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DALI, Salvador(1904 Figueres - 1989 Figueres) "Die Säumigen" und "Die durch die Gewalt..." 2 Farblithografien. 1 von je 150 Exemplaren; Edition Les Heures Claires, Paris 2004. Passepartoutausschnitt: je 17 x 12,5 cm. Gerahmt & hinter Glas Je 34,5 x 29 cm, 24 kt blattversilberter Rahmen. Nach den Holzschnitten aus dem Jahre 1959/60, aus dem Zyklus "Fegefeuer" Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus.

DALI, Salvador(1904 Figueres - 1989 Figueres) "Das Antlitz Vergils" Farblithografie. 1 von je 150 Exemplaren; Edition Les Heures Claires, Paris 2004. Passepartoutausschnitt: 17 x 12,5 cm. Gerahmt & hinter Glas 34,5 x 29 cm, 24 kt blattversilberter Rahmen. Nach dem Holzschnitt aus dem Jahr 1959/60, aus dem Zyklus "Fegefeuer" Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

Three framed modern prints, to include a Dali (3)

SALVADOR DALI 'La Arbol De La Pentenience Purgatorio - Canto XXIV', signed in the plate silk scarf, 78cm x 85cm. (Subject to ARR - please see Buyers Conditions)

Edition 1976, Entwurf SALVADOR DALI, Ex. 455/3000, reliefierte Darstellung einer ¨zerfließenden¨ Uhr, Farbbemalung, signiert und datiert 1974, Manufakturmarke ¨Rosenthal Galerie¨, D ca. 34cm

Salvador Dali (1904 in Figueres - 1989 ebenda)3 Radierungen aus der Serie "Cantique des Cantiques - Das Hohelied Salomons""Pferd mit Reiterin", "Schafherde" und "Kehr zurück, Sulamit", Kaltnadelradierung mit Pochoir u. Goldhöhung, u.r. bleistiftsign. "Dali", Ex. 236/250, je ca. 41,5x25,5cm, gerahmt (ca. 61x46cm), letzteres part. fleckigSalvador Dali (1904, Figueres - 1989 ibid)horse and rider, from the series "Cantique des Cantiques", drypoint etching with pochoir and heightened in gold, signed in pencil "Dali"bottom right, Ex. 236/250, approx. 41.5x25.5cm, framed (approx. 61x46cm)

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750. Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG" (Edition number 514/750)

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750. Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG" (Edition number 581/750)

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750. Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG" (Edition number 587/750)

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750. Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG" (Edition number 589/750)

SALVADOR DALI (1904-1989)Manuel del Arco. Dalí al desnudo; edit. José Janés: Barcelona, 1952. Manuel Del Arco. Naked Dali; ed. Jose Yanes. Barcelona, 1952. - 149, [10] p.: il.; 10 p. il., 6 p. facsimile; 25x18 cm. In publishing skin with gold embossing on the top cover. Minor fox stains on the binding. Without dust jacket.Gift inscription and drawing by the author on the schmutz title: «Pour la Triste ose Diaz / Hommage de / Salvador Dali / 1952».Manuel Del Arco Alvarez (1909-1971) was a famous Spanish journalist and cartoonist. The book includes interviews with the artist in period 1948-1951.The book supposed to have a dust jacket with a naked Dali, but it was forbidden by censor-ship. Specimens in the dust jacket are almost non-findable.

Salvador Dali framed and glazed mono serigraph titled Sixty One, limited edition 276/2751, 30.5 x 40.5cm

Salvador Dali framed and glazed polychromatic serigraph titled Two Hundred and Thirty Seven, limited edition 171/195, 24 x 37.5cm

Salvador Dali framed and glazed polychromatic serigraph titled Fifty Five, limited edition 276/2751, 40 x 54cm

Modern Ermani Bulatti gilt tone necklace with paste set buckle to front, another necklace with circular pendant with cabochon to centre, white metal suite of matching necklace and earrings, two other pairs of Bulatti earclips, a pair of Louis Feraud earclips on original card, Promotion Parfums Salvador Dali 30mm gilt earclips, a pair of Napier triangular earclips.

