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Dali, Salvador (1904 - 1989 Figueras/Spanien)"La vache sacrée"; col. Kaltnadelradierung/Arches; sign. und num. 33/145; aus der Serie "Hippies" 1969/70; Blattgröße: 66 x 50,3 cm; unter Glas gerahmt (81 x 63 x 3 cm); WVZ Michler-Löpsinger-Nr. 383;

Dali, Salvador (1904 - 1989 Figueras/Spanien)"Femmes-fleurs au piano"; col. Kaltnadelradierung/Arches; sign. und num. 33/145; aus der Serie "Hippies" 1969/70; Blattgröße: 66 x 50,3 cm; unter Glas gerahmt (81 x 63 x 3 cm); WVZ Michler-Löpsinger-Nr. 385;

Dali, Salvador (1904 - 1989 Figueras/Spanien)"Zebulun"; Kaltnadelradierung auf Rives; aus der Serie "Die zwölf Stämme Israels"; sign. und num. G 89/195; 65,5 x 50,5 cm; hinter Glas gerahmt (76 x 61 x 2 cm); sauberer Druck; Atelier Rigal (Intaglio/Poschoir/Typographie); WVZ: Michler-Löpsinger 623

Dali, Salvador (1904 - 1989 Figueras/Spanien)"Naphatali"; Kaltnadelradierung auf Rives; aus der Serie "Die zwölf Stämme Israels"; sign. und num. G 35/195; 65,5 x 50,5 cm; hinter Glas gerahmt (76 x 61 x 2 cm); sauberer Druck; Atelier Rigal (Intaglio/Poschoir/Typographie); WVZ: Michler-Löpsinger 628

A SALVADOR DALI APHRODITE PIN BROOCH, PROMO EXAMPLE TOGETHER WITH A GIANNI VERSACE, SIGNED COSTUME BROOCH WITH ENAMELLED FLORAL DESIGN AND A VINTAGE ROCHAS PARIS SIGNED LARGE BLOWN HEART COSTUME PENDANT ON SATIN CORN NECKLACE.

An engraving of Don Quixote the original by Salvador Dali with Templeton and Rawlings COA verso, frame size 46cm x 38cm - in good condition

Coloured postcard indistinctly signed by Salvador Dali, believed in the 1960s, framed and glazed. (B.P. 21% + VAT)

A bronze figure of a rhino head, after Salvador Dali

Salvador Dali (1904-1989), Untitled, lithograph, signed, 67x89cmProvenance: Purchased from the Brook Gallery, Budleigh Salterton in 2013Together with 'Les songes drolatiques de Pantagruel', which contains 120 figures of the invention of master François Rabelais copied in facsimile by Jules Morel in this 1869 edition, one of which being the inspiration behind Dali's piece

EXAEQUO SOFTWATCH; a wristwatch after a design by Salvador Dali, on blue leather strap, in original box with warranty slip, serial number 92011.

A bottle of Salvador Dali perfume with original box

Salvador Dali. "Painter-surgeon outfit". 1972. Unique work carried by Dali himself during a historic event for the realization of the two works entitled "Pastor de Ampurdan" and "Sirena Alada de la Costa Brava". Aeronautical flame retardant paint on canvas of a medical gown. Signed in paint over the entire width "Dali". Dated center right "1972". Size 52. Dimensions 105 x 63 x 150 cm. Included with his medical headlamp. Note: an exhibition catalog is attached. Recorded in the archives of Nicolas and Olivier Descharnes under number d7240. A copy of the certificate and attached. This original work is a museum piece in perfect condition. PROVENANCE: - Donated by Salvador Dali in 1972 to Mr. Alberto Moreno Balaguer (1927-2018) - Acquired from the wife of the latter. EXHIBITION: - Gallery B. "To meet", October-December 2022, Durbuy, Belgium. (Reproduced in the exhibition catalog p34 to 37). - Weight: 1.00 kg - Shipping available - Region: Spain - Sizes: 1050 mm x 630 mm x 150 mm - At first glance: good condition - Author / artist: Salvador Dali

Salvador Dali. "The frozen watches of spacetime". Very rare black and white engraving. Unique piece. Signed "Salvador Dali" in pencil lower right. Annotated "EA" in pencil lower left. Dimensions: 90 x 65cm. Copy of the publishing certificate. Referenced in Albert Field's catalog raisonne under the number 74-12 - E on pages 98 and 99 (the one reproduced in the catalog corresponds to the final edition in lithography). Provenance: - Gift from Salvador Dali to Jean Lavigne - Publisher. - By successive descent. - Weight: 2.00 kg - Shipping available - Region: Spain - Sizes: H=900mm L=650mm - At first glance: good condition - Author / artist: Salvador Dali

Salvador Dali by Robert & Nicolas Descharnes. "The Hard and the Soft, Sculptures & Objects". Date: 2003. Catalog Raisonne. Publisher: Eccart. Printer: Printed in France. Pages: 285 pages. More than 170 photo reproductions of the artist, workshops, work and private collaborators. -138 B/W illustrations -More than 360 color illustrations in and out of text of sculptures and objects. Condition: English edition. - Weight: 2.25 kg - Shipping available - Region: Spain - Sizes: H=320mm L=250mm - At first glance: good condition

