We found 12576 price guide item(s) matching your search

Detailed bronze of cow with boy sitting on grass mat, reading and carrying basket on his back. Etched makers mark. 7.2 lbs. Issued: 20th centuryDimensions: 12"L x 3.5"W x 10"HCondition: Age related wear. Rear leg appears to have been broken and repaired.

French bronze figure beautifully sculpted carrying urn. Sculpture is mounted on a green marble base. Issued: 20th centuryDimensions: 9"H x 4.5" dia. Condition: Age related wear.

Lovely blue floral design on this two-globe lamp set on bronze ornate base. Clear chimney flume in center. Center switch allows lighting from both or one globe. Issued: 20th centuryDimensions: 25"H x 9" dia. Condition: Age related wear.

Pair of cold painted bronze figures depicting Blackamoor style figures carrying dishes, standing on pedestal bases, unsigned, 34.5cm high approx overall (2) Overall signs of age, wear and use. Some areas may be overpainted and not original, otherwise seems ok.

Arts and Crafts bronze statue of an angel, with heavy drapery and hands in prayer position, depicted barefoot, on a circular base, unsigned, 25.5cm wide 37cm high With signs of wear consistent with age and use. With patina. Unidentifiable foreign substance to the verso. Rusting to the verso. Holes have been made in the verso. Figure is slightly loose in its base.

A French gilt-bronze mounted breche violette marble pedestal column, late 19th century, with a Corinthian capital and stepped, square base, losses to foot of shaft, 136.5cm highCondition Report: The top plateau is missing and there are two protruding brass dowels where the top would have originally been secured into place.  The gilt capital and other mounts to the base of the shaft and plinth have light wear and tarnishing consistent with age and use.  The top of the shaft with some nibbled to the edge where it joins the capital.  There is a small area to the middle of the column shaft with a small amount of in-fill. There is a section of loss to the foot of the shaft and two further chips also to the foot.  The plinth base with nicks and losses to the leading edges and corners.  Some of these losses have been infilled.  The top dimensions are: diagonal across the top - 33.3cm; wide left-->right - 26.5cm.

A pair of Continental gilt-bronze mounted glass urns, early 20th century, each with lanceolate leaf cast rim above Campana bodies with hobnail design, with twin scrolling foliate handles issuing from female masks, on fluted socle with laurel leaf rim, on square verde antico plinths mounted with wreaths, winged figures and stiff leaf border, on toupie feet, 48.5cm high (2) Condition Report: One urn has a large chip to the side of the top of the pedestal.  There is another chip to the bottom corner of the base.  Further nibbles to the leading edges.  The mounts with light rubbing and tarnishing.  One handle is slightly loose. The second urn has several restored areas including the vertical edge of the central block of the pedestal, all corners of the base and two corners of the top beneath the urn base.  This top marble section also has a crack to two sides which might run through the section but is not possible to ascertain without removing the urn.  At present it is stable.  The mounts with light tarnishing and rubbing to be expected with age and use.  One handle is a little loose.

Serringapatam medal , bronze, some age, wear.

Bronze Age Comics - The Mighty World of Marvel, starring The Incredible Hulk, Marvel, issues 95, 96, 121, 122, 213, and 214 (1974-76); Dracula Lives, Marvel, issue 9; others, Spiderman Weekly, Planet of the Apes, Titans, Super DC, The Avengers, Giles, etc (qty)

An unnamed bronze bell with wood and iron mounted fitting, the bell 20 cm high x 25 diameter CONDITION REPORTS Has a clear sound when hit from the outside. The clanger is rusted and unable to easily fit it inside. The bell itself has some light scratching and casting marks otherwise general ware and tear conducive to age and use. The rest o the fittings etc are heavily rusted and worn. See images for more details.

A 19th Century silver plated bronze figure of a nude woman in the Classical taste with screw fixing to her heel from previous mount 32 cm long excluding screw CONDITION REPORTS In answer to the question how do we know it's silver plated, mainly based on the fact there is a white metal thin covering to the bronze, very worn and discoloured in several areas. The auctioneer can't be sure what it has actually to come from, but it does appear to be a component of something, there is a screw to the foot, in that it has a screw to the foot to secure it to "something else". She appears to be holding/playing a musical instrument or something similar, although actually what is unknown. General wear and tear conducive to age and use

A Japanese late Meiji period bronze censer. Of cylindrical form decorated with four panels of archaic forms against a key fret ground, all raised on three ruyi-head feet. H9.5cm. Condition Report: Appears in a very good condition for its age, no cracks or restoration, some light surface marks and small dents.

