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A Continental silver Bronze Age style zoomorphic fibula cloak pin brooch, maker BAS, length 56.5mm, 24.1gBrooch fitting possibly a later addition, general wear to high points, marks slightly rubbed

Batman: DC Omnibus editions a group of three hardback books, first edition graphic novels, includes, BEECHAN (Adam). Batman: The Arkham Saga Omnibus, based on the hot video game Trilogy! published 2018; DIXON (Chuck). Batman: Road to No Mans Land Omnibus, published 2020; and The Joker: The Bronze Age Omnibus, published 2019, each within dust-jackets unclipped, 4to, 19 x 18.5cm. (3) Condition Report: near fine conditions.

LEVITZ (Paul). a group of three first edition hardback books - includes The Golden Age of DC Comics 1938-1956; The Silver Age of DC Comics 1956-1970; The Bronze Age of DC Comics 1970-1984, a reference series exploring the origins of comics most enduring legends and behind-the-scenes stories of the men and women who created them, with original illustrations, photographs, and essays updated by the author, dust-jackets unclipped, cover arts by Bob Kane, Jack Burnley, Carmine Infantino, and others, blue, yellow and green boards decorated and titled in white, published by Taschen, 2013-2015. 4to. (3) Condition Report: light marks to foil dust-jackets, otherwise overall near fine conditions.

DC Comics Omnibus Editions a group of three first edition hardback books, includes, LEE (Stan). Just Imagine: Creating the DC Universe Omnibus, published 2013; KIRBY (Jack). DC Universe: The Bronze Age Omnibus, published 2019; and JOHNS (Geoff). The New 52 Justice League Omnibus, volume 1, published 2021, pictorial dust-jackets unclipped, 4to. (3) Condition Report: near fine conditions.

DC Comics Omnibus Editions a group of four first edition hardback books, published by DC Comics, includes, MORRISON (Grant). The Doom Patrol Omnibus, published 2014; The Animal Man Omnibus, published 2013; KUPPERBERG (Paul). The Doom Patrol: The Bronze Age Omnibus, published 2019; and ROBERSON (Chris). The I Zombie Omnibus, published 2016; each volume with colour comic-strip illustrations throughout, mostly pictorial boards, dust-jackets unclipped, 4to, 19 x 18.5cm. (4) Condition Report: near fine conditions.

DC Comics: Omnibus editions a group of five first edition hardback books, published by DC Comics, includes, ONEIL (Dennis). The Justice League of America: The Bronze Age Omnibus Volume 1, published 2017: CONWAY (Gerry). The Justice League of America: The Bronze Age Omnibus Volume 2, published 2018; FRIEDRICH (Mike). House of Secrets: The Bronze Age Omnibus Volume 1, published 2018; COLLINS (Nancy A.). Swamp Thing Omnibus, published 2020; DEMATTEIS (J.M.). Justice League Dark, The New 52 Omnibus, published 2021, colour comic-strip illustrations throughout, dust-jackets unclipped, publishers boards, 4to, 19 x 18.5cm. (5) Condition Report: near fine conditions.

A Persian bronze vessel in the form of camels, 16cm wideOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.Discoloration and surface wear throughout. Some pin holes and small cracks visible.

A Chinese bronze and gilt recumbent bull, possibly Zhou dynasty or later, the animal with one leg outstretched and head raised with the mouth slightly open, the body with gilt splash decoration, 22cm longOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.Structurally sound, with no apparent damage or repair. Verdigris pigment throughout.

A Sino-Tibetan gilt bronze head of a Buddha, with elongated earlobes, tightly curled hair with domed ushnisha, 15 cm overall width x 21.5cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

An Achaemenid style bronze rhyton, with horse head protome, the rim engraved with islamic script, 29.5cm high x 24cm wideOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

An bronze incense burner, in the Ottoman style, probably 20th century, the ribbed body below a tapering neck surmounted by a cast bird, 17.5cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

A Chinese gilt bronze Tang-style fighting tiger scroll weight set with polished hardstones, with an iron-loaded circular base, together with one similar unloaded example. 7.5 cm diameter x 9 cm overall height.Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

A Khorasan style bronze bird, Persia, possibly 11th/12th century, the bulbous body, with scaled carving to the wings and overlay detailing on bent squat legs, 15cm high, provenance: by repute have been purchased at Bonhams, 6th of April, 2006Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

Bronze decorative plate with foliage and Star of David engraved motif. Dimensions: 0.75"H x 17" dia.Condition: Age related wear.

