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Click here to subscribeLimited edition lithograph titled 'James The Lesser / Vicar Of Britain' from The Twelve Apostles also known as Knights Of Round Table portfolio. Numbered 202/350 lower left, signed in pencil lower right.Comes with certificate of authenticity attached to verso. Measures 37" x 31" including frame (and glass face), 25" x 19" image size. Artist: Salvador DaliCondition: Age related wear.
GLENN BROWN (B. 1966)The Music of the Mountains 2016 signed on a label affixed to the reverse of the backing boardIndia ink and acrylic on panel 135 by 95 cm. 53 1/8 by 37 3/8 in. This work was executed in 2016. Footnotes:This work is registered in the archives of the Glenn Brown Studio, London. ProvenanceGagosian Gallery, London Acquired directly from the above by the present ownerExhibitedFlorence, Museo Stefano Bardini, Glenn Brown: Piaceri Sconosciuti, 2017London, Gagosian Gallery, Glenn Brown: Come to Dust, 2018Guernsey, The Rona Cole Art Gallery, Guernsey Museum at Candie, 2018 - 2022, work on loan to the museumEmerging from a shimmering veil of woven, fluttering lines and threads of acrylic and ink, the timeless subject of Glenn Brown's The Music of the Mountains impresses upon us the uniqueness of his talent and the thrilling nature of his daring artistry that calls upon the benevolent gods of art history, from Da Vinci, Fragonard, Rembrandt and Boucher to John Martin, Dali, and Frank Auerbach. These apparitions don't simply appear as facsimile, however, but instead deconstruct the very humanity that comprises their historicity. Brown produces an intensified vision of painting qua painting that is captivating to behold and supremely contemporary in their notions of authorship and subject. Since his emergence in the 1990s, he has been a maverick of contemporary practice who has gone against the grain consistently, earning a Turner Prize nomination in 2000 and carving out a place amongst the most significant and lauded painters of his generation, with works in major institutions including The Art Institute of Chicago; the Centre Georges Pompidou, Paris; the Museum of Modern Art, New York; and the Walker Art Center, Minneapolis. He will further solidify his standing as one of the leading contemporary British artists with a museum dedicated to his practice and works from his personal collection, including Dutch and Italian masters, opening in Marylebone during the 2022 October Frieze week.In The Music of the Mountains, one cannot escape the elegance of Brown's virtuoso hand that lures and enthrals our gaze with its fluidity, poetry and sensitivity to form. Above all else, Brown is an artist who produces beautiful paintings. But therein lies the complexity and tragedy of his practice that makes his work some of the most challenging conceptual feats of contemporary art. Christoph Grunenberg, Director of the Kunsthalle Bremen, seized upon this essential quality, describing his art as 'one of extreme attraction – in subject matter, execution and look – yet at its heart there is darkness, a melancholic vision of death, destruction and loneliness. Belying their aesthetic perfection, masterly technical dexterity and formal integrity, Brown's paintings reveal surprising contradictions and ambiguities' (Christoph Grunenberg in Glenn Brown, London: 2009, p. 15). In this way, through The Music of the Mountains we are given access to a transcendent vision of art history that reveals fresh narratives and upends contemporary questions by placing them on a timeline that shrinks their fleeting pertinence. Here, Brown's wisps of paint and ink call upon the delicate and unsurpassed sketches of Da Vinci, blending and folding about one another to manifest a ghost-like head of a woman caught in a three-quarter glance, her eyes cast down appearing transfixed and intent. It is an arresting vision whose features evoke the playful fullness of a Boucher, yet her apparent seriousness lends an air of Judith beheading Holofernes. These epistemic questions tug at our knowledge of art history and the history of images themselves, proving an elaborate contemporary challenge to the validity of painting today. Brown thus goes beyond the reproduction of an original image; he reconstructs the composition, subjects it to distortion, and ultimately imbues it with a new sense of narrative. In his skilful handling of paint and conceptual ingenuity grounded in Postmodern critical theory, The Music of the Mountains draws us in with a timeless beauty that teeters on collapse, as exquisite and gossamer as the painted surface is. In opening his practice to the questions and tribulations of originality, Brown places himself amongst a rarefied group of artists for whom appropriation practices have defined their careers, from Marcel Duchamp, Cindy Sherman, Sherry Levine, Richard Prince, and Jeff Koons. Brown stands apart, however. His paintings leave doors open to ambiguity and revivification, not least in his titles that can appear oftentimes as banal or overly romantic, but interestingly turn to music as a source of inspiration. 