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Dali, Salvador Dali, Salvador 1904 Figueras - 1989 ebd. Radierung/Goldauflage. Die Schafherde. Blatt aus: Das Hohe Lied des Salomon. 1971. U.r. mit Bleistift sign. U.l. 179/250 num. (Stockfl.). 40 x 25 cm. Pass. R. Lit.: 1,2,14. WVZ Michler/Löpsinger 470.

•SALVADOR DALI (SPANISH 1904-1989) MANIFESTE MYSTIQUE - STUDY FOR THE CRUCIFIED CHRIST; CHRIST OF ST JOHN OF THE CROSS Etching, signed (Study for the Crucified Christ), 14.25 x 19.75cm (5 5/8 x 7 3/4"), 35.25 x 25cm (13 13/16 x 9 13/16") (2) To be sold with Original Works of Art Statement for Duty Free Entry Condition Report: STUDY FOR THE CRUCIFIED CHRIST:. There is what appears to be a tiny spot fo foxing in the margin located in proximity to the top right corner area. . CHRIST OF ST JOHN OF THE CROSS:. On close inspection there are light handling marks, slight creasing and three extraneous tiny stain/marks all located in the lower half, in proximity to the right edge area.

•SALVADOR DALI (SPANISH 1904-1989) NOBILITY OF TIME Bronze, signature inscribed by the foundry, foundry stamp, EA 15/35, 60cm (23 5/8") To be sold with Perseo SA foundry certificate, Certificate of Authenticity and Original Works of Art Statement for Duty Free Entry Condition Report: The sculpture is found to be in good condition with no significant issues to report.

Dali (Salvador).- Pla (Joseph) Obres de museu, one of 100 copies on vélin, signed by the author with bronze medallion head of Gala Dali signed by Dali on reverse inset into pocket inside upper cover, original decorative morocco with inlaid portrait to upper cover, one spine band lacking, t.e.g., others uncut, in original box, Barcelona, 1980.

A limited edition serigraph print on paper after Salvidor Dali titled Destino #65, number 235/250

DALÍ, SALVADOR DALÍ, SALVADOR El Cristo de San Juan de la Cruz. Um 1980. 750/- Gelbgold, Punze, Gesamtgewicht: ca. 16,0 g. Länge 42,0 cm. Nach dem 1950 geschaffenem gleichnamigen Werk von Salvador Dali. Eine handgearbeitete Kette, die in der von Dali geschaffenen Original-Form gegossen wurde. Am Verschluss signiert und nummeriert "Dali D-73/1000". Garantiekarte anbei. Salvador Dalí Spanien Surrealismus Moderne Kunst Schmuck El Cristo de San Juan de la Cruz 1980er Collier Gelbgold Spanien Erläuterungen zum Katalog DALÍ, SALVADOR El Cristo de San Juan de la Cruz. DALÍ, SALVADOR Figueras/Spain 1904 - 1989 El Cristo de San Juan de la Cruz. Ca. 1980. 750/- yellow gold, with mark, total weight: ca. 16,0 g. Length 42,0. After the 1950 created work of the same name by Salvador Dali. A hand worked necklace, cast after Dali's original shape. Signed at the clasp and numbered "Dali D-73/1000". Guarantee card enclosed. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Jewellery 1980s Necklace Yellow gold Spain

A CONTINENTAL 800 SILVER BROOCH IN THE FORM OF A HAND MARKED DALI

Prof. Ernst Fuchs, "Baum der Aphrodite"die Göttin der Liebe und der Schönheit, vor einem Baum in mondbeschienener Landschaft stehend, Werksverzeichnis Weis/Fuchs 291, handkolorierte Radierung, 1980, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“ und links nummeriert „91/250“, am Passepartoutrand leicht gebräunt, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 34,5 x 47,5 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Salvador Dali zu Ehren Konrad AdenauersSilbermedaille 1976, 900er, mit Zertifikat und originaler Ausgabemappe.