Oriental - a Chinese bronze incense or offetory bowl, signs of age, bold bat escutcheons with loop handles, each panel chased with pseudo-Oriental temple scenes, tripod legs, one stamped Suisse Fres, retail mark,  19th century

Marvel Comics Ms. Marvel #1, 1977, first appearance of Carol Danvers as Ms. Marvel. Good to Good Plus. Marvel Comics Captain Marvel Silver and Bronze Age comics, various issues from #17 - #55 (not a complete run), includes key issues #17, #25, #29, #32, #34, #39, #46, #48, #50, all generally Fair to Good Plus. Marvel Comics Excalibur (1988) #1 - #15 with key issues #1, #2, #6. Marvel Comics The Hands of Shang-Chi, Master of Kung Fu x five Bronze Age issues, #17, #18, #20, #44, #50 plus modern issue Master of Kung Fu Battleworld #1 - #4, all generally Good to Good Plus. Marvel Comics The Vision and the Scarlet Witch #1 - #12 of a twelve issue limited series, 1985, all generally Good to Good Plus. Marvel Captain Britain #5, November 10, 1976, Good to Good Plus. (qty)

Quantity of Silver and Bronze Age DC Comics The Flash comics x eighty four, various issues from #163 to #350 (not a complete run) including key issues #200, #250, #261, #267, #270, #275, #286, #289, #295, #304, #350. DC Comics 100 page Super Spectacular The Flash Vol. 1. November 1973. All generally Good to Good Plus. (85)

Marvel The Mighty World of Marvel comics x one hundred and sixty four, Bronze Age, 1972, various issues from #1 to #247 (not a complete run), includes issues #1 (The first title published by Marvel UK), #2, #3, The Incredible Hulk and the Planet of the Apes, The Incredible Hulk and Dracula Lives. all generally Good to Good Plus. (164) COLLECTION ONLY FROM VECTIS OFFICES.

DC Comics Reference Books x seventeen including The Silver Age of DC Comics, The Bronze Age of DC Comics, The Golden Age of DC Comics, DC Comics Year by Year, The Ultimate Guide to The Man of Steel, The DC Comics Encyclopedia, The Ultimate Character Guide and other titles, generally Excellent to Near Mint. (17) COLLECTION ONLY FROM VECTIS OFFICES.

Large quantity of bronze age to modern issue DC comics including Crisis on Infinite Earth #1 - #12 (1985), Secret Origins x seventeen includes issues #2 - #4 and #7 - #20 (1986), Deadshot #1 - #4 (1988), Demon #1 - #4 (1987), The Phantom Stranger #1 - #4 (1987), Green Lantern and Green Lantern Corpse (1970) x fifteen, various issues from #77 - #208 (not a complete run) includes key issues #77, #100, #182, #208, The Saga of Swamp Thing and Swamp Thing annuals (1984) x eight includes issues #20, #21, annuals #1 - #6, Aquaman (2003) #1 - #25 (missing #11 and #14), New 52 The Phantom Stranger #3 - #16, The Green Lantern Beware My Power #1 - #12 and #41, The Green Lantern Infinite Frontier #1, also includes a set 10 Green Lantern Corpse Power Rings. all generally Good to Excellent. (qty)