Salvador Dali. Black ballpoint pen and pencil on sketchbook page. Signed in felt-tip pen lower right "Dali". On the back study for the painting "Living still life" (1956), pencil sketch. Dimensions: 19.7 x 17.2 cm. Inscribed by a third party on the back in blue ballpoint pen in a "24" circle. Accompanied by a confirmation issued by Captain Peter Moore (former secretary of Salvador Dali) dated July 1, 1995. We thank Monsieur Nicolas Descharnes for having kindly indicated to us that this drawing is registered in his archives under number 7075. PROVENANCE: - Private collection, Mr Peter Moore (Salvador Dali's secretary between 1956 and 1974). - Private collection, North Rhine-Westphalia, Germany. - Private collection of Monsieur M…, France. EXHIBITION: - Salvador Dali. Watercolor, Gouachen, Zeichnungen, Grafik, Stadtische Galerie im Fruchtkasten des Klosters Ochsenhausen, July 16 - October 3, 2000, no p. (with illustration). - Gallery B. "To meet", October-December 2022, Durbuy, Belgium. (Reproduced in the exhibition catalog p30-31) - Weight: 0 g - Shipping unavailable - Region: Spain - Sizes: 197 mm x 172 mm - At first glance: very good condition - Author / artist: Salvador Dali

An engraving of Don Quixote the original by Salvador Dali with Templeton and Rawlings COA verso, frame size 46cm x 38cm - in good condition

EXAEQUO - a gold plated Salvador Dali Softwatch quartz wristwatch, ref. 92010, circa 1990s, surrealist melting champagne dial with Roman numeral hour markers, patent no. 022146, case width 25mm, not currently workingMovement - not currently working and may only need new battery but cannot guaranteeDial - cleanGlass - cleanHands - goodCase - light surface abrasionsCrown - hands adjust smoothlyBracelet - associated black leather strap and buckle, near newNotes - no box or papers

After Salvador Dali - A retro 20th Century framed and glazed lithograph entitled 'The Taming Of The Shrew'. Signed in plate. Measures approx. 62cm x 51cm. 

Salvador Dali (after) 'Dali's Hand Drawing Back The Golden Fleece In The Form Of a Cloud To Show Gala The Dawn Completely Nude, Very, Very Far Away Behind The Sun' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left DCCXX/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed

Salvador Dali (after) 'The Knight Of Death' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left CIII/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed

Salvador Dali (after) 'Bullfight' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left CDX/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed

Salvador Dali (after) 'Galatea Of The Spheres' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left DCCI/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed

Salvador Dali (after) 'Summer' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left MVII/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed

Pino Signoretto (1944-2017), limited edition Aquarium glass bowl, Murano, circa 1998, heavy flared form internally decorated with coloured fishes, moulded around the base and tinted red, signed and numbered 17/31, with certificate, 45cm diameterNB: Pino Signoretto was famed as one of the world's leading glass masters, known for his ability for sculpting hot glass. During his career he worked with renowned international artists such as Salvador Dali, Jeff Koons and Dale Chihuly.

SALVADOR DALÍ (1904-1989)FAGES DE CLIMENTE. LES. BRUIXES. DE LLERS. Barcelone, Editorial Poliglota, 1924. Petit in-4, broché (dos renforcé) couverture illustrée par Dali. Édition originale du premier livre illustré par Dali.Un des 17 premiers exemplaires sur vergé pur fil numérotés et signés par l'auteur, illustrés par Salvador Dali d'un frontispice et de nombreuses vignettes. FAGES DE CLIMENTE. LES. BRUIXES. DE LLERS. Barcelone, Editorial Poliglota, 1924. 4to, paperback (spine reinforced) cover illustrated by Dali.First edition of the first book illustrated by Dali.One of the first 17 copies on vergé pur fil numbered and signed by the author, illustrated by Salvador Dali with a frontispiece and numerous vignettes.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)DOCUMENTS RELATIFS A SALVADOR DALI. -Le Tamanoir, gravure ex-libris d'André Breton, circa 1930, 4,2 x 6 cm. Ex-libris d'André Breton gravé par Dali-Le prière d'insérer de La Femme visible de Dali, texte de Paul Eluard et André Breton (1930)-Le bulletin de souscription de la Femme visible (1930)-Le bulletin de souscription de l'Immaculée conception de Paul Eluard et André Breton (1930)-Le feuillet de photographies recto-verso de l'Affaire de l'Age d'or (1930)-Le programme de conférences lors de l'International surrealist exhibition à Londres dans lequel figure celle de Dali (1936)-Carton d'invitation de l'Exposition internationale du Surréalisme à la Galerie des Beaux-Arts. Dali y exposa son célèbre Taxi pluvieux (1938)DOCUMENTS RELATED TO SALVADOR DALI.-Le Tamanoir, engraving ex-libris of André Breton, circa 1930, 4,2 x 6 cm. Ex-libris of André Breton engraved by Dali-The prayer of insertion of La Femme visible by Dali, text of Paul Eluard and André Breton (1930)-The subscription form of la Femme visible (1930)-The subscription form of l'Immaculée conception by Paul Eluard and André Breton (1930)-The sheet of photographs recto-verso of l'Affaire de l'Age d'or (1930)-The program of conferences during the International surrealist exhibition in London in which appears that of Dali (1936)-Invitation card for the International Surrealist Exhibition at the Galerie des Beaux-Arts. Dali exhibited his famous Taxi pluvieux (1938)Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