Various art and craft related volumes including Dali, Victorian Design Source Book, Pre-Columbian Designs from Panama etc

Portrait of Elizabeth (Bessie) de Cuevas Faure signed and dated 'Leonor Fini / 1950' (lower right) oil on canvas 55 x 33cm, unframedWe are grateful to Richard Overstreet for confirming the identity of the sitter of the present portrait, which is reproduced in Leonor Fini Catalogue Raisonné of the Oil PaintingsA certificate of authenticity will be provided with this lotFootnote: Provenance:Bessie de Cuevas, ParisThence by descent Hubert Faure, LondonLiterature:Richard, "LF essentially Parisienne," The Queen, London, Dec 20, 1950Overstreet and Zuckerman, Leonor Fini Catalogue Raisonné of the Oil Paintings, 2 vol., Scheidegger & Spiess, Zurich, 2021Argentine born and of mixed Slavic, Argentine, Italian, and Spanish heritage, Leonor Fini was raised by her mother in Trieste, Italy and is today remembered as a fashion icon, feminist hero, and one of the most influential female artists of the mid-twentieth century, with her career in the visual arts encompassing everything from portraiture and product design to set and costume design for stage and screen. Independent and headstrong like her mother, Fini was expelled from three schools resulting in the cessation of her formal education during her adolescence. Free from the constraints of schooling, Fini, aged just 13, began training herself as an artist, sketching cadavers from the local morgue, devouring tomes from her Uncle’s vast personal library, and studying the Old Masters on display in museums throughout Europe. In 1931 Fini moved to Paris where her magnetic and eccentric presence quickly won her many friends and admirers, including Max Ernst, Henri Cartier-Bresson, Man Ray, Jean Cocteau and Salvador Dali. Although she was enthusiastically welcomed into Surrealist circles, and frequently contributed to Surrealist exhibitions, Fini refused to align herself with any one movement and instead, cultivated her own singular brand of Modernism, incorporating surrealist motifs with a disparate spectrum of influences, including the Pre-Raphaelites, Mannerists and old Flemish masters.Condition report: Oil on canvas attached to a wooden stretcher bar with a horizontal cross bar. The canvas tension is slack, leading to undulations across the surface and stretcher bar marks where the canvas is in contact with the wooden frame behind, leading to cracks in the paint layer. There are numerous scuffs and scratches across the surface, the deeper ones causing loss to the paint layer. In the area of the sitter's face, an impact from the reverse has caused a convex deformation to the canvas and paint layer. In the sitter's right eye is a brown accretion or fly spot on the surface. Under ultraviolet light it is evident that there is some reworking to the face and chest of the sitter. Further examination would be needed to determine if this is by the artist's hand or if it is later restoration.

cast 1984, the two-piece bronze with green and burnished bronze patina, signed Dali and numbered 230/350 to base, foundry stamp Jemelton 1984, with certificate of authenticity 70.5cm highFootnote: Literature: Dalí: The Hard and the Soft, Sculptures & Objects. Eccart, 2004. pg. 240 ref. 620; Dali in the Third Dimension: The Stratton Foundation Collection Terpsichore is the mythological muse of dance. Her name comes from the Greek "delight in dance". Dali conceived the idea for this sculpture in 1977 and it was first cast using the lost wax process in 1984. The lost wax process involves creating a wax model of the sculpture which is then encased in a fireproof mould, heated until the wax melts and then poured out ("lost"). The mould is then refilled with bronze or metal for the final casting. Salvador Dali is one of the best known of all the surrealist artists, known particularly for his paintings. However, he created a considerable number of sculptures which can be viewed at the Dali Universe at County Hall in Westminster, including a cast of Homage to Terpsichore. In Dali's creation, he sees Terpsichore as a dual or reflected image; one soft and classical in contrast to the other hardened and statuesque. There are no features in their faces as the significance to Dali was in their figures. The dancer of smooth soft lines representing grace and the unconscious, with the other "half" of Terpsichore angular and cubist in feel, representing the chaotic rhythms of modern life. The poet and critic André Breton explained in The Surrealist Manifesto of 1924, that surrealism was a means of reuniting the conscious and unconscious so the world of dream and fantasy would be joined to the everyday rational world. Thus Dali, with his sculpture of Terpsichore, reflects the very essence of surrealism.Condition report: In good overall condition, however, the 'branch' to the rear of the gilt figure has broken/become detatched. (see images). Each base measures 23 x 22cm, the green figure measures 63.5cm high from floor to finger-tip, the gilt figure measures 71cm from floor to finger-tip. Overall weight is app.13kg.

