, whose set of 82 etchings were inspired by the scarring effect of the Franco-Spanish Peninsular War of 1807.Whilst divergent in form and composition, what Nagdi absorbs from Goya is the jarred, fragmented aesthetic that reflects the tumult of wartime discord. Goya was said to capture scenes in 'agonised haste', and accordingly, the idea of the turbulence of conflict depicted with a ghoulish, monster like aesthetic is heavily incorporated in Nagdi's work. El-Nagdi transcribes literally the chaos of war, isolating each disproportioned figure onto the canvas yet bringing them all together through the agony expressed in their faces.Hopelessness, grief and despair are apparent in the body language of the men, women and children seen in this work. His figures, or rather creatures, appear inhuman and resemble fictional characters rather than people, showing how the sufferings and torturing of war has stripped them bare of their humanity and dignity. Each movement, each body part and each facial expression screams out from the canvas; the hands reaching out in despair and the frightened bulging eyes of the helpless victims.Omar El Nagdi was born in Cairo in 1931 and studied at the Faculty of Fine Arts of Helwan University. Nagdi continued his training in Russia and Italy, eventually graduating from the Academy of Venice in 1967. A prodigious pioneer in Egyptian art history, In the 1960s, Nagdi exhibited in Europe alongside the Western masters Claude Monet, Pablo Picasso and Salvador Dali. His works were soon after acquired by leading institutions around the world. An active member of Cairo's art community and of the Liberal Artists' group headed by Taha Hussein, Nagdi was an extraordinary painter and who equally excelled as a film director and music composer.A multi-disciplinary artist, Nagdi worked with sculpture, oil, watercolour and mosaics. Inspired by the diverse cultures that he encountered in rural Egypt, he fused in his works the Pharaonic and Islamic iconography with Cairo's urban culture idioms and Western aesthetics. His works visually enigmatic and captivating and inspired by folk art and traditions are reflections on everyday life in Egypt. His paintings are sufficient proof of his exceptional gifts for symbolic design and the splendid use of colour. Through his expressive textures, colours and symbolic elements, his works offer a communication that is deeply felt.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Salvador Dali (1904-1989), Burning Giraffes, lithograph, signed in pencil and numbered out of 300, on Arches paper, H.41cm W.61cm, full sheet H.55cm W.76cm

Salvador Dali (1904-1989), melting clocks, lithograph, signed in pencil, artists proof, blindstamped, H.46cm W.58cm full sheet H.55.5cm W.75.5cm

DALI & PAUL HENRY PRINTS

In the manner of Dali, an abstract study of objects.

XXe siècle. Nouvelle série. No. 38-42 und 2 Hommagen in 8 Bänden. Mit 19 (meist farbigen, vereinzelt doppelblattgroßen) Original-Farblithographien sowie einigen Farbtafeln und zahlreichen, teils farbigen Abbildungen im Text. Paris, 1972-1974. 31,5 x 24,5 cm. Farbig illustrierte Original-Pappbände sowie Original-Leinwand mit Original-Umschlägen (2) (1 Umschlag mit Randeinriss, gering berieben und kratzspurig).Folge von 8 Bänden mit Original-Graphiken der Nouvelle Série der berühmten Kunstzeitschrift. - Mit Doublette. - Mit meist farbigen Original-Lithographien von André Masson, Graham Sutherland, Sonja Delaunay, Maurice Estève, Marino Marini (2), Johnny Friedländer, Robert Motherwell, Jasper Johns, Hans Hartung, Robert Indiana, Max Ernst, Richard Lindner, Dorothea Tanning, S. Dali, Jacques Hérold, Wilfredo Lam, Charles Lapique und Marc Chagall. - Sehr gute Exemplare.

Dali, Salvador. Das goldene Zeitalter. Blatt aus "Don Quichotte de la Manche". Farblithographie auf Japan. Rechts unten signiert. Links unten nummeriert. Exemplar: 120/300. 1956/57. Bildgröße: 41 x 61,5 cm. Blattgröße: 54 x 76 cm.Michler/Löpsinger 1012. - Verso mit Klebespuren am oberen Rand, die leicht auf die Vorderseite durchschlagen.