ANDRÉ BRETON (1896-1966)MATTA. MANUSCRIT AUTOGRAPHE SIGNÉ. Percé [Québec], 14 août 1944, 3 pages in-4 à l'encre. Manuscrit de premier jet avec de nombreuses ratures et corrections écrit à Percé au Canada, consacré au peintre surréaliste Matta.' La perle est gâtée à mes yeux par sa valeur marchande qui fait métier de plonger à sa recherche, aussi bien dans l'art, se montre au jour de plus en plus débile, se ronge vite d'une toux sèche, je songe à l'attitude d'un Valery devant la vie, si fine en même temps que si avare toute frottée d'un petit rire nihiliste' ...' L'œuvre de Matta prête jusqu'à un certain point rétrograde à l'activité dite «paranoïaque-critique» qui ne permet d'appréhender que des aspects anecdotiques tout de silhouette et qu'on a vu de reste avec Dali, dégénérer en obsession de devinettes. Matta porte bien autrement loin la désintégration des aspects extérieurs, c'est que pour qui sait voir, tous ces aspects sont ouverts, constamment prêts à fusionner que dans cette fusion seule se forge une clé qui est le seul passe-partout de la vie'...Publié dans l'édition de 1965 du Surréalisme et la peinture. Ce texte est publié en préface du catalogue de l'exposition Matta à la galerie Drouin en 1947. MATTA. AUTOGRAPH MANUSCRIPT, SIGNED. Percé [Québec], 14 August 1944, 3 pp., ink on paper, 4to. First draft manuscript with numerous erasures and corrections written in Percé, Canada, about the surrealist painter Matta.'La perle est gâtée à mes yeux par sa valeur marchande qui fait métier de plonger à sa recherche, aussi bien dans l'art, se montre au jour de plus en plus débile, se ronge vite d'une toux sèche, je songe à l'attitude d'un Valery devant la vie, si fine en même temps que si avare toute frottée d'un petit rire nihiliste'...'L'œuvre de Matta prête jusqu'à un certain point rétrograde à l'activité dite « paranoïaque-critique » qui ne permet d'appréhender que des aspects anecdotiques tout de silhouette et qu'on a vu de reste avec Dali, dégénérer en obsession de devinettes. Matta porte bien autrement loin la désintégration des aspects extérieurs, c'est que pour qui sait voir, tous ces aspects sont ouverts, constamment prêts à fusionner que dans cette fusion seule se forge une clé qui est le seul passe-partout de la vie'...Published in the 1965 edition of Surréalisme et la peinture. This text was published as a preface to the catalogue of the Matta exhibition at the Drouin Gallery in 1947.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)LETTRE AUTOGRAPHE SIGNÉE à Paul ELUARD. Zürs Tirol [1936]. 9 pages in-4 à l'encre sur papier à entête de l'Arlberg-Wintersporthotel. Lettre en français avec l'orthographe personnalisée de Dali, importante, adressée à Paul Eluard par Dali qui précise: 'Cher Paul voici le petit sésame sur l'activité poétique de Salvador Dali'.'Dali pense que la poésie et l'expression la plus lirique de la pensée de quoi se dégage que l'expression musicale de la pensée correspond aux véritables vers, quand l'homme est réellement inspiré commence à chanter comme un rossignol et il fait tout de suite de l'hopera'......'l'automatisme surréaliste été indipensable cette une espece de diaree colique torrenciel, il fallai rien savoir une fois pour toutes ceux que les poètes avaient dans son ventre, on a vu que cetai de l'or, puisque la merde et l'ard sont des simboles réciproques'......'Dali toujours d'après sa metode paranoïaque critique a reactualisse du point de vue surrealisteLe modern estileLes prerafaelitesL'angelus de MilletEt l'histoire de l'art en general'...Salvador Dali poursuit sa lettre en proposant à Paul Eluard son dernier poème titré Mithe de Narcis (4 pages).'NarcisImmobile comme tu etsOn dira que tu dorsS'il s'agisait d'Ercule rugueux et brunOn dirai qu'il d'or comme un troncDans le gesteDun chène erculéenMais toi NarcisFormé de timides eclossions d'adolescence transparenteTu dors comme une fleur d'eau '...Salvador Dali termine sa lettre en proposant sa version des Droits de l'homme: 'les hommes naissent fous et demeurent libres et égaux dans l'imagination. Le fruit de toute conquête de la sivilisation et dans la réalisation concrete et materielle des droits de la folie impresciptible de l'homme'.AUTOGRAPH LETTER to Paul ELUARD, SIGNED. Zürs Tirol [1936]. 9 pp., ink on paper with letterhead of the Arlberg-Wintersporthotel, 4to. Letter in French with the personalized spelling of Dali. It is addressed to Paul Eluard and Dali specifies: 'Cher Paul voici le petit sésame sur l'activité poétique de Salvador Dali'.'Dali pense que la poésie et l'expression la plus lirique de la pensée de quoi se dégage que l'expression musicale de la pensée correspond aux véritables vers, quand l'homme est réellement inspiré commence à chanter comme un rossignol et il fait tout de suite de l'hopera'......'l'automatisme surréaliste été indipensable cette une espece de diaree colique torrenciel, il fallai rien savoir une fois pour toutes ceux que les poètes avaient dans son ventre, on a vu que cetai de l'or, puisque la merde et l'ard sont des simboles réciproques'...... 'Dali toujours d'après sa metode paranoïaque critique a reactualisse du point de vue surrealisteLe modern estileLes prerafaelitesL'angelus de MilletEt l'histoire de l'art en general'...Salvador Dali continues the letter by proposing to Paul Eluard his last poem entitled Mithe de Narcis (4 pp.).'NarcisImmobile comme tu etsOn dira que tu dorsS'il s'agisait d'Ercule rugueux et brunOn dirai qu'il d'or comme un troncDans le gesteDun chène erculéenMais toi NarcisFormé de timides eclossions d'adolescence transparenteTu dors comme une fleur d'eau '...Salvador Dali ends this letter by describing his version of Human Rights: 'les hommes naissent fous et demeurent libres et égaux dans l'imagination. Le fruit de toute conquête de la sivilisation et dans la réalisation concrete et materielle des droits de la folie impresciptible de l'homme'.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)LA CONQUÊTE DE L'IRRATIONNEL. Paris, Éditions surréalistes, 1935. In-12, broché, couverture illustrée (dos usagé). Édition originale illustrée de 35 reproductions hors texte en couleurs d'œuvres de Salvador Dali.DALI Salvador. MÉTAMORPHOSE DE NARCISSE. Paris, Éditions surréalistes, 1937. Grand in-4, broché, couverture illustrée d'une photographie de Cecil Beaton.Édition originale française limitée à 500 exemplaires. L'exemplaire est dédié à Paul Eluard.LA CONQUÊTE DE L'IRRATIONNEL. Paris, Éditions surréalistes, 1935. 12mo, paperback, illustrated cover (spine worn).First edition illustrated with 35 reproductions out of text in colors of works of Salvador Dali.DALI Salvador. MÉTAMORPHOSE DE NARCISSE. Paris, Éditions surréalistes, 1937. Large 4to, paperback, cover illustrated with a photograph by Cecil Beaton.First French edition limited to 500 copies. The copy is dedicated to Paul Eluard.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)L'AMOUR ET LA MÉMOIRE. Paris, Éditions surréalistes, 1931. In-8, broché. Édition originale limitée à 310 exemplaires numérotés illustrés d'un photomontage de Luis Buñuel représentant Salvador Dali et Gala.DALI Salvador. BABAOUO. Scénario inédit précédé d'un abrégé d'une histoire critique du cinéma, et suivie de Guillaume Tell, ballet portugais. Paris, Cahiers Libres, 1932. In-8, broché.Édition originale tirée à 623 exemplaires numérotés. L'AMOUR ET LA MÉMOIRE. Paris, Éditions surréalistes, 1931. 8vo, paperback.First edition limited to 310 numbered copies illustrated with a photomontage by Luis Buñuel representing Salvador Dali and Gala.DALI Salvador. BABAOUO. Unpublished script preceded by a summary of a critical history of cinema, and followed by Guillaume Tell, Portuguese ballet. Paris, Cahiers Libres, 1932. 8vo, paperback.First edition printed at 623 numbered copies.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)MISTIQUE NUCLEERE. LETTRE AUTOGRAPHE SIGNÉE à Michel TAPIÉ. New-York, 1952, une page in-4 à l'encre. Belle lettre autographe calligraphiée datée et signée par Dali. Son orthographe a été respectée. ...'Ce que vous me dites de la réaction de Breton est intéressant, je suis sur que ce quil i tro-vais d'autentiquement Nitcheen dans le surréalisme et Breton ne peut évoluer que ver le misti-cisme nucleere'...'Vive soit grande la croix !'De la signature de Dali part une croix verticale sur toute la page. MISTIQUE NUCLEERE. AUTOGRAPH LETTER to Michel TAPIÉ, SIGNED. New-York, 1952, 1 pp., in ink, 4to. Autograph letter dated and signed by Dali. His spelling has been respected. ...'Ce que vous me dites de la réaction de Breton est intéressant, je suis sur que ce quil i tro-vais d'autentiquement Nitcheen dans le surréalisme et Breton ne peut évoluer que ver le misti-cisme nucleere'...'Vive soit grande la croix !'A vertical cross strats from Dali's signture which occupies the whole page.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

