There are 5599 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribePablo Picasso lithographic print (Mourlot) circa 1959, Eric Gill female nude engraving circa 1938, 2 x Elisabeth Frink lithographic prints circa 1975, 2 x Henry Moore Shelter prints circa 1940, Paul Klee print, Salvador Dali Print circa 1953, Henri Matisse print circa 1935. 9 in total all mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.
DALI, Salvador(1904 Figueres - 1989 Figueres) "Der Kuss" Kolorierte Radierung mit Goldhöhung. Bleistiftsignatur. 1971. Exemplar: 47/250, verso Authentizitätszertifikat von 1986. Platte: 40,5 x 25 cm. Gerahmt & hinter Glas 58 x 40 cm. Surrealistisches Werk mit 2 Gesichtern und angedeutetem Kuss; aus dem12-teiligen Zyklus "Das Hohelied des Salomon", 1771 Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. Literatur: Vgl. Michler/Löpsinger (1994), S. 193 (Kat.-Nr. 469).
DALI, Salvador(1904 Figueres - 1989 Figueres) "Die Schafherde" Kolorierte Radierung mit Goldhöhung. Bleistiftsignatur. 1971. Exemplar: 81/250, verso Authentizitätszertifikat von 1986. Platte: 40,5 x 25 cm. Gerahmt & hinter Glas 58 x 40 cm. Surrealistisches Werk mit Schafen und Akten; aus dem 12-teiligen Zyklus "DasHohelied des Salomon", 1971 Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. Literatur: Vgl. Michler/Löpsinger (1994), S. 193 (Kat.-Nr. 470).
DALI, Salvador(1904 Figueres - 1989 Figueres) "Portrait au Signature" Aquarellierte Radierung. Bleistiftsignatur. In der Platte datiert 1966. Exemplar: 48/200, Wasserzeichen "Richard de Bas". Platte: 32,5 x 24,5 cm, Blatt: 66,5 x 51 cm. Blatt 4 von 12 aus der Serie "Calderon - das Leben ist ein Traum" Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus.
DALI, Salvador(1904 Figueres - 1989 Figueres) "Auswurf der Zivilisation" Original-Farblithografie. Bleistiftsignatur. 1973. "H/C" - Künstlerexemplar. Blatt: 48 x 65 cm. Gerahmt & hinter Glas 58,5 x 74 cm. Aus der Serie "Les Vitraux" Leichter Lichtschaden. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. Literatur: Vgl. Michler/Löpsinger (1994), S. 159 (Kat.-Nr. 1146).
MIRÓ, Joan(1893 Montroig - 1983 Mallorca) Femmes, lune, etoiles Signiert. 49,5 x 65,5 cm, Blattgröße: 65 x 84 cm. Farblithographie 1963 nach dem Gemälde, mit H.C. bezeichnet (hours de commerce - nicht für den Handel). Prägestempel Maeght Editeur Paris. Passepartout Miró, Maler, Grafiker, Zeichner, Kunstgewerbler und Bildhauer. Studierte an der Akademie in Barcelona. Seit 1915 als freischaffender Künstler tätig. 1918 erste Einzelausstellung, schloss sich 1924 den Surrealisten an. Neben Picasso und Dali einer der bedeutendsten spanischen Künstler des 20. Jahrhunderts. 1992 wurde auf seinem Landgut ein Miró-Museum eingeweiht. * Partnerauktion Bergmann. Literatur: Werkverzeichnis Maeght Nr. 1726. Provenienz: Rheinischer Privatbesitz.
3 Künstlerfliesen aus der Serie "La Suite Catalane", Entwurf: Salvador Dalí Manufaktur El Siglo, Onda. Rückseitig gestempelt "Tiles by Dali, All rights reserved, 1954". Ca. 19,7 x 19,7 cm. Weiß glasierte, fantasievoll farbig bemalte Fliesen in Anlehnung an die maurische Tradition Spaniens, mit eingebrannter Signatur des Künstlers. "L'étoile de mer" (Seestern), "Le baiser de feu" (Frauen Kataloniens), "Les colombes" (Vögel). Teils in originalem Seidenpapiereinschlag
6 Künstlerfliesen "La Suite Catalane", Entwurf: Salvador Dalí Manufaktur El Siglo, Onda. Rückseitig gestempelt "Tiles by Dali, All rights reserved, 1954". Ca. 19,7 x 19,7 cm. Weiß glasierte, fantasievoll farbig bemalte Fliesen in Anlehnung an die maurische Tradition Spaniens, mit eingebrannter Signatur des Künstlers. "Le soleil végétal" (Sonne), "L'étoile de mer" (Seestern), "Le baiser de feu" (Frauen Kataloniens), "Les colombes" (Vögel), "Les guitares" (Gitarren), "Les fléchettes" (Pfeile). Teils in originalem Seidenpapiereinschlag, "Made in Spain"-Holzkiste Auf Initiative des spanischen Ministers Maurice Duchin schuf Salvador Dalí im Jahr 1954 sechs Künstlerfliesen in einer limitierten Gesamtauflage von 10.000 Sets, die in der spanischen Manufaktur "El Siglo" in Onda in enger Zusammenarbeit mit Dalí hergestellt wurden.