'The connections between my paintings and my titles are not always obvious but they are never random,' the artist says: 'I am trying to puzzle viewers. The work is supposed to stick in their heads and make them ask why. Again, that is the base with good music; something, perhaps a sense of disharmony or miss alignment of timing, catches your attention but you often cannot articulate why. I think it is the same with a painting: it has to catch you by being enigmatic and intriguing – whether it is through colour or meaning, beauty or ugliness, a celebration of life or the devastation of death' (the artist interviewed by Rochelle Steiner in Glenn Brown, London: 2004, p. 100).In a perfectly balanced synthesis, Brown's execution is bonded to the grandeur of his ideas, which enables him to operate with an unparalleled nuance, cutting right between what the image is and what it represents. Without the masterly hand of the artist, such notions of beauty and decay, of life and death, would not uphold. As evidenced in the present work, these sumptuous swirls and painterly panache permit us to glimpse the sublime. But Brown allows darkness to creep in, where trailing threads and spirals appear to create a kind of smog, a putridity that hangs in the air of the piece. Ultimately, what the artist captures is pure affect – the remnant of an impression that casts itself back through time: 'the naked flesh of the original model may be long dead, but that just aids the imagination Fragonard, Auerbach and Rembrandt painted the living. Their flesh has become paint so I paint paint. The paint is the crusty residue left after the relationship between the artist and his model is over. It is all that there is left of real love, so I paint that' (the artist in Ibid., p. 17).Glenn Brown's The Music of the Mountains is an exemplary painting that illustrates the richness and vastness of his practice. In Brown's dextrous hand, we sense the timelessness of his subject that is conjured spirit-like before us. She hangs in the air as a vision of art that was, and art as it is now – constantly evolving, emerging, dwindling, and reconstituting. Brown continues to be one of the most exciting and talented contemporary artists, whose communion with art history's masters has surely placed him amongst them.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dalí, Salvador (1904 Figueras 1989) "Venus Spatiale" oder "Space Venus", 1977. Zweiteiliger Bronzeguss mit malachitgrüner Patina, teils poliert. Auf Plinthe sign., Ex. 341/350, Gießerstempel "PERSEO MENDRISIO CERA PERSA", Copyrightvermerk "JEMELTON 1984". H. 63 cm. Beigegeben: Dalí Certificat d'Authenticité, ausgestellt durch Inter Art Resources Ltd. London sowie Kaufbeleg (in Kopie) der "Dali Ausstellung" Berlin von1998 über DM 28.000,-. Wvz: Robert et Nicolas Descharnes, "Dalí. Le dur et le mou. Sculptures & Objets", Paris 2003, Nr. 591, S. 233 mit ganzseitiger Farbabb.
Dalí, Salvador (1904 Figueras 1989) "L'Unicorne" oder "Unicorn", 1977. Schwarz-grün patinierter Bronzeguss, teils poliert. Auf Plinthe sign., Ex. 173/350, Gießerstempel "PERSEO MENDRISIO CERA PERSA", Copyrightvermerk "JEMELTON 1984". H. 58 cm. Beigegeben: Dalí Certificat d´Authenticité, ausgestellt durch Inter Art Resources Ltd. London und Kaufbeleg (in Kopie) der "Dali Ausstellung" Wiesbaden 1999 über DM 20.000,-. Wvz: Robert et Nicolas Descharnes, "Dalí. Le dur et le mou. Sculptures & Objets", Paris 2003, Nr. 627.
Dali, SalvadorFigueres 1904 - 1989 ebenda, spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner. "Mystische Begeisterung", aus der Folge "Die Fenster" 1973, unten rechts von Hand mit Bleistift sign., unten links mit Bleistift num. 72/250, Farblithographie auf Papier, HxB: 65/48 cm. Gebräunt, Randläsuren. Mit verglastem Rahmen. Lit.: Salvador Dali, Das druckgraphische Werk II, Michler und Löpsinger (Hrsg), 1995, S. 158, Nr. 1439 (mit Abb.).
