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A finely crafted bronze figurine of Krishna, depicted in a graceful stance playing the flute. This intricately detailed sculpture captures the divine charm of Krishna with ornate jewelry, flowing garments, and a peacock feather crown. The aged patina enhances its artistic and spiritual appeal, while the dynamic posture reflects traditional Indian craftsmanship. A collectible piece ideal for devotional display or art collections.Issued: 20th centuryDimensions: 11.25"HCondition: Age related wear.

Exquisite bronze sculpture of Nataraja, the dancing form of Lord Shiva, symbolizing the cosmic cycles of creation and destruction. This finely detailed statue features Shiva in a dynamic pose, encircled by a flame aureole, representing the continuous motion of the universe. With one foot raised and the other stepping upon the dwarf Apasmara, symbolizing ignorance, the piece embodies spiritual awakening. The sculpture showcases vibrant green and red patina accents, enhancing the intricate detailing of Shiva's flowing garments and expressive gestures.Dimensions: 15.5"HCountry of Origin: IndiaCondition: Age related wear.

A beautifully detailed bronze and gilt statue of Saraswati, the Hindu goddess of wisdom, music, and arts, depicted playing the veena while seated on a decorative pedestal. The statue features intricate craftsmanship, with finely sculpted ornaments, a radiant halo, and green and red enamel accents. Aged patina and wear consistent with age add to its character. Measures 9.25"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

A finely cast Chinese bronze censer featuring elaborate dragon and foo dog motifs. The censer stands on three legs, each adorned with dragon heads, and has two handles shaped as mythical creatures. The body is decorated with raised relief dragons among clouds, symbolizing power and prosperity. The lid features an openwork design with additional dragon motifs and is topped with a foo dog finial, a guardian figure in Chinese culture. The base bears a mark in Chinese characters, suggesting an association with the Ming Dynasty style, though age and authenticity should be evaluated further.Issued: 20th centuryDimensions: 5.5"HCountry of Origin: ChinaCondition: Age related wear.

A finely detailed bronze sculpture of a dragon turtle, a mythical creature symbolizing strength, prosperity, and protection in Chinese culture. The figure is intricately designed with a dragon's fierce head, a turtle's sturdy shell, and a flowing, scaled tail. The back of the turtle features a vertical sword holder adorned with geometric and floral motifs, making it both a decorative and functional piece. The surface has an aged patina, enhancing its antique appeal.Issued: 20th centuryDimensions: 5"HCondition: Age related wear.

AN 1803 BRITISH SHAKESPEARE SILVER MEDAL, AND 1900 JAPANESE ROYAL WEDDING BRONZE MEDAL Shakespeare seated beside muse, reverse inscribed, 'Presented to subscribers of the National Edition by Boydell & Nicol (publishers), recipient engraved on edge 'William Hunter, Esq', and a Japanese medal with two fans and chrysanthemum arrangement, inscription to reverse, with leather presentation case 48mm and 55mm diameter Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

CHUA BOON KEE (SINGAPORE, B.1953) - 'FU' Bronze with brown patina, with seal, numbered 188 /888 to base, with box 18cm high Condition Information: The work is in excellent condition Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A GROUP OF BURMESE BRONZE BUDDHA STATUES Comprising of two of a similar type seated holding attribute, two others of a similar type and three other examples (7 in total) 16cm to 31.5cm high Condition Information: Some examples show varying degrees of verdigris. Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Professor Otto Poertzel (German, 1876-1963): gilt bronze and carved ivory figure, circa 1920-1930, modelled as a young dutch man seated upon a tree stump spreading to a naturalistically modelled rounded base, with light fitting behind modelled as a tree branch, supporting a circular cream and tasseled shade, signed in the case Poertzel, also bearing foundry mark RVM, including shade overall H43.5cmThis item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report: General wear commensurate with age and use, including some scratches and indentations, and some wear to gilding on figure. Figure missing one ivory hand. Shade worn, with discolouration and some marks. Shade missing top fixing to attach it to base and so is loose.Please note that this lot has not been tested, and we would recommend rewiring/texting prior to use.Ivory Act - Submission reference: F1B76ELT

Emile Hebert (1823-1893): 19th century bronze figure, 'Thetis', modelled as the Greek Goddess of war, seated upon an anvil, one foot raised upon her helmet whilst adjusting her armour, titled and signed to the plinth, overall H49cmCondition Report: General wear commensurate with age, including surface scratches and scuffs, a few deeper scratches and indentations, and wear to patina.Traces of gilding to base.Overall in good condition.

LARGE BRONZE AGE SPIRAL PENDANT CENTRAL EUROPE, C. 900 - 700 B.C. bronze wire, the "spectacle type" fibula formed of two opposing spiralled circular plates joined by a single looped bow, displaying a fine glassy green patination 15.7cm diameter Private collection, United Kingdom, formed 1990s The spiral motif is a prevalent feature of Bronze Age art across Europe, particularly in the Late Bronze Age around 1300-700 B.C. The spiral is believed to have held symbolic meaning, and its presence in various forms of art suggests that it held significance for people during this period. Its importance is widely debated, but it is often associated with notions of cyclical time, movement, and transformation.The significance of the spiral in Bronze Age art may have also been influenced by the materials and techniques used in its production. Bronze Age artisans were skilled in the creation of intricate metalwork, and the spiral may have been seen as a way to showcase their technical abilities. It is also possible that the spiral was used as a decorative element to enhance the beauty and value of objects, such as jewellery and weapons.