STANISLAS LEPRI (1905-1980)Sans titre signé et daté 'S Lepri 58' (en bas à droite); inscrit 'C.ssa A.L. Pecci Blunt N°186' (au revers)huile sur toilePeint en 1958signed and dated 'S Lepri 58' (lower right); inscribed 'C.ssa A.L. Pecci Blunt N°186' (on the reverse)oil on canvasPainted in 195825 x 79.8cm (9 13/16 x 31 7/16in).Footnotes:ProvenanceCollection Anna Laetitia 'Mimì' Pecci-Blunt, Rome.Collection particulière, Italie (par descendance).Acquis auprès de celle-ci par le propriétaire actuel.Anna Laetitia Pecci-Blunt (1885-1971), plus connue sous le nom de « Mimì », était une importante collectionneuse d'art en Italie. Née dans une famille noble et lettrée de Pérouse, elle était la filleule du pape Léon XIII (Gioacchino Pecci).Issue de la haute société, Mimì a passé ses années de formation à l'étranger avant de revenir s'installer à Rome. En 1919, elle se maria à un riche banquier américain, Cecil Blunt, et ils s'installèrent à Paris où ils ouvrirent leur maison à leurs amis musiciens, artistes, poètes et danseurs. Des artistes tels que Serge Diaghilev, Jean Cocteau, Marie Laurencin, Salvador Dali et Léonard Tsuguharu Foujita étaient leurs invités réguliers, ce dernier ayant d'ailleurs peint le portrait de la famille Pecci-Blunt en 1923.C'est donc à Paris que son histoire de collectionneuse commença, et où elle se mit à favoriser les échanges entre artistes Italiens et étrangers. La résidence des Pecci-Blunt se transforma en un laboratoire artistique où un mélange excentrique de personnalités royales, intellectuels et célébrités se rassemblait et où de somptueux bals costumés étaient organisés. Leurs maisons en Toscane, à Rome et aux Etats-Unis prirent le même chemin. A la fin des années 1930, Mimì ouvrit finalemt une extension de sa galerie romaine, La Cometa à New York, où elle fut la première à montrer des artistes contemporains italiens, tandis que les artistes Français dominaient largement la scène artistique. Après la libération de l'Europe, sa famille retourna en Italie où Mimì continua d'être une ardeuse militante en faveur des arts jusqu'à sa mort en 1971.Anna Laetitia Pecci-Blunt (1885-1971), better known as 'Mimì', was a distinguished art collector in Italy. She was born into a noble and cultivated family from Perugia, and was the goddaughter of Pope Leo XIII (Gioacchino Pecci).Growing up in high society, Mimì spent her formative years abroad before making Rome her base. In 1919, she married the wealthy American banker, Cecil Blunt. The newlyweds settled in Paris where they opened their home to musicians, artists, poets, and dancers. Artists such as Serge Diaghilev, Jean Cocteau, Marie Laurencin, Salvador Dalí and Léonard Tsuguharu Foujita were frequent guests, the latter portraying the Pecci-Blunt family in 1923.It was in Paris that her life-long journey of art collecting started, and where her passion for fostering the exchange between Italian and foreign artists truly came to life. The Pecci-Blunt residence grew into an artistic hub where an eccentric mix of royals, intellectuals and celebrities would gather, and lavish costume balls were held. Homes in Tuscany, Rome and the United-States followed. In the late 1930s, Mimì opened an extension of her Roman gallery La Cometa in New York, where she was the first to showcase Italian contemporary artists in a scene still largely dominated by French art. After the liberation of Europe, the family returned to Italy where Mimi continued to be an advocate for the arts until her death in 1971.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)5 LETTRES AUTOGRAPHES SIGNÉES à Michel TAPIÉ. 1951-1953. 5 pages in-8 et 2 pages in-4 à l'encre. Intéressante correspondance sur ses projets et visites adressée par Salvador Dali à Michel Tapié auteur d'un ouvrage sur Dali publié aux éditions du Chêne en 1957....«Prépares l'anfiteatre la Sorbone avec vos psichiatres, est un grand progecteur, ge suis a temps pour donner un discours historique, totalement hiperculique»...... «quand cette tete eclateraQuand cette tete ecloraÇa sera la fleurLe nouveau NarcisseGalaMon Narcisse»...... «un texte copie des droits de l'homme qui vont t'amuser... envoie des poèmes quant tu nous écris, la poessie me plait de plus en plus et tu a vus il i a de l'Eluard aussi dans mon poeme de Narcis...Declaration des droits de la folie de l'hommeLes hommes naissent fous et demeurent libres et égaux dans l'imagination de bout en bout de toute conquete de la sivilisation et dans la réalisation concrete et materielle des droits de la folie imprescriptible de l'homme, ces droits son : le reve, le delire paranoïaque, l'amour, et la resisitance face à la réalité»...5 SIGNED AUTOGRAPH LETTERS to Michel TAPIÉ. 1951-1953. 5 pages in-8 and 2 pages in-4 in ink.Interesting correspondence on his projects and visits sent by Salvador Dali to Michel Tapié author of a book on Dali published by Editions du Chêne in 1957....«Prépares l'anfiteatre la Sorbone avec vos psichiatres, est un grand progecteur, ge suis a temps pour donner un discours historique, totalement hiperculique»...... «quand cette tete eclateraQuand cette tete ecloraÇa sera la fleurLe nouveau NarcisseGalaMon Narcisse»...... «un texte copie des droits de l'homme qui vont t'amuser... envoie des poèmes quant tu nous écris, la poessie me plait de plus en plus et tu a vus il i a de l'Eluard aussi dans mon poeme de Narcis...Declaration des droits de la folie de l'hommeLes hommes naissent fous et demeurent libres et égaux dans l'imagination de bout en bout de toute conquete de la sivilisation et dans la réalisation concrete et materielle des droits de la folie imprescriptible de l'homme, ces droits son : le reve, le delire paranoïaque, l'amour, et la resisitance face à la réalité»...Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)THE SECRET LIFE OF SALVADOR DALI. New York, Dial press, 1942. In-4, couverture illustrée et titrée. Edition originale. Dessin au feutre sur double page dédicacé 'pour Briggs Bonjour de Dali 1964'.THE SECRET LIFE OF SALVADOR DALI. New York, Dial press, 1942. Illustrated and titled cover, 4to.First edition. Drawing in felt pen on double page with dedication 'pour Briggs Bonjour de Dali 1964'.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

