COLQUHOUN (ITHELL)Archive of 'magical writings', manuscripts, typescripts, original illustrations and printed material, comprising: i) Manuscript and typescript essays and lecture notes, including typed essays on Qabalah with manuscript amendments ('The Crown and the Kingdom' in four parts '...The ten circles, centres or concentrations of force are the Sephioth or Divine Emanation...'), Druidry and Gnosticism, 'Fire and the Pyramid of Flame' ('...the progeny of Electricity... the essence of our divine ancestors, the celestial hierarchies...'), typescript of her one-act play 'The Pilgrimage', essay on Aleister Crowley ('Heaven & Earth: The Dying Kick of the Dying-God'), on ritual ('Ceremony Connected with the Banishing Ritual of the Pentagram... The altar is arranged as for the Neophyte Grade of the G.D... Rose and Dagger in E., Incense, lamp and Fire-Wand in S., Cup in W.... if the pentacle is not ready, a gold coin may be substituted...'), on interior stars ('De Astris Interioribus'), a long descriptive essay on 'The Isiac Tablet of Bembo', also 'The Taro as Colour', 'Zodiacal Rulership of the Taro Court Cards' and descriptions of 17 of the 22 Major Arcana of the Tarot ('The Fool', 'The High Priestess', 'The Hanged Man', etc.), and much else; illustrated with some 23 original diagrams in biro, some coloured in gouache, including 'The Cube' (5), the Tree of Life (10), 'Tatwass Through the Day' (collection of loose coloured-paper shapes), 'Taro Trumps in the Cube of Space' (4), c.244 pages, typed or written in blue or black biro on lined paper, many annotations and amendments, illustrations and diagrams in biro and gouache, mostly 4to, [undated]; ii) File of incoming correspondence, some published as appendices (Dorothy Empson, Maxwell Armfield (3), Robert Temple (3), Colin Murray of the Golden Section Order), typed article by Mrs Armer on 'Worship of the Old Deity', printed matter concerning Colquhoun's Masonic affiliations, and 4 pages of unpublished notes and diagrams, 80 pages, various sizes, etc. [1970's]; iii) Colquhoun's research material pertaining to W.B. Yeats, Maude Gonne and Ireland, including notes taken at the Yeats International Summer School at Sligo, her 'Irish' address book (including those of Jack Yeats and Mrs W.B. Yeats), various photographs, maps, guidebooks, timetables etc., c.47 pages of notes, c.1966-1968; with first edition copies of Ithell Colquhoun's Sword of Wisdom: MacGregor Mathers and the Golden Dawn, London and New York, 1975, one inscribed by the author to Kitty (2), The Crying of the Wind, Ireland, 1955, and The Living Stones, Cornwall, 1957, [second half twentieth century] (collection)Footnotes:'THE OPENING OF THE SEALS IS FOLLOWED BY THE SOUNDING OF SEVEN TRUMPETS & THE POURING OF SEVEN VIALS': MAGICAL WRITINGS AND ILLUSTRATIONS BY THE IMPORTANT BRITISH SURREALIST PAINTER, OCCULTIST & AUTHOR.Until recently the surrealist works of Ithell Colquhoun (1906-1988) have been somewhat overshadowed by better-known contemporaries such as Leonora Carrington and Eileen Agar, but interest in her art and writing is now firmly in the ascendant. Indeed, the scholar Amy Hale has noted that Colquhoun '...is becoming recognized as one of the most interesting and prolific esoteric thinkers and artists of the twentieth century...' (Amy Hale, 'The Magical Life of Ithell Colquhoun' in Nevill Drury, Pathways in Modern Western Magic, 2012) and argues that through Colquhoun's work '...we can see an interplay of themes and movements which characterizes the trajectory of certain British subcultures ranging from Surrealism to the Earth Mysteries movement and also gives us a rare insight into the thoughts and processes of a working magician...'.The magical material in this archive, save for four pages of notes and diagrams, was gathered together and published as The Magical Writings of Ithell Colquhoun in 2007 by Steve Nichols, a copy of which is included in the lot. It serves as a complement to Colquhoun's 1974 work, Sword of Wisdom: MacGregor Mathers and the Golden Dawn, her only published book on magical theory. The four essays entitled 'The Crown and the Kingdom' were also published by Steve Nichols as a separate volume in 2006. Much of it was delivered as lectures, notably to Countess Tamara Bourkhoun's Golden Dawn-inspired Order of the Pyramid and Sphinx in the 1960's, of which she was a prominent member, or articles in such publications as Prediction. She was an initiate of several different orders representing Hermetic and Pagan traditions including the OrdoTempli