Marvel Comics The Tomb of Dracula #24, Bronze Age, 1974. Marvel Comics Werewolf by Night #21, Bronze Age, 1974. Marvel Comics The Frankenstein Monster #12, Bronze Age, 1974. Marvel Comics The Tomb of Dracula #1 Facsimile Edition. Marvel Comics Creatures on the Loose featuring Man-Wolf x six includes #31, #33 - #37, Bronze Age. Marvel Comics Son of Satan x four includes #2, #4, #12, #17, Bronze Age. Marvel Comics Strange Tales featuring Warlock x three includes #179 - #181, Bronze Age. Marvel Comics The Inhumans #1 - #12, includes key issues #1 and #11, Bronze Age. Marvel Comics The Champions #1 - #17, includes key issues #1, #5, #7, #8, #14, Bronze Age. Marvel Comics Marvel Fanfare #1 - #5. Marvel Comics Conan The Barbarian x four includes #41, #42, #188 and Giant-Size #1 (1974). Marvel Comics Astonishing Tales #25 - #36, includes key issues #25, #26, #27, #29, #33, #36. Marvel Comics Deathlok book #1 - #4 (1990). Marvel Comics Marvel Knights Deathlok The Demolisher #1 - #7 of 7 (2010), Deathlok #1 & #2 (2014). All generally Fair Plus to Excellent. (qty)

Marvel Comics Silver and Bronze Age The Mighty Thor comics x seventy one, with various issues from #146 to #373 (not a complete run), with key issues #146, #193, #214, #226, #228, #229, #235, #239, #240, #243, #245, #272, #274, #277, #282, #288, #290, #293, #373. Marvel Comics The Mighty Thor #1 (2016). Marvel Presents Guardians of the Galaxy #3 - #12, Bronze Age, 1975 - 1977. Guardians of the Galaxy Prelude #1 (2014). All generally Good to Excellent. (qty)

Large quantity of DC Comics Superman comics includes Superman Rebirth #1 - #44, with key issues #1, #6, #10, #14, #15, The Adventures of Superman #567 - #600 and #644 - #649, with key issue #596, also includes annuals #2, #3, #4. DC Comics Superboy #172, Bronze Age, 1971. DC Comics The Daring New Adventures of Supergirl #1, 1982. DC Comics Supergirl Rebirth #1 and Supergirl The Electrifying Issue #18. Also includes Superman Ultimate Collection Sticker Book, unused. All generally Good to Good Plus. (qty) COLLECTION ONLY FROM VECTIS OFFICES.

Quantity of Marvel Comics Fantastic Four comics includes various issues of Bronze Age Fantastic Four from #116 to #299, with key issues #150, #155, #200, #232, #238, #239, #240, #243, #244, #245, #247, #296, Fantastic Four (2013 - 2014) #1 - #16, Fantastic Four(2014 - 2015) #1 - #14, The Fantastic Four 60 years Anniversary Tribute. FF #1 & #2, other issues include The End is Forever part 1 - 4, #587 "Three Conclusion" poly bag edition (sealed). Marvel Comics Marvel Two-in-One annual #4 The Thing and Black Bolt, #6 The Thing and introducing American Eagle, #24 The Thing and Black Goliath, #27 The Thing versus Deathlok, #38 The Thing and Daredevil, #51 The Thing, #54 The Thing and Deathlok (key issue), #59 The Thing and The Human Torch, #68 The Thing and The Angel, #70 The Thing and ..?!, #71 The Thing and Mr. Fantastic (key issue), #74 The Thing and The Puppet Master, #87 The Thing and Ant-Man, #88 The Thing and The She-Hulk. Silver Surfer #1 (2014) and Silver Surfer Rebirth #1 (2022). All generally Good to Good Plus. (qty)

Quantity of Marvel Spider-Man comics including The Superior Foes of Spider-Man #1 - #11, The Superior Spider-Man #1 - #33, includes #1 London Comic Con exclusive variant and annual #1, Superior Spider-Man Team Up #1 - #7. Spider-Man 1st All New Collector's Item Issue. Peter Parker, The Spectacular Spider-Man key issue #120 November 1986. Peter Parker: The Spectacular Spider-Man #1 - #6, #297 - #310 plus annual #1, Web of Spider-Man #1 - #15 and #20 plus annuals #1 - #3, Web of Spider-Man #90 30th anniversary special hologram, #100 foil cover. Bronze Age Marvel Team-Up #31 Spider-Man and Iron Fist, #34 Spider-Man and Valkyrie, Marvel Team-Up Annual #4, The Official Marvel Index to Marvel Team-Up Featuring Spider-Man #1 & #2. Marvel The Spider-Woman #1 1978. All generally Good to Good Plus. (qty)