DALI, Salvatore(1904 Figueres - 1989 Figueres) "Madonna de Port Lligat" Bronze patiniert, schwarzer Marmor-Sockel. Bezeichnet mit Zusatz "P.A.". H 9 / 15 cm. Wohl Nachguss der Frauenfigur mit Blick durch den Körper Dali studierte an der Academia San Fernando in Madrid. Er war einer der Hauptvertreter des Surrealismus. Literatur: Vollmer.
A rare Pirelli belt buckle designed by Salvador Dali (1904-1989), British, circa 1970,polished brass, the front with erotic 'motoring' scene, un-issued and un-numbered, the reverse marked Deane & Adams Mint, London, England, 5.7 x 10.1cm. For further information on this lot please visit Bonhams.com
Francis Bacon (1909-1992) ''Second Version, Triptych'' Each signed and inscribed E.A, lithographs printed in colours, 1989, epreuves d'artistes aside from the edition of 60, printed by Art Estampe, Paris, published by Michel Archimbaud for the Librairie Seguier for IRCAM-Centre Pompidou, on Arches paper, with full margins, 68cm by 52cm (3) Provenance: Dreweatts & Bloomsbury Auctions London: Modern and Contemporary Prints, Thursday, July 3, 2014 Lot 00126 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Born in Dublin to wealthy middle-class parents, the young Francis was shy and sensitive which caused great strain between child and parents. After being ostracised from the family home, Bacon travelled around Europe, flitting between the nightclubs of London, Paris and Berlin. He began to draw and paint after seeing a Picasso exhibition in 1927 in Paris. Bacon is undeniably one of the most engaging artists to emerge from the post war era and his twisted, contorted, pulsating images of blood and flesh perfectly capture the zeitgeist of a Europe so recently brutalised by war. Taking his cue from Old Masters like Velazquez and Breughel as well as modern masters like Picasso and Dali, Bacon's works are held by many of the great collections across the world.
(See English version below)„Nach dem Surrealismus“. 1972Original-Leinenmappe mit 11 Radierungen, davon 7 farbig, einem Kupferstich und einer Farblithografie verschiedener Künstler. Mappe: 81,1 × 59,5 × 4 cm ( 31 ⅞ × 23 ⅜ × 1 ⅝ in.). 7 Blatt signiert und datiert, 6 Blatt signiert.Eine von 80 nummerierten Mappen aus einer Gesamtauflage von 150 Exemplaren. Berlin, Propyläen Verlag, 1972Mit Werken von Peter Ackermann, Hans Bellmer, Erich Brauer, Uwe Bremer, Jorge Castillo, Salvador Dali, Johnny Friedlaender, Ernst Fuchs, Alfred Hrdlicka, Fritz Janschka, André Masson, Friedrich Meckseper und Bernard Schultze. [3330]Zustandsbericht: Ex. 17/180. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Mittig des oberen Randes jeweils Reste alter Montierung.Die Papierpassepartouts, in denen die Blätter liegen, mit Bereibungen am linken Rand. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.”Nach dem Surrealismus”. 1972Original linen portfolio with 11 etchings, 7 of which are coloured, one copper engraving and one colour lithograph by various artists. Portfolio: 81,1 × 59,5 × 4 cm ( 31 ⅞ × 23 ⅜ × 1 ⅝ in.). 7 sheets signed and dated, 6 sheets signed.One of 80 numbered portfolios from a total edition of 150 copies. Berlin, Propyläen Verlag, 1972 With works by Peter Ackermann, Hans Bellmer, Erich Brauer, Uwe Bremer, Jorge Castillo, Salvador Dali, Johnny Friedlaender, Ernst Fuchs, Alfred Hrdlicka, Fritz Janschka, André Masson, Friedrich Meckseper and Bernard Schultze. [3330]Condition report: No. 17/180. In good condition. The sheet edges without tears or losses. There are no repairs visible under ultraviolet light. In the centre of the upper edge remains of old mount. The passepartouts, in which the sheets lie, with scuff marks in the left margin. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
§ Salvador Dali (Spanish, 1904-1989), 'Mad Mad Minerva', photolithograph, 1968, signed in pencil lower right and numbered 'F 131/175', blind-stamped lower left 'Salvador Dali', 52 x 41cm (unframed). Please note that artist resale right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% on top of the hammer price. Please visit www.dac.org for more information.