Dali, Salvador - - Hemingway, Ernest. Der alte Mann und das Meer. Mit 6 ganzseitigen Illustrationen und 6 losen Tafeln, gedruckt auf kupferfarbenem Grund. Stuttgart, Manus-Presse, 1974. 60 S., 2 Bl. 43 x 34,5. Lose Bogen in illustrierter Original-Leinenmappe im Original-Schuber.Eins von 650 (GA 1000) nummerierten Exemplaren, gedruckt auf B. F. K. Rives. - Die Illustrationen wurden im Original-Format als Grano-Lithographien faksimiliert. - Sehr gutes Exemplar.

Dali, Salvador. Les fruits de la vallée. Blatt aus: Le cantique des cantiques. Farbradierung mit Goldauflage auf Velin. Rechts unten signiert. Links unten nummeriert. Exemplar: 178/250. 1971. Plattenmaße: 40 x 25 cm. Blattgröße: 56,5 x 38,5 cm.Michler/Löpsinger 478. - Verso mit Spuren einer früheren Montierung, sehr guter Zustand.

Dali, Salvador. Die Geliebte ist schön wie eine Pferdeherde. Blatt aus: Das Hohe Lied des Salomon. Farbradierung mit Goldauflage auf Velin. Rechts unten signiert. Links unten als "E.A." bezeichnet. 1971. Plattengröße: 39,5 x 25 cm. Blattgröße: 56,5 x 37,5 cm.Michler/Löpsinger 475. - In einer Auflage von 250 Stück erschienen. - Verso mit Spuren einer früheren Montierung, sehr guter Zustand.

Salvador Dali, attr., StilllebenPlatte mit zu einem Gesicht arrangierten Lebensmitteln vor dunklem Grund und unter der Darstellung Radierung, Chromolithographie und Radierung, um 1980, unter der Darstellung in Blei rechts "Dali" und links nummeriert "12/395", im Randbereich minimalst wellig, in Passepartout freigestellt und hinter Glas gerahmt, Darstellungsmaße ohne Radierung ca. 40,5 x 57 cm, Blattmaße ca. 55,5 x 74,5 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkrieges in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol, Quelle: Vollmer und Internet.