Six framed prints, comprising After Salvador Dali Autumn Cannibalism, 50.5cm x 50.5cm, After Manet, The Piper, 59.5cm x 35cm, After Raoul Dufy, The Concert, 43cm x 54cm, After Raoul Dufy, Regatta at Cowes, 45cm x 56cm, De Rousseau Le Cascade, 40cm x 49cm, and After Jean Baptiste, Simon Jardin The Kitchen Maid, 44cm x 35cm, in white painted frames. (6)
Exaequo Softwatch. Quartz movement with white dial and Roman numerals. Surrealist design inspired by Salvador Dali, on an original red leather strap, original box and paperwork, serial number 32008.Case diameter 25mm. In good original condition, minor signs of wear, untested and unable to test as a quartz movement and requires new battery. Vendor has owned from new and rarely wore the watch.
Salvador DALI (1904-1989) "Viel Lärm um Shakespeare", Kalender mit 12 Lithographien, "Much Ado About Shakespeare"Lithographie/Papier, mit Bleistift handsigniert Dali, bezeichnet E.A. "Epreuve d'artiste" (Künstlerexemplar), limitierte Auflage von 250 Exemplaren, Herausgegeben 1968, Herausgeber Brönner Kalender Verlag, nach original Radierungen von 1968, 12x Blattmasse H 48 cm x B 40 cm, Halterung 60 x 42,5 cm Stockflecken
Salvador DALI (1904-1989), "Die Fälscher" (1960), Farbholzschnitt/ Xylographie auf Bütten, Bl. 29 aus dem Zyklus zu Dantes Göttlicher Komödie, 29. Gesang, Hölle, im Druck sign., Druckmaße: ca. 25 x 18 cm, Blattmaße: ca. 32,7 x 26 cm, hinter Glas im Passepartout gerahmt, Blatt leicht gebräunt, min. lichtrandig. Vgl. Michler/Löpsinger 1995, Nr. 1067.
JEAN DE LA FONTAINE20 Fables. (Eigentlich 40 Fabeln). 2 Bde. Monaco: Jaspard, Polus 1961/Paris: Acevedo 1961-66. 39 x 28,5 cm. 20 lith. Farbtafeln u. 40 Farblith. bzw. Farbhz. Bd. I mit 6 Bll. Handschriftenfaks. d. Vorwortes v. J. Cocteau. Lose Bogen in OrUmschlag. In 2 braunen OrLdrKassetten.(1 Kassette bestoßen, berieben ausgeblichen und Gelenk geklebt. 1 Umschlag mit geklebten Einrissen.)Nr. 244 von 299 Ex. (Bd. I) u. Nr. 244 von 399 Ex. (Bd. II). Beide auf "pur fil de lana" mit einer zusätzlichen Folge aller 41 Abbildungen aus Bd. I und einer zusätzlichen Folge der farb. Lithos aus Bd. II. Bd. I ist illustriert von J. Cocteau, Y. Brayer, Buffet, J. Villon, Caillard, Carzout, Desnoyer, Leonor Fini, Foujita, Goerg u. a. Die Illustrationen im 2. Band von Y. Alis, Calder, Claré, S. Dali, Dunoyer de Segonzac, F. Labisse, J. Lagrange, A. M. Cassandre, M. Clouzot u. a.
SPELLBOUND (1945) - Ingrid Bergman and Alfred Hitchcock Production Photographs - Photographs of Alfred Hitchcock and Ingrid Bergman from the production of Hitchcock's Spellbound. Considered among Hitch's greatest psychological thrillers for its eerie setpieces inspired by consultant Salvador Dali and Bergman's performance as therapist Constance Petersen, Spellbound was nominated for six Academy Awards®, including for its director.These black-and-white gelatin silver prints, one of Bergman and Hitchcock together and one featuring Hitchcock with two dogs, were shot by legendary Hollywood portraitist and set photographer Ned Scott. Both feature inventory numbers labeled in their bottom right corners. They exhibit minor discoloration from age. Dimensions: (each) 8" x 10" (20.5 cm x 25.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.
Salvador Dalí (1904-1989)Portrait of Picasso (Field 70-7; M&L 448)Etching with drypoint, collotype and pochoir printed in colours, 1970, signed and inscribed 'a/b' in pencil, numbered from the edition of 200, printed by Ateliers Rigal, Paris, published by Jean Schneider, Basel, on grey Ingres laid paper, with full margins, sheet 730 x 500mm (28 3/4 x 19 3/4in) This work was authenticated by Dali Trade on 19/05/22 and bears the authentication signature in pencil verso.