Salvador Dali Illustrated The First Part of The Life and Achievements of the Renowned Don Quixote De La Mancha by Miguel De Cervantes Saavedra, translated by Peter Motteux published Abbeville Press 1979 with double-page colour plates and black & white text drawings, colour pictorial cover and gilt spine lettering
Pablo Picasso lithographic print (Mourlot) circa 1959, Pablo Picasso print circa 1956 (Ambrose Vollard) 2 x Elisabeth Frink lithographic prints circa 1975, 2 x Henry Moore Shelter prints circa 1940, Paul Klee print, Salvador Dali Print circa 1953, Henri Matisse print circa 1935. 9 in total all mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.
After Salvador Dali - Christ Of St. John Of The Cross - A mid Century framed coloured print on board of an oil on canvas painting by Salvador Dali entitled 'Christ Of St. John Of The Cross'. Set within a white painted frame. Paper labels to verso for The Medici Society. Measures 80cm x 49cm.
Salvador Dali (Spanish 1904-1989) THE BLACK DEVIL (Inferno 21) signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, p. 148 sheet size: 33 by 26,5cm
Salvador Dali (Spanish 1904-1989) THE FALLEN ANGEL (Purgatory 1) signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, p. 155 sheet size: 33 by 26,5cm, unframed
Salvador Dali (Spanish 1904-1989) CENTAUR (Inferno 25) and CEREBRUS (Inferno 6), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 150 and 142, respectively sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) IMPOSTER (Inferno 18) and FALSIFIERS (Inferno 29), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 146 and 152, respectively sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) VIRGIL COMFORTS DANTE (Inferno 2), and MEETING OF THE TWO GROUPS OF LECHERS (Purgatory 26), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 140 and 164, respectively sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) PRINCES OF THE FLOWERED VALLEY (Purgatory 7), and MISERS AND SQUANDERERS (Inferno 7), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 157 and 142, respectively sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) THE NEGLIGENT (Purgatory 4), and BERTRAND DE HORN (Inferno 28), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 156 and 152, respectively sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) MEETING OF THE FORCES OF LUXURY (Paradise 26), and SAINT JOHN AND HOPE (Paradise 25), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, p. 179, both sheet size: 33 by 26,5cm, each, unframed (2)
Salvador Dali (Spanish 1904-1989) THE MEETING OF DANTE AND BEATRICE (Purgatory 29) signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, p. 164 sheet size: 33 by 26,5cm, unframed
Salvador Dali (Spanish 1904-1989) DANTE PURIFIED (Purgatory 33) and GLORIA PATRI (Paradise 27), two in the lot signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse; wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornés, E. Dalí – Illustrator, Les Heures Claires, Paris, 2016, pp. 165 and 180, respectively sheet size: 33 by 26,5cm, each, unframed (2)
A comprehensive music system, to include a ClearAudio performance DC, DCMM turntable, in black and silver, with clarify tonearm, with audio suspension perspex stand and cover, two Electrocompaniet mono block power - amplifiers, serial numbers 17120086 and 18040096 an IsoTek EVO3 Aquarius mains conditioner, serial number 1S-13-1460, AM input control box, a resolution Audio cantata music centre serial number 22101FF, a Rega Aria MM / MC Phono stage and a pair of Dali Fazon F5 speakers in red and black.
Exquisite etching of a female figure, framed to museum quality standards. A contemporary of Picasso, Dali and Matisse, Joan Miro combined abstract art with Surrealist fantasy. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Overall size: 14 1/2 x 12 in. Sight size: 9 x 6 in. Please note that all sales are final. No refunds will be given under any circumstances.
Dorothy Spreckels Munn by Edgardo Simone (1890-1958). A heavy sculpture made of terracotta of the prominent San Francisco and Palm Beach socialite Dorothy Spreckels by the celebrated Italian sculptor Edgardo Simone. It is dedicated to her, signed and dated 1940; two years before the1942 portrait of her by Salvador Dali. The sculpture was executed in Coronado, CA, where the Spreckels owned the hotel Del Coronado. Simone had achieved success in Italy and New York with his commissions from the social and political realms. After this sculpture of Dorothy Spreckel, he established a flourishing career in Hollywood with commissions from movie stars. The Spreckels family is remembered for its philanthropy on both coasts. In 1953, Dorothy married Charles Munn, known as "Mr. Palm Beach." The couple were active in Palm Beach Society, entertaining frequently at their oceanfront home, Casa Amado. They contributed anonymously to local charities and significant bequests were later made to the Norton Museum and many other South Florida organizations. Weighs: approx 38.4 lbs. Dimensions: 19 x 11 x 10 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Hardy, Thomas. Jude the Obscure, first edition in book form, later issue, engraved frontispiece, tissue guard, map, original cloth gilt, top edge gilt, other untrimmed, 8vo, London: Osgood, McIlvaine and Co., 1896; Later Lyrics and Earlier, first edition, original cloth, dust-jacket, 8vo, London: Macmillan & Co., 1922; Dali, Salvador. The Secret Life of Salvador Dali, third edition, one of 1000 copies, plates, original cloth, 4to, London: Vision Press, 1939; and 6 others, miscellaneous (9)
Loading...