Prof. Ernst Fuchs, "Flora Okuli"Fabelwesen mit Vogelkopf und Schild in Form eines Gesichts in der Hand, flankiert von je einem Baum, im unteren Bereich in der Platte bezeichnet "Flora Okuli von dieser Platte wurden 10.000 Abzüge gedruckt. Ernst Fuchs", 1975, unter der Darstellung in Blei rechts signiert "Fuchs" und links nummeriert "1009", unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 24 x 16,5 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 ebenda), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigem Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, 1970er Jahre zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Willy Mucha, Informelle Kompositionpastose Farbflächenmalerei in Grauviolett und Gelbgrün in Spachteltechnik, die Chefkuratorin des Musée d'Orsay, Claire Freches-Thory bemerkt zu Muchas Werk"... Mucha durchquert das zwanzigste Jahrhundert, indem er jede Quelle wie ein Gourmet-Reisender probiert, der neugierig auf alles ist. ... Das bildnerische Werk von Willy Mucha ist pluralistisch. Als solches ist es singulär, schwierig in die Archetypen der Kritik einzuordnen. Es ist außerdem eine besondere Haltung, die von der Sorge geleitet wird, hier und da das Beste zu nehmen, um die Lichtschwingungen seiner Motive so genau wie möglich einzufangen. ... "Die Malerei dieses Jahrhunderts ist hybrid", schreibt er [Mucha] wie sein Werk und präzisiert: "Ich habe eine Malerei praktiziert, die sich ständig verändert hat, je nach Ort, Inspiration und Entstehungszeit". ... Willy Mucha balanciert zwischen den Grenzen, die nur wenige Künstler zu überschreiten wagen. ...", den Streit zwischen Figuration und Abstraktion ablehnend agiert er nach Bazaines Credo „… Das Schicksal der Welt spielt sich nicht zwischen dem „Figürlichen“ und dem „Nicht-Figürlichen“ ab, sondern zwischen dem Verkörperten und dem Nichtverkörperten, was ganz anders ist. ”, Öl auf Leinwand und Keilrahmen, um 1960, rechts unten signiert "willy mucha", doubliert, etwas restaurierungsbedürftig, ungerahmt, Maße 80 x 90 cm. Künstlerinfo: polnisch-französischer Maler der surrealistischen Abstraktion (1905 Warschau bis 1995 Paris), zunächst Ausbildung in Zeichnen und Musik an der Warschauer Akademie, Weiterbildung in Böhmen, Russland und Deutschland, in den 1920er Jahren Übersiedlung nach Frankreich, kurzes Studium an der Universität Caen, anschließend in Paris und Anschluss an die "Pariser Schule", 1936 Beteiligung am Spanischen Bürgerkrieg auf Seiten der Republikaner, 1939 Ansiedlung in Collioure in Okzitanien und Mithilfe bei der Rettung ehemaliger republikanischer Spanienkämpfer über den Col de Banyuls nach Frankreich, 1943 Denunziation und Flucht mit Hilfe der Maquis ins Département Aveyron, nach 1945 Rückkehr nach Collioure, betrieb parallel ein Atelier auf dem Montparnasse in Paris, unterhält hier enge Kontakte zu Max Ernst, Jean und Raoul Dufy, André Masson, Man Ray, Joan Ponç, Édouard Pignon, Roberto Matta, Camille Bryen, Jacques Villon, Hans Bellmer, Salvador Dali, Pablo Picasso und anderen, beschickte Ausstellungen in Paris (Salon des Indépendants, Salon de Mai), Sao Paulo, Tokio, Chicago, Toronto, Sydney, Wien, Zürich, London, Céret, Perpignan, Genf, New York und Barcelona, Quelle: Vollmer, frz. Wikipedia und Bénézit.

Cecil Beaton (1904-1980)Pablo Picasso et Cecil Beaton, 1965 inscribed 'pour Cecil Beaton. Ami Picasso 9.6.65.' in red and blue crayongelatin silver print29.7 x 23.5cm (11 11/16 x 9 1/4in).Footnotes:Throughout his career, spanning more than half a century, Cecil Beaton managed to photograph and meet some of the art world's biggest figures, from Salvador Dali and Gertrude Stein to Jean Cocteau and Pablo Picasso. Beaton had the ability to capture his famous subjects in intimate settings, whilst chronicling the social scenes and happenings of the time. When he met Picasso, despite the constant flow of visitors to his Paris apartment, Beaton was able to photograph the artist alone in various rooms. The current lot shows the close bond between the two men, as Beaton remarked of Picasso when they first met, 'he was as pleased to see me as if I had been a close friend'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nonda (Papadopoulos) (Greek, 1922-2005)Femme à la guitare signé 'NONDA (au revers); porte le cachet de l'artiste (sur le châssis)acrylique sur toile94 x 130cm (37 x 51 3/16in).Peint en 1968.signed (on the reverse); bearing the artist's stamp (on the stretcher)acrylic on canvasFootnotes:ExpositionsAthens, Melina Mercouri Cultural Centre, Nonda, Peintre Grec de l'Ecole de Paris - Œuvres des Années 1955-1975, September 2003 (illustrated in the exhibition catalogue, pp.13, 50).Nicosia, Cyprus, Famagusta Gate, Nonda, Peintre Grec de l'Ecole de Paris - Œuvres des Années 1955-1975, 2004 (illustrated in the exhibition catalogue, p. 50).Athens, Benaki Museum, Nonda, Six Decades of Art 1940-2000, retrospective exhibition, December 14, 2006 - February 18, 2007.An extraordinary picture imbued with bold colours and free brushstrokes, Femme à la guitare emanates the musical, colourful brio of Nonda's 1960s work. Tributed as one of Greece's most diverse and celebrated artists of the postwar Ecole de Paris,1 the artist travelled to the United States in 1968 to spend a six-month period in New York City with his young American fiancée. Inspired by his new love, he threw his energy and excitement into an outstanding and joyous, if limited, series of vivid canvases that explore the abstracted human form with a new emphasis on colour. Musical instruments are symbolic and reoccurring in all phases of the artist's career as an expression of joy.1 From 1947 onward, Nonda lived and worked in Paris, exhibiting primarily with the Galerie Charpentier. He also showed in the annual Grand Palais Salons alongside such towering figures as Braque, Picasso, Leger, Buffet, Chagall, de Chirico, and Dali.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Salvador Dali (1904-1989)The Divine Comedy Purgatory Canto 27, 1967signed in pencil (in the margin)lithograph32 x 25cm.