Salvador Dalí (1904-1989)Le Cheval du Printemps, from Dalinean Horses (Field 72-6T; M&L 1263a) Lithograph printed in colours with embossing, 1972, signed and inscribed 'E.A.' in pencil, aside from the edition of 250, printed by Wolfensberger, Zurich, published by Carpentier/Waintrop, Paris, on BFK Rives paper, with full margins, sheet 650 x 500mm (25 5/8 x 19 5/8in) This work was authenticated by Dali Trade on 27/05/22 and bears the authentication signature in pencil verso.
Salvador Dalí (1904-1989) Expulsé comme un megot par les magots, from After 50 years of surrealism (Field 74-8A; M&L 668a) Etching with drypoint and pochoir printed in colours, 1974, signed in pencil, numbered in roman numerals from the edition of 35, printed by Ateliers Rigal, Paris, published by Trans World Art, New York, on Arches paper, with full margins, sheet 655 x 500mm (25 3/4 x 19 5/8in) This work was authenticated by Dali Trade on 06/02/24 and bears the authentication signature in pencil verso.
Salvador Dalí (1904-1989)New York, Central Park, Winter, from Currier & Ives as interpreted by Salvador Dalí (Field 71-5A; M&L 1349a) Lithograph printed in colours with collage, 1971, signed in pencil, numbered from the edition of 250, published by Phyillis Lucas, New York, on BFK Rives paper, the full sheet printed to the edges, sheet 547 x 758mm (21 1/2 x 29 3/4in) This work was authenticated by Dali Trade on 15/11/22 and bears the authentication signature in pencil verso.
DALI SALVADOR: (1904-1989) Spanish surrealist artist. Signed record sleeve `Dali´, to the inside page of a folded record sleeve, showing to the inside a photograph of Dali. A slightly light signature. The record being Paco Ibañez´s publication by Polydor, entitled "Poemes de federico Garcia Lorca et Luis de Gongora" with music by Ibañez on the original poems. Showing to the back cover an attractive illustration by Dali of Lorca´s Cancion de Jinete. Also signed and inscribed by Paco Ibañez `Paco´, to the inside page. Paco Ibañez (1934- ) Spanish Singer and Musician. He never composed his own lyrics, but used famous poems, like those of Federico Garcia Lorca or Miguel Hernandez, he also sang compositions from Georges Brassens. Record included. Small overall minor age wear, otherwise G
DALI SALVADOR: (1904-1989) Spanish surrealist artist. A printed folding 4to promotional card booklet issued by the Rizzoli International Bookstore and Gallery in New York, featuring a colour illustration of Dali's painting Ipse coniugant vos ('May he himself join you in Marriage'), being one of the illustrations contained in Dali's Biblia Sacra which was published by Rizzoli in 1967, depicting the marriage of Tobias and Sarah, signed ('Dali') by the artist in blue ink with a slightly hurried example of his signature to the blank verso. Some light age wear and a couple of neat splits to the upper and lower edges of the central fold, otherwise about VG
DALI SALVADOR: (1904-1989) Spanish surrealist artist. An excellent book signed and inscribed, with an original illustration, being a soft cover edition of Hommage a Meissonnier, First edition published by Hotel Meurice, Paris, 1967, to accompany the exhibition of Dali's work at the Hotel Meurice from 1st - 30th November 1967. With a frontispiece image of Dali and featuring four original off-set colour lithographs by Dali (Gala, Nu de dos, Le pecheur and La main) which were created by the artist specifically for this edition and printed in the studios of E & J Desjobert. The edition also includes black and white illustrations of paintings by Ernest Meissonnier, Gustave Moreau, Edouard Detaille and William-Adolphe Bouguereau. Signed and inscribed by Dali in black ink with a large example of his signature ('Dali') to the half-title and facing page, further adding an original drawing in his hand, the image depicting a cavalier riding on his horse and brandishing a lance in one hand, which he raises directly towards a small crown suspended in the sky ahead. Accompanied by the dust jacket and with a loosely inserted printed 4to folding card with the facsimile text and signature of Paul Ricard (as issued). A handsome signed book enhanced by Dali's original drawing. Two very light, minor stains to the upper and lower edges of the half-title page, VGDali's original drawing was evidently inspired by Meissonnier's painting La Bataille de Friedland, a detail of which is reproduced in the book, and similarly shows spirited cavalrymen holding up their swords towards the Emperor, represented in Dali's drawing by the crown.