NORDIC STONE BATTLE AXE SCANDINAVIA, NEOLITHIC PERIOD, C. 3RD MILLENNIUM B.C. carved stone, dual cutting edges featuring an elegant tapering form, with an off-centre circular perforation, the surface is smoothly finished with refined contours that emphasise its balanced proportions, raised on a bespoke mount 16.5cm long Private collection, Belgium The most significant weapons of Early Bronze Age Europe were not forged from metal but shaped from stone. These remarkable artefacts, in use for over a millennium, were wielded by peoples across a vast expanse from the Baltic to the Atlantic. Far more than mere tools, they were symbols of power, prestige, and cultural identity, their forms and craftsmanship attesting to the sophistication of their creators.They are most closely associated with the archaeological Corded Ware Culture, a society distinguished by its distinctive cord-impressed pottery, which flourished across much of northern and central Europe. Skilled farmers, traders, and warriors, the people of this culture left behind burial sites rich with evidence of complex social structures and belief systems. Among the first to adopt and spread the use of copper and bronze, the Corded Ware people marked a pivotal shift in European metallurgy. Yet, it is the stone battle axes that stand out as some of their most diagnostic objects.Diametrically aligned around a central perforation, these axe-hammers are finely sculpted, with intricate chiselled details that reveal an aesthetic intent behind their design. Among the most striking are the "boat-shaped" models, their sleek profiles reminiscent of Native American canoes (see lot 80), which are characteristic of the late Neolithic period.André Grisse argued these objects were crafted with geometric precision, based on metric standards. He observed: "These artefacts convey a spiritual and ideological message. Their forms, shaped by geometric and mathematical principles, reflect cultural connections across Europe from the late 6th millennium to the mid-3rd millennium B.C. They bore invisible geometric traces, suggesting their creators' advanced understanding of design and symbolism. Those who carried these objects were likely not just warriors but also scholars or astronomers, connected to earthworks."While their imposing forms may suggest a martial purpose, many clues point also to a ceremonial role. Though nothing can be said with absolute certainty about their use, the limited effectiveness of these axes as cutting tools combined with the significant effort required to produce them makes their function as everyday implements unlikely (though there is debate in this respect). Instead, their depiction on funerary stelae alongside warriors, coupled with the exceptional care in their craftsmanship, suggests they symbolised social status. Some examples may even have been influenced by the earliest copper axes emerging in southeastern Europe during the 5th millennium B.C., reinforcing their symbolic significance.So integral were these artefacts to local cultures that miniature versions were created, possibly for personal adornment or ritual use. In southern Sweden, such miniatures have been found in wetland deposits, likely offered as gifts to the watery realm, while in northern Germany, they appear in mortuary contexts linked to cremation practices. Interestingly, while full-sized battle axes are typically associated with male burials, smaller examples are found in contexts involving women and children, suggesting they may have held talismanic properties. Some miniatures display pounding wear on their edges, unseen on full-sized axes, hinting at their use as mortars, perhaps for grinding materials for rituals. These miniatures might even be precursors to Thor’s hammer pendants of the Viking Age.Though we must be cautious when drawing direct connections, there is a further intriguing link between these ancient stone battle axes and the mythological world of the Viking Age, particularly through language. The people of the Corded Ware Culture are believed to have spoken an early form of the Indo-European language family. The Old Norse word hamarr, which describes Thor’s hammer, carries a dual meaning, both "hammer" and "rock." It's Indo-European roots, signifying "pointed," "sharp," and "stone," connect Thor’s weapon to the same qualities embodied by the stone axes wielded by the Corded Ware peoples. This linguistic link suggests that the hammer, much like the stone axes, was seen not just as a tool, but as an object imbued with power and symbolism deeply tied to the natural and metaphysical world.These stone axes appear to have been passed down through generations, with the evidence shown in their wear patterns and reworked edges, indicating prolonged use and careful maintenance. Some axes show signs of resharpening or re-polishing, suggesting they were prized possessions, preserved and adapted for continued use. Their deposition in high-status burials hints at their role as cherished heirlooms, interred at significant moments - possibly the death of the final owner. Others were placed in liminal spaces, such as riverbanks, bogs, or hilltops, indicating they were offerings to mark transitions or connections between realms both physical and spiritual. In later centuries and millennia, the discovery of these stone battle axes often occurred during ploughing, particularly following storms, when the soil was disturbed and these ancient artefacts emerged. Their striking forms, coupled with this timing, led to their association with "thunderstones", a folkloric belief that such objects were remnants of thunderbolts hurled by gods or supernatural beings. In many European traditions, these axes were thought to possess protective or magical properties, guarding homes from lightning, evil spirits, or even the mischief of trolls and fairies.Originally symbols of power, these axes took on new meaning when they were rediscovered in fields, riverbanks, and other liminal spaces. This connection to celestial or magical power deepened their mystique, transforming them from simple tools into sacred relics. In this way, and in a manner that continues to resonate today, objects such as these have seen many lives, first as weapons, then as relics of forgotten pasts, and now as artefacts that continue to captivate and intrigue, bridging the ancient and the modern.Axelsson, B. & Christensen, P.G.R. (eds.) (2004) The Corded Ware Culture in the Neolithic of Europe: A Social and Economic Approach.Beauvarlet, M. (2000) La Hache de Pierre à Travers le Monde. Paris: Editions Errance.Garrow, D. and Wilkin, N. (2022) The World of Stonehenge. London: British Museum Press.  