Quantity of Bronze Age comics including Curtis Planet of the Apes (1974) #1, #3 - #9, Marvel Planet of the Apes (1974) #2, Curtis Savage Tales (1974) #6 and #10, Curtis The Legion of Monsters (1975) #1,Curtis/Marvel Tales of the Zombie (1974) #5 and #7, Curtis Doc Savage (1975) #1 and #3 - #8, Curtis Unknown Worlds of Science Fiction Vol. 1 (1976), issues #2 and #3 (1975), Gold Key The Twilight Zones (1976) issues #57, #72, #73. all generally Good. (qty)

Quantity of DC Justice League of America comics x sixty six, includes various Silver and Bronze Age issues x 39 includes key issues #74, #100, #107, #129, #183, #189, #190, #200, #239, also includes Justice League International Annual #2 1988 and various modern issues x twenty six, All generally Good to Good Plus. (66)

Marvel Comics DareDevil x twenty nine, various issues from #91 - #129 (not a complete run) plus #263, includes key issues #91' #92, #97, #100, #113, #114, #115, #118, #120, #123, #124, #126. Marvel Comics DareDevil #595 3d lenticular variant cover changes to The Uncanny X-Men #135. Marvel Comics DareDevil #1 - #3 (LGY #649, #650, #651) (2022). Marvel Comics West Coast Avengers #1 - #4 in a four issue limited series (1984). Marvel Comics The West Coast Avengers #1 (1985) and #14 (key issue). Marvel Comics Fist of Khonshu Moon Knight #1 - #6 (1985). Marvel Comics Moon Knight #1 - #3 of 4 (1998). Marvel Comics Moon Knight High Strangers parts 1 - 4 (1999). Marvel Comics Moon Knight Special #1 (1992). Selection of mostly Bronze Age Marvel Comics x twelve includes The Defenders #71 & #79, Super Villain Classics Galactus The Origin #1, Doctor Strange #3, Amazing Adventures featuring War of the Worlds #26, Amazing Adventures featuring Killraven #30, Jungle Action featuring The Black Panther #11, What If Elektra Had Lived #35, Ghost Rider #14, The New Mutants #45, Wolverine #1 (1988), Weapon X #72 (1991). All generally Good to Good Plus. (qty)

Large quantity of mostly Bronze Age DC Comics Superman comics x one hundred and fifty two including The Man of Steel, 1986, #1 - #6, #1 special collectors edition, Superman, 1987, including key issues #1, #3, #4, #7, #9, #11, #13, #16, #17, #19, and other various issues, #423 historic last issue, September 1986, The Reign of the Supermen #82 foil cover, #150 November 1999 foil holographic cover, #166 march 01 The Real Truth About Krypton foil cover, 100 Centennial Edition may 1995 The Death of Clark Kent foil holographic cover, Superman vs The Viking from Valhalla, The Fight for the right to be Superman, Anniversary Edition issue 400 October 1984, Warriors of Mars, Trapped in Imp-TV!, and other issues, all generally Good to Good Plus. (152) COLLECTION ONLY FROM VECTIS OFFICES.

DC Comics Worlds Finest comics x thirty eight, Silver to Bronze Age, various issues from #184 to #299 (not a complete run) includes key issues #210, #246, #252. DC Comics The New Teen Titans (1984) x ten, issues #1-#10. DC Comics Kamandi The Last Boy on Earth various issues x thirteen, 1974, Bronze Age, plus seven modern issues. All generally Good to Good Plus. (68)

A quantity of Cypriot pottery vessels, Iron Age and Bronze age, to include a pottery chalice, a base ring ware bowl, black on red ware handled cup, fragments etc/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A Bronze Age socketed and looped axe head, 12.5cm long, 3cm wide/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Bank rolls with the Union Jack; each roll contains 50 bronze penny coins.Reverse side of the penny shows Britannia seated wearing a helmet and holding a trident. Obverse side features the bust of Queen Elizabeth II facing right. 1 roll measures: 3.75in H x 1.25in Dia. 1 penny measures: 1.25in Dia. 1 penny weighs: 10g. Artist: Mary Gillick and Charles W. CoombesIssued: 1967Country of Origin: EnglandCondition: Age related wear.