RENÉ MAGRITTE (1898-1967)LETTRE AUTOGRAPHE SIGNÉE à André BOSMANS. Bruxelles, 31 juillet 1963. 1 page ½ in-8 à l'encre sur papier à entête de Magritte Lettre autographe de René Magritte adressée à son ami André Bosmans dit le peintre-paysan,... «J'ai reçu la visite d'un architecte qui est « croyant » ... c'est un croyant plutôt tiède. Il trouve une peinture à son goût et il s'exprime en disant « que c'est spécial ». Il admire aussi le Christ de Dali et ne se doute pas que l'on peut distinguer comment peindre un « sujet » quel-conque et ce qu'il faut peindre. Peindre le Christ ou peindre une messe noire n'exige aucun génie. Mais il faut un « technicien » pour bâtir et celui-là ou un autre fera l'affaire, il vaut peut-être mieux qu'il n'ait pas de génie» ....SIGNED AUTOGRAPH LETTER to André BOSMANS. Brussels, 31 July 1963. 2pp, ink on paper Magritte letterhead, 8vo.Autograph letter from René Magritte to his friend André Bosmans, known as the peasant painter,... «J'ai reçu la visite d'un architecte qui est « croyant » ... c'est un croyant plutôt tiède. Il trouve une peinture à son goût et il s'exprime en disant « que c'est spécial ». Il admire aussi le Christ de Dali et ne se doute pas que l'on peut distinguer comment peindre un « sujet » quel-conque et ce qu'il faut peindre. Peindre le Christ ou peindre une messe noire n'exige aucun génie. Mais il faut un « technicien » pour bâtir et celui-là ou un autre fera l'affaire, il vaut peut-être mieux qu'il n'ait pas de génie» ....Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)ROMERO Luis. TODO DALI EN UN ROSTRO. Madrid, Blume éditeur, 1975. In-4, couverture cartonnée, jaquette illustrée. Edition originale, nombreuses illustrations. Dédicacé 'pour Madame Lenoir amitiés Dali' illustré d'un superbe dessin, à l'encre de chine sur double page daté 1975 et signé par Salvador Dali. ROMERO Luis. TODO DALI EN UN ROSTRO. Madrid, Blume éditeur, 1975. Hardcover, illustrated dust jacket, 4to.First edition, numerous illustrations.Dedicated 'pour Madame Lenoir amitiés Dali' illustrated with a superb drawing, in India ink on double page dated 1975 and signed by Salvador Dali.For further information on this lot please visit Bonhams.com

