We found 5599 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 5599 item(s)
    /page

Lot 110

New York: Harry N. Abrams, Inc, 1985. Hardcover with original dust cover. Over 100 pages of colored, and black and white illustrations of Salvador Dali (Spanish, 1904-1989) works, with written details of the each artwork. Dali is known for his bizarre surrealist art style. One of his well known work of his is the 1931 oil on canvas, The Persistence of Memory, also called The Melting Watches. Artist: Robert DescharnesIssued: 1985Dimensions: 9.25"L x 0.75"W x 9.25"HManufacturer: Harry N. Abrams, Inc.Country of Origin: United StatesCondition: Very good to good,

Lot 1000

Dali, Salvador (1904-1989) "Traum, verursacht durch den Flug einer Biene um einen Granatapfel, eine Sekunde vor dem Aufwachen", Farblithographie, 76/300, u. sign./num., PM 57,8x45,5, BM 55x72cm, Lichtrand, o. min. fleckig

Lot 1001

Dali, Salvador (1904-1989) "Academie des Beaux Arts" 1975, Farbradierung, e.a., u. sign./bez., verso Klebeetikett "Galerie Friedrich/Köln", PM 42x59,5cm (m.R. 69,5x83,4cm)

Lot 1002

Dali, Salvador (1904-1989) "Portrait de Sigismund", Radierung, 235/250, u. sign./num., i.d. Platte sign., PM 33,5x26,5cm (m.R. 80x63cm)

Lot 1003

Dali, Salvador (1904-1989) "Hommage à Papillon", Radierung/Mischtechnik, 207/300, u. sign./num., u.l. Trockenstempel, PM 41x59,5cm, BM 55,2x75,3cm, leicht fleckig und vergilbt

Lot 1004

Dali, Salvador (1904-1989) "The Scarf“ 1987, Mischtechnik, 169/295, u.r. Drucksignatur, u.l. num., 57,5x43,5cm (m.R. 93x77,5cm)

Lot 1007

Dali, Salvador (1904-1989) "Aquarius" 1978, Farbradierung, 71/250, u. sign./num., i.d. Platte sign./dat., aus der Zodiac Suite, PM Ø 22,2cm, BM 37,5x27,2cm, Lichtrand, o. min. fleckig und Montagereste

Lot 996

Dali, Salvador (1904-1989) "L'Alchimiste" 1975, Farbradierung/Mischtechnik, 116/250, u. sign./num., i.d. Platte sign./dat., verso bez., PM 51,7x41,3cm, BM 75,5x56,5cm, verso Montagereste

Lot 998

Dali, Salvador (1904-1989) "Aufbruch zur grossen Reise" (Hölle - 1. Gesang) aus Dante Alighieri "Die Göttliche Komödie", Xylographie, 88/150, u. in rot sign./num., u.r. i.d. Platte sign., 25,5x18cm (m.R. 48,3x40,2cm)

Lot 3

Exquisite original clock made by master watchmaker Dale Mathis who used eco wood, Swarovski crystals, aluminum, acrylic, glass, and LED lighting for this statement piece. Mathis draws inspiration from the fantasy designs of H.G. Wells and Jules Verne, and from Surrealist artist Salvador Dali. In Mathis' own words, the Behalf clock embodies the relationship between couples in a constant state of movement, showing the hard work of the gear mechanisms... Each half of the circle, as different as they may be, compliments the other. Plaque on verso: Dale Mathis BC066 (from a limited edition of 500.) Artist: Dale Mathis (American b. 1972)Issued: c. 2000Dimensions: 32"L x 5"W x 32"HEdition Number: 66 of 500 Country of Origin: United StatesCondition: Age related wear. The hands need to be retightened. The mechanics have not been tested.

Lot 297

Dali (Salvador).- Sandoz (Maurice) The Maze, first edition, signed by Dali and dated 1945 on front free endpaper, plates by Dali, original cloth, light toning and fraying to spine tips and corners, dust-jacket designed by Dali, chipped and browned with some loss to head of spine, 8vo, Garden City, NY, 1945.