Prof. Ernst Fuchs, "Flora erwacht"Portrait einer jungen Frau mit blumenverziertem Haar und geschlossenen Augen, Radierung mit dezentem Kolorit, siehe Werksverzeichnis Weis/Fuchs 290, 1978, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“ und links nummeriert „172/300“, leicht gebräunt, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 33,5 x 34 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Prof. Ernst Fuchs, "Anemona"junge Frau in mit Anemonen geschmücktem blonden Haar, Granolithographie nach dem gleichnamigen Gemälde, 1978, unter der Darstellung in Blei rechts signiert „Ernst Fuchs“, unter der Darstellung im Druck betitelt "Anemona", hinter Glas gerahmt, Darstellungsmaße ca. 50 x 35,7 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigen Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, in den 1970er Jahren zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Salvador Dali (Spanish, 1904 - 1989) "Academie des Beaux Arts 1975" Artist Proof Etching/Aquatint. Pencil signed lower right, (EA) Artist Proof lower left. This image was done around the time of Dali being accepted into the Academie des Beaux Arts. References: Michler-Lopsinger 514-C; Albert Field 75-7. Image Size: 17 x 23.25 in. Overall Framed Size: 29 x 34.25 in. Framed behind glass.

Two poster prints, after Dali, Teatro Museo Figueras 1974, printed by Mourlot and Manaranche, bearing signatures, 70 x 49cm, framed and glazed

This is a rare lithograph by Salvador Dali entitled “Don Jose’s Final Appearance: the Bat Symbolizing Death” from the Carmen suite, which was based on the opera Carmen by Georges Bizet. There are only 26 lettered copies of this lithograph, so it is a rare lithograph indeed. It is printed on a cotton-like material, not regular paper, and is listed as #1327 in the Prestel catalogue. It is signed in green and dated 1968 in green on the plate in the upper right, it is lettered B/J in the margin on the lower left and signed in the margin on the lower right. There were 125 copies (1 - 125) printed with Arabic numerals, 125 copies in Roman numerals (from I - CXXV), just 26 lettered copies (from A - Z), and a few proofs. The overall size is 26 1/2 x 30 1/2 in. wide and the sight size is 25 1/2 x 19 3/4 in. wide.

This heliogravure by Salvador Dali is titled The Queen’s Croquet Ground and comes from his Alice in Wonderland series from 1969. Dali was one of the premier surrealists in the world, and there was no better pairing for the avant-garde master of Surrelaism than the fantasy land created by Lewis Carroll in Alice's Adventures in Wonderland. Luckily, an editor at Random House saw the connection and commissioned Dalí to illustrate a limited edition of the classic in 1969. Dalí created twelve heliogravures for the occasion—one illustration for each chapter—as well as a four-color etching as the frontispiece. Only 2,700 of the edition were printed, and the artist signed each original etching. The heliogravure comes with a beautifully engraved passage about Alice and the Queen and the Rabbit engaging in croquet as well. The bottom edge is deckled, it is signed by Dali in the lower right margin, and it is listed as #529 in Prestel’s Dali, Catalogue Raisonne of Etchings and Mixed-Media Prints 1924 - 1980, Vol 1.O 24 x 18 1/2 in.s 17 x 11 1/2 in.Please note that all sales are final. No refunds will be given under any circumstances.

Signed in pencil lower right and 24/35 Roman numerals lower left. Dali was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship and the striking and bizarre images in his work.O: 31 x 25 in. S: 24 x 18 1/2 in.Please note that all sales are final. No refunds will be given under any circumstances.

Image of angels surrounding a central saint-like female figure ascending against a distant background. The work of Salvador Dali is associated with the surrealist movement of the 20th Century. In addition to his original works, Dali produced works on paper for reproduction using dry point, etching, woodcut, and lithography. Litho is unnumbered, signed in the plate, on deckled edge paper, beautifully presented in a recessed coved & fluted float frame. Overall size: 26 1/4 x 24 in.Sight size: 13 x 10 1/4 in.