A silver (800 Standard) Salvidor Dali hand pin/ brooch, in original box and numbered 239, bearing impressed marks, originally issued as a companion piece to the 1969 Biblia Sacra, 6.7 cm x 4.8 cm.

Rosenthal Deckelschale "Suomi" Formentwurf Timo Sarpaneva, Dekorentwurf Salvador Dali 1976, braune und grüne Stempelmarke mit Zusatz studio-linie nach 1957, Limitierte Kunstreihen Galerie 500/212, Stempelnummer 2 und Entwerfersignatur, Porzellan, gerundete Würfelform mit Stülpdeckel, Bandhenkel und Randaussparung sowie beweglichem und vergoldeten Metallbügel, innen weiß glasiert, außen Reliefdekor aus einer stilisierten Krone und zahlreichen Schwalben in Pastell- und Brauntönen sowie Goldfond, dieser minimalst berieben, sonst guter Zustand, H ohne Bügel 18 cm.

Salvador Dalí, Bildplatte Silber aus einer limitierten Edition, betitelt "Armonia Musical", Nr. 352/1000 Stück, 925er Silber, in einem Plexiglasrahmen mit Originaletikett und rückseitigem Zertifikat, stilisierte Darstellung einer Nackten im Wasser, Maße Bild 21 x 16 cm, Maße gesamt 38 x 33 cm, G ca. 170 g. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkrieges in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol, Quelle: Vollmer und Internet.

Salvador Dali, Die Rose (Traum) surreale Komposition aus männlicher Figur, Engel und Rose, arrangiert in einer Ebene, Radierung, teils in Gold schablonenkoloriert, um 1976/77, unter der Darstellung rechts Schriftzug in Blei „Dali“ und links nummeriert „25/250“, rückseitig Spuren alter Montierung, leichte Schmutzspur in der Darstellung, Darstellungsmaße ca. 36 x 50,5 cm, Blattmaße ca. 56,5 x 76 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkriegs in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol, Quelle: Vollmer und Internet.

Prof. Ernst Fuchs, "Venusberg" in transparenten Stoff verhüllte Frauengestalt, vor Buschwerk mit mythologischen Figuren, Farbradierung, 1983, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“ und links nummeriert „1/30“, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 53,5 x 41,5 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Prof. Ernst Fuchs, "Zyklopische Landschaft" fantastische Landschaft mit nackter Schönheit und Buddhakopf, Radierung, siehe Werksverzeichnis Weis/Fuchs 118, 1967, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“ und links nummeriert und bezeichnet „XXIV/XXVI E.A.“, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 21,5 x 47 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Prof. Ernst Fuchs, "Portrait Hannelore Elsner" Bildnis der bekannten Schauspielerin vor dunklem Grund, Werksverzeichnis Weis/Fuchs 279, Radierung in Blau, 1977, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“ und links nummeriert „XIII/XV“, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 40 x 31,5 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Alberto Giacometti, Plakat originalgraphisches Plakat der Edition Maeght, Lithographie, um 1960, zwischen zwei Plexiglasscheiben montiert, Blattmaße ca. 62,5 x 47 cm. Künstlerinfo: schweizerischer Bildhauer und Graphiker (1901 Borgonovo/Graubünden bis 1966 Chur), 1913 Entstehung seines ersten Ölgemäldes, 1919 kurzzeitiger Besuch der Akademie der schönen Künste in Genf, anschl. Besuch der Kunstgewerbeschule, 1920-21 Italienreise, ab 1922 in Paris ansässig, 1930 Kontakt zu den Surrealisten Dali, Breton und Aragon, 1935 Neuorientierung seines Werkes, ab 1939 Freundschaft mit Jean-Paul Sartre, ab 1948 weltweit Ausstellungen in führenden Galerien und Museen, 1962 großer Preis auf der Biennale in Venedig, 1964 Verleihung des Guggenheim-Preises, Quelle:, Vollmer, Bénézit, Wikipedia und Internet.