A Pirelli brass belt buckle designed by Salvador Dali (1904-1989), numbered NR0119, the front with erotic 'motoring' scene, the reverse marked "MADE IN ITALY" and "Warranted Finest Minted Brass", 100 x 57mm.

A Large Collection of Assorted Books and Empherma comprising, The Art Workers Quarterly, Vol I, No I, 1902; Sandoz, M., The House Without Windows, 1950, illustrated by Salvador Dali; Lanhgorne, D.A., Portrait of Iceland, 1943, illustrated by Óskar Bjarnason; Innes, T.A. and Castle, Ivor, Covenants with Death, 1934; also including British Museum Pictorial Cards printed by Waterlow & Sons Ltd; The Northern Broadsheet, Nos. 1 & 2, 1956 illustrated by Fred Lawson; A Railway Map of Yorkshire and Lancashire; Tales of Terror! or, More Ghosts: Forming a Complete Phantasmagoria; Counterpoint, Number One (front cover detached), etc. (qty)

Dalí, Salvador (1904 Figueras 1989) "La Fée" (die Fee), aus der Serie "Les Amours de Cassandre" (1968). Kolorierte Radierung/Japan, re. u. mit Bleistift sign. und li. u. Ex. 67/95 sowie re. u. Trockenstempel "Dali". Plattenrand 31,6x 23,7 cm, Blattmaß 37,3x 28,4 cm, R. Wvz. R. Michler/L. W. Löpsiger, "Das graphische Druckwerk I", S.163-165, Nr. 257 Ex. g).

Dalí, Salvador (1904 Figueras 1989) "Nu" (Akt), aus der Serie "Les Amours de Cassandre" (1968). Kolorierte Radierung/Japan (wohl altersbedingt verfärbt), re. u. mit Bleistift sign. und li. u. Ex. 67/95 sowie re. u. Trockenstempel "Dali". Plattenrand 31,6x 23,7 cm, Blattmaß 37,3x 28,4 cm. R. Wvz. R. Michler/L. W. Löpsiger, "Das graphische Druckwerk I", S. 163-165, Nr. 250 Ex. g).

LISA SOTILIS, A PAIR OF ANCIENT STYLE BEAD AND GOLD COLOURED EAR CLIPSThe tapered reeded panels with a circular glass antique style bead bases, the reverse of one with an applied panel embossed with Sotilis, clip fittingsSize/dimensions: 4.7cm longGross weight: 31.5 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: The ear clips have some light wear, commensurate with occasional use, they will need new replacement rubber ear cushions as the original ones have perished. There are some patches to the panels from construction, thick solder to the reverse as typical of her pieces.One of the beads has large worn chip, but as the beads are quite possibly ancient it has been worn down and smoothed out, as part of the beads history. There are some further smaller chips as typical with ancient beads. The beads are not completely matching in side profile, one has more banding than the other. Condition Report Disclaimer

LISA SOTILIS, A PAIR OF ABSTRACT CUFFLINKSThe two colour panels with textured finish and applied spots, the backs of the pierced shaped panels with an applied customary signature panel, one with an embossed SSize/dimensions: principal panels approximately 2.5cm x 3cmGross weight: 17.5 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: There is light wear to the panels, no noticeable damage or repairs.Condition Report Disclaimer

ATTRIBUTED TO LISA SOTILIS, A 1970S QUATREFOIL PENDANT The textured quatrefoil panel with a central cultured pearl accent, loop fitting verso, in a Sotilis lozenge shaped boxSize/dimensions: 5.1cm longGross weight: 9.3 grams Together with a jewellery exhibition catalogue titled Sotilis, for the Alexandre Iolas Gallery, with a forward by Salvatore Quasimodo, 1970; and an exhibition catalogue for artwork, 1963Known in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'.  Condition Report: There is solder to the reverse and a couple of patches to the front of the pendant, but this is from construction. Some light wear. Condition Report Disclaimer

Y LISA SOTILIS, A PAIR OF ABSTRACT EAR CLIPSThe ear clips each with two shaped panels with textured borders, with gold coloured disc sides, and a trio of mother of pearl discs above, with ancient style bead accents, the bottom panels signed Sotilis, with clip fittingsSize/dimensions: 5.1cm longGross weight: 36.1 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'.  Condition Report: The clips with some light wear. There is solder and glue at the backs of the clips, but this appears to be from construction. Sotilis is known to have mostly created her jewellery in 18 carat gold, however these are unmarked, the solder at the back is quite thick, giving support to the gold fronts. On one of the clips top panel there is some solder coming through the top of one of the panels where there must have been a hole at construction. The beads appear to possibly be ancient, they show wear and some losses, they are not identicalCondition Report Disclaimer

