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Christian Peschke, Am Gartentorgemauerter Torbogen, umgeben von mediterraner Vegetation, Pastell auf gräulichem Papier, Ende 20. Jh., Passepartout etwas wasserrandig, unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 48,5 x 34 cm. Künstlerinfo: dt. Bildhauer, Maler und Graphiker (1946 Bad Säckingen bis 2017), durch Sondergenehmigung ab 1958 Besuch der Akademie der Bildenden Künste in Stuttgart bei Gerhard Gollwitzer, anschl. Lehre als Maler und Lackierer, ab 1967 Entstehung erster Plastiken und Beschäftigung mit der Malerei, Ausbildung an der Blocherer Schule in München, ließ sich 1982 als freischaffender Künstler in Spanien nieder, 2000-2002 Tätigkeit als Dozent an der Akademie Vulkaneifel in Steffeln, Künstlerfreundschaften mit Ernst Fuchs, Salvador Dali und Arno Breker, Quelle: Wikipedia.
Prof. Ernst Fuchs, Venus und Adlerauf dem Wasser ruhende Venus, umgeben von drei Adlern, kolorierte Radierung, um 1980, unter der Darstellung in Blei rechts signiert "Fuchs" und links nummeriert "36/200", aufwendig unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 17,5 x 15 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitbegründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigem Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.
Salvador Dali, aus Dante "Die göttliche Komödie"graziler Engel vor Wolkenberg, Blatt aus Dantes göttlicher Komödie, Farbholzschnitt auf Velin, unter der Darstellung rechts von Hand mit blauem Stift "Dali" und links nummeriert "51/150", auf Rahmenrückwand maschinenschriftlicher Aufkleber "Salvador Dali Orig. Farbholzschnitt aus: Dante "Die göttliche Komödie", 1960 Paradies, Gesang 22 "Der Engel des 7. Himmels"", hinter Glas in rahmenlosen Bilderträger, Darstellungsmaße ca. 24 x 18,5 cm, Blattmaße ca. 33 x 26 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkriegs in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol, Quelle: Vollmer und Internet.
Salvador Dali, 1904 Figueras - 1989 ebenda, 'Jugend' aus der Serie der Lebensalter 'Edadesde la vida' (1973), Zinkfarblithographie auf Arches, rechts unten handsigniert, Ed. 183/300, ca. 76x56 cm, leicht gebräunt, Verlag Spectra, Lit: Michler/Löpsinger, 1995, Kat.Nr.1432, S. 157.Salvador Dali, 1904 Figueras - 1989 ibid, 'Youth' from the series of ages 'Edades de la vida' (1973), zinc color lithograph on Arches,signed lower right, Ed. 183/300, approx. 76x56cm, slightly browned, publisher Spectra, Lit: Michler/Löpsinger, 1995, cat. no. 1432, p. 157.
Salvador Dali, 1904 Figueras - 1989 ebenda, 'Pubertät' aus der Serie der Lebensalter 'Edades de la vida' (1973), Zinkfarblithographie auf Arches, rechts unten handsigniert, Ed. 183/300, ca. 76x56 cm, leicht gebräunt, Verlag Spectra, Lit: Michler/Löpsinger 1995, Nr. 1431, S. 157.Salvador Dali, 1904 Figueras - 1989 ibid, 'Puberty' from the series of ages 'Edades de la vida' (1973), zinc color lithograph on Arches, signed lower right, Ed. 183/300, approx. 76x56 cm, slightly browned, publisher Spectra, lit: Michler/Löpsinger 1995, no. 1431, p. 157.
Salvador Dali, 1904 - 1988, Bronzeskulptur, 'Double victoire de Samothrace', auf der Plinthe signiert und num. B 104, Silber Medaillon mit Stempel und gravierter Signatur des Künstlers, Venturi Arte Bologna, Marmorfuß, Gesamtauflage 1400 Exp., H. 31 cmSalvador Dali, 1904 - 1988, bronze sculpture, # 'Double victoire de Samothrace #', signed and numbered on the plinth. B 104, silver medallion with stamp and engraved signature ofthe artist, Venturi Arte Bologna, marble base,total edition 1400 Exp., Height 31 cm
Salvador Dali, 1904 Figueras - 1989 ebenda, 'Reife' aus der Serie der Lebensalter 'Edades de la vida' (1973), Zinkfarblithographie auf Arches, rechts unten handsigniert, Ed. 183/300, ca. 76x56 cm, leicht gebräunt, Verlag Spectra, Lit: Michler/Löpsinger 1995, Kat.Nr. 1433, S. 157.Salvador Dali, 1904 Figueras - 1989 ibid, 'maturity' from the series of ages 'Edades de la vida' (1973), zinc color lithograph on Arches, signed lower right, Ed. 183/300, approx. 76x56 cm, slightly browned, publisher Spectra, Lit: Michler/Löpsinger 1995, cat. no.1433, p. 157.