Lot 498

ERNST FUCHS* (Wien 1930 - 2015 Wien)Adams Traum, um 1970Radierung, koloriert/Papier, 40 x 28,5 cmsigniert Ernst Fuchs, nummeriert 282/300SCHÄTZPREIS € 100 - 200STARTPREIS € 100Ernst Fuchs war ein österreichischer Maler, Grafiker, Bildhauer, Bühnenbildner, Komponist und Autor. Er gilt als ein Mitbegründer der Wiener Schule des Phantastischen Realismus. Bereits in der Kindheit erhielt er den ersten Unterricht im Malen und Zeichnen durch den Maler und Restaurator Alois Schiemann. Danach erhielt er Unterricht in Bildhauerei und Malerei bei Emmy Steinböck und Fritz Fröhlich an der Malschule St. Anna in Wien. Der Lieblingsmaler des jungen Ernst Fuchs war der Barockkünstler Peter Paul Rubens. 1946 bis 1950 studierte er an der Akademie der bildenden Künste, zuerst bei Robin Christian Andersen und dann bei Albert Paris Gütersloh. 1949 gab es die erste Einzelausstellung in Paris, wohin er 1950 auch übersiedelte. Er unternahm Reisen nach Amerika, Italien, Spanien und England und hielt sich 1957 längere Zeit im Dormitio-Kloster am Berg Zion in Israel auf, wo er sich mit Ikonenmalerei beschäftigte. 1962 kehrte er nach Wien zurück und erhielt eine Professur an der Akademie. Zusammen mit Wolfgang Hutter, Arik Brauer, Rudolf Hausner und Anton Lehmden zählt er zu den Gründern der Wiener Schule des Phantastischen Realismus. 1972 erwarb er die Otto-Wagner-Villa und verwirklichte dort rund um die Brunnenanlage Nymphäum Omega seine architektonischen Vorstellungen. In den 1970er Jahren entstanden Skulpturen und Opernausstattungen zu Parsifal, zur Zauberflöte und zu Lohengrin, aber auch philosophische Essays und Lyrik. Fuchs sang und spielte mystische Lied- und Textwerke, in denen er auch seine spirituellen Ideen umsetzte. In den 1980er Jahren wurden seine biblischen, mystischen und astrologischen Werke auf Ausstellungen in Österreich, Deutschland, Italien, Japan und Russland gezeigt. Er pflegte Freundschaften unter anderem zu Salvador Dali, Arno Breker, Mati Klarwein, Leonor Fini und Eva Nagy. In den 1990er Jahren entwarf er mehrere Bauwerke, wie die Pfarrkirche Thal oder eine Hotelanlage in St. Veit an der Glan. Die Werke von Fuchs sind von einem anfangs surrealistischen und manieristischen Stil geprägt, häufig fließen religiöse und mystische Symbole in seine Arbeiten ein. Nach eigener Aussage liegen vielen Werken visionäre Erfahrungen zu Grunde. Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer von 13%, bei Fotografien 20% hinzu. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

Lot 499

ERNST FUCHS* (Wien 1930 - 2015 Wien)Samson zerstört den Tempel Dagons, 1964Radierung/Papier, 31 x 53,4 cmsigniert und datiert im Druck Fuchs Ernst, 1964 mit SignaturstempelSCHÄTZPREIS °€ 100 - 200STARTPREIS °€ 100Ernst Fuchs war ein österreichischer Maler, Grafiker, Bildhauer, Bühnenbildner, Komponist und Autor. Er gilt als ein Mitbegründer der Wiener Schule des Phantastischen Realismus. Bereits in der Kindheit erhielt er den ersten Unterricht im Malen und Zeichnen durch den Maler und Restaurator Alois Schiemann. Danach erhielt er Unterricht in Bildhauerei und Malerei bei Emmy Steinböck und Fritz Fröhlich an der Malschule St. Anna in Wien. Der Lieblingsmaler des jungen Ernst Fuchs war der Barockkünstler Peter Paul Rubens. 1946 bis 1950 studierte er an der Akademie der bildenden Künste, zuerst bei Robin Christian Andersen und dann bei Albert Paris Gütersloh. 1949 gab es die erste Einzelausstellung in Paris, wohin er 1950 auch übersiedelte. Er unternahm Reisen nach Amerika, Italien, Spanien und England und hielt sich 1957 längere Zeit im Dormitio-Kloster am Berg Zion in Israel auf, wo er sich mit Ikonenmalerei beschäftigte. 1962 kehrte er nach Wien zurück und erhielt eine Professur an der Akademie. Zusammen mit Wolfgang Hutter, Arik Brauer, Rudolf Hausner und Anton Lehmden zählt er zu den Gründern der Wiener Schule des Phantastischen Realismus. 1972 erwarb er die Otto-Wagner-Villa und verwirklichte dort rund um die Brunnenanlage Nymphäum Omega seine architektonischen Vorstellungen. In den 1970er Jahren entstanden Skulpturen und Opernausstattungen zu Parsifal, zur Zauberflöte und zu Lohengrin, aber auch philosophische Essays und Lyrik. Fuchs sang und spielte mystische Lied- und Textwerke, in denen er auch seine spirituellen Ideen umsetzte. In den 1980er Jahren wurden seine biblischen, mystischen und astrologischen Werke auf Ausstellungen in Österreich, Deutschland, Italien, Japan und Russland gezeigt. Er pflegte Freundschaften unter anderem zu Salvador Dali, Arno Breker, Mati Klarwein, Leonor Fini und Eva Nagy. In den 1990er Jahren entwarf er mehrere Bauwerke, wie die Pfarrkirche Thal oder eine Hotelanlage in St. Veit an der Glan. Die Werke von Fuchs sind von einem anfangs surrealistischen und manieristischen Stil geprägt, häufig fließen religiöse und mystische Symbole in seine Arbeiten ein. Nach eigener Aussage liegen vielen Werken visionäre Erfahrungen zu Grunde. Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer von 13%, bei Fotografien 20% hinzu. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