Bank rolls with the Union Jack; each roll contains 50 bronze penny coins.Reverse side of the penny shows Britannia seated wearing a helmet and holding a trident. Obverse side features the bust of Queen Elizabeth II facing right. 1 roll measures: 3.75in H x 1.25in Dia. 1 penny measures: 1.25in Dia. 1 penny weighs: 10g. Artist: Mary Gillick and Charles W. CoombesIssued: 1967Country of Origin: EnglandCondition: Age related wear.

Ca. 1-100 AD.A terracotta oil lamp, Loeschcke I type, featuring a round body with a recessed discus depicting a beautifully detailed horse facing left. The horse is portrayed in a dynamic gallop pose, with a raised tail and a well-arranged mane, showcasing the masterful skill of the artist. The single beak, flanked by volutes, adds to the lamp's ornamental appeal. The flat underside provides a stable base for the lamp to rest upon. Oil lamps were an essential household item in ancient Rome, used primarily for lighting purposes in the absence of natural light sources. The use of oil lamps dates back to the Bronze Age, with their design evolving over the centuries to include various artistic depictions. The lamps were typically made of clay, and oil was used as fuel, with a wick inserted into the spout or nozzle to provide a flame. For a similar lamp of Loeschcke I type, but with a deer, see The J. Paul Getty Museum, inventory number 83.AQ.377.48. Size: L:100mm / W:70mm ; 65g Provenance: Property of a London Ancient Art gallery, formerly acquired in Monaco.

Ca. 2750-1900 BC.A terracotta idol characterized by its pillar-shaped body and flat flared base. The hands of this figure are positioned along the body, while the face features are highly stylised and showcase oversized pierced eyes and a prominent nose. The head is crowned with a short hat, and the neckline is adorned with an elaborate D-shaped necklace. These pillar idols find their origin within the cultural milieu of the Syro-Hittite civilization, which emerged in the Late Bronze Age. Functionally, Syro-Hittite idols are believed to have served as votive objects or representations of deities within religious rituals. Their distinctive pillar shape, combined with the stylized facial features, suggests their association with worship and divine reverence. For a similar, see The Princeton University Art Museum, Object number 2002-25. Size: L:130mm / W:45mm ; 145g Provenance: Property of a Central London gallery, acquired on the US Art market; Ex. David Hendin collection.