Dali (Salvador).- Valette (Robert D.) Deux Fatrasies, one of 70 copes on Vélin d'Arches paper, signed by author and artist, this copy out of series and marked "un des exemplaires d'auteur", from an edition of 99, 3 full-page etched illustrations and a title vignette by Salvador Dali, loose as issued in original pictorial wrappers, uncut, glacine dust-jacket, some light toning but near-fine generally, 8vo, Cannes, 1963.
Salvador Dali (1904-1989), 'A L'Eternelle Madame', limited edition and signed drypoint etching, from 'Les Amours Jaunes' (1974), with added colour and gilt embellishments, numbered 27/300 on Arches paper, 29.5 cm x 21 cm with margins, the page under tissue paper, in a protective red slip-case, gilt-tooled 'Dali' to the cover, 41 cm x 30 cm.Private collection, London deceased estate.Condition report: Tissue paper appears a little stuck to the surface, but it has protected the etching / paper.
Minotaure.: 2. Serie, No. 9. Paris, Skira 1936. 4°. Mit 6 mont. Farbtaf. u. zahlr. Abb. 4 Bl., 67 S., 2 Bl. Illustr. Obrosch. (Etw. fleckig u. angestaubt). Wichtiges Heft dieser bedeutenden, von Skira u. Teriade hrsg. Zeitschrift. Mit dem Beitrag "Premiere loi morphologique sur poils dans les structures molles" (über den männlichen Bart) von S. Dali und der Erstveröffentlichung des in diesem Jahr entstandenen Gemäldes "Espagne. Premonition de guerre civile" (2 Farbtafeln). Einbandgestaltung Henri Matisse.
SALVADOR DALI limitiertes Juwelenkreuz mit Brillanten von zus. ca. 0,2 ct, gute-mittlere Farbe und Reinheit, Lapislazuli und 4 Rubintropfen, GG 18K, 19,6 g, 5,5x2,9 cm, Nr. 092/999, Entwurf von 1954, Ausführung 1989, sehr guter Erhalt, mit Beschreibung und Zertifikaten.| SALVADOR DALI limited jewel-cross No 092/999 with brilliant-cut diamonds totalling ca. 0.2 ct, good-medium colour and clarity, lapis lazuli and 4 ruby drops, 18K yellow gold, 19.6 g, 5.5x2.9 cm, designed 1954, made in 1989, very good condition, description and certificates included.
Token ID 371I fell in love with the wild, beautiful, uncanny and profound results that came with the first round of Eponym. With Stories, I began to explore what result would come telling Ai that this was ""for a museum"". One of the first results was 'for the museum of modern art' which looked like an abstract landscape hanging on a white wall but it also had a 3d element that was breaking the fourth wall of perspective. It felt like the perfect piece to represent modern Ai driven art with the intent of being FOR a museum. It even came with what looks like an information placard about the art hanging on the wall in lower right corner of the frame.For subsequent stories, I picked museums I've been to that inspire me and tried many permutations for the art. The ones that stood out were ones that looked like they might belong in the museum referenced but also said something to the museum about its history, its present and its future. To me, each piece honors the museum's style but also says something about the art within its walls that can be interpreted in myriad ways. 'for the louvre' has a similar feeling of breaking the fourth wall. The frame and walls evoke an Egyptian artifact that was taken by Napoleon himself and brought to Paris. It was too rich in artificial mystique to pass up.'for the guggenheim' looks like a pen and ink masterpiece Peggy herself would hang on the walls of her spiral halls. The touches of blue in the black and white figures is striking.In 'for the smithsonian' I was looking for something American that also evoked the 'shining city on the hill'. The result that came looks like a sketch that George Washington or one of his officers may have sketched in their journal during the American Revolution.With 'for the van gogh museum' I had originally set out to show how the Ai could recreate or construct a new Van Gogh painting. There were many impressive options but then the result you see here popped up. While not in the style of Van Gogh, it seems to reference the artist himself, it looks like a portion of one of his self-portraits but it also seems to be saying something. Perhaps that Van Gogh is still with us, his haunting blue eye, watching the progress of art and humanity and culture. The cryptic signature on the bottom right. The DaVinci like canvas it's painted on. I don't know. I just couldn't pass up minting it.I mean, come on, 'for the picasso museum in barcelona' looks like late-era Picasso painting, celebrating the spirit of Spanish life as well as the freedom of how children are free with their art. To me, what's minted looks like what Picasso might have painted today and perhaps minted to the chain. 'for the dali museum in paris' to me, looks like two elongated figures embracing, intertwined; surreal and Jungian, the integration of the psyche, of the self, the id and ego, the light and shadow, together as one.'for the national gallery' made me laugh. I kept trying to create a new JMW Turner painting, something quintessentially British, and there were some good options, but then this popped up and it just looked like someone hung the painting up backwards and we were looking at the back of the frame. It also had great shading for the back of the painting. As for the title, this belongs in a museum, it's a reference to Indiana Jones and the Last Crusade, when he rescues the Cross of Coronado...Enjoy.For more information about the artist and their story please visit:https://epostories.auction/epostory/371/this-belongs-in-a-museum