Salvador Dali "The Fight with Marhoult", limited edition etching, signed lower right and numbered lower left in the margin. 39 cm x 26 cm (PL). ARR

Salvador DALI (1904-1989) 'Tuna Fishing' a lithograph. Stamped and numbered 3/145Dimensions:(W:60 x H:30 cm)

Salvador DALI (1904-1989) 'Don Quichote' an etching. 48/145. Dimensions:(W:15,5 x H:21 cm)

Alvar Sunol Munoz-Ramos (Spanish, b. 1935). Oil on canvas painting depicting a figure playing a violin surrounded by flowers with a city in the background. Signed along the lower right. He has exhibited with other prestigious Spanish artists including Miro, Dali, and Picasso. His works are in the collections of the Albany Museum of Art, the Georgia Museum of Art, Utah Museum of Fine Art, and the Wichita Art Museum.Sight; height: 25 in x width: 32 in. Framed; height: 41 1/2 in x width: 48 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Salvador Dali (Spanish, 1904-1989). Aquatint on paper titled "Dahlia Unicornis" from the "Flora Dalinae (FlorDali)" suite, 1968. Pencil signed along the lower right; numbered 2/200 along the lower left. Pencil signed by Frank Hunter of Salvador Dali Archives Ltd, certified authentic on September 19, 2018.Height: 30 in x width: 22 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

AFTER SALVADOR DALI PRINT ON SILK BY DEMART 1988 - 93 X 93 CMS APPROX

Mixed Lot: Dali clock, soup bowls, meerkat figure etc

A folder of Chateau Mouton Rothschild artist's specimen labels 1945-1986 including 1975 Andy Warhol, 1970 Chagall and 1958 Salvador Dali together with 'Mouton Rothschild Paintings for the Labels, 1945-1981' boxed book, pub. Little Brown and company, Boston 1983

A 20th century copy of Salvador Dalí (1904-1989) 'Elephant de l'espace'. The bronze elephant with an obelisk positioned on its back, mounted on a rectangular marble plinth, marked 'Salvador Dali', H33cm

A quantity of various Salvador Dali and Damien Hirst postcards, etc.

Descharnes, Robert and Neret Gilles: Dali The Paintings Vol I 1904-1946 Vol II 1946-1989, Printed and bound by Neue Stalling, Oldenburg, hardback with dust jackets, in slip-case, folio, together with Gerard, Max. (ed): Dali, Translated by Eleanor R. Morse, Abradale Press, Harry N. Abrams, Inc., Publishers, New York, 1986, red cloth with embossed dust jacket, 4to and Raeburn, Michael. (ed:) Salvador Dali: The Early Years, South Bank Centre, 1994, 4to. (3)

A Salvador Dali print, a map of Kenya and assorted paintings and prints

Bronze Salvador Dali(1904 Figueres - 1989 Figueres) "Der Kubistische Engel", 1983. Expl. 877/ 990. Bronze gebürstet, partiell schwarz lackiert. Geflügelte Standfigur in kubistisch erfassten Formen auf Sockel aus Quaderstäben. An Bein verso m. Schlagstempel- Sign. "Dali", Nr. "877/990", Gießerstempel "Kunstguss Strehle". Oberfläche partiell minim. berieben. Ges.H 56,3 cm Zertifikat v. 19.12. 1989 liegt vor.Engel, Exemplar, Flügel, Schwingen, Guss Strehle, Kubismus, Spanien, Surrealismus

Radierung Salvador Dalí1904 Figueres - 1989 Figueres "Le Amours de Cassandra: Bicephale (personage á deux tetes)" 1968 u. mittig sign. Dali u. re. mit dem Trockenstempel "Dalí" auf Japanpapier Exemplar 43/95, 38 x 28 cm, freiliegend gerahmt. Insgesamt stark gebräunt u. mit Säureschaden. Wkvz.: Field 68-2 H; Michler/Löpsinger Nr. 255 g

MANNER OF SALVADOR DALI. SPANISH 1904-1989 Memories de Casanova. Bears a signature. Lithograph on paper 14' x 10'