Lot 497

ERNST FUCHS* (Wien 1930 - 2015 Wien)Adams Traum, um 1970Lithografie/Papier, 24 x 31,5 cmsigniert Ernst Fuchsnummeriert 25/250SCHÄTZPREIS € 100 - 200STARTPREIS € 100Ernst Fuchs war ein österreichischer Maler, Grafiker, Bildhauer, Bühnenbildner, Komponist und Autor. Er gilt als ein Mitbegründer der Wiener Schule des Phantastischen Realismus. Bereits in der Kindheit erhielt er den ersten Unterricht im Malen und Zeichnen durch den Maler und Restaurator Alois Schiemann. Danach erhielt er Unterricht in Bildhauerei und Malerei bei Emmy Steinböck und Fritz Fröhlich an der Malschule St. Anna in Wien. Der Lieblingsmaler des jungen Ernst Fuchs war der Barockkünstler Peter Paul Rubens. 1946 bis 1950 studierte er an der Akademie der bildenden Künste, zuerst bei Robin Christian Andersen und dann bei Albert Paris Gütersloh. 1949 gab es die erste Einzelausstellung in Paris, wohin er 1950 auch übersiedelte. Er unternahm Reisen nach Amerika, Italien, Spanien und England und hielt sich 1957 längere Zeit im Dormitio-Kloster am Berg Zion in Israel auf, wo er sich mit Ikonenmalerei beschäftigte. 1962 kehrte er nach Wien zurück und erhielt eine Professur an der Akademie. Zusammen mit Wolfgang Hutter, Arik Brauer, Rudolf Hausner und Anton Lehmden zählt er zu den Gründern der Wiener Schule des Phantastischen Realismus. 1972 erwarb er die Otto-Wagner-Villa und verwirklichte dort rund um die Brunnenanlage Nymphäum Omega seine architektonischen Vorstellungen. In den 1970er Jahren entstanden Skulpturen und Opernausstattungen zu Parsifal, zur Zauberflöte und zu Lohengrin, aber auch philosophische Essays und Lyrik. Fuchs sang und spielte mystische Lied- und Textwerke, in denen er auch seine spirituellen Ideen umsetzte. In den 1980er Jahren wurden seine biblischen, mystischen und astrologischen Werke auf Ausstellungen in Österreich, Deutschland, Italien, Japan und Russland gezeigt. Er pflegte Freundschaften unter anderem zu Salvador Dali, Arno Breker, Mati Klarwein, Leonor Fini und Eva Nagy. In den 1990er Jahren entwarf er mehrere Bauwerke, wie die Pfarrkirche Thal oder eine Hotelanlage in St. Veit an der Glan. Die Werke von Fuchs sind von einem anfangs surrealistischen und manieristischen Stil geprägt, häufig fließen religiöse und mystische Symbole in seine Arbeiten ein. Nach eigener Aussage liegen vielen Werken visionäre Erfahrungen zu Grunde. Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer von 13%, bei Fotografien 20% hinzu. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

Lot 163

Salvador DALI (1904-1989) after. "Don Quixote" Lithograph. - Weight: 2.00 kg - Shipping unavailable - Region: Spain - Sizes: H 570MM X L 460MM - At first glance: normal wear / patina of use

Lot 108

Geoffrey Ghin (British, contemporary) after Salvador Dali, "Achilles" oil on board, signed, 55x64cm, framed and glazed. Trafford Gallery label on backboard.