A FRAMED AND GLAZED SALVADOR DALI PRINT ENTITLED 'APARATUS AND HAND 1927' 70CM X 53CM, TOGETHER WITH A BANKSY FLOWER BOMBER PRINT (2)

Salvador Dali, zes polychroom geschilderde en geglazuurde tegels 'La suite Catalane', 1954. Bestaande uit zes polychroom geschilderde en geglazuurde tegels. In originele houten kist van uitgave (deksel ontbreekt, één tegel hoekbarst). [6] h. 20 cm, b. 20 cm.

Salvador Dali (Figueres 1904 - 1889), (1904-1889)d'Aprs, Pcheurs, signed, and dated "1977", in the print. screen printing.32 x 40 cm.

Equality circa 1965oil on canvas76 x 92 cm (29 7/8 x 36 1/4 in.)framed dimensions: 90 x 105 cm (35 3/8 x 41 3/8 in.)signed on stretcher, possibly in another handLOT ESSAYThe pioneering Afro-American comic-book illustrator, poet, painter and educator Alvin Carl Hollingsworth was born in Harlem in 1928 to Barbadian emigrants. He began his career, aged twelve, as an artist assistant at Holyoke Publishing Company for Catman's Comics. He continued working in comics throughout the 1940s and 50s before transitioning to painting and printmaking. With his background in commercial illustration, Hollingsworth was an experienced draftsman with an eye for bold colors and compositions, who oscillated seamlessly between styles, genres, media, and influences as diverse as Henry Ossawa Tanner and Gustave Dore to contemporaries Salvador Dali, Tom Wesselman and Nicholas de Stael.Equality evidently dates to Hollingsworth’s early painting years, characterized by naturalistic modelling and earthy color palettes with fluorescent accents, as well as an interest in found materials and urban life (or, the social inequalities it perpetuates). It is closely related to the artist’s most notable body of work from the period: a series entitled Cry City, the subject of a solo exhibition at Terry Dintenfass Gallery. Using material salvaged from the streets — tar paper the artist found on tenement roofs; fishbones, broken cement, stones, teeth and bits of glass — Hollingsworth presented the city as a psychologically and physically difficult terrain (John H. Hewitt, “The Themes of Alvin C. Hollingsworth,†Black Art – An International Quarterly 2:1 (1977): 5).Compared with the sober, alienated character of many paintings from this time, Equality is rather more emotionally inscrutable. Here, the blackboard — evidently bearing a lesson on the 14th and 15th Amendments to the Constitution — has already been partly erased, and class appears to be in recess. Space is collapsed, figures disjointed. Superimposed over the right side of the board is a portrait of a 19th century man in a European military uniform, whose implied gaze looms over the sea of racially ambiguous but pale faces streaming this way and that. The frontality of the man’s portrait is repeated by the two boys at the lower corners of the frame, but they too don't make direct eye contact with the viewer or the figures around them. (Hollingsworth used a similar composition and narrative device in Group of Children, also circa 1965, sold by Swann Galleries, October 8, 2009, lot 55). Equality, however, shares in the dynamism of Jacob Lawrence’s Migration Series, and perhaps also its reticent optimism for the future.Hollingsworth attributes the crystallizing of social issues in works from the 1960s to his involvement with Spiral, a Black artist’s collective founded by Romare Bearden, Norman Lewis, Hale Woodruff and James Yeargans. A dozen or so members initially gathered in Bearden’s and Charles Alson’s shared Greenwich Village studio in July 1963 to discuss the March on Washington for Jobs and Freedom, planned for August 28th. Realizing their galvanizing potential went beyond the scope of the march, the group began planning their first (and only) group exhibition: “Spiral: First Group Showing (works in black and white)â€, which ran in May-June 1965 at a rented Christopher St. storefront. (Black and white was chosen both as a universal political appeal and an organizing principle, since Spiral’s members did not share any specific aesthetic sensibility). Though the group was active for some two and a half years, their praxis and unifying outlook were enormously influential on future generations of artists. (This contribution was the subject of a 2011 show, Spiral: Perspectives on an African-American Art Collective, at the Studio Museum in Harlem).Between 1960 and 1970, Hollingsworth expanded his reach to muralism and lithography, as well as hosted a popular ten-part series for NBC titled "You're Part of Art". From 1980 until his retirement in 1998, he was a full Professor of Art at Hostos Community College of the City University of New York. Hollingsworth’s role during the Golden Age of Comic Books has recently been covered by Ken Quattro in Invisible Men: The Trailblazing Black Artists of Comic Books (San Diego: YOE Books/IDW Publishing, 2020).CONDITIONObserved in frame, the painting is in good condition. Inspection under UV shows no apparent sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Salvador Dali (Figueras 1904 – 1989 Figueras)Le BusteKolorierte Radierung. 1968/69. 32 x 24 cm (38,8 x 28,3 cm). Signiert und nummeriert. (34)Exemplar 24/95. – Michler/Löpsinger 301. – Blatt IV der Folge „Faust“. – Druck auf festem Japan mit dem Trockenstempel des Künstlers. – Sehr gut erhalten.