Western Asiatic/Aegan, ca. 1200-700 BC.A finely cast bronze dagger, comprising a triangular-shaped, double-edged blade with raised mid-rib and a flanged, hollowed hilt. The dagger's design is both practical and aesthetic. Bronze weaponry was an essential part of life in the Bronze Age, used for hunting, warfare, and even ritual purposes. A bronze dagger is characterized by its triangular-shaped, double-edged blade with a raised mid-rib and a flanged, hollowed hilt, showcasing the intricate design elements that were both practical and aesthetically pleasing. The dagger's blade, crafted with precision and skill, features a triangular shape that tapers to a sharp point on both edges. This design provided the weapon with optimal piercing and cutting capabilities, making it effective in combat and hunting scenarios. The raised mid-rib along the center of the blade added structural strength and rigidity while maintaining a balanced weight distribution. Bronze weaponry, including this finely cast dagger, held great significance in Bronze Age societies. These weapons were essential tools of daily life, serving various purposes such as hunting, warfare, and even ritualistic practices. Bronze daggers were not only utilitarian objects but also symbols of power and authority. Owning such a finely crafted weapon was a testament to one's status and skill as a warrior or hunter.Size: L:395mm / W:55mm ; 315g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Western Asiatic/Aegan, ca. 1200-700 BC.A bronze dagger with its beautifully-shaped blade tapering to a sharp point and a round-section hilt masterfully crafted with a discoid pommel. A circular crescent guard encloses the upper part of the midrib, overlapping the hilt and enhancing the blade's durability and strength. Bronze weaponry in the Bronze Age of Western Asia was a crucial element of warfare and social status. The mastery of bronze casting and the use of weapons in warfare and hunting was significant factor in the rise and fall of many empires during this period. The Western Asiatic region was renowned for its impressive bronze weapons, which were frequently adorned with intricate designs and motifs, as is exemplified by this magnificent dagger. Size: L:365mm / W:45mm ; 290g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Western Asiatic/Aegan, ca. 1200-700 BC.Fashioned from bronze, this sword features a long blade that elegantly tapers to a sharp point, enabling precise thrusting and cutting actions. Notably, the blade is distinguished by a prominent raised mid rib, which not only enhances the structural integrity of the weapon but also adds visual sophistication to its design. The sword's guard exhibits a distinctive curved shape that overlaps the blade, serving to protect the wielder's hand during combat while contributing to the overall elegance of the weapon. The hilt of the sword is skillfully crafted with a round-section shank, characterized by a pair of ribs. These ribs not only provide a comfortable grip but also enhance the wielder's control and maneuverability during combat situations. The sword is beautifully finished with a crescent pommel, adding a touch of uniqueness and functionality to the weapon. Bronze weapons held immense importance in Bronze Age Western Asia, significantly shaping warfare, hunting practices, and societal dynamics. The advent of bronze weaponry represented a remarkable technological advancement, as bronze provided superior strength, durability, and cutting capabilities compared to earlier materials like stone or copper. Size: L:605mm / W:80mm ; 605g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.

Ca. 1200-900 BC.A cast bronze figurine depicts a slender-bodied bull standing on all fours, with a raised small tail and a long neck supporting a head adorned with impressive, curved horns. The facial features are simplified, creating a sense of elegance and abstraction. Notably, the dewlap of the bull is adorned with a concentric circles design, while horizontal incisions embellish the legs. Bronze animal figurines, like this bull, held significant cultural and symbolic roles in Bronze Age societies. They were not merely decorative objects but were imbued with meaning and function. The bull, in particular, was a prominent and revered animal in various ancient civilizations. It symbolized strength, fertility, and power, often associated with deities and natural forces. These figurines might have been used in ceremonial contexts, placed in sanctuaries, or employed in ritualistic offerings or processions. Size: L:90mm / W:80mm ; 75g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spear features a leaf-shaped blade that tapers to a sharp point, enabling both piercing and cutting actions. A prominent feature of the blade is the raised midrib, which extends the length of the blade and smoothly transitions into a tang, providing structural reinforcement and facilitating the attachment of the spearhead to the shaft. Bronze weapons held immense significance in Bronze Age Western Asia, serving as vital tools for warfare, hunting, and societal practices. The advent of bronze weaponry represented a technological advancement, as bronze offered superior strength, durability, and the ability to retain a sharp edge compared to earlier materials such as stone or copper. Size: L:385mm / W:50mm ; 365g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 600 BC.Openwork bronze sun pendant comprising two concentric circles with raised decorative dots at regular intervals joined by four horizontal bars. The sun is commonly depicted in Bronze Age art and seems to have been a powerful symbol of fertility and the passage of time. However, the sun was not just a natural phenomenon but was often viewed as a god in many Bronze Age societies. Good condition; on modern neck loop. Size: L:67mm / W:55mm ; 27.74g Provenance: Private London collection.