NEOLITIHC STONE "BOAT" AXE NORTHERN EUROPE, LIKELY SWEDEN, NEOLITHIC PERIOD, C. 3RD MILLENNIUM B.C. carved stone, with a sleek, elongated form tapering towards dual rounded cutting edges, a gently curved profile reminiscent of a boat with a central perforation, subtly recessed interior, the surface is smoothly finished with refined contours highlighting its symmetry, raised on a bespoke mount, centre marked ‘cc/70472’ 18cm long Private collection, BelgiumPublished:Beauvarlet, M. (2000) La Hache de Pierre à Travers le Monde. Paris: Editions Errance, p. 113 The most significant weapons of Early Bronze Age Europe were not forged from metal but shaped from stone. These remarkable artefacts, in use for over a millennium, were wielded by peoples across a vast expanse from the Baltic to the Atlantic. Far more than mere tools, they were symbols of power, prestige, and cultural identity, their forms and craftsmanship attesting to the sophistication of their creators.They are most closely associated with the archaeological Corded Ware Culture, a society distinguished by its distinctive cord-impressed pottery, which flourished across much of northern and central Europe. Skilled farmers, traders, and warriors, the people of this culture left behind burial sites rich with evidence of complex social structures and belief systems. Among the first to adopt and spread the use of copper and bronze, the Corded Ware people marked a pivotal shift in European metallurgy. Yet, it is the stone battle axes that stand out as some of their most diagnostic objects.Diametrically aligned around a central perforation, these axe-hammers are finely sculpted, with intricate chiselled details that reveal an aesthetic intent behind their design. Among the most striking are the "boat-shaped" models, their sleek profiles reminiscent of Native American canoes (see lot 80), which are characteristic of the late Neolithic period.André Grisse argued these objects were crafted with geometric precision, based on metric standards. He observed: "These artefacts convey a spiritual and ideological message. Their forms, shaped by geometric and mathematical principles, reflect cultural connections across Europe from the late 6th millennium to the mid-3rd millennium B.C. They bore invisible geometric traces, suggesting their creators' advanced understanding of design and symbolism. Those who carried these objects were likely not just warriors but also scholars or astronomers, connected to earthworks."While their imposing forms may suggest a martial purpose, many clues point also to a ceremonial role. Though nothing can be said with absolute certainty about their use, the limited effectiveness of these axes as cutting tools combined with the significant effort required to produce them makes their function as everyday implements unlikely (though there is debate in this respect). Instead, their depiction on funerary stelae alongside warriors, coupled with the exceptional care in their craftsmanship, suggests they symbolised social status. Some examples may even have been influenced by the earliest copper axes emerging in southeastern Europe during the 5th millennium B.C., reinforcing their symbolic significance.So integral were these artefacts to local cultures that miniature versions were created, possibly for personal adornment or ritual use. In southern Sweden, such miniatures have been found in wetland deposits, likely offered as gifts to the watery realm, while in northern Germany, they appear in mortuary contexts linked to cremation practices. Interestingly, while full-sized battle axes are typically associated with male burials, smaller examples are found in contexts involving women and children, suggesting they may have held talismanic properties. Some miniatures display pounding wear on their edges, unseen on full-sized axes, hinting at their use as mortars, perhaps for grinding materials for rituals. These miniatures might even be precursors to Thor’s hammer pendants of the Viking Age.Though we must be cautious when drawing direct connections, there is a further intriguing link between these ancient stone battle axes and the mythological world of the Viking Age, particularly through language. The people of the Corded Ware Culture are believed to have spoken an early form of the Indo-European language family. The Old Norse word hamarr, which describes Thor’s hammer, carries a dual meaning, both "hammer" and "rock." It's Indo-European roots, signifying "pointed," "sharp," and "stone," connect Thor’s weapon to the same qualities embodied by the stone axes wielded by the Corded Ware peoples. This linguistic link suggests that the hammer, much like the stone axes, was seen not just as a tool, but as an object imbued with power and symbolism deeply tied to the natural and metaphysical world.These stone axes appear to have been passed down through generations, with the evidence shown in their wear patterns and reworked edges, indicating prolonged use and careful maintenance. Some axes show signs of resharpening or re-polishing, suggesting they were prized possessions, preserved and adapted for continued use. Their deposition in high-status burials hints at their role as cherished heirlooms, interred at significant moments - possibly the death of the final owner. Others were placed in liminal spaces, such as riverbanks, bogs, or hilltops, indicating they were offerings to mark transitions or connections between realms both physical and spiritual. In later centuries and millennia, the discovery of these stone battle axes often occurred during ploughing, particularly following storms, when the soil was disturbed and these ancient artefacts emerged. Their striking forms, coupled with this timing, led to their association with "thunderstones", a folkloric belief that such objects were remnants of thunderbolts hurled by gods or supernatural beings. In many European traditions, these axes were thought to possess protective or magical properties, guarding homes from lightning, evil spirits, or even the mischief of trolls and fairies.Originally symbols of power, these axes took on new meaning when they were rediscovered in fields, riverbanks, and other liminal spaces. This connection to celestial or magical power deepened their mystique, transforming them from simple tools into sacred relics. In this way, and in a manner that continues to resonate today, objects such as these have seen many lives, first as weapons, then as relics of forgotten pasts, and now as artefacts that continue to captivate and intrigue, bridging the ancient and the modern.Axelsson, B. & Christensen, P.G.R. (eds.) (2004) The Corded Ware Culture in the Neolithic of Europe: A Social and Economic Approach.Beauvarlet, M. (2000) La Hache de Pierre à Travers le Monde. Paris: Editions Errance.Garrow, D. and Wilkin, N. (2022) The World of Stonehenge. London: British Museum Press.  

NEOLITIHIC FLINT DAGGER TYPE I. SOUTHERN SCANDINAVIA, C. 2350 B.C. knapped light grey flint, of lanceolate form, tapering to a point, raised on a bepsoke mount 22.8cm long Private collection, DenmarkSubsequently part of a Belgian collection Type I flint daggers, characterised by their lanceolate shape, mark the transition from the Stone Age to the Bronze Age in Denmark around 2350 BC. These daggers were influenced by metal dagger designs from cultures such as the Unetice and Bell Beaker groups of Central Europe. 

1937 Rudge UlsterRegistration number BBM 190Frame number 53706Engine number U 2007Genuine bronze head modelPurchased in 2017Running well when started in 2024Will need re-commissioningAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, MOT's from 2011 and 2012, plus various notes detailing the work that has been done This lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE PRINCE OF GOALKEEPERS (JOHN THOMSON OF CELTIC F.C.), CIRCA 1968 bronzed resin 101cm wide Note 1: A bronze of this sculpture is in the collection of Celtic F.C. Note 2: Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997. Note 3: John Thomson, The Prince of Goalkeepers, is one of the most important figures in the history of Celtic Football Club. Having signed for the team in 1926 at the age of 17, his natural athleticism and brave spirit ensured he would become a mainstay between the sticks. He helped the team to two Scottish Cups and three Glasgow Cups. He would also represent the national side and national select XI four times apiece. Thomson's name will forever be associated with the tragedy that befell him during an Old Firm clash on the 5th September 1931. The match was played at Ibrox in front of 80,000 fans. Early in the 2nd half, Thomson collided with Rangers player Sam English, whilst both going for the ball. Most people assumed the goalkeeper badly injured as he was stretchered off, Chic Geatons taking his place in goal. Upon being transported to the Victoria Infirmary, Thomson would soon be pronounced dead. The death of a young goalkeeper in his prime shocked the footballing world. Beyond that, the tragic loss of a young man's life, only 22 years of age and recently engaged, still stands as amongst the most profound moments in sporting history. 40,000 people attended the funeral in his home town of Cardenden, including thousands who travelled from Glasgow, many walking the 55 miles to the Fife village.