EXAEQUO - a gold plated Salvador Dali Softwatch quartz wristwatch, circa 1993, surrealist melting rose champagne dial, with Roman numeral hour markers, case width 25mm, not currently working, boxed with papersMovement – not currently working and needs new batteryDial - very cleanGlass - very cleanHands - goodCase - very cleanCrown – hands adjust smoothlyBracelet - associated brown leather strap and pin buckle, unwornNotes – boxed with warranty booklet
Salvador Dalí, "Cavalier et la mort", aus: "Faust (La Nuit de Walpurgis)", aquarellierte Kaltnadelradierung von 1968/69Salvador Dali, 1904 -Figueras - 1989, "Cavalier et la mort" (Reiter und Tod), aus: "Faust (La Nuit de Walpurgis)", aquarellierte Kaltnadelradierung/Japan, 32 x 24 cm, signiert, nummeriert 52/145, Einzeledition aus dem Atelier Robbe mit einer Auflage von 145 Exemplaren, WVZ Michler/Löpsinger 307k, unter P.p.
Salvador Dalí, "Tienta en Espana", Granolithographie von 1983 nach Original von 1960, galeriegerahmt mit ZertifikatSalvador Dali, 1904 - Figueras - 1989, Salvador Dali, 1904 - Figueras - 1989, "Tienta en Espana", farbige Granolithographie, 63,5 x 85,5 cm, 5000er Aufl. von SENANS, Bern, nach der Kaltnadelradierung von 1960, in der Platte sign. u. dat., hinter P.p. und Glas im goldfarbenen Holzrahmen
Otto Wols, Selbstporträts, 4 Photographien der 1940er JahreOtto Wols, 1913 Berlin - 1951 Paris, deutsch-französischer Photograph, Maler und Grafiker, Selbstporträts, 4 s/w Photographien, Größe 30,5 x 24 cm, je verso bezeichnet Nachlass Marc Johannès, einmalige Auflage für die griffelkunst 2001Zum Künstler: Wegbereiter des Tachismus und Informel. 1924 Freundschaften mit Fritz Bienert, Fritz Löffler, Otto Dix; 1932 kurze Zeit am Bauhaus bei Moholy-Nagy und Mies van der Rohe. Aufenthalt in Paris im Kreis von Léger, Arp, Giacometti, Ozenfant, Miró, Dali, Max Ernst, Sartre u. a.; 1937 arbeitet als offizieller Photograph für den „Pavillon de l’Elégance“ und stellt seine Photographien in einer Pariser Galerie aus. 1939 muss er 14 Monate ins Internierungslager. Es entstehen Hunderte von Zeichnungen und Aquarellen. Bis zu seinem Tod bleibt er in Paris.
Salvador Dalí, Les Cavaliers de l'Apocalypse, signierte Farblithographie mit Prägung von 1971Salvador Dali, 1904 - Figueras - 1989, Les Cavaliers de l'Apocalypse (Die Apokalyptischen Reiter), Farblithographie mit Prägung auf Bütten, 43,5 x 59,5 cm, handsigniert, WVZ Michler/Lopsinger 506, o. Rahmen
Sammlung Parfumflakons, 12x Les beaux arts, design edition, mit Motiven nach Dali, Ernst Fuchs, Paul Wunderlich u.a.Sammlung Parfumflakons Les beaux arts, design edition mit Verschlüssen nach Künstlerentwürfen auf Glasflakon, Salvator Dali, "Space Venus", bez. „nach Salvador Dali InterArtResources1996“, num. 2685/7500D; Ernst Fuchs, "Papagena", Bronze, Künstlersignet, num. 3869/7500 & "Königin der Nacht", Bronze, num. 1091/7500 & Flügel, Bronze, num. 488/9015; Paul Wunderlich, "Diana", Metall, num. 2873/14999; Marco Piono, "La Danse", Bronze auf Granitkubus, Künstlersignet, num. 2514/5000; Miguel Berrocal, Eros, Torso m. Brustpanzer, abnehmbar, Bronze m. vergoldetem Metallblech, Künstlersignet, num. 7119/1499; Bruno Bruni, "Iride", Bronze, Künstlersignet, num. 6468/14999 & "Clinch" Hommage an Dariusz Michalczewski, Bronze, Künstlersignet, num. 1821/30000; Christian Peschke, "La Vita", Kunstguss, Künstlersignet, num. 1098/7500; Allen Jones, "Sparkling", Metallguss farbig lackiert, mit Künstlersignet, num. 2978/9999; Barry Shiraishi, Bronze, Künstlersignet, num. 2547/7500, alle auf Glasflakon, H ca. 11-24,5 cm
Salvador Dali (after) 'Bullfight' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left XIX/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed
Salvador Dali (after) 'The Temptation of St. Anthony' offset lithography, sheet size 50 x 65 cm, signed bottom right, pencil 'Dali', numbered with pencil bottom left CDLXIV/MM, limited edition 2000, heavy paper with watermark BFK Rives France, bottom centred publishing house stamp 'G. Dali', without additional documentation, sold unframed
KONVOLUT MÜNZEN UND MEDAILLEN 14-tlg. Gold. Legierungen 333 - 999,9, Ges.-Gew. zus. ca. 435,9 g. U.a. Rappresentanza Generale per L'Italia della Mercedes Benz 1959-1969 SPA AUTOSTAR. - Geburtstagsmedaille 1906 Sechzigster Geburtsatg 1966 Franz Joseph II von u. zu Liechtenstein. Entwurf Salvador Dali. - Banco Ambrosiano Anno di Fondazione 1896. G. Castiglioni. S Johnson.