Salvador Dali. "Carmen with the rattlesnakes". 1970. Bronze with nuanced golden patina on stone plinth. Signed on the back "Dali". Dimensions of the bronze: 12 x 6 x 5 cm. Dimensions with the base: 17 x 7 x 5 cm. This sculpture is referenced in the catalog raisonne of Robert and Nicolas Descharnes, "Dali, Le Dur et le Mou, sculptures et objets", [S. l.]: Eccart on pages 174 and 175 number 440. - Period: Xxth - Sizes: H: 170 mm L: 60 mm - Weight (K): 0,71kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Salvador DALI (1904-1989)
Salvador Dali. 1980. “Cabeza de Caballo Riendoâ€. Pendant on gilded bronze with fine gold representing a horse's head. Signed "Dali" below. Marked P / A (Proof Artist - artist proof). Dimensions: 30 x 30 x 20 mm. Weight: 26.68 g. Published by Kyle Capital Corp. Her Majesty the Queen of Spain at the Feria in 2000 wore this pendant. Sold with certificate from Kyle Capital Corp. Provenance: Count de la Carrera Mr Juan Gonzalez-Quiros - Spain - Period: Xxth - Sizes: H: 25 mm L 25 mm - Weight (K): 0,025kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Salvador DALI (1904-1989)
Original vintage travel poster advertising the Alps featuring snow-topped mountains with butterflies in the foreground designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Poor condition, creasing, tears, staining, paper loss in bottom left corner. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage travel poster advertising Roussillon featuring butterflies and figures in a red frame with yellow lines of light from the centre and a person with a butterfly casting a long shadow in front of snow-topped mountains in the distance below, designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Good condition, creasing, tears, staining. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage travel poster advertising Normandy featuring iconic butterflies and buildings with boats on a sandy beach and other images designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Poor condition, creasing, tears, staining, loss of paper on the bottom left corner. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage travel poster advertising Roussillon featuring butterflies and figures in a red frame with yellow lines of light from the centre and a person with a butterfly casting a long shadow in front of snow-topped mountains in the distance below, designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Poor condition, creasing, tears, staining, paper loss in bottom left corner. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage travel advertising poster for Auvergne featuring an iconic butterfly design by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Poor condition, creasing, tears, staining, large paper loss in top right corner. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage French National Railways SNCF travel poster - Alsace Chemin de Fer Francais - featuring abstract artwork in black and white of historic cathedral buildings with a subtle butterfly design below a dramatic sky by the renowned surrealist artist Salvador Dali (1904-1989). Poor condition, creasing, tears, staining, paper loss in the bottom left corner. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
Original vintage travel poster advertising Paris featuring the Eiffel Tower with abstract lines and colourful butterflies designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Poor condition, tears, creasing, staining, paper losses in bottom left corner, tape on margin. Country of issue: France, designer: Salvador Dali, size (cm): 99x62, year of printing: 1970
DALI, SALVADOR (1904-1989), "Der heilige Martin - Saint Martin", Farbaquatintaradierung/Papier (ohne Wasserzeichen), u.re. mit Bleistift signiert, u.li. mit Bleistift bezeichnet 'Epreuve d'Artiste', HxB: Platte ca. 49x36,5 cm, Blatt ca. 67x52 cm, Außenmaße Rahmen ca. 73x59 cm. Gebräunt, Lichtrand. Mit verglastem Rahmen. LITERATUR vergleiche: Michler/Löpsingen, Salvador Dali, Das druckgraphische Werk I, Prestel 1995, Motiv unter WVZ-Nr. 133.| DALI, SALVADOR (1904-1989), "Der heilige Martin - Saint Martin", color aquatint etching / paper (without watermark), below right signed in pencil, lower left inscribed 'Epreuve d'Artiste' in pencil, HxW: plate approx. 49x36.5 cm, sheet approx. 67x52 cm, external dimensions of frame approx. 73x59 cm. Browned, light edge. With a glazed frame. LITERATURE compare: Michler / Löpsingen, Salvador Dali, Das druckgraphische Werk I, Prestel 1995, motif under VMS no. 133.