A group of four Indian bronze and other metal figures of Parvati, Parasnath and others tallest measures at 45 cm heightseated figure general wear and rubbing to extremeties, some red paint splashes in places, dents to the base, partial crack to the base but stable, minor hole under the right knee standing female figure various white paint splashes, tarnish to the metal consistent with age, oxidisation and rubbing to the extremities tallest figure various areas of oxidisation to the back and base, very rubbed in places, has been made in sections and crudely assembled, base heavily knocked, where to the back between the legs other figure some knocks to base and rubbing to extremeties, oxidisation to the rear of the base

* Bronze Age. A bronze axe head, circa 1000-800 B.C., oval hollow aperture and flared head, a rich green patina throughout, 5.5 cm long QTY: (1)

* Silver Cup. An Edwardian "Vapheio" silver cup, copied from the Ancient Greek Vapheio by George Nathan and Ridley Hayes and Ridley Hayes, Chester 1910, cast with the depiction of taming wild bulls, rim and handle are misshapen, 7 cm high x 9 cm diameter, 317g QTY: (1)NOTE:Copied from the bronze age gold Vapheio cups found in the beehive tomb at the ancient site of Vapheio in Greece. The site is believed to a Mycenian-Minoan collaboration but this is subject to much speculation amongst archaeologists.

A striking collection of four Hindu deity busts, each crafted from metal and ceramic, showcasing distinct artistic interpretations. This set features a bronze-tone bust wall hanging with finely detailed facial features and traditional curled hair (6"H), a patinated ceramic bust with an aged turquoise finish (9"H) and intricate carvings, a gold-hued deity face mounted on a black display stand (10"H) with a serene expression, and a dark metal bust wall hanging adorned with an elaborate headdress (7.5"), likely inspired by traditional Tibetan or Nepalese designs. Each piece embodies spiritual elegance and masterful craftsmanship, making this collection a captivating addition to any display of religious or cultural art.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

[HITLER ADOLF]: (1889-1945) Fuhrer of the Third Reich 1933-45 & [MEISSNER OTTO] (1880-1953) German civil servant, head of the Office of the President of Germany 1920-45. D.S. in facsimile by both Hitler and Meissner, one page, 4to, Berlin, 21st May 1939, in German. The partially printed document, completed in typescript, awards the bronze medal of Ehrenkreuzes der Deutschen Mutter (German Mother´s Cross of Honour) to Gertrud Giese, with the maiden name Juert, from Eberswalde. The printed facsimile signatures of Hitler and Meissner appear at the foot of the document alongside a circular blind embossed seal featuring the Nazi eagle and swastika. Two file holes to the left edge and with some light creasing and minor age wear, G

MACEO Y GRAJALES JOSE ANTONIO: (1845-1896) Guerrilla iconic Leader and second-in-command of the Cuban army of independence. Cubans nicknamed Maceo ''The Bronze Titan'' because of his multiple wounds in battle, while Spanish nicknamed him ''The elder Lion''. Maceo was killed near Punta Brava by Spanish forces after being betrayed by the physician of his headquarters. Rare D.S., `Jose Maceo´, one page, folio, Head Quarters of El Perico, 14th March 1896, in Spanish. The present letter was signed by Maceo six months before being killed. The partially printed document bears a printed coat of arms to the upper left corner and is the appointment of vice-Lieutenant Miguel Fernandez as Lieutenant, and signed by Mateo y Grajales in his capacity as General Major of the Liberation Army of Cuba. Overall important age wear, creasing and staining, with few holes and small tears to edges. Large repairs to the verso. P

A late 19th century Japanese bronze and mixed metal figure of a Samurai holding a fan, 5 3/4" high, on lacquered hardwood standCondition:Handle of the longer sword appears to have been off once before.Other minor wear commensurate with age.

A Chinese cloisonne censer of squat ovoid form, decorated with enamelled lotus flowers within a scrolling foliate ground, the handles cast in bronze as dragons with forked tails, inset mark to the underside, 9 3/4" dia x 6" high to top of handleCondition:One dragon on one side is slightly loose.Small losses and chips to enamelled decoration commensurate with age.

λ SIR JACOB EPSTEIN (AMERICAN /BRITISH 1880-1959) EIGHTH PORTRAIT OF PEGGY JEAN Bronze with gold patina Height (excluding base): 26.5cm (10¼in.) Conceived in 1921. Literature: A. Haskell, The Sculptor Speaks, Jacob Epstein to Arnold Haskell, A Series of Conversations on Art, 1931, p.179 R. D. Black, The Art of Jacob Epstein, New York and Cleveland, 1942, p. 233, no. 90 R. Buckle, Jacob Epstein Sculptor, London, 1963, p.425 Evelyn Silber, The Sculpture of Epstein, with a complete catalogue, Oxford, 1986, p.148, no. 118 (illustration of another cast) Peggy Jean, Epstein's daughter, is shown in the present lot at the age of 2 years and 4 months with curly hair. This 'eighth portrait' was part of a series of works that the artist made of his daughter over a number of years.

The rare Great War S.G.M. group of six awarded to Canon R. J. P. Peyton-Burbery, Chaplain, Royal Navy, for his gallantry in saving life at sea off Bermuda Sea Gallantry Medal, bronze, G.V.R. (Rev. Robert J. P. Peyton-Burbery, “Pollokshields” 8th September 1915); 1914-15 Star (Chapn. R. J. P. Peyton-Burbery, M.A., R.N.); British War and Victory Medals (Chapn. R. J. P. Peyton-Burbery. R.N.); Defence and War Medals 1939-45, mounted as worn, together with his black silk stole richly embroidered with the badges of a Naval Chaplain, very fine and better (6) £1,400-£1,800 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Dix Noonan Webb, September 1999. S.G.M. presented 25 November 1916: Rev. Robert J. P. Peyton-Burbery, M.A., Chaplain, R.N., H.M.S. Suffolk: ‘On the 7 September 1915, the S.S. Pollockshields (of Sunderland) stranded on the reefs at Bermuda and during the night the vessel broke in two. On the following day a whaler manned by local fishermen was launched and managed to secure a line to the wreck. The boat then veered astern just clear of the surf and Mr. Peyton-Burbery swam over to her from the beach with a line. As it was impossible to take the boat alongside the wreck, the shipboard men were hauled through the water into the boat by means of a buoy with endless line attached, and the boat was then hauled towards the shore and the men were assisted ashore through the surf.’ (BT 261/6, refers). Robert Jackson Peyton Peyton-Burbery was born on 27 October 1881 and was educated at Christ’s College, Cambridge, gaining a B.A. in Special Theology. Ordained as a Priest in 1908 by the Bishop of Winchester, he was appointed a Chaplain, R.N. in June 1909. He subsequently served as sea as Chaplain to H.M. Ships Achilles, 1909-10; Charybdis, 1910; Astraea, 1910-12; Euryalus, 1912; Russell, 1912-13; Suffolk, 1913-16, and Crescent, 1916-19. On retiring from the Royal Navy, he was Rector of St Mary’s, March, until 1968, and Rural Dean of March from 1937 until 1968, when he became Canon Emeritus of Ely, Cambridgeshire. Peyton-Burbery volunteered for service again in the Second World War and served as an Assistant Chaplain of the Fleet in 1939-41. At the Royal Military School at Thurlestone in 1944, when he was 63, it was said that in spite of his age he was still playing rugby and hockey, and that few cadets could beat him at rope-climbing. He lived for some years in retirement in Hampshire, and until his death in 1977 he was believed to be the oldest living clergyman who had been a naval chaplain.