Lot 75

salvador Dali, 'El Cid', signed limited print, Copia Autorizada Dali Publicacion Limitada Espana stamp on verso, 22x31cm, inscribed in pencil on verso 1950, unframed.

Lot 9139

Salvador Dali: 'The Secret Life of Salvador Dali', London, Vision Press, 1948, 1st edition, limited edition (1,000), numerous plates & ills. throughout, original cloth gilt, dust wrapper (worn)

Lot 32

Ten Books - Fairy Tales and Legends by Hans Andersen, Reprinted 1948; Songs from David Herd's Manuscripts, William J Hay Edinburgh 1904, Limited Edition (750); The Jacobite Relics of Scotland: Being the Songs, Airs and Legends of the Adherents to The House of Stuart, James Hogg, William Blackwood 1819; MACNEILL Alyson (Artist), The Song of The Forest, Llandogo, Gwent, The Old Stile Press 1987, one of a limited edition of 186 copies 105/160; The Pleasures of Princes, Gervase Markham/The Experienced Angler, Col Robert Venables, The Cresset Press, London 1927, Number 112/650; Essays of Michel de Montaigne, Translated by Charles Cotton, Illustrated by Salvador Dali, Doubleday & Company, New York 1947; Poems of Death, chosen by Phoebe Pool, Lithographs by Michael Ayrton, Frederick Muller, London 1945; Picturesque Beauties of Boswell, Rowlandson, National Library of Scotland 1973, fine paper leaves depicting maps, facsimile prints and engravings of Boswell; The Rake's Progress, Ronald Searle, Perpetua 1955, with dust jacket slightly torn; The Works of Oscar Wilde, intro by Le Gallienne, The C T Brainard Publishing Company 1909

Lot 858

An L S Lowry print, a Salvador Dali print, various other pictures and prints and a map of Suffolk

Lot 10

A stunning atmospheric original painting of a “Stormy Day, Aldeburgh” by Suffolk based artist, Allan Williams. This striking painting is a framed oil on canvas piece. 46cm x 65cm Allan Williams is a versatile and innovative artist, working in oils, acrylics and mixed media. He paints highly detailed figurative paintings, sometimes combining surrealist and illusionistic elements. Originally from Wales, he moved to Suffolk from London some years ago, and his subjects include images of the Suffolk coast, such as the form and colours of the waves, the effects of the eroding coastline, and boat wrecks. Allan likes to put humour into his artwork as with his latest Beach Hut series where he imagines what various artists beach huts would look like. E.g.: Renee Magritte, Jackson Pollack, Salvidor Dali and Vincent Van Gogh. Allan takes commissions for portraits of people, places and pets. One speciality is painting portraits in the style of famous artists, such as David Bowie in the style of Picasso, Robin Williams and Ed Sheeran in the style of Van Gogh. He has exhibited widely in the UK and Canada, where he holds a Masters Degree in Fine Arts. He regularly exhibits at the Ferini Gallery in Pakefield (www.pakefieldgallery.com). He has been a member of Suffolk Open Studios (www.suffolkopenstudios.org) since 2012. Allan has also painted several sculptures for the "Wild In Art' sculpture trails: “Pigs Gone Wild” (Ipswich, 2016), "Elmer's Big Parade" (Ipswich, 2019) "Hares About Town" (Southend, 2021) and “Shaun in the Heart of Kent” (Maidstone 2024).  He has also taken part in the “PAWsitivity” art trail in aid of Suffolk Libraries in 2023 with his painted labrador sculpture, “Watchdog” inspired by the paintings of Salvidor Dali. Allan is a Programme Leader for Ipswich based charity, Inside Out (www.insideoutcommunity.com) and believes passionately in the healing power of the creative arts. Kindly donated by Allan Williams

Lot 471

Salvador Dali - Print, unframed - The Angel of the First Heaven Paradise - 18cm x 24cm - signed

Lot 472

Salvador Dali - Print, unframed - The Constellation of Blessed Spirits Paradise - 17cm x 24cm - unsigned

Lot 469

Salvador Dali - Print, unframed - The Minotaur Inferno - 19cm x 24cm - signed

Lot 455

Salvador Dali - Print, unframed - The Blind for Envy Purgatory - 17cm x 25cm - signed