Orientis, the Masonic Order, the Fellowship of Isis and the French Gnostic Church. Colquhoun discovered surrealism through the work of Dali and Magritte whilst studying at the Slade under Henry Tonks, and joined the English Surrealist Group in 1939, exhibiting with Roland Penrose at the Mayor Gallery the same year. Her involvement with the British Surrealist movement, however, was to be brief as she was soon expelled from the group for refusing to abandon the occult research which had become central to her work. She was interested in the occult from an early age, particularly the principles of the Hermetic Order of the Golden Dawn, introduced through her cousin Edward Garstin, and she infused her art with elements of occult colour theory and sacred geometry, both of which she returned to in her later writings as evidenced here (see Amy Hale, The Magic Surrealism of Ithell Colquhoun, Art UK online, June 2020).The present collection represents many of her wide-ranging interests, drawing together her magical and artistic careers. In her short article of 1977, 'The Taro as Colour', a modern typed copy of which is included in the archive, she talks of her magical theory of colour and the surrealistic painting technique of automatism: '...It renders the essence of each card by the non-figurative means of pure colour, applied automatically in the manner of the psychomorphological movement in surrealism...' she explains. Also evident is her admiration for Celtic lore (one letter is from a Deaconess of the Ancient Celtic Church) and in particular W.B. Yeats, a Golden Dawn Adept who also used automatism in his work ('...Through his hermetic studies under MacGregor Mathews, Yeats was deeply embued with Qabalistic thought...'). Ithell's influential article about Aleister Crowley which appeared originally in the London Broadsheet, no.4, April 1955, is also present, typed and amended by the author: '...Ithells' attitude to Aleister Crowley was ambivalent. He chased her around a house once, but she managed to escape his advances...' (Nichols, p.3). Amongst the wealth of material here is a detailed description of a ritual, 'The Outline of Preliminary Ceremony Connected with the Banishing Ritual of the Pentagram', running to some five handwritten pages with red and black inks used to clarify which are spoken words and which are actions. As might be expected, there are also several striking illustrations, including a series of colourful painted diagrams depicting various configurations of The Cube. Provenance: Steve Nichols, editor of The Magical Writings of Ithell Colquhoun, 2007.For further information on this lot please visit Bonhams.com
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6 cm in diameter. Var. sayings such as "Jesus wore long hair", "King Kong died for our sins" and "Down with Pants". (2) Meysenbugs Mini-Faust. 7.5 cm in diameter. (3) Nikolaus Mak. Medizinsches sex-stich-wörter-buch. Vols. 1 and 2. 6 cm in diameter. -and 11 other Ring Publications works, 1 duplicate. All printed in Frankfurt, 1968-69. Added: (1) Two Les O publ.: Histoire de Fous and Dali. (2) New Pop Express. Smoka dopa. Circular leporello in orig. box. (3) Nog eens knijp stickers. (total 19)
Bronze Salvador Dali(1904 Figueres - 1989 Figueres) "Surrealistischer Engel", 1984. Expl. 674/ 1.500. Bronze, partiell schwarz patiniert. Auf Gitterwürfel-Sockel stehender Engel m. durch Dreiecke ersetztem Gesicht, d. Arme erhoben, d. Brust m. gr. Durchbruch. Am Gewandsaum eingeschlagene Sign. "S. Dali", nr. "674/ 1500", Gießermarke "Kunstguss Strehle". Patina berieben. Ges.H 56,4 cmdurchbrochen, Engel, Exemplar, Flügel, Schwingen, Kubismus, Spanien, Surrealismus
Salvador Dali, zwei Keramikfliesen, 1954aus der Serie "Spanische Impressionen", limitierte Edition. Keramik, weiß glasiert und polychrom unterglasurbemalt, Fliese auf mit Stoff bespannten Karton aufgebracht, im goldverzierten Rahmen. Abstrakter Seestern mit vier Armen und abstraktes Werk, in der Mitte ein Mund von dem aus Hände und Augen sternförmig auseinanderlaufen, beide signiert. Maße: Fliese 20 x 20 cm, Rahmen 35 x 35 cm. Guter Erhaltungszustand mit leichten Altersspuren.
Rosenthal studio-line, Jahresteller Dali, 1979Kombination von klarem und opakem Glas mit polychromer Malerei, Schneckenmotiv und Namenszug des Künstlers, rückseitig signiert und nummeriert. Entwurf von Salvador Dali (1904-1989), limitierte Kunstreihe, Nr. 429/3000, mit Stempelmarke. Ø ca. 36,5 cm. Sehr guter Erhaltungszustand, mit leichten Alters- und Gebrauchsspuren, unbeschädigt.