Medaille Salvador Dali Teatro Museo/Figueras 28.IX.74, Buntmetall mit Weißmetallauflage, D ca. 50 mm.

Salvador DALI (1904-1989) "ohne Titel" Grafik - Farbradierung auf Bütten, Plattenmaß 24,7 cm x 14 cm, Blattmaß Klappkarte 30 cm x 36 cm, Nr. 27/110, unten handsigniert Salvador DALI (1904-1989) "untitled" graphic - color etching on laid paper, plate size 24.7 cm x 14 cm, sheet size folding card 30 cm x 36 cm, number 27/110, below handsigned

Salvador DALI (1904-1989) "ohne Titel" Grafik - Farbradierung auf Bütten, Plattenmaß 20,5 cm x 10 cm, Blattmaß Klappkarte 28 cm x 32 cm, unten handsigniert Salvador DALI (1904-1989) "untitled" graphic - color etching on handmade paper, plate size 20.5 cm x 10 cm, sheet size folding card 28 cm x 32 cm, below handsigned

Salvador DALI (1904-1989) "dem Himmelreich nah - zu Dante: Göttliche Komödie" Grafik - Farbholzschnitt, 25 cm x 18 cm, rechts unten handsigniert Salvador DALI (1904-1989) "near the heavenly kingdom - to Dante: Divine Comedy" graphic - colored woodcut, 25 cm x 18 cm, handsigned at the lower right

Salvador DALI (1904-1989) "Die Landkutsche und die Fliege - aus: Le Bestiaire de la Fontaine Dalinise" Grafik - Kaltnadel- Farbradierung, Plattenmaß 40 cm x 58 cm, Blattmaß 73,5 cm x 88 cm, rechts unten handsigniert, Exemplarvermerk E.A. Salvador DALI (1904-1989) "The country carriage and the fly - from: Le Bestiaire de la Fontaine Dalinise" graphic - drypoint colored etching, plate size 40 cm x 58 cm, sheet size 73.5 cm x 88 cm, handsigned at the right bottom, copy note E.A.

A COLLECTION OF FORTY BOXED AND LOOSE COLLECTORS AND OTHER DECORATIVE PLATES, including a set of twelve Bradford Exchange Limoges Parisian scenes by Louis Dali, a set of four Spode Christmas plates (1970-71 and 1983 x 2), etc (40 plates)

Salvador Dali (Spanish, 1904?1989) "The Opera Carmen" (portfolio w/ 25 works) , 1970. The complete portfolio, comprising 25 lithographs printed in colors, 1970, numbered 2 on the justification page, from the total edition of 150 plus proofs, on Arches wove paper, published by Shorewood Publishers, Inc., New York, with title page and accompanying text, contained in the original red buckram-covered portfolio box (25 prints) The Salvador Dali Carmen suite is an opera with four acts. Georges Bizet wrote the opera, and it was first performed in 1875. Salvador Dali depicted Carmen as an illustrated suite. The suite is broken into four acts. Sheet Sizes: 25 5/8 x 19.75 in. Case Dimensions: 27.5 x 20.75 x 2 in.

Salvador Dali (1904-1989). Bas coated in gold leaf depicting Don Quixote, Signed on the lower left Salvador Dali, 83/99. 28x21 cm, framed 72x65 cm.

Radierung/ auf Japanpapier, grün aquarelliert mit Goldauflage, u. rechts signiert und mit Prägestempel "Dali", u. links bezeichnet E A., H 38 cm x B 28,5 cm, Modellrahmen 64,5 x 54 cm

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), "Blanchefleur", Radierung, bezeichnet Dali, E.A., 17 x 13 cm, unter Glas gerahmt. WV Michler/ Löpsinger, Nr. 559

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), 2 Farbradierungen, "Zebulun" und "Naphtali", aus der Serie "The Twelve Tribes of Israel", bezeichnet Dali, jeweils nummeriert G 69/195 bzw. 39/195, jeweils unten rechts mit Wasserzeichen Arches France, Montagereste oben am Rand, unter Glas gerahmt. Provenienz: erworben Kunsthaus Artes WV Michler/Löpsinger, Nr. 623 und 628