Lot 474

Salvador Dali - Print, unframed - The Ascent of Venus Paradise - 18cm x 24cm - unsigned

Lot 458

Salvador Dali - Print, unframed - Church and Empire Paradise - 18cm x 24cm - signed

Lot 460

Salvador Dali - Print, unframed - Cacciaguida Sees Dante's Exile in God - 17cm x 24cm - unsigned

Lot 456

Salvador Dali - Print, unframed - Gianni Schicchis Bite Inferno - 18cm x 25cm - signed

Lot 459

Salvador Dali - Print, unframed - Dante Re Awakes Purgatory - 19cm x 24cm - signed

Lot 453

Salvador Dali - Print, unframed - Arochne Purgatory - 18cm x 24cm - unsigned

Lot 475

Salvador Dali - Print, unframed - The Tree of Punishment Purgatory - 18cm x 25cm - unsigned

Lot 450

A Salvador Dali print - The Avaricious Purgatory #20 - 24cm x 18cm - in a gilt frame

Lot 470

Salvador Dali - Print, unframed - Virgil's Last Worlds Purgatory - 17cm x 25cm - unsigned

Lot 468

Salvador Dali - Print, unframed - The Irasable Inferno - 17cm x 25cm - signed

Lot 451

Salvador Dali - Print, unframed - The Dusk of Souls - 18cm x 24cm - signed

Lot 452

Salvador Dali - Print, unframed - Beatrice Resolves Dante's Doubts Paradise - 19cm x 24cm - unsigned

Lot 473

Salvador Dali - Print, unframed - Prodigality Purgatory - 18cm x 25cm - signed

Lot 457

Salvador Dali - Print, unframed - The Lustful Purgatory - 18cm x 25cm - unsigned

Lot 454

Salvador Dali - Print, unframed - Preparation for the Final Prayer Paradise - 17cm x 24cm - unsigned

Lot 38

BRONZE 'DRAGON' BOTTLE VASE QING DYNASTY, 18TH-19TH CENTURY 清 銅蟠龍紋瓶sturdily cast with slightly compressed globular body on splayed foot, raised to cylindrical long neck, a dynamic sinuous dragon coiled on the neck in high relief, the face, mane, spine, muscles rendered in detail, all elevated on an integrated openwork square base  33cm high; 3655g From the collection of George Forrest (13 March 1873 - 5 January 1932). George Forrest was an important Scottish botanist born in Falkirk. In 1904, he was sponsored by a horticulturist and cotton broker- Arthur Kilpin Bulley (1861-1942), to embark on an expedition to China's then-remote southwestern province of Yunnan, in search of plants new to horticulture in Europe, particularly species of rhododendron. Altogether, Forrest made seven trips to the region, ranging as far afield as upper Burma, eastern Tibet and Sichuan province. In 1932, he passed away just outside of the town of Tengchong, previously known as Tengyue or Tengyueh.His Asian Art collection was partially donated to the National Museum of Scotland in Edinburgh. This vase was on loan for decades, loan number ‘A.L.331.6’, with an associated museum label tied on the base inscribed ‘Loan 331/6’, deaccessioned in 2023, thence by direct descent. The old photograph of the vase (see illustration 1) was possibly taken next to the China Inland Mission Moongate in Dali, and another photograph shows Mr Forrest outside the same moon gate around 1905 (see illustration 2).We would like to express our gratitude to 'George Forrest / Royal Botanic Garden Edinburgh’ for providing the old photographs and their information.  See two related bronze vases with dragons on the neck, one dated to the late Ming dynasty, 17th century, sold at Christie's New York, 25 Sep 2020, lot 1606; and one dated Qing dynasty, 18th century, sold at Christie's Hong Kong, 6 Apr 2015, lot 164. 