Salvador Dalí Original Edition reverse plate signed etching. entitled "Autumn",it is a beautiful maiden with 2 cherubs celebrating an Autumn Harvest. The sanguine engraving is in very good to excellent condition. This edition is signed Dali inverse in the plate.Overall: 19 x 15 in. Sight: 10 1/2 x 8 1/2 in.

Two Salvador Dali calendars for the years 1990 and 1991

DALI, Salvador (1904-1989). DESCHARNES, Robert (1926-2014). The World of Salvador Dali. New York: The Viking Press, 1968.  4to. Numerous color reproductions of Dali's paintings and drawings. Publisher 's orange cloth gilt; pictorial dust jacket (price-clipped, slight chipping and tears to edges with old tape repairs verso).  Later edition, SIGNED BY DALI with a drawing in red ink, 1969.  Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

A collection of watches to include a Dali shaped watch, a USA five cent coin watch and a Iguzzini watch with Oriental numerals Condition Report: Not available for this lot

China, Miao, Yunnan, Dali, painted mask of the Thunder God with layers of paint l. 26 cm. [1]

Salvador Dali (1904-1989) 'Tancred's Oath' litho, gesign. r.o., e.a., 53 x 43 cm. [1]

Salvador Dali (1904-1989) 'Dante purifié' litho, gesign. r.o., E.A., 31 x 25 cm. [1]

Salvador Dali (1904-1989) Figuren litho, gesign. l.o., 71/100, 30 x 20 cm. [1]

Original vintage advertising poster for the SNCF by Dali - Technique de Demain Chemins de Fer Francais. Surreal image of trains emanating from an image showing people on a rectangle to create an image of a butterfly against the black background, designed by the renowned surrealist artist Salvador Dali (1904-1989), as part of a series commissioned by the French State Railways. Excellent condition, minor tears at bottom edge. Country of issue: France, designer: Salvador Dali, size (cm): 60x39.5, year of printing: 1976

Original vintage travel poster advertising Paris featuring the Eiffel Tower with abstract lines and butterflies, designed by the renowned surrealist artist Salvador Dali (1904-1989), for the SNCF French National Railways. Very good condition, minor stains at top edge. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1969

Original vintage travel poster advertising Alsace featuring a skyline and subtle butterfly design by the renowned surrealist artist Salvador Dali (1904-1989), for the SNCF French National Railways. Very good condition, minor stains at top and bottom edges. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1969

Original vintage travel poster advertising Roussillon featuring butterflies and an iconic image designed by the renowned surrealist artist Salvador Dali (1904-1989), for the SNCF French National Railways. Good condition, stains at bottom left corner, foxing at top right. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1969

Original vintage travel poster advertising the Alps featuring mountains and butterflies designed by the renowned surrealist artist Salvador Dali (1904-1989), for the SNCF French National Railways. Very good condition, minor stains at top and bottom edges. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1969

Salvador Dali cased set of ten medallions, the ten commandments. 500g The ten medallions 1975, are all in excellent condition and encased in perspex.  The receipt refers to them as silver, 50g each, however the medals are not hall marked, some are marked 999.9  Perspex is in good condition, some surface scratches to each side.  One side has a 1cm chip off the edge.  Together with a yellow presentation box

After Salvador Dali smoking pipe, made of a gourd, clay and hardstone mounted, signed

Salvador Dali (1904-1989), lithograph with etching, The Cycles of Life, Reflections, c.1979, monogrammed and numbered no.128/150, overall 37 x 54cm