Stavri Kalinov, Bulgarian 1944-2023, Two Seated Figures, Homage to de Chirico;bronze with a golden patina, height approx.: 31 cm,Note: Kalinov was an important figure in the Bulgarian art scene. Well aware of art history, many of his sculptures are homages to other artists such as Dali, Moore and de Chirico.
Salvador Dalí, Spanish 1904-1989, Envy, Purgatory Canton 15, 1951-1964; wood engraving in colour on Rives wove, signed in pencil and numbered g.a 24/25, published by Les editions d'art des Heures Claires, Paris with the blind stamp of the editor, only 25 examples have the annotated 'g.a', sheet: 33 x 26 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the works of Salvador Dali, page 200. Together with a certificate from Park West Gallery.Provenance: Park West Gallery, Michigan, USA / UK Private collection
Salvador Dalí,Spanish 1904-1989,L'Hirondelle (The Swallow), from Le Jungle Humaine, 1976; lithograph in colours on wove,signed and numbered 'XXXI/CCL' in pencil,image: 46.5 x 63 cm,(framed)(ARR) Note: Bruce Hochman has confirmed the authenticity of this lot. Albert Field: The Official Catalog of the Graphic Works of Salvador Dali, 76-2 D
Salvador Dalí, Spanish 1904-1989, Zebulun, from the 12 Tribes of Israel, 1972;etching in colours on BFK Rives wove, signed in pencil and numbered 172/195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, image: 50 x 37 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the Graphic Works of Salvador Dali, 72-6, H
Salvador Dalí, Spanish 1904-1989,La Porte Saint-Denis, 1963; etching with aquatint on Auvergne wove, signed and dated to the plate, signed, dated and numbered 66/100 in pencil to lower edge, together with 'The Official Catalog of the Graphic Works of Salvador Dali' by Albert Field, image: 72 x 54 cm, book: 29 x 22.3 cm, (framed) (ARR) (2)Note: Albert Field, The Official Catalog of the Graphic works, 63-2-CProvenance: Rouge Gallery, St Albans
Salvador Dalí, Spanish 1904-1989, Le Girafe en Feu, from Le Jungle Humaine, 1976; lithographs in colours on Arches paper, signed and numbered XXXI/CCL in pencil, image: 46 x 47.5 cm, (framed) (ARR)Note: Bruce Hochman has confirmed the authenticity of this lot. Albert Field: The Official Catalog of the Graphic Works of Salvador Dali, 76-2 A
Stavri Kalinov, Bulgarian 1944-2023,In Memoriam of Henry Moore, Two Figures;bronze with a golden patina on a grey stone base, height: 41 cm including marble base, Note: Kalinov was an important figure in the Bulgarian art scene. Well aware of art history, many of his sculptures are homages to other artists such as Dali, Moore and de Chirico.
Salvador Dalí, Spanish 1904-1989,Meeting of the Two Groups of Lechers, Purgatory Canton 26, 1951-1964; wood engraving in colour on Rives wove, signed in pencil and numbered g.a 24/25, published by Les editions d'art des Heures Claires, Paris with the blind stamp of the editor, only 25 examples have the annotated 'g.a', sheet: 33 x 26 cm, (framed) (ARR)Note: Albert Field, the Official Catalog of the Works of Salvador Dali, page 200. Together with a certificate from Park West GalleryProvenance: Park West Gallery, Michigan, USA / UK Private collection
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