Lot 39

(From the collection of George Forrest, lots 37-41)RARE INSCRIBED AND DATED ARCHAISTIC BRONZE VESSEL, FU YUAN DYNASTY, DATED TO THE XINYOU YEAR OF THE ZHIZHI REIGN, 1321AD 元 1321年 銅簠款識: 至治辛酉中慶路文廟禮器教敦趙善坤正錄孫彬杜餘慶記of rectangular form, with wide flared sides raised on a high gently splayed foot with cut-out aprons, both narrower sides set with a pair of loop handles issuing from mythical animal heads, decorated around the sides with bands of geometric motifs, wider sides with two small applied animal-mask plaques, the base with a panel reading Zhizhi xinyou Zhongqinglu wenmiao liqi jiaodun Zhao Shankun zhenglu Sun Bin Du Yuqing ji 35.5cm wide; 3278g From the collection of George Forrest (13 March 1873 - 5 January 1932). George Forrest was an important Scottish botanist born in Falkirk. In 1904, he was sponsored by a horticulturist and cotton broker- Arthur Kilpin Bulley (1861-1942), to embark on an expedition to China's then-remote southwestern province of Yunnan, in search of plants new to horticulture in Europe, particularly species of rhododendron. Altogether, Forrest made seven trips to the region, ranging as far afield as upper Burma, eastern Tibet and Sichuan province. In 1932, he passed away just outside of the town of Tengchong, previously known as Tengyue or Tengyueh.His Asian Art collection was partially donated to the National Museum of Scotland in Edinburgh. This item was on loan for decades, loan number A.L.331.4, with an associated museum label tied to one handle inscribed ‘Loan 331/4’, further with a museum paperboard label with the information of the item, stated as an incense burner, obtained at Talifu, Yunnan, ‘Lent by Mr. George Forrest, Edinburgh, 1929. Loan 331.4’, deaccessioned in 2023, thence by direct descent. The old photograph shows Mr Forrest outside the China Inland Mission Moongate in Dali, taken around 1905.We would like to express our gratitude to 'George Forrest / Royal Botanic Garden Edinburgh’ for providing the old photograph and its information.  The inscriptions on the base record that this vessel was made in the year of Xinyou of the Zhizhi reign, corresponding to 1321AD during the Yuan dynasty. It was dedicated to the Confucious Temple located at Zhongqing Street, traceable to the still-standing Confucious Temple built in 1302AD in Anning county, Kunming city, Yunnan. While archaistic bronze ritual vessels are not uncommon, bronze ritual vessels documented to have been made for use in local academies and temples such as the present example are extremely rare. Compare to a highly similar rare inscribed and dated archaistic bronze vessel, fu, Yuan dynasty, dated to the Bingzi year of the Zhiyuan reign (1276 or 1336), formerly in the collection of Dr David Ho, sold at Sotheby's London, 3 November 2021, lot 121. Also see two documented bronze ritual vessels, fu, both dated to the Yuan dynasty, in the collection of Shanghai Museum. 

Lot 41

(From the collection of George Forrest, lots 37-41) LARGE BRONZE 'CHI DRAGON' TRIPOD CENSER QIANQING GONG MARK, QING DYNASTY, 18TH-19TH CENTURY 清 乾清宮款 銅螭龍耳三足大爐impressively cast with wide rounded body raising to a ridge underneath waisted neck and everted flattened mouth, all on three cabriole feet, both sides with theatrically arched chi-dragons clinging to the mouth and body as handles in high relief, the base cast with recessed medallion centred with a three-character ‘Qian Qing Gong’ mark enclosed by a band of dragon amongst crashing waves 34cm wide across handles; 5.56kg From the collection of George Forrest (13 March 1873 - 5 January 1932). George Forrest was an important Scottish botanist born in Falkirk. In 1904, he was sponsored by a horticulturist and cotton broker- Arthur Kilpin Bulley (1861-1942), to embark on an expedition to China's then-remote southwestern province of Yunnan, in search of plants new to horticulture in Europe, particularly species of rhododendron. Altogether, Forrest made seven trips to the region, ranging as far afield as upper Burma, eastern Tibet and Sichuan province. In 1932, he passed away just outside of the town of Tengchong, previously known as Tengyue or Tengyueh.His Asian Art collection was partially donated to the National Museum of Scotland in Edinburgh. This censer was on loan for decades, loan number ‘A.L.331.3’, with an associated museum tag label tied on one foot inscribed ‘Loan 331/3’, further with two associated museum cardboard labels with item details, loan number ‘L.331.3’ and ‘Lent by Mr. George Forrest, Edinburgh, 1929’, deaccessioned in 2023, thence by direct descent. The old photograph shows Mr Forrest outside the China Inland Mission Moongate in Dali, taken around 1905.We would like to express our gratitude to 'George Forrest / Royal Botanic Garden Edinburgh’ for providing the old photograph and its information.  Qianqing Gong, The Palace of Heavenly Purity, or Qianqing Palace (乾清宫) is a palace in the Forbidden City in Beijing, China. It is the largest of the three halls of the Inner Court, located at the northern end of the Forbidden City. During the Qing dynasty, the palace often served as the Emperor's audience hall, where he held council with the Grand Council. Objects, especially censers, bearing Qianqing Gong mark are deemed similar to ‘Neitan Jiaoshe’ mark (內壇郊社, refers to the altar to Heaven and Earth within the inner walls of the Temple of Heaven) as Imperial wares adorning or used in their specific rooms. Compare to an example of a bronze tripod censer with chilong handles, Qing dynasty Qianlong period, with a different treatment of the ‘Qian Qing Gong’ mark, sold at China's Guardian, 19 May 2021, lot 4634. Stylistically, a comparable large bronze tripod censer with chilong handles, dated to the late Ming dynasty, note the similar treatment of the waisted band with ridge on the mouth, sold at Sotheby's London, 22 February 2022, lot 50; Two other censers with similar design on the mouth, dated to Ming and late Ming dynasty, were sold at Christie's London, 18 Mar 2015, lot 686 and Sotheby's London, 10 November 2017, lot 366. 