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), "Timon von Athen" aus: Much Ado About Shakespeare, Radierung auf Papier, bezeichnet E.A., 17 x 12.5 cm, unter Glas gerahmt, Wechselrahmen beschädigt. WZ: Michel/Löpsinger 401

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), "Gala" (aus der Serie: Four Dreams of Paradise), Farblithografie auf Papier, bezeichnet rechts unten Dali, nummeriert links unten 715/1000, 70 x 58 cm (Rahmenausschnitt), unter Glas gerahmt

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), "Der Strand von Cadaqués", Farbradierung mit Kaltnadel auf Japanpapier, signiert und nummeriert 38/100, mit dem Prägestempel des Ateliers Rigal, 51 x 66 cm (R.A.), unter Glas gerahmt. Michler/Löpsinger Nr. 221

Dali, Salvador (1904 Figueres/Spanien - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler "Lancelot et Galehaut", Kaltnadelradierung, aus der Serie "La Quete du Graal", bezeichnet, nummeriert 117/249, 39.5 x 26.5 cm (Darstellungsmaß), stark gebräunt, kleiner Fleck, unter Glas gerahmt, Rahmen leicht bestoßen (ungeöffnet). WV Michler/Löpsinger 789, Auflage nicht erwähnt

After Salvador Dali, bronze melting clock sculpture, on black marble socle, 30cms h

Books - H.R. Gager - Necronomicon by Big O Publishing London, 1979, the frontispiece with printed signature by Gager & Salvador Dali Sellotape to the front cover of this paperback edition, slight yellowing along the seam. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Kozorezenko (Peter). Viktor Popkov : 1932-1974, 2 volumes, 1st edition, Moscow: Peter Kozorezenko jr, 2012, numerous colour & black and white illustrations, original cloth in dust jackets and slipcase, slipcase stain to upper left cover & rubbed to head and foot, large 4to together with; Lodder (Christina), Oleg Kudryashov: Bridge to the future, 1st edition, London: Unicorn publishing group, 2017, numerous colour & black and white illustrations, original cloth in dust jacket and slipcase, large 4to, and: Descharnes (Robert), Salvador Dali The Work The Man, 1st edition, New York: Harry N. Abrams, Inc., 1984, numerous colour & black and white illustrations, original cloth in dust jacket, covers slightly rubbed, partially removed barcode sticker on rear cover, 4to, plus 18 other volumes of modern art reference including I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, by Damien Hirst, Booth- Clibborn editions, 1997, all original cloth in dust jackets, 4toQty: (22)

SALVADOR DALI, chromolithograph, framed and glazed. 21 x 28 cm.

A large collection of Art Books with themes of Modern Art to include: Symbolism, Pop Art, Max Ernst, Irving Pen, Dali, Lowry, Paul Klee and Henry Moore, 45 copies

BOX OF BOOKS, SOME ART INTEREST INCLUDING DALI AND THE SURREALISTS AND ROAD ATLAS OF EUROPE

SALVADOR DALI (Spanish 1904-1989) A RARE PRINT, "Exposition Inaugurale, L'Art Dans le Bijoux, Au Profit des Petits Lits Blancs," PARIS, APRIL 23 - MAY 22, 1971, offset color lithograph, signed in plate, with image of the enamel, diamond and ruby Eye of Time brooch designed by Henryk Kaston (Polish 1910-2010), for Wally F. Findlay Galleries International, printed by Mourlot. 26 1/4" x 20" Condition: Some minor paper wear, signed in plate, edges creased and mild tears, expected wear for age, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

SALVADOR DALI (Spanish 1904-1989) A PRINT, "The Earth Goddess (The Chef)," 1980, lithograph, signed in margin in pencil L/R, numbered 190/350 L/L. 22 1/2" x 18" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

*Salvador Dali (Spanish, 1904-1989) Nude on a stallion etching, signed and date '68 in pencil l.r., plate mark 10.9 x 14.9cm *Artist's Resale Right may apply to this lot.

DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", aus der Folge "Faust", Kaltnadelradierung mit Goldauflage/Papier, u.re. mit Trockenstempel und mit Bleistift signiert, u.li. mit Bleistift num. LXXI/C, HxB: Platte ca. 32x23,5 cm, Blatt ca. 37x29 cm. Gebräunt und Altersspuren. PROVENIENZ: Ketterer Kunst 2013, dort als eines von 100 Exemplaren außerhalb der im Werkverzeichnis genannten Auflagen, vgl. Michler/Löpsinger WVZ-Nr. 303. DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", of the series "Faust", Drypoint etching with gold plating / paper, lower right with blind stamp and signed in pencil, lower left with pencil num. LXXI / C, HxW: plate approx. 32x23.5 cm, sheet approx. 37x29 cm. Browned and signs of age. PROVENANCE: Ketterer Kunst 2013, there as one of 100 copies outside the editions specified in the catalog raisonné Michler / Löpsinger VMS No. 303.

DALI, SALVADOR (1904-1989), "Torso (Geburt der Venus)", Farblithographie/Arches France (mit Wasserzeichen), u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. G 44/125, HxB: Platte ca. 59x43 cm, Blatt ca. 75x55 cm, Außenmaße Rahmen ca. 78x58 cm. Gebräunt. Mit verglastem Rahmen. Altersspuren. LITERATUR: Michler/Löpsinger, WVZ-Nr. 1585. DALI, SALVADOR (1904-1989), "Torso (Birth of Venus)", color lithograph / Arches France (with watermark), signed by hand in pencil, with pencil num. G 44/125, HxW: plate approx. 59x43 cm, sheet approx. 75x55 cm, outer dimensions frame approx. 78x58 cm. Tanned. With a glazed frame. Signs of age. LITERATURE: Michler/Löpsinger, WVZ-Nr. 1585.

SALVADOR DALI FÜR SCHIRNDING/BAVARIA "Umfangreiches Kaffee-, Tee- und Speiseservice für 12 Personen" Ausführung: 1978, Porzellanfabrik Schirnding AG, Auflage von 1000 Ex., hier Ex.Nr.520, Böden je mit grüner Stempelmarke Schirnding, Bavaria, signiert, nummeriert und bezeichnet "Sirenas peinadas con coral y hormiga", Porzellan, weiß glasiert, auf Glasur polychrom staffiert, Goldakzente, Dekor von Salvador Dalí "Sirenas peinadas con coral y hormiga", 12 Suppenteller tief D.ca.23cm, 12 Speiseteller flach D.ca.25cm, 12 Dessertteller flach D.ca.19cm, 12 Suppentassen mit Untertassen, 1 Supenterrine 2,7 Ltr., 1 Ragoutschüssel 1,55 Ltr, 2 Saucieren 0,40 Ltr mit Untertassen, 1 Salatschüssel D.ca.24cm, 1 Salatschüssel D.ca.22cm, 12 Kompottschälchen D.ca.14cm, 1 Fleischplatte oval L.ca.34cm, 1 Fleischplatte oval L.ca.32cm, 1 Platte rundflach D.ca.30cm, 1 Kaffeekanne 1,35 L., 1 Teekanne 1,05Ltr., 2 Zuckerdosen 0,30Ltr., 2 Milchgießer 0,16 L., 1 Teewärmer, 12 Kaffeetassen mit Untertassen, 12 Teetassen mit Untertassen, neuwertig. SALVADOR DALI FOR SCHIRNDING/BAVARIA "Extensive coffee, tea and dinner service for 12 persons". Design: 1978, Porzellanfabrik Schirnding AG, edition of 1000, here Ex.Nr.520, bottoms each with green stamp Schirnding, Bavaria, signed, numbered and inscribed "Sirenas peinadas con coral y hormiga", porcelain, white glazed, polychrome painted on glaze, gold accents, decor by Salvador Dalí "Sirenas peinadas con coral y hormiga", 12 soup plates deep D.ca.23cm, 12 dinner plates flat D.ca.25cm, 12 dessert plates flat D.ca.19 cm, 12 soup cups with saucers, 1 super tureen 2,7 ltr, 1 ragout bowl 1,55 ltr, 2 sauce boats 0,40 ltr with saucers, 1 salad bowl D.ca.24cm, 1 salad bowl D.ca.22cm, 12 compote bowls D.ca.14cm, 1 meat plate oval L.ca.34 cm, 1 meat platter oval L.ca.32cm, 1 platter round D.ca.30cm, 1 coffee pot 1,35 L., 1 tea pot 1,05Ltr., 2 sugar bowls 0,30Ltr., 2 milk jugs 0,16 L., 1 tea warmer, 12 coffee cups with saucers, 12 tea cups with saucers, like new.