Konvolut Porzellanteller, Salvador Dali, 1981,"Las Flores Dalinianas", Auflage 1000, ca. 19 cmSieben Künstlerteller mit floralem Motiv und Goldrand. Limitierte Auflage, erschienen Port-Lligat am 15. Okt. 1981. Ref.-Nr. 6244/10/11/12/13/14/15/17, für die Nummer 11 ist das Zertifikat vorhanden. Motive 1-6 und 8. Mit Signatur und Stempelmarke Berlin Design. Montiert zwischen Plexiglas. Ø Teller: 19 cm, Glas: 24 x 24 cm. Guter Erhaltungszustand mit Alters- und Gebrauchsspuren am Plexiglas.
Dali, Salvador (1904 - 1989), "Infra-terrestres adorés par Dalí à 5 ans car il se croyaitinsecte" (aus: "La Conquête Du Cosmos") (1974), Farblithographie/Kaltnadelradierung, re. u. sign. u. li. u. bez. (A.P.), seltenes A.P.-Künstlerexemplar, Darstellung ca. 75 x 55 cm, Blattgröße ca. 100 x 71 cm. Diese Grafik von Salvador Dalí (1904-1989) entstammt der Sammlung seines ehemaligen persönlichen Sekretärs Enrique Sabater (1936-2013). Sabater war ein Fotograf, der durch die Zusammenarbeit mit Dalí bekannt geworden ist. Dalí (spanischer surrealistischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner) widmete ihm mehrere Werke.
Losch / Schulz, Lothar (1935 - 1997), Flusslauf mit zwei Enten, Glasbild, vorwiegend Blau-u. Brauntöne, ca. 55 x 117 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), Florale Komposition, Glasbild, vorwiegend Rot- ,Grün- u. Blautöne, ca. 65,5 x 64,5 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Tendenz" (1995), Glas-Grafik, Relieftechnik, rs.mehrfach bez. u. handsign., ca. 70 x 70 cm, Zertifikat anbei. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Liebe Glaube Hoffnung" (1996), Glas-Grafik,Relieftechnik, Acryl auf Pappe, rs. bez. u. handsign., Gesamtgröße ca. 99 x 79 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Der Tanz" (1996), Grafik, Acryl auf Papier, mi. u.sign., rs. bez. u. handsign., PP, hinter Glas gerahmt, Gesamtgröße ca. 87 x 66 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Douce Galaxie" oder "Geburt der Galaxie" (1992),Glas-Grafik, Relieftechnik, rs. bez. u. handsign., Gesamtgröße ca. 71 x 71 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Interplanetarische Konstellation" (1994),Acryl-Grafik, re. u. sign., rs. bez. u. handsign., PP, hinter Glas gerahmt, Gesamtgröße ca. 72 x 91 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), Paar abstrakte Kompositionen (1991), Glas-Grafiken,Relieftechnik, je rs. handsign., Gesamtgröße je ca. 75,5 x 75,5 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.
Losch / Schulz, Lothar (1935 - 1997), "Träumerei" (1994), Acryl-Grafik, re. u. sign., rs.bez. u. handsign., PP, hinter Glas gerahmt, Gesamtgröße ca. 72 x 91 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch.
Losch / Schulz, Lothar (1935 - 1997), "Faszination Z3 roadster" (1996), Plakat, re. u.sign., ca. 44,5 x 63 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch.
Salvador Dali (1904-1989) - Arachne, lithograph printed in colours, with facsimile signature to lower centre, visible sheet dimensions, 24.5 x 17.5cm,Note: With certificate of authenticity from the 'Broad Gallery', this version 'Divine Comedy' suite from 1960, from an edition of 666, referenced in the official catalogue of 'The Graphic Works of Salvador Dali by Albert Field', published by the 'Salvador Dali Archives 1996'
Salvador Dali (1904-1989), Lithograph Image Size: 9 by 12 in. (22 by 29.5 cm.) All measurements are approximate. Signed (lower right), with Certificate Salvador Domingo Felipe Jacinto Dali I Domenech(1904-1989) Dali is one of the greatest surrealists of our time, best known for his ability to translate dreams into artwork, hand painted dream photographs he called them. He was also a sculptor, filmmaker, writer and insane or just wanted people to believe he was insane. He dedicated his life to proving he was a genius. As a child he was often expelled from school. He was afraid of exposing his feet and had an intense fear of grasshoppers. He resided in Spain. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Salvador Dali (1904-1989), Ceramics Diameter: 9 in. (22.5 cm.) All measurements are approximate. Signed (lower right), A Set of Three Salvador Dali (1904-1989) was a Spanish surrealist painter who is widely regarded as one of the most influential artists of the 20th century. Dali's works often featured bizarre and dreamlike imagery, with a focus on the subconscious mind. He was influenced by Freudian psychology and his own vivid dreams, which he often incorporated into his art. Dali's most famous works include "The Persistence of Memory" (1931), which features melting watches, and "The Hallucinogenic Toreador" (1970), which features a distorted bullfighting scene. In addition to painting, Dali also worked in sculpture, photography, and film. He collaborated with other artists, such as filmmaker Luis Bunuel, and designed sets and costumes for ballets and operas. Today, Dali's works are held in major museum collections around the world, and his legacy as one of the greatest surrealist artists of all time continues to inspire and captivate audiences. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Salvador Dali (1904-1989), Lithograph Image Size: 9 by 12 in. (22 by 29.5 cm.) All measurements are approximate. Signed (lower right), with Certificate Salvador Domingo Felipe Jacinto Dali I Domenech(1904-1989) Dali is one of the greatest surrealists of our time, best known for his ability to translate dreams into artwork, hand painted dream photographs he called them. He was also a sculptor, filmmaker, writer and insane or just wanted people to believe he was insane. He dedicated his life to proving he was a genius. As a child he was often expelled from school. He was afraid of exposing his feet and had an intense fear of grasshoppers. He resided in Spain. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Salvador Dali (1904-1989), Lithograph Image Size: 6 by 6 1/8 in. (15 by 15.5 cm.) All measurements are approximate. Signed (lower right), with Certificate Salvador Domingo Felipe Jacinto Dali I Domenech(1904-1989) Dali is one of the greatest surrealists of our time, best known for his ability to translate dreams into artwork, hand painted dream photographs he called them. He was also a sculptor, filmmaker, writer and insane or just wanted people to believe he was insane. He dedicated his life to proving he was a genius. As a child he was often expelled from school. He was afraid of exposing his feet and had an intense fear of grasshoppers. He resided in Spain. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Descharnes, Robert and Neret Gilles: Dali The Paintings Vol I 1904-1946 Vol II 1946-1989, Printed and bound by Neue Stalling, Oldenburg, hardback with dust jackets, in slip-case, folio, together with Gerard, Max. (ed): Dali, Translated by Eleanor R. Morse, Abradale Press, Harry N. Abrams, Inc., Publishers, New York, 1986, red cloth with embossed dust jacket, 4to and Raeburn, Michael. (ed:) Salvador Dali: The Early Years, South Bank Centre, 1994, 4to. (3)
Salvador Dali (1904-1989) Bronze Venus von Milo mit Schubladen, Gießerei Valsuani, Bronze Venus de Milos with drawers,Bronze, blau patiniert, an Plinthe bezeichnet Salvador Dali, Gießerstempel Valsuani, datiert P 1995. Demart 1973/93, limitierte Auflage C 136/1000, Venus von Milo mit Schubladen, H 39 cm x B 11 cm x T 8,5 cm, Abrieb
Salvador Dali (1904-1989) Prophet Elias mit dem Feuerwagen 1975, Prophet Elijah with the chariot of fire,Farbradierung/Japanpapier, u. rechts handsigniert Dali, limitierte Auflage 159/250, surrealistisches Werk mit Darstellung des Propheten Elias auf seinem Feuerwagen 1975, Passepartout-Ausschnitt H 43,5 cm x B 57,5 cm, Rahmen verglast 72,5 x 87,5 cm
Salvador Dali (1904-1989) Imagination and Objects of the Future - Cyclopean Make-Up,Lithographie/Kaltnadelradierung/Serigraphie/Collage auf Papier, u. rechts in Bleistift signiert Dali, innerhalb des Bildes Monogrammierung und Datierung SDali 1974, limitierte Auflage 3/75 (in röm. Ziffern), Herausgeber Merrill Chase, Chicago / Alan Rich, New York 1975/76, Blattmass H 77 cm x B 55,5 cm, ungerahmt
Salvador Dali (1904-1989) Imagination and Objects of the Future - Intra Uterine Paradesiac Locomotion,Lithographie/Kaltnadelradierung/Serigraphie auf Papier, u. rechts in Bleistift signiert Dali, limitierte Auflage 6/75 (in röm. Ziffern), Herausgeber Merrill Chase, Chicago / Alan Rich, New York 1975/76, Blattmass H 77 cm x B 55,5 cm, ungerahmt
FLIESE "DIE GUITARREN" AUS EINER LIMITIERTEN EDITION VON SALVADOR DALI (1904-1989)polychrom glasiert in Unterglasurbemalung, aufwendige Edition mit gerahmter und auf Karton freigestellt aufgebrachter Fliese mit faksimilierter Signatur Dalis, 362 /387Fliese: 20 x 20 cm, Rahmen 42 x 40 cm.CERAMIC TILE "THE GUITARS" FROM A LIMITED EDITION BY SALVADOR DALI (1904-1989)polychrome glazed in underglaze painting, lavish edition with framed tile freely applied to cardboard with facsimile signature of Dali, 362/387Tile: 20 x 20 cm, frame 42 x 40 cm.
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5599 item(s)/page