Lot 37

NINGXIA RUG QING DYNASTY, 19TH CENTURY 清 寧夏團花紋毯an arrangement of eight floral roundels intermittent with butterflies, flowers, pomegranate and buddha-hand citrus sprays against a burnt orange field, enclosed by a beaded border further with a larger floral border 184.5cm x 124.5cm From the collection of George Forrest (13 March 1873 - 5 January 1932), Edinburgh. George Forrest was an important Scottish botanist born in Falkirk. In 1904, he was sponsored by a horticulturist and cotton broker- Arthur Kilpin Bulley (1861-1942), to embark on an expedition to China's then-remote southwestern province of Yunnan, in search of plants new to horticulture in Europe, particularly species of rhododendron. Altogether, Forrest made seven trips to the region, ranging as far afield as upper Burma, eastern Tibet and Sichuan province. In 1932, he passed away just outside of the town of Tengchong, previously known as Tengyue or Tengyueh.His Asian Art collection was partially donated to the National Museum of Scotland in Edinburgh. This rug was on loan for decades, loan number A.L.331.1, with an associated museum tag label inscribed ‘L331.1’, deaccessioned in 2023, thence by direct descent. The old photograph shows Mr Forrest outside the China Inland Mission Moongate in Dali, taken around 1905.We would like to express our gratitude to 'George Forrest / Royal Botanic Garden Edinburgh’ for providing the old photograph and its information.  Two comparable Ningxia rugs, similar in design, were in the collection of Arthur M. Sackler, sold at Sotheby's New York, 16 September 2009, lot 68 & 70

Lot 105

Salvador Dali - Menorah made of gold plated bronze, stone base, signed and numbered: 155/300, Height of the lamp itself: 43 cm, Height including the stone base: 50 cm, Width: 30 cm. Period: 20th century

Lot 2261

A collection of thirty-eight miniature and sample perfume bottles, comprising vintage and later examples, Claude Montana, Givenchy, Salvador Dali, Yves Rocher, Dolce & Gabbana, Chloe, Moschino, Dior, Paco Rabanne, Valentino, Jean Paul Gaultier, Guerlain, Ralph Lauren, etc in a wood and glass presentation case (1) NB: most bottles with containing perfume, some empty, wear and tear commensurate with age 

Lot 2265

A collection of miniature and sample perfume bottles, comprising vintage and later examples,  including Gloria Vanderbilt, Lancome, Romeo Gigli, Biska, Salvador Dali, Cacharel, Diana De Silva, Alberta Ferreti, Givenchy, Osca De La Renta, Gilles Cantuel, Romeo Gigli, Laura biagiotti, Popy Moreni, Burberrys, Gucci, Elizabeth Arden, Bvlgari, Salvador Dali, Oscar De La Renta, Byblos, etc in a wood and glass presentation case (1) NB: most bottles with containing perfume, some empty, wear and tear commensurate with age 

Lot 2262

A collection of miniature and sample perfume bottles, comprising vintage and later examples, Salvador Dali, Nino Cerruti, Bvgari, Yves Saint Laurent, Romeo Britto, Fendi, Tilleul, Jeanne Arthes, Escada, Saint-Sauveur, Niko etc in a wood and glass presentation case (1) NB: most bottles with containing perfume, some empty, wear and tear commensurate with age 