Dali, Salvador (Figueras 1904 - 1989 Figueras)Kaltnadelradierung "Lune (Luna geminata)" mit Pochoir auf strukturiertem Japan nacré, in der Platte signiert und datiert "DALI 1967", unterhalb der Darstellung in Blei nummeriert und signiert "60/175 Dali", Platte 58,,5 x 38,5 cm, Blatt 77 x 65,5 cm (volles Blattmaß), Atelier Rigal (Radierung) und Ateliers d´Art L´Ibis (Pochoir) 1968, sichtbar sehr guter Zustand, sauber gerahmt und verglast (80 x 60 cm), nicht ausgerahmt 3808 Die Radierung stammt aus einer Folge von zehn Pochoir-Radierungen in einer Auflage von jeweils 175 signierten Exemplaren unter dem Titel "Flora Dalinae" Lit: R. Michler/L.W. Löpsinger 1994, Dali, Das druckgraphische Werk Nr. 230c

BOOKS, A COLLECTION OF ART REFERANCE BOOKS INCLUDING DALI AND OTHERS (QTY)

A Salvador Dali Style Framed Print of a Bowler Hatted Man, with an apple in front of his face, plus another print of three circa 1930's ladies in period attire and a Pair of Mid XX Century Framed Silks by J & J Cash Ltd., Weavers of Coventry, England - 'The Tandem' and 'The Four in Hand', both limited editions signed by the director, 9 x 17cm. (4)

MARBLE-INSET HARDWOOD TABLE SCREEN QING DYNASTY, 19TH CENTURY 清 硬木嵌大理石桌屏 rectangular hardwood frame enclosing the attractively variegated black, white and grey dali marble panel, inserted into a hardwood stand with shaped aprons similarly inserted with a narrow marble panel with continuous pattern, the whole raised on thick shoe feet flanked by standing spandrels(29cm high )Note: A comparable marble-inset hongmu table screen, dated to the 19th century, was sold at Christie's New York, 21st March 2014, lot 2253