Ca. 2nd millennium BC.A cast bronze cloth pin exhibits a sleek and slender form, tapering to a sharp point at one end, while the opposite terminal is adorned with a head depicting a horned animal with impressive antlers. Bronze pins such as this one held significant functional and symbolic roles in Bronze Age societies. Primarily, they served as fasteners or clasps for securing garments, particularly cloth and textiles. The sharp point of the pin allowed it to be easily inserted through layers of fabric, effectively holding them in place. The opposite end, featuring the intricate representation of a horned animal, not only added visual appeal but also acted as a functional grip, facilitating the manipulation and positioning of the pin. Beyond their utilitarian purpose, bronze pins often held symbolic significance in ancient societies. They were frequently associated with status, wealth, and personal adornment. The presence of decorative elements, such as the representation of an animal with imposing antlers in this particular cloth pin, further emphasizes the symbolic importance of the item. The horned animal motif may have carried cultural or religious meanings, reflecting beliefs or affiliations of the wearer. Size: L:310mm / W:75mm ; 250g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Western Asiatic/Aegan, ca. 1200-700 BC.Crafted from bronze, this sword possesses distinct characteristics, including a long blade that tapers gracefully and a broad, flat middle ridge that adds structural strength and visual elegance to the weapon. The blade and hilt are seamlessly connected through an overlay casting technique, highlighting the ingenuity of the ancient artisans. Of particular interest is the sword's eared pommel with its distinctive crescent shape, contributing to the overall balance of the weapon by acting as a counterweight to the blade. This design feature enhances the sword's maneuverability and control, allowing the wielder to execute swift and precise movements during combat. Bronze weapons played a pivotal role in the societies of Bronze Age Western Asia, revolutionizing warfare, hunting, and cultural practices. The adoption of bronze as the primary material for weaponry marked a significant technological advancement, as it offered superior strength, durability, and cutting capabilities compared to earlier materials such as stone or copper. Size: L:455mm / W:50mm ; 390g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.

Ca. 1200-900 BC.A cast bronze double axe head, characterized by a short cylindrical shaft hole with a collared rim, a flattened top, a vertical crescent-shaped blade with sides that broaden out towards the cutting edge, and a smaller horizontal adze blade to the back. This type of axe head was commonly used as a weapon and a tool for various tasks such as chopping wood, clearing land, and even in hunting and warfare. In Bronze Age societies, the production and use of tools and weapons were highly valued and played a significant role in shaping the social and economic structure of these communities. The ownership and display of such artifacts were a symbol of wealth, power, and status. Size: L:75mm / W:210mm ; 895g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead featuring an elegant and symmetrical design with a double-edged blade that tapers gradually to a point. A pronounced midrib runs through the entire length of the blade, adding depth and dimensionality to its surface. Bronze spearheads played a significant role in the Bronze Age, a period marked by the widespread use of bronze as a key material for tools, weapons, and various artifacts. Bronze spearheads were essential weapons during this era and were instrumental in shaping warfare, hunting, and social dynamics. Size: L:595mm / W:65mm ; 615g Provenance: Private UK collection; From an old London collection formed in the 1990s.

AN YVES SAINT LAURENT MUSE LEATHER HANDBAG In blue/grey leather with gold/bronze tone hardware, cylindrical lock with key, black fabric interior, with brand dust bag Yves Saint Laurent Approximately 46cm Wide x 30cm High Condition: Condition Report Some light scuffing to feet and small marks to base. Some light possible water spots/rain marks(?) in many areas. Light environmental wear to hardware, and one spot of verdigris to the lock. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A SALVATORE FERRAGAMO WOVEN BRONZE LEATHER CLUTCH With optional internal shoulder strap and red leather interior, with brand dust bag Approximately 10cm high x 16cm wide Condition: Condition Report A small area of wear to the leather on the internal rim of the bag where the clasp hits, some dirt to one corner, and some light signs of use. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Bronzefarbener Hoheitsadler mit HK-Emblem, wohl nach altem Vorbild gefertigt und aus späterer Zeit als 1933-1945, am Flügel oben RZM Symbol und Zusatz "Sy23". Bronzefarbenes Metall, H ca. 23 cm. Altersspuren, teils fleckig und berieben| Bronze-coloured sovereign eagle with swastika emblem, probably made after an old model and from later than 1933-1945, on the wing above RZM symbol and addition "Sy23". Bronze-flecked metal, h approx. 23 cm. Signs of age, partly spotted and rubbed.