A 19th century or earlier cast bronze figure of Jizo Bosatsu, shown with bald head, closed eyes and wearing oversized robe, with panel to the reverse with vertical lines of script, height 26.5cm.Condition Report: Clearly has some age, may have had a stand, missing his hands, obvious signs of wear to the back with small holes through the casting.

§ § Salvador Dali (Spanish, 1904-1989) Le Cabinet Anthropomorphique, 1973sterling silversigned, inscribed "Sterling" with the edition number 128/330-A on left side of drawers, cast by Foneria Mibrosa, Barcelona, with the foundry mark on drawers verso11.5cm high, 23cm long Published: Passoni, Morse and Field, Dalí, Milan, 1986, page 79 (bronze cast illustrated); Levi, The Dalí Universe, London, 2000, pages 80-81 (larger bronze cast illustrated); Descharnes, Dalí, The Hard and the Soft, Spells for the Magic of Form, Sculptures & Objects, Azay-le-Rideau, 2004, page 266, number 683 (bronze cast illustrated); Lechien, Dalí, Dalí! ou l'éclosion apothéosique d'un sculpteur, Brussels, 2004, pages 70 and 99 (larger bronze cast illustrated).Dalí's (1904-1989) Le Cabinet Anthropomorphique revisits his celebrated Venus de Milo with Drawers, plaster, 1936, for which he appropriated the form of the famous classical Greek marble now in the Musée du Louvre, Paris. The Art Institute of Chicago, which holds the Dalí plaster sculpture, notes, "Among Dalí's many memorable works, perhaps none is more deeply embedded in the popular imagination than Venus de Milo with Drawers, a half-size plaster reproduction of the famous marble statue (130 / 120 BC), altered with pompon-decorated drawers in the figure's forehead, breasts, stomach, abdomen and left knee. The combination of cool painted plaster and silky mink tufts illustrates the Surrealist interest in uniting different elements to spark a new reality. For the Surrealists, the best means of provoking this revolution of consciousness was a special kind of sculpture that, as Dalí explained in a 1931 essay, was 'absolutely useless . . . and created wholly for the purpose of materializing in a fetishistic way, with maximum tangible reality, ideas and fantasies of a delirious character.' Dalí's essay, which drew upon the ideas of Marcel Duchamp's readymades, inaugurated object making as an integral part of Surrealist activities.Influenced by the work of Sigmund Freud, Dalí envisioned the idea of a cabinet transformed into a female figure, which he called an 'anthropomorphic cabinet.' Venus de Milo with Drawers is the culmination of his explorations into the deep, psychological mysteries of sexual desire, which are symbolized in the figure of the ancient goddess of love."Dalí also made an oil on wood painting of the subject, Anthropomorphic Chest of Drawers, 1936, now in a private collection, Germany, and a lithograph, Drawers of Memory, 1965. Very good condition with no faults noted, nice bright colour to the silver, on a marble plinth which has some light scuffing which is essentially in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Salvador Dali (Spanish, 1904-1989) Métamorphose topologique de la Venus de Milo traversée par des tiroirsbronzeinscribed Dali, numbered 156/350 and impressed with the Airaindor foundry mark20cm high, 11cm wide LiteratureR. & N. Descharnes, DALI, Scultpures and Objects: The Hard and the Soft, Eccart 2004, p. 266, no. 683, illustration of another castNotesConceived in plaster in 1973 and cast in bronze in 1982 in an edition of 330. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A CHANEL TURQUOISE AND FAUX PEARL BROOCH Featuring a central raw turquoise cabochon, encased in an antiqued bronze metal setting, surrounded by oversized faux pearls, each adorned with bezel-set strass accents, finished with a backplate and pin closure From 1997 Fall/Winter collection Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Handmade Thai bronze Buddha statue measuring 10.5"H, featuring an intricate seated Buddha figure in a traditional meditation pose atop an ornately decorated pedestal. The statue showcases a dual-tone finish, with polished golden highlights on the face, right arm, and left hand, while the rest of the body is adorned with detailed patterns. The base is richly ornamented with floral and geometric motifs, with a small plaque on the back reading "Hand Made in Thailand." The hollow underside reveals its handcrafted nature. A fine addition for collectors of Southeast Asian art and Buddhist iconography. Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

A 19th-century French bronze inkwell stand featuring bas-relief arabesque motifs. This elegant piece includes a square base with intricate patterns, two handles, and four ornate feet. The central spherical inkwell has a hinged lid topped with an elephant finial, showcasing exquisite craftsmanship. Issued: 19th centuryDimensions: 11.25"LCondition: Age related wear.

Antique marble and bronze inkwell desk set featuring a central bronze bust of Friedrich Schiller, the renowned German poet, philosopher, and playwright. The inkwell set is crafted from richly veined marble, with two covered inkwells symmetrically placed on either side of the bust. The finely cast bronze bust is mounted on a plinth inscribed with SCHILLER. This elegant and functional writing desk accessory exemplifies early 20th-century craftsmanship, making it a distinguished collector’s item or statement piece for any office or library. Issued: 20th centuryDimensions: 11"LCondition: Age related wear. Minor chips on left inkwell and one small chip on base, same side.