A glass Dali Femme eau de toilet numbered edition , sealed 

Art - Surrealism - Tapié Michel), Dali, Les Éditions du Chêne: 1957, full-page colour plates, original wrappers, folio (37.5cm x 27.5cm), (1); Cooper (Douglas), Pablo Picasso Les Déjeuners, London: Thames and Hudson, 1963, illustrated through in b/w and colour, contemporary printed cloth boards, partial case en suite, folio (38cm x 28cm), (1), [2]

δ Salvador Dali (1904-1989)Cheval Royal (Field 72-1; M&L 429b)Etching with aquatint and extensive hand-colouring in blue and yellow, 1970, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Visat, with full margins, 315 x 245mm (12 3/8 x 9 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)L'Alchimiste (M & L 581c: Field 72-13)Etching printed in colours, 1973-1975, signed and numbered from the edition of 50 in pencil, on Arches paper, with full margins, 760 x 565mm (30 x 22 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)L'Etalon Blanc (Hommage au cheval) (M & L 639a)The scare etching printed in sepia, 1973-1974, signed and numbered from the edition of 175 in pencil, on Arches paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19 1/2 x 25 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)La Lumière de la guérison (M & L 1575g; Field 80-4)Lithograph printed in colours, 1979-1980, signed and numbered from the edition of 125 in pencil, on Arches paper, published by Grafos Verlag, with margins, sheet 760 x 540mm (30 x 21 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)The Kingdom. From Les Amoureux (M & L 1567g; Field 80-2)Lithograph printed in colours, 1979, signed and numbered from the edition of 125 in pencil, on Arches paper, Arches published by Grafos Verlag, the full sheet 750 x 545mm (29 1/2 x 21 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Anthony and Cleopatra. From Les Amoureux (M & L 1568g; Field 80-2)Lithograph printed in colours, 1979, signed and numbered from the edition of 125 in pencil, on Arches paper, Arches published by Grafos Verlag, 748 x 543mm (29 1/2 x 21 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Apocalyptische Reiter (Field 74-18; M&L 722c)Etching in sepia, 1974, signed and inscribed 'P.A.', a proof aside from the edition of 50, on Japon paper, published by Arzte Sammlerkreis/Graphos Verlag, with full margins, image 490 x 640mm (19 1/4 x 25 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)La Divine Comédie (The Divine Comedy) (M&L 1039-1138; Field p.190)The complete set of six volumes, 1960, containing 100 woodcuts printed in colours, on Rives wove paper, with title, contents, justification and text pages in Italian, from the edition of 2900, published by Arti e Scienze, Salani, Florence, the full sheets bound within red boards, each volume 341 x 271x 43mm (13 1/2 x 10 3/4 x 1 3/4in) (vol) (6)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Plaza Mayor (Field 73-11)Etching with pochoir printed in colours, 1973, signed and inscribed from the edition of CL in pencil, on Japan paper, printed and published by Ateliers Rigal, published by Vison Nouvelle, Paris, with full margins, plate 405 x 590mm (16 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Flung out like a Fag-end by the Big-wigs (Field 74-8A; M&L 668d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artist verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Salvador Dali (Spanish 1904-1989) THE IRASCIBLE, plate 8 from INFERNO authenticated by Frank Hunter on the reverse woodblock 33 by 26,2cm, unframed

Salvador Dali (Spanish 1904-1989) EARTHLY PARADISE, plate 32 from PURGATORY signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornes, E. Dali - Illustrator, Les Heures Claires, Paris, 2016, p. 165 sheet size: 33 by 26,5cm, unframed

Salvador Dali (Spanish 1904-1989) THE SOURCE, plate 21 from PURGATORY signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornes, E. Dali - Illustrator, Les Heures Claires, Paris, 2016, p. 162 sheet size: 33 by 26,5cm, unframed

Salvador Dali (Spanish 1904-1989) THE FIRST HEAVEN, plate 3 from PARADISE signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold Fornes, E. Dali - Illustrator, Les Heures Claires, Paris, 2016, p. 167 sheet size: 33 by 26,5cm, unframed