Surrealismus - Dictionnaire abrégé du Surréalisme. Paris, Galerie Beaux-Arts 1938. Mit zahlreichen Abbildungen. Originalbroschur mit Deckelillustration von Yves Tanguy.Erste Ausgabe dieses Wörterbuchs, zusammengestellt von André Breton und Paul Eluard. - Die kurzen Textbeiträge und die vielen abgebildeten Kunstwerke stammen von Louis Aragon, Hans Arp, Hans Bellmer, René Crevel, Salvador Dali, Robert Desnos, Marcel Duchamp, Max Ernst, Man Ray, Benjamin Péret, Pablo Picasso, Jacques Prévert, Tristan Tzara und vielen anderen.24,0 : 15,5 cm. 75, [1] Seiten. - Umschlagränder und -rücken leicht gebräunt.Dokumentations-Bibliothek VI, 129
ART INTEREST. 'David Hockney: A Bigger Picture,' first edition on occasion of the exhibition, Royal Acadmey of Arts, 2012; 'Inspirations & Episodes in my Life: Oils, Drawings, Collages & Poems,' by Colin T. Johnson, signed and inscribed, published by author, 2012; 'The Real Van Gogh: The Artist and His Letters,' Royal Academy of Arts, 2010; 'Salvador Dali: retrospective 1920-1980,' canvas wraps, second edition, entre Georges Pompido, Musee National d'Art Moderne, Paris; 'Toulouse-Lautrec,' printed on occasion of the exhibition, South Bank Centre, Reunion des musees nationaux, 1992; With ten other art books. (15)Condition report: David Hockney- Very good to fineThe rest of books- Good to very good
δ Salvador Dali (1904-1989)La Machine à Coudre (Field 75-8)Etching with engraving and aquatint printed in colours, 1968, signed and inscribed EA in pencil, an artist's proof from the numbered edition of 60, as included in the portfolio Hommage à Leonardo da Vinci, on Arches paper, with full margins, 365 x 505mm., (14 ¼ x 19 7/8 in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)King John (from Shakespeare II) (Field 71-1-O; M & L 396b)Etching printed in colours, 1979, signed and numbered from the edition of 250 in pencil, on japan, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, the full sheet, 449 x 313mm (17 5/8 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Apocalyptic Rider (Field 74-18)Drypoint printed in brown, 1974, signed and inscribed P.A. in pencil, an artist's proof aside from the edition of 50, on Japon nacré paper, with full margins, 490 x 640mm (19 ¼ x 25 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
SALVADOR DALI (1904 - 1989). "Le Decameron"Größe der Druckplatte 17 x 12 cm. Farbradierung (1972). Links unten "E.A.", rechts unten signiert.Objekt kann versendet werden.SALVADOR DALI (1904 - 1989). "Le Decameron"Printing plate size 17 x 12 cm. Colour etching (1972). Inscribed E.A. lower left, signed in pencil lower right.Object can be shipped.
Salvador DALI (1904 - 1989). "Hommage a la Medicine" (1973/74).76 cm x 56 cm. Originalradierung, fünffarbig. Nummeriert in Bleistift unten links 937175, handsigniert in Bleistift unten rechts.Objekt kann versendet werden.Salvador DALI (1904 - 1989). "Hommage a la Medicine" (1973/74).76 cm x 56 cm. Original etching, five colors. Numbered in pencil at the bottom left 937175, hand-signed in pencil at the bottom right.Object can be shipped.
SALVADOR DALI (1904 - 1989). "Le Decameron"Größe der Druckplatte 17 x 12 cm. Farbradierung (1972). Links unten "E.A.". Signiert.Objekt kann versendet werden.SALVADOR DALI (1904 - 1989). "Le Decameron"Plate size 17 x 12 cm. Colour etching (1972). "E.A." bottom left. Signed.Object can be shipped.
Salvador DALI (1904 - 1989). "König des Landes und der Meere".74 cm x 52 cm. Original Litographie, unten links bezeichnet "G 32/125" und in Bleistift unten rechts signiert. Zustand siehe Fotos.Objekt kann versendet werden.Salvador DALI (1904 - 1989). "King of the Land and the Seas".74 cm x 52 cm. Original lithograph, inscribed lower left "G 32/125" and signed in pencil lower right. Condition see photos.Object can be shipped.
Salvador DALI (1904 - 1989). "Don Quichotte (Horseman)" (1964/75)39 cm x 29,5 cm. Druckgrafik Multiple. Radierung. Signiert rechts unten.Objekt kann versendet werden.Salvador DALI (1904 - 1989). "Don Quichotte (Horseman)" (1964/75)39 cm x 29,5 cm. Printmaking Multiple. Etching. Signed lower right.Object can be shipped.
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5597 item(s)/page