This Art Deco bronze figurine, crafted in the style of Demetre Chiparus, depicts a graceful "Chain Dancer" adorned with a chain accessory extending between her outstretched arms. The sculpture captures the elegance and dynamism typical of the Art Deco period, showcasing detailed facial features, an intricately designed headpiece, and a pleated skirt. Standing at 20.25"H, the figurine is mounted on a tiered circular base that complements the dancer’s poised stance. This striking piece is ideal for collectors and admirers of early 20th-century decorative arts. Dimensions: See DescriptionCondition: Age related wear. As is, as found. There is a fine stress line at the base due to age-related movement, consistent with the piece’s age and use.

Stunning bronze sculpture in the style of Demetre Chiparus (Romanian, 1886-1947), depicting an elegant Art Deco dancer in a dramatic pose. Inspired by Chiparus famous sculptures, this figure showcases intricate detailing with a textured bodice, ornate jewelry, and an exaggerated geometric skirt. The dancer’s expressive posture and graceful movement reflect the glamour and sophistication of the Art Deco era. The sculpture is signed "D.H. Chiparus", though it is likely a later reproduction. Mounted on a tiered square base, this striking decorative piece captures the essence of early 20th-century artistic refinement. Artist: Demetre Chiparus (Romanian, 1886-1947)Issued: 20th centuryDimensions: 19"H x 18"LCondition: Age related wear.

Finely crafted bronze sculpture depicting a Labrador Retriever in a seated position, showcasing remarkable lifelike detail. The dog is portrayed attentively, with expressive facial features and meticulously sculpted fur texture. Resting on a sculpted base designed to resemble a rug, this piece captures the noble and loyal character of the breed. A striking decorative piece for dog enthusiasts and collectors of animal-themed sculptures. Dimensions: 8.5"HCondition: Age related wear.

A striking Balinese-style bust sculpture cast in bronze, featuring an intricately detailed headdress with floral and scrolling motifs. The serene face, adorned with elongated earlobes and delicate features, reflects the traditional craftsmanship and artistic influences of Southeast Asian sculpture. The sculpture is mounted on a matching bronze square base with a supporting rod, elevating the piece for an elegant display. The dark patina enhances the ornate detailing, giving the bust an aged, timeless appeal. Issued: 21st centuryDimensions: 16"HCondition: Age related wear.

A bronze erotic sculpture marked AB 1876, depicting a reclining male figure embracing a large phallic form. This intricately cast piece exhibits fine detailing, with expressive facial features and textured hair, characteristic of late 19th-century European craftsmanship. The bronze patina has aged gracefully, enhancing the depth and contrast of the sculpted form. The base is lined with green felt for stability and protection. An intriguing and rare example of historical erotic art, this sculpture reflects the symbolic and artistic themes explored in certain periods of European sculptural traditions. Artist: A.B. Issued: 1876Dimensions: 3.75"HCondition: Age related wear.

This bronze sculpture depicts a classical warrior, adorned in detailed armor with a plumed helmet, a shield slung over his back, and a sword held in his right hand. The figure stands in a dynamic pose on a tiered square base, exuding a sense of readiness and strength. The craftsmanship showcases intricate detailing on the armor and facial features, highlighting the artisan's skill. The underside of the base has a label indicating it was made in Thailand. Issued: 20th centuryDimensions: 15"HCountry of Origin: Thailand Condition: Age related wear.

19th Century Afghan Pesh Kabz/Choora Dagger with Intricate ScabbardThis remarkable 19th-century Afghan Pesh Kabz, also known as a Choora dagger, embodies the exquisite craftsmanship characteristic of the period and region. The dagger features a handle possibly made from bone or horn, adorned with intricate designs that enhance its historical allure. The slightly curved blade, measuring 8 inches in length, shows subtle signs of age and use, further contributing to its authenticity and charm. The metal scabbard, likely crafted from brass or bronze, boasts elaborate geometric and floral patterns, reflective of traditional Afghan artistry. Measuring 12.5 inches in total length when sheathed, this piece is both impressive and notable for collectors and enthusiasts of historical weaponry. This dagger is not only a functional weapon but also a beautiful artefact representative of 19th-century Afghan culture.

**Amazing Adventures #15, CGC 7.0, November 1972**A CGC-graded comic book, *Amazing Adventures #15*, published by Marvel Comics Group in November 1972. Featuring “The Beast” in the story “The Coming of... the Griffin!”, the cover displays vibrant colours and dynamic characters against an urban backdrop. The comic is graded 7.0 by CGC (Fine/Very Fine) with "Off-White to White Pages". Encased in a protective, transparent CGC slab with a blue universal label (unrestored), it bears certification number 2137586021. The front cover retains its original 20¢ price. A notable collector’s item from Marvel’s Bronze Age.

Collection of 20th-Century Middle Eastern CoinsA diverse collection of coins, likely of Persian or Middle Eastern origin, featuring distinct motifs such as a lion with a sword and sunburst, heart symbols encircled by wreaths, and varying numerical denominations. The set includes silver-coloured, gold-toned, and bronze coins, with visible inscriptions in Persian script. Notable pieces include a large 1969 coin with the lion and crown emblem associated with pre-1979 Iranian coinage, coins marked with "10 ????," smaller denominations featuring the numeral "1," and heart motifs, possibly representing symbolic or commemorative themes. Coins range from approximately 15mm to 30mm in diameter, with visible age-related wear and patination. Likely minted during the mid to late 20th century, this collection exemplifies regional historical and numismatic significance.

**Collection of Vintage Military Uniform Buttons** A grouping of 40-50 vintage military uniform buttons in varied sizes, materials, and finishes, likely dating from the late 19th to mid-20th century. The buttons are primarily composed of metal, including polished brass, gold-tone, silver-tone, bronze, and black finishes, with several exhibiting patina from age. Designs include royal crests, crowns, regimental insignias, and heraldic symbols, with text such as "ROYAL ENGINEERS" or "ROYAL ARMY SERVICE CORPS" found on some pieces. Notable motifs feature cannons, wreaths, lions, and intertwined monograms (e.g., "VR," "GR," "ER"). Buttons include both small examples, around 1 cm in diameter for cuffs, and larger ones, approximately 3-4 cm, likely used on coats or jackets. Distinguishing pieces highlight specific military branches or regions, such as an "AUSTRALIAN MILITARY FORCES" button with a crowned map of Australia, and a "ROYAL INDIAN ARMY SERVICE CORPS" button, featuring a crown and cipher. Attachment mechanisms, where visible, include loops or shanks for uniform application. Evidence of makers’ marks or additional details may be present on reverse sides, enhancing historical documentation for collectors and historians.