Salvador Dali (Spanish 1904-1989) THE LAST ORATORIES OF VIRGIL, plate 27 from PURGATORY signed in the block, signed in pencil in the margin; signed by Jean Estrade in pencil on the reverse wood engraving in colour on woven paper (after a watercolour) on BFK Rives paper tipped into Arches paper mounts inscribed 'Salvador Dali' in gold sheet size: 33 by 26,5cm, unframed Fornes, E. Dali - Illustrator, Les Heures Claires, Paris, 2016, p. 164

Salvador Dali (Spanish 1904-1989), Four Lithographs including Omnes de Saba Venient, Noli me Tangere, Biblia Sacra and Is it Lawful to Pay Taxes to Caesar, measurements 49.5 x 36.5 cm (SH) (4) Individual hand-signed and stamped certificates of authenticity for each of the works completed by Prof. Stefano Liberati, President of the European Union of Art Experts (UEEA) The Biblia Sacra was published by Editore Rizzoli and comprised five volumes with 105 coloured lithographs created by Salvador Dali. The lithographs are based on select passages from the Latin Vulgate Bible.

Artist: Horst P. Horst (German/American, 1906 - 1999). Title: "Costume Designs by Salvador Dali for His Ballet Bacchanale, Paris". Medium: Original photogravure. Date: Composed 1939. Printed later. Dimensions: Overall size: 11 7/8 x 9 3/8 in. (302 x 238 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): Image copyright © The Estate of Horst P. Horst. [29625-2-400]

Lithographie Salvador Dalí 1904 Figueres - 1989 Figueres "Femmes-fleurs" 1970 u. re. sign. Dali Ex.: 54/150, 57 x 75,5 cm (Blattmaß) Wkvz.: Michler/Löpsinger 1329

Artist: George Platt Lynes (American, 1907-1955). Title: "Salvador Dali wth Nude and Lobster". Medium: Original photogravure. Date: Composed 1939. Printed later. Dimensions: Overall size: 11 1/8 x 8 7/8 in. (283 x 225 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A very rare print – “Gordon’s” does not locate any auction sales of this image. A silver print is in the collection of the Metropolitan Museum of Art. Image copyright © The Estate of George Platt Lynes. [29648-2-600]

§ Salvador Dali (Spanish 1904-1989) for Royal Crown Derby 'Pink Glove' Plate, circa 1938 manufacturer's printed and impressed marks, Christies paper label(23cm diameter (9in diameter))Footnote: Provenance: Edward James Collection; Christies, London, Edward James Collection , 2-6 June 1986; John Jesse, London; Private Collection, UK; Literature: Britain Magazine, 4 December 2009; Ghislaine Wood (ed.), Surreal Things: Surrealism & Design , V&A, London, 2007, pp.282-3. The unique 'Pink Glove' tea service was designed by Dali on a visit to London in 1936, having been commissioned by the poet, artist and collector of Surrealist works Edward James for his extraordinary Surrealist house Monkton. As noted by the V&A from previously unknown correspondance between James and the decorating firm Green and Abbott in 1938, the 'pink glove tea set' is mentioned alongside the 'Lobster' telephone, 'Mae West Lips' sofa and 'Torso' chest of drawers all known to have been conceived by Dali. Edward James specially commissioned the set from Royal Crown Derby and it was sold in the Edward James Collection at Christies in 1986 where it was bought by the renowned dealer John Jesse. Jesse subsequently sold pieces to the Royal Crown Derby Museum and to the V&A in the sale of his collection at Sotheby's New Bond Street, London on 22 February 2006. This plate is one of only a couple of pieces from the set still known to be in private hands.