DALI SALVADOR: (1904-1989) Spanish surrealist artist. A remarkable illustrated autograph Manuscript Signed, Salvador Dali, five pages (separate leaves), large folio (16 x 17”, 40 x 42.5 cm), n.p., 1953, in a singular language based on French interspersed with Hispanisms and other words phonetically reproducing the Catalan accent. Dali’s manuscript is entitled Mes secrets sinematographiques (‘My Cinematic Secrets’) and was originally published in the review La Parisienne in February 1954 in an adaptation by Michel Deon who normalized Dali’s deviant spelling and syntax. The manuscript in its original form, with important variations, therefore reveals the delirious orality of the Dalian text, the artist first affirming the conviction of his genius in cinematographic art by recalling the importance of his first two films, Un chien andalou and L’Age d’or, and by demeaning the role of the filmmaker Luis Bunuel in their realisation, further unveiling his film project La Brouette de flesh and describing the delirious visions and hallucinations he intends to put into images, in part, ‘Il i ha peu près une semaine que ge viens de découbrir que dans ma vie ge suis en tout en retard environ de 12 ans, cinéma i compris, il i a 11 ans que ge progète de faire un film intégrallement totalitairement cent pour cent hiper Dali, donc cela veut dire que vraisenbleblement ce film se tournera infin, l'ané prochaine - Ge suis le contraire du verger et du lu de La Fontaine comme que dans ma vie, et déjà dans mon adolescence ge réalisse tan de chosses sensationelles ….À 27 ans j'arrivai à Paris et ge créé avec Buñuel 2 films qui resteron historiques le Chien andalou et L'Âge d'or. Dernièrement Buñuel a faid tout seul d'autres films me rendan ainsi l'inmense service de que tout le monde puisse enfin savoir à qui apartené le côté génial et le côté primaire dans Le Chien andalu et L'Âge d'or…….Por qu'un film soit prodigieux la première des chosses c'et que l'on puisse croire au prodige que l'on vous montre, pour cela avant tout autre chosse il faut en finir avec le répugnant ritme cinématographique, cete conventionelle et anuyuesse [ennuyeuse] rétorique du mouvement de la caméra - même dans lé plus cumun mélodrame coment croire à l'asasin, si la caméra le suis en travelin partout même dans lé lavabo où il va laver le sang de ses mains?.........Mon prochain film sera exactement le contraire d'un film expérimental de vangarde et surtout de ce que l'on apelle aujurd'hui “créatif” sinonime de l'imitation servile de tous les lieux comuns du triste art moderne. Mon film sera une vrai istoire d'une feme paranoyaque amureusse d'une bruète qui succesivement se revêt de tous les atributs de la persone aimé, le cadabre de la quelle avais servi pour moayen de transport ; jusqu'à s'incarné à nouveau en elle, la bruètte devien de chair et c'et pour cela que mon film s'apellera La Bruètte de chair. Tout espectateur rafiné ou hutre moayen sera forcé de participer au délire de ma fétichiste, car il s'agit d'un cas rigureussement vrai, et cera raconté, come aucune documentaire n'est capable de le réalissé….. Ainssi ge peut déjà asurer à mes lecteurs que dans mon film il verron avec toute la minutie des mouvements lents se dévelopent dans la plus rigu­reusse euritmie arcangélique, l'un après l'autre 5 cignes blancs explosan. Les signes seron trufés de pomes grenades elles aussi munis d'une charge explosive adécuate, de façont que quand on aura pu observé avec minuci les derniers entre-déchirements des entrailles des cignes, se produiront les explosions des pomes grenades, de sorte que probablement tel que nous avons déjà expérimenté les grains de la pome grenade progetés à la périférie du décartelage anatomique, parvenan à causse de leur petite taille par les intertices jusqu'aux plumes en suspension, orteron cellesci, tell que l'on peut rêvé et surtout rêvassé, doit se produire entre les cor­puscules de lumière (graines de pome grenade et ondes lumineusses représentés por les blanchisimes arcangéliques plumes du signe). - De sorte que les corpuscules dans la dite expérience auron la corporaïté de Mantegne et les plumes le flue qui fit fameux le peintre Eugène Carrière. Aussi on pourra voir une escène, représentan la fontaine de Trevi à Rome, les fenêtres s'ouvran et 6 rinocéros tomben à l'eau, à chaque chute de rinocéros un paraplui noir s'oubre émerjan de l'eau de la fontaine…….Dans un'autre oportunité 100 ziganes españols tueron et dépèceron jusqu'à ne lessé que son esquelette pelé, un éléfant dans une rue de Madrid (transposan ainsi une fameuse scène africaine que g'é lu dans un libre). À un moment doné qu'oùs apéressent les côtes du paquiderme, deux ziganes (lesquels malgré leur frénési sauvage n'arrêten pas un instin de chanter du canté hondo pénétren à l'intérieur pour atraper les viscères meilleures, quer, rognongs ect….’ (Translation: ‘It’s been about a week since I’ve just discovered that in my life I’m about 12 years late in everything, including cinema, it’s been 11 years since I’ve been planning to make a film entirely totally one hundred percent hyper Dali, so that means that this film will probably end up being shot next year – I am the opposite of the orchard and the lu de la Fontaine as in my life, and already in my adolescence I did so many sensational things……At 27 I arrived in Paris and I created with Bunuel 2 films that will remain historic, Le chien andalou and L'Âge d'or. Lately Bunuel has made other films on his own, so that everyone can finally know to whom belonged the brilliant side and the primary side in Le chien andalou and L’Age d’or……For a film to be prodigious, the first thing is for people to be able to believe in the prodigy that is shown to you, for that, before anything else, it is necessary to put an end to the repugnant cinematographic rhythm, this conventional and boring retort of the movement of the camera – even in the most common melodrama how to believe in the assassin, if the camera follows him in travelling everywhere, even in the sink where he will wash the blood from his hands?.......My next film will be the exact opposite of an experimental vanguard film and above all of what we call today “creative” if not the servile imitation of all the commonplaces of sad modern art. My film will be a true story of a paranoid woman in love with a brute who successively takes on all the attributes of the loved one, the corpse of which had served as a means of transport; until it is embodied again in herm the bruètte becomes flesh and that is why my film will be called La Bruètte de flesh. Any refined viewer or Moayan oyster will be forced to participate in my fetishist’s delirium, for this is a strictly true case, and it will be told, as no documentary is capable of realising it……Thus I can already assure my readers that in my film he will see with all the meticulousness of the slow movements developing in the most rigorous archangelic  euritimia, one after the other 5 white swans exploding. The signs will be riddled with pomegranates, also equipped with an adequate explosive charge, so that when we have been able to carefully observe the last tearings of the entrails of the swans, the explosions of the pomegranates will occur...) In the left margin of the third page Dali has drawn two illustrations of male figures, the first somewhat grotesque and the second in a Cubist style, seemingly with another man emerging from his torso. A wonderful, rare manuscript which is distinctly Dali in its composition. Some very light, minimal age wear, VG OWING TO RESTRICTIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION OF THIS LOT CAN NOT BE DISPLAYED - PLEASE REFER TO IAA FOR FURTHER INFORMATION