E. Dali, still life with flowers and fruit, signed, oil on panel, 24 x 19cm

Hemingway,E.: Der alte Mann und das Meer. Mit 6 ganzseitigen Illustrationen und ╔1 Extrasuite╗ mit 6 sign. Original-Kaltnadelradierungen von Salvador Dali. (Stuttgart), Manus Presse, 1974. Folio. 60 S., [2] Bll. Lose Bogen in illustrierter Original-Leinwand-Mappe im Original-Pappschuber (Ecke schwach bestossen) und illustrierte Original-Leinwand-Mappe. Michler/L. 736 - 741a - Field 74-4. - Eines von 350 Exemplaren der Vorzugsausgabe mit der Suite der Original-Kaltnadelradierungen auf Papier von Arches (GA 1000) . - Mit einer zusätzlichen Folge der Illustrationen, gedruckt auf farbigem Grund. - 1 Graphik stärker gebräunt und etwas angestaubt. Ansonsten sehr gutes Exemplar. - One of 350 copies of the special edition with the suite of the original cold-needle etchings on paper by Arches (GA 1000) . - With an additional suite of the illustrations printed on a coloured coloured ground. - 1 print more browned and a little dusty. Otherwise very good copy.

Dali, Salvador: (1904 Figueras 1989). Blanchefleur. Farbradierung aus der Folge "Le Décameron", 1972. 18 x 13 cm. Sign. u. bez. "E.A.". Unter Passep. u. Glas gerahmt. - Michler-Löpsinger 559 d. Field 72-8 H. - Sehr schönes Ex. D

Baguette,A.: Ephemeride. (Poemes inedits). Paris 1979. Mit 6 (st. 7) Orig. Farbradierungen von Baltazar. OU. in Olwd.-Mappe u. Olwd.-Schuber. Eines von 50 (GA 67) Ex. auf vélin d'Arches, die Radierungen vom Künstler minogr. u. verso mit Bleistift bezeichnet. Druckverm. vom Autor u. Künstler sign. - ╔Dabei: Montaiglon,A.de.╗ L'alphabet de la mort de Hans Holbein. Paris 1856. Mit wdh. Titel- u. Schlußvign., Initialen aus Holbeins kleinem Totenalphabet und Totentanzbordüren zu jeder Seite. OU. (Rckn. erneuert, Gebrauchssp.). - Slg. Oppermann 66. Minns 287. Brunet III, 259. - Breitrandiges Ex. Stockfl. - ╔Dali,S.╗ 50 secretos magicos para pintar. Barcelona 1951. 4°. Mit 5 farb. Taf. u. zahlr. Textabb. Olwd. - Mit ╔dplblgr. Widm. u. Unterschr.╗ a.V. u. Vortitel "Para Dr. Müller Jensen, Hommage de Dali 1964". - ╔Maschinegeschr. Brief╗ der Ed. Aldo Palazzi, Mailand 1964, an Wilhelm Müller Jensen mit Unterschr. C. Prandoni.

Full title: Canton school: A view on the three temples at Dali, Yunnan, watercolour on paper, 19th C.Description:Dim.: 61,5 x 48 cm (the frame)Dim.: 47 x 41,5 cm (the work)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

A collection of art related reference books including Dali, George Stubbs, Turner, The glory of Watercolour. (21).

SALVADOR DALI (1904-1989); cast bronze sculpture, 'St George and the Dragon', from a mini multiple edition, bears cast signature to plinth and no.198/500, height 21.5cm, with original bill of sale from County Hall Gallery, London for the sum of £3500 dated 02.07, and certificate of authenticity. (D)Additional InformationA small chip to the cast bronze base and rim, light wear.width 20cm, depth 13cm approximate. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

A LIMITED EDITION SALVADOR DALI PORCELAIN PLATE "Ballerina Surrealista" by Dali Porcelenas, 1990 Numbered 1646 from the edition of 5,000, with original box and associated paperwork 31cm x 31cm x 5cm Condition: Generally in good condition, some minor wear to box and paperwork