Asian Lacquered Metal Vase with Mother of Pearl Inlays, 23cm in HeightThis elegant Asian lacquered metal vase stands at a height of 23 cm and is distinguished by its intricate decoration featuring mother of pearl inlays. The inlays depict birds and blossoming branches, showcasing detailed craftsmanship. The vase's smooth, black lacquered surface complements its classic shape and flared opening, providing a sophisticated contrast to the shimmering inlays. The base of the vase is metallic, likely brass or bronze, indicative of its age and historical use. This piece represents a blend of artistry and decorative function, illustrating traditional techniques and motifs.

Collection of British and World CoinsThis is a mixed collection of coins, predominantly British, spanning the mid- to late-20th century, with a notable pair of commemorative Jersey coins dated 1945 marking the island's liberation during World War II. **Key Features:**- **British Coins:** Multiple coins featuring British monarchs, including Queen Elizabeth II and King George VI. Designs include inscriptions such as "ELIZABETH II D G REG F D" and "GEORGIVS VI D G BRITT OMN REX," with denominations ranging from pennies to 50 pence coins, dated from pre-1952 to the late 20th century.- **Jersey Liberation Coins:** Two coins inscribed "ISLAND OF JERSEY LIBERATED 1945" and "ONE TWELFTH OF A SHILLING," featuring an armorial shield with three leopards, forged from a copper-based alloy with distinctive patina.- **Other Notable Coins:** - A 1969 Fijian coin inscribed "ELIZABETH II FIJI." - "1 Cent" and "2 Cents" coins, possibly from Malaysia or Singapore, with Southeast Asian motifs. - An Australian penny dated 1944, showcasing a kangaroo design. - A heptagonal 50p coin likely dating from the early 2000s.**Materials and Condition:** The coins display varying levels of tarnish and wear, indicative of age and circulation. Materials include copper, bronze, and silver-toned alloys.**Historical Context:** The Jersey coins reflect significant historical value tied to World War II, while the British and Commonwealth pieces represent a broad spectrum of mid-20th-century imperial designs.This assortment offers a diverse representation of British, Commonwealth, and global coinage, appealing to numismatists and collectors of historical currency.

DC Comics Giant Size-size issues: a group of 8 Silver and Bronze-age Giant-size issues (DC Comics 1965 onwards).Hard to find Giant-size DC issues.This lot features:DC Super Spectacular Presents 100-page Giant (1st series) Nos. 16, 17, 19 (featuring Sgt Rock, Justice League of America and Tarzan).Worlds Greatest Super-Heroes (1st series) No. 6 (100-page Giant).DC Secret Origins 80-page Giant (1st series) No. 8Wonder Woman (1st series) No. 211 (100-page Giant).World's Finest (1st series) No. 227 (100-page Giant).The House of Mystery (1st series) No. 224 (100-page Giant).All copies 1st print. US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in new polyethylene bag and boards.~(8)Condition Report: Comics in lot vary between Low and Mid-Grade condition.

The Mighty Thor: a group of 77 Bronze and Modern-Age issues (Marvel Comics, 1976 onwards).This lot features:The Mighty Thor (1st series) Nos. 431-462, 467-502. Annuals Nos 5, 8, 13-19.All copies 1st Prints, US Cents copies included.Issues complete without cut coupons, missing value stamps or missing pages.~(77)Condition Report: Majority of comics in lot in High-Grade condition. Some in Mid-Grade.

Superman: a group of 10 Silver and Bronze-age Giant-size annuals (DC Comics, 1960 onwards).This lot features:Superman (1st series) Annual Nos. 1,. 2, 3, 4, 5, 6, 8, 9, 10, 12.All issues 1stPrint, US Cents Editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polypropylene bags and comic boards.~(10)Condition Report: Comics in lot vary from Low to Mid-Grade condition.

Superman, Superboy, Lois Lane and related Giant Size-size issues: a group of 13 Silver and Bronze-age giant-size issues (DC Comics 1964 onwards).This lot features:Superman 80-page (1st series) Nos. 1, 6, 11Superboy 80-page Giant (1st series) Nos. 10Superboy 100-page Giant (1st series) Nos. 12, 15, 21.Superman Family 100-page Giant (1st series) No. 167Lois Lane 80-page Giant (1st series) Nos. 3, 14.Jimmy Olsen 80-page Giant (1st series) Nos. 2, 13.Adventure Comics 100-page Giant (1st series) No. 416.All copies 1st print. US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in new polyethylene bag and boards.~(13)Condition Report: Comics in lot vary between Low and Mid-Grade condition.

Batman Family Giant-size issues: a complete run of 20 Bronze-age issues, (DC Comics 1975 onwards).Including giant-size issues.This lot features:Batman Family Giant (1st series) Nos. 1 20 (x2 copies of No. 8 included).Creators: Art by Ernie Chan, Curt Swan, Irv Novick, Jim Aparo and others.All copies 1st print. US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.~(21)Condition Report: Mid-Grade condition.

Werewolf By Night: a group of 42 comics featuring early Moon Knight issues (Marvel Comics, 1972 onwards).A selection of early Bronze-age horror comics published by Marvel comics featuring early appearances of Moon Knight AKA Marc Spector / Steven Grant / Mr. Knight among other aliass. This lot features:Werewolf By Night (1st series) Nos. 2-31, 34-43. Giant-size specials Nos. 2, 3.All issues 1stprint, US Cents copies.Issues complete without cut coupons, missing value stamps or missing pages.~(42)Condition Report: Comics in lot vary between Low and Mid-grade condition.