Lot 2257

A collection of thirty-four miniature and sample perfume bottles, comprising vintage and later examples, Chopard, Moschino, Guerlain, Chanel, Kasanga Pacoma, Jean Patou, Salvador Dali, Kenzo, Leonard, Ombre Rose, Yves Saint Laurent, Jean Patou, Scherrer, Oscar de la Renta, etc in a wood and glass presentation case (1) NB: most bottles with containing perfume, some empty, wear and tear commensurate with age 

Lot 2258

A collection of thirty-eight miniature and sample perfume bottles, comprising vintage and later examples, Balenciaga, Jeanne Arthes, Azzaro, Cafe-Cafe, Salvador Dali, Yves Saint Laurent, Cabochard, Jeanne Arthes, Lanvin, Sisley, Madison Soiree, Aigner, Guerlain, Yves Rocher, La Perla, etc in a wood and glass presentation case (1) NB: most bottles with containing perfume, some empty, wear and tear commensurate with age 

Lot 49

Salvador Dalí (1904-1989) Le Camp du Roi Marc, from Tristan et Iseult (Field 70-10L; M&L 417) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 670 x 508mm (26 3/8 x 20in)With the Dali Trade authentication inscription and signature in pencil verso (05/14/2022).

Lot 54

Salvador Dalí (1904-1989)Espeluznante columna concreta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 864a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/22)

Lot 64

Salvador Dalí (1904-1989)La coupe offerte, from Le Paradis Terrestre (Field 74-11D; M&L 707)Drypoint engraving printed in colours, 1974, signed and inscribed 'arches' in pencil, numbered from the edition of 20, printed by Ateliers Rigal, co-published by Cercle de Bibliophile de l'Automobile Club de France and Editions de Francony, Paris, on Arches paper, with full margins. sheet 378 x 279mm (14 7/8 x 11in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/29/22)

Lot 34

Salvador Dalí (1904-1989) Un entré francassant aux USA, from After 50 years of surrealism (Field 74-8H; M&L 673)  Etching with pochoir in colours, 1974, signed in pencil, numbered from edition F of 195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on BFK Rives paper, with full margins, sheet 654 x 500mm (25 3/4 x 19 5/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 9/24/21)

Lot 18

Salvador Dalí (1904-1989) Behold His Bed Which Is Solomon's Therefore, from Song of Songs of Solomon (Field 71-17H; M&L 471) Engraving with pochoir in colours hand-finished with gold, 1971, signed in pencil, numbered from the edition of 250, co-printed by David and Jacomet, Paris, published by Leon Amiel, New York, with their blindstamp, on Arches paper, with full margins, sheet 560 x 382mm (22 x 15 1/8in)With the Dali Trade authentication and signature in pencil verso (dated 5/19/22)

Lot 70

Salvador Dalí (1904-1989) Velasquez 'Les ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 650mm (35 3/8 x 25 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24) 

Lot 25

Salvador Dalí (1904-1989)Reflection, from The Cycles of Life (Field 79-1C; M&L 931c)Photolithograph and etching printed in colours, 1977-1979, signed in pencil, numbered in roman numerals from the edition of 300, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 375 x 555mm (14 3/4 x 21 7/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22).

Lot 16

Salvador Dalí (1904-1989)Thou arte all faire, my love: there is no spot in thee, from Song of Songs of Solomon (Field 71-14I; M&L 476)Engraving with pochoir in colours hand-finished with gold, 1971, signed in pencil, numbered from the edition of 250, co-printed by David and Jacomet, Paris, published by Leon Amiel, New York, with their blindstamp, on Arches paper, with full margins, sheet 563 x 380mm (22 1/4 x 15in)With the Dali Trade authentication and signature in pencil verso (dated 5/19/22)

Lot 20

Salvador Dalí (1904-1989)Tarántula de poca monta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 901a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 442 x 310mm (17 3/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Lot 65

Salvador Dalí (1904-1989)La douloureuse Garde, from Le quête du Graal (Field 75-9D;  M&L 780)Engraving printed in colours, 1975, signed in pencil, numbered from the edition of 224, co-published by Pamela Verlag, Zug and Oeuvres Graphiques Contemporaines, Paris, on Arches paper, with full margins, sheet 328 x 450mm (12 7/8 x 17 3/4 in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/27/24)

Loading...Loading...
  • 5599 item(s)
    /page

Recently Viewed Lots