Antoni Tàpies (Spanish, 1923-2012)El Monument 1951 signed on the reverseoil on canvas120 by 110 cm. 47 1/4 by 43 5/16 in.Footnotes:This work is registered in the Fundació Antoni Tàpies, Barcelona, under no. T-0046.ProvenanceGaleria Artema, BarcelonaAcquired directly from the above by the present ownerExhibitedVenice, XXVI Biennale di Venezia, 1952, no. 87Barcelona, Galeries Laietanes, Antoni Tàpies, 1952, no. 4Barcelona, Galeria Artema, Tapies: Obra 1945-1954, 1978, no. 21, illustrated in black and whiteMadrid, Museo Español de Arte Contemporáneo, Antoni Tàpies - Exposición Retrospectiva, 1980, p. 24, no. 26, illustrated in black and whiteLiteratureAlexandre Ciriri, Tàpies, testimoni del silenci, Barcelona 1970, p. 135, no. 80, illustrated in colourJosep Vallés Rovira, Tàpies Empremta (art vida), 1983, np., illustrated in black and whiteAnna Agustí, Tàpies, The Complete Works Volume 1: 1943-1960, Barcelona 1988, p. 175, no. 388, illustrated in colourA delightful early example of the celebrated Spanish artist's practice, El Monument from 1951 belongs to what has been coined by critic Alexandre Circi as Tàpies' 'Magic Period'. Starting in 1948, Tàpies became heavily influenced by the work of surrealists - in particular, by Ernst, Miro and Klee - and started exploring the possibilities offered by depicting the subconscious' otherworldly imagery. The resulting paintings, which Tàpies' friend, writer Joan Brossa, would often name with fantastical and poetic titles, earned him the respect and admiration of Salvador Dali amongst others. Met with universal critical acclaim, works from the Magic Period truly launched Tàpies' practice in Europe and the United States.In El Monument, a range of mystical motifs imbue the dark canvas with a strange, mystical sense of wonder. The fine structure-like lines delicately scratched into the surface of the painting predate Tàpies' iconic heavily textured works in which he drew large incisions into sand. Even though Tàpies would ultimately abandon the attention to detail displayed in El Monument and other early works in favour of a more process-based approach in the following decades, the Magic Period - and its highly evocative occult potential - still very much sketched the blueprint for Tàpies' highly textural and abstract latest practice. Exhibited at the Venice Biennale in 1952, shortly before the artist married his wife, El Monument was executed at a critical time in his career: 'The years 1952 and 1953 were crucial, both for my love life and for my work. [...] Little by little, almost unconsciously, I had left behind and finally lost the worries that Soviet aesthetic principles, inspired by the famous Jdanov, had caused me... In questions of art and by an inclination that is difficult to explain, my instinct took me more and more along solitary paths I saw the necessity of going deeper in my investigation of the specific possibilities of the visual medium of colour and form in freedom.' (the artist in: A Personal Memoir: Fragments for an Autobiography, Barcelona 2009, p. 264).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

λ Salvador Dali (Spanish 1904-1989)Venus a la GiraffeBronze with silver patinaSigned, numbered 21/1000, and stamped with foundry mark Venturi Arte to base56 x 27.5cm (22 x 10¾ in.)Condition Report: Missing the screw which holds the supporting 'fork' which holds up the drawer. Some tarnishing to the patina. Please see extra images for further details.Condition Report Disclaimer

λ Salvador Dali (Spanish 1904-1989)The Blasphemers (Inferno 14 from Divine Comedy)Woodcut, circa 1960Signed in pencil, from the total edition of 4765Image: 24.5 x 18.5cm (9½ x 7¼ in.)Condition Report: In good clean condition. Framed under glass and unexamined out of frame.Condition Report Disclaimer

SALVADOR DALI (Spanish, 1904-1989); a signed coloured lithograph, 'Empress', signed lower right, inscribed 'E. A.' lower left, blind stamp to lower right and inscribed in pencil 'GALA' to bottom right, the image approx 44 x 31.5cm, unframed. (D)Additional InformationPicture has been rolled so the edges are slightly scuffed. The image itself is basically in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org