Marvel Silver and Bronze-age comics: a group of 115 issues featuring key issues from The Invincible Iron Man, Fantastic Four, The Amazing Spider-Man, The Mighty Thor, Doctor Strange, and other major titles (Marvel Comics, 1970 onwards).A collection of 130 American comic issues from Marvel Comics. Issues range with various ages, titles and runs included. Many Key and early issues included. Some sequential runs included. Great for shop stock, collection building or selling individually.Titles include: The Invincible Iron Man, Fantastic Four, Captain America, The Incredible Hulk, The Amazing Spider-Man, Astonishing Tales, Conan the Barbarian, Master of Kung-Fu, X-Men, Prince Namor the Sub-Mariner, The Mighty Thor, Doctor Strange, and others. All copies 1st print. US Cents editions and UK Pence editions included.Issues complete without cut coupons or missing pages.Issues bagged and boarded in brand new Silver-age polypropylene bags and boards.~(115 approx)Condition Report: Mid-Grade condition.

Batman, Detective Comics and The Flash a group of 21 Silver and Bronze age comics featuring notable issues (DC Comics, 1968 onwards).This lot features:Batman (1st series) Nos. 204, 205, 220.Detective Comics (1st series) Nos. 489, 491, 568, 569, 570, 571, 572, 573, 574, 575, 576, 577, 578.Doom Patrol (1st series) No. 92The Flash (1st series) Nos. 156, 165, 166.Superboy (1st series) No. 100.All issues 1sprints, US Cents copies included.Issues complete without cut coupons, missing value stamps or missing pages.Issues come bagged in polyethylene bags, some with boards.~(21)Condition Report: Comics in lot vary between Low and Mid-Grade condition.

DC Comics a mixed lot of Golden, Silver and Bronze-age issues featuring scarce western, war and adventure comics (DC Comics, 1951 onwards).This lot features:Funny Stuff (1st series) No. 63The legends of Daniel Boone (1st series) No. 8 (featuring Nicky Card art).The New Adventures of Charlie Chan (1st series) No. 6 (Sid Greene cover and art).Son of Tomahawk (1st series) Nos. 138Dc Showcase Featuring Firehair Nos. 85, 86, 87.This lot also contains:Western Trails No. 1 (Streamline Comics, British Edition).Army Attack (Charlton Comics) No. 40All copies 1st print. Majority US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in new polyethylene bags, some with boards.~(9)Condition Report: Comics in lot vary from Low to Mid-Grade condition.

The Mighty Thor: a group of 22 Silver and Bronze-age issues featuring 1st appearances, classic covers and notable issues (Marvel Comics, 1966 onwards).Featuring classic stories with stories by Stan Lee with interior art and classic covers by Jack Kirby. This lot features:The Mighty Thor (1st series) Nos. 128, 131, 136, 140, 143, 146, 148, 149, 150, 153, 154, 157, 158, 159, 161, 163, 167, 170, 176, 178, 181, 182.Notable issues include:No. 131: Classic Jack Kirby Cover art.No. 136: 1st appearance of updated Sif (different visuals of how previously depicted).No. 140: 1st appearance of the Growing Man.No. 143: 1st team appearance of the Enchanters Three.No. 146: Origin of the Inhumans.No. 148: 1st appearance of the Wrecker. Origin of Black Bolt.No. 150: 1st cover appearance of Hela. Origin of the Inhumans.No. 154: 1st appearance of Mangog.All copies 1st Prints, UK Pence and US Cents copies included.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polyethylene comic bags and boards.~(22)Condition Report: Comics in Lot range from Low to Mid-Grade condition.

DC and Marvel: A group of 130 Silver / Bronze-age comics from Detective Comics, Batman, The Mighty Thor, Conan the Barbarian, The Incredible Hulk, the Avengers and other major titles (DC / Marvel Comics, 1970 onwards).A collection of 130 American comic issues from popular American comic book publishers Marvel and DC Comics. Issues range with various ages, titles and runs included. Many minor key issues included. Some sequential runs included. Great for shop stock, collection building or selling individually.Titles include: Detective Comics, Batman, Adventure Comics, Teen Titans, Metamorpho, Captain Marvel, Justice League of America, Tales of the Unexpected, The Mighty Thor, Conan the Barbarian, Prince Namor the Sub Mariner, The Incredible Hulk, the Avengers, Master of Kung-Fu, Superman and others.All copies 1st print. US Cents editions.Issues complete without cut coupons or missing pages.Issues bagged and boarded in brand new Silver-age polypropylene bags and boards.~(130 approx)Condition Report: Mid-Grade condition.

Superman: a group of 43 Bronze-age issues featuring Curt Swan covers (DC Comics, 1972 onwards).This lot features:Superman (1st series) Nos. 257-300Creators: Cover art by Nick Cardy, story by Cary Bates, pencils by Curt Swan, inks by Murphy Anderson. Other creators also contribute.All issues 1stPrint, US Cents Editions.Issues complete without cut coupons, missing value stamps or missing pages.~(43)Condition Report: Mid-Grade condition.

The Warlord by Mike Grell: a large group of 89 issues (DC Comics, 1978-1985).A large group of issues from one of DC Comics premier Bronze-age Swords and Sorcery fantasy titles.This Lot includes: The Warlord (1st series) Nos. 16-40, 41-47, 49-54, 56-83, 85106, 108, 109All copies 1st print. US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in new polyethylene bag and boards.~(89)Condition Report: Majority in High-Grade condition.Some in Mid-grade condition.

The Shadow: a group of 4 Bronze-age issues featuring first DC Comics issue (DC Comics, 197).This lot features:The Shadow (1973) Nos. 1, 2 (x2 copies), 3.All issues 1st Print, US Cents copies. Issues complete without cut coupons, missing value stamps or missing pages. Issues come bagged and boarded in new polyethylene bags.~(4)Condition Report: Mid-Grade condition.

DC and Marvel Comic books: A group of 40 Bronze age comics (DC / Marvel Comics, 1972 onwards).A collection of 40 American comic issues from popular American comic book publishers Marvel and DC Comics. Issues range with various issues selected from major Bronze-Age titles. Some sequential runs included. Titles include: Superman Family, Fantastic Four, Invincible Iron Man, Tarzan Presents Edgar Rice Burrough Weird Worlds, Walt Disney, The House of Mystery, Sgt. Rock, Green Lantern, Hawkman, Justice League of America, Teen Titans, and others.All copies 1st print. US Cents copies included.Issues complete without cut coupons or missing pages.Issues bagged and boarded in brand new Silver-Age size polypropylene bags and boards.~(40)Condition Report: Mid-Grade condition.