3 ungarische Bergbauorden im jeweiligen originalen Etui, darunter 2 x "Bronze", 1 x "Silber". Ein Etui goldfarben bedruckt "FSZMP". Alters- und Gebrauchsspuren| 3 Hungarian mining medals in the respective original case, including 2 x "Bronze", 1 x "Silver". A case printed in gold with "FSZMP". Signs of age and use

WONG LEE 1895, paar figürliche Kerzenhalter, Hong-Kong, spätes 20. /frühes 21. Jh., Polychrome staffierte Fayence mit Bronzemontur. H: 28 bzw. 37,5 cm. guter Zustand mit leichten Alters- und Gebrauchsspuren.| WONG LEE 1895, a pair of figurative candlesticks, Hong Kong, late 20th/early 21st century, Polychrome decorated faience with bronze mounts. H: 28 or 37.5 cm. good condition with slight signs of age and wear.

TISCHLAMPE 60er Jahre, Fuß aus Bronze, H: 26 cm. Alters-und Gebrauchsspuren.| TABLE LAMP 60s, bronze base, h: 26 cm. Signs of age and use.

ART DECO-TISCHLAMPE 1930er Jahre, Bronzefuß und stoffbezogener Lampenschirm, H: ca. 65 cm. Normale Altersspuren.| ART DECO TABLE LAMP1930s, bronze base and fabric covered lampshade, h: approx. 65 cm. Normal signs of age.

CASENOVE, PIERRE (1943) "Femme" Vermutlich Bronzeguss vergoldet, massiver Designer Kerzenständer, signiert "Case/Nove/Fondica France", unleserlich datiert, H: 47 cm. Normale Altersspuren. | CASENOVE, PIERRE (1943) "Femme".Probably gilt bronze casting, massive designer candlestick, signed "Case/Nove/Fondica France", illegibly dated, h: 47 cm. Normal signs of age.

BILDHAUER DES XX JAHRHUNDERTS "Eule" Bronze, unleserlicher Stempel auf der Rückseite, H: 31 cm. Normale Altersspuren.| SCULPTOR OF THE XX CENTURY "Owl".Bronze, illegible stamp on the back, h: 31 cm. Normal signs of age.

BILDHAUER DES 20. JAHRHUNDERTS "Eisvogel auf einem Stein sitzend" Bronze/Marmor, unsigniert, HxL: 19/23 cm. Leichte Altersspuren.| SCULPTURER OF THE 20th CENTURY "Kingfisher sitting on a stone".Bronze/marble, unsigned, HxL: 19/23 cm. Slight signs of age.

GLAUER, ERICH (1903-1987) "Flötenspieler" Bronze, brauntonig patiniert, im Guss monogr., auf der Unterseite Künstleretikett, H: 26 cm. Min. Altersspuren.| GLAUER, ERICH (1903-1987) "Flute Player".Bronze, brownish patinated, monogr. in the casting, artist's label on the underside, h: 26 cm. Min. signs of age.

GLAUER, ERICH (1903-1987) "Sankt Martin" Bronze, brauntonig patiniert, im Guss sig., auf der Unterseite Künstleretikett, H: 27 cm. Min. Altersspuren.| GLAUER, ERICH (1903-1987) "Hl. Martin".Bronze, brown-tone patinated, signed in the casting, artist's label on the underside, h: 27 cm. Min. signs of age.

GLAUER, ERICH (1903-1987) "Bergziegen" Bronze, brauntonig patiniert, im Guss sig., auf der Unterseite Künstleretikett, H: 59/20 cm. Min. Altersspuren.| GLAUER, ERICH (1903-1987) "Mountain goats".Bronze, brown-tone patinated, signed in the casting, artist's label on the underside, h: 59/20 cm. Min. signs of age.

BENTELE, HEINZ (1902-1983) "Kreuzabnahme" 1960 Bronze, monogr. und dat., H: 94 cm. Min. Altersspuren.| BENTELE, HEINZ (1902-1983) "Deposition from the Cross" 1960Bronze, monogrammed and dated, h: 94 cm. Min. signs of age.