ELGIN AMERICAN THREE IN ONE COMPACT,in the form of a bird, designed by Salvador Dali, 11.5 cm long, along with six others by Elgin and fourteen American and other compacts (21)

λ  CHRIS MOON (BRITISH 20TH CENTURY)SELF PORTRAIT WITH BALLOONOil on canvas Signed lower left 118 x 78cm (46¼ x 30½ in.)The prominent East London based contemporary artist Chris Moon, is a self-taught artist who has exploded onto the British and American contemporary art market in the last 10 years. Moon describes himself as an outsider artist who finds his reclusive nature combined with his obsession with colour, shape and form has sculpted him into the artist he is today. Moon's body of work draws upon past memories and events that he reproduces with a dream-like effect across the canvas. As the viewer, you are drawn into the work, layer by layer. The canvasses act as a record of places Moon has been, people he has known and experiences he has felt. Moon's work has been collected by international icons including Paul McCartney, Gemma Arterton and Michael Fassbender. In 2018, Moon was the subject of renowned film director Jack Bond's documentary An Artist's Eye. Bond had previously worked on projects with Salvador Dali, Charlotte Rampling and Vanessa Redgrave. The documentary focuses on Moon's working process and his dedicated but complicated relationship with his pictures. What Drives you ? 'Stubborness, selfishness, madness drives me' Chris Moon A world record price for Chris Moon was set in 2014 at Paddle8 with the hammer falling at $49,000. Condition Report: There are no visible signs of damage or restoration. Condition Report Disclaimer

Salvador Dalí (1904-1989), nach, ''Apparatus and hand'', Giclee-Print auf Bütten nach dem frühen Gemälde von 1927, u. re. im Druck sign., u. li. handnum. ''MDCCLXI/MM'', in der unteren li. Ecke Prägestempel ''Dali mit Krone'', 45 x 34 cm, Blattmaße 65 x 50 cmSalvador Dalí (1904-1989), after, ''Apparatus and hand'', giclee print on laid paper after the early painting from 1927, u. r. signed in print, u. li. handnum. ''MDCCLXI/MM'', in the lower left corner embossed stamp ''Dali with Crown'', 45 x 34 cm, sheet dimensions 65 x 50 cm

Salvador Dali (1904-1989), Blatt aus ''Das Hohelied des Salomon'', Kaltnadelradierung m. Pochoir u. Goldauflage, 1971, re. u. handsign., li. u. num. 145/250, leichte Knickspuren, Dünnstellen an den Ecken von der ehemaligen Montierung,ca. 40 x 25 cm, Blattmaße 56 x 38 cmSalvador Dali (1904-1989), sheet from ''The Song of Solomon'', drypoint w. pochoir u. gold overlay, 1971, r. u. handsigned, l. u. num. 145/250, slight creases, thin spots at the corners from the former mounting,ca. 40 x 25 cm, sheet dimensions 56 x 38 cm

SALVADOR DALI 'Perrier', metallic poster, 50cm x 33cm, framed and glazed.

Salvador Dali (1904 - 1989) Etching. Signed in plate. With original authentication label verso. Image Size: 15.25 x 10 in. Overall Framed Size: 24 x 19 in. Framed behind glass.

Salvador Dali "Our Historical Heritage" Complete set of 11 etchings with stencil hand coloring on Arches paper. With full margins. Each pencil signed and numbered (SA 113/300). From the set of three hundred copies reserved for South America. Including: King Saul; Joseph; The Rock; Adam and Eve; King Solomon; Jeremiah; Elijah; Jonah and the Whale; Moses; King David; and Noah's Ark. Image Size: 22 x 15.75 in. Sheet Size: 26 x 20 in. Folio Case: 26 x 20.5 x 1.5 in.