DC Comics - A group of nine Bronze Age 'Our Army At War Featuring Sgt. Rock' comics from DC Comics. Lot consists of #232; #236; #237; #238; #239; #240; #241; #243 and #249. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range two Poor (rodent damage to 232 and #243) - mainly Fair - Good. (This does not constitute a guarantee) (K)

Harvey Comics - A group of approximately 30 'cartoon' themed Silver & Bronze Age comics from Harvey Comics. Lot includes 'Playful Little Audrey' (Oct 1963 #48); 'Casper The Friendly Ghost' (Dec 1965 #88'; 'Little Lotta' (Nov 1973 #110); 'Little Dot's Uncles and Aunts' (June 1969 #27) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Fair - Very Good. (This does not constitute a guarantee) (K)

DC Comics - Marvel - Charlton Comics - A collection of 11 Silver & Bronze Age 'war' themed comics. Lot includes Army War Heroes (Charlton Oct 1966 #16); Sgt. Fury and His Howling Commandos (Marvel May 1971 #87); GI Joe (Key Issue - Showcase Jan-Feb 1965 - G.I. Joe story) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range from Fair - Good. (This does not constitute a guarantee) (K)

Gold Key - Charlton Comics - Others - A group of approximately 50 mainly 'TV / Cartoon' themed Silver & Bronze Age comics. Lot includes Top Cat (Charlton #7 Nov 1971); Yogi Bear (Gold Key Jan 1968 #31); The Flintstones (Gold Key Feb 1968 #44); The Jetsons (Gold Key, July 1967 #23) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range one Poor (with rodent damage to pages) - mainly Fair - Very Good. (This does not constitute a guarantee) (K)

DC Comics - A collection of 13 Silver & Bronze age 'Superboy' comics from DC. Lot consists of #108, #114; #116; #117; #125; ##126; ##127; #133; ##139; #158; ##173; #174; and #175. Comics show general signs of age wear with creases, a couple of folds to covers, page tanning, and wear to spines. Issue #114 has rodent damage to top left all through issue, and #125 has loose centre pages. By and large conditions appear to range Poor - Good. (This does not constitute a guarantee) (K)

DC Comics - A group of 18 Silver and Bronze Age 'Superman's Girl Friend Lois Lane' comics from DC, including several Key Issues. Lot consists of #46; #48; #49; #51; #52; #53; #55; #56; #60; #63; #66; #64; #71 (Key Issue - Jan 1967 - 2nd appearance of Catwoman in the Silver Age); #94, #105 (Key Issue - Oct 1970 - 1st appearance of Thorn, the violent alter ego of Rose Forrest in the Bronze Age); #109; #110; #115 (Key Issue - Oct 1971 - 3rd appearance of Poison Ivy). Comics show general signs of age wear with creases - #53 has detached cover; #46 has detached centre pages; there are some folds and tears to covers, page tanning, and wear / chips to spines. Overall conditions appear to range Poor - Good. (This does not constitute a guarantee) (K)

DC Comics - Fawcett - Others - A group of approximately 50 'Cartoon' themed predominately 'Dennis The Menace' Silver & Bronze Age comics. Lot includes Dennis The Menace Christmas Special (Fawcett 1967); Dennis the Menace Ting-A-Ling Special (Fawcett 1973); Dennis the Menace in London (Fawcett 1971) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Poor - mainly Fair - Good. (This does not constitute a guarantee) (K)

Gold Key - Others - A group of approximately 34 'Walt Disney' themed Silver & Bronze Age comics. Lot includes Moby Duck (Gold Key #6 June 1969); Mickey Mouse & Pluto (Gold Key Feb 1971 #128); Mickey Mouse (Gold Key Nov 1968 #119); Uncle Scrooge (Gold Key Feb 1968 #73); Mickey Mouse & Goofy (Gold Key, Aug 1972 #137) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range one Poor (with rodent damage to pages) - mainly Fair - Very Good. (This does not constitute a guarantee) (K)

Gold Key - Dell - A group of approximately 40 'TV / Cartoon' themed Silver & Bronze Age comics. Lot includes Hogans Heroes (May 1967 #7); The Munsters (Feb 1968 #16); Korak Son of Tarzan (Aug 1967 #18); Tweety & Slyvester (Aug 1973 #32); Tom & Jerry (Feb 1968 #239) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Fair - Very Good. (This does not constitute a guarantee) (K)

Splendid larger-than-life size high relief sculpture of a Recumbent made with bonded bronze, a medium that American Contemporary artist Bill Mack has mastered for his depictions of erotic women. Made in the small edition of twenty-five, Mack used a cold cast method of bronze powder with resin bonders that results in a pure bronze surface. Mack patinates the nude with a skin smooth bronze finish that contrasts with the rugged tool marks that surrounds her. Signature carved on upper right: Bill Mack. Edition number in pen on upper right: XVI/XXV. Artist: Bill Mack (American b. 1949)Issued: c. 1990Dimensions: 68"L x 10"W x 48"HEdition Number: XVI/XXV (16 of 25)Country of Origin: United StatesCondition: Age related wear.

Limited edition. A beautiful bronze statue in a golden-brass tone. Depicts a bare beauty seated on stacks of pillows. The sculpture is attached to a black and white marble base. Artist, date and edition number on the piece. The dimensions are approximately: 12"L x 11.5"W x 21.25"H. Weight: 62.2 lbs. Artist: C.A. PardellIssued: 1997Dimensions: See DescriptionEdition Number: 14 of 75Condition: Age related wear.

Limited edition. A stunning erotic bronze figure of a sleeping nude beauty resting on a cushioned bench. Artist, date and edition number marked. The dimensions are approximately: 25.5"L x 11"W x 8.5"H. Weight: 44.5 lbs. Artist: Bill MackIssued: 1996Dimensions: See DescriptionEdition Number: 31 of 150Condition: Age related wear.

A bronze figure of a child watching her mother knit. The sculpture is on a black marble base. Artist mark. Luigi Tommasi foundry stamp. The sculpture is approximately: 17.5"L x 7.75"W x 17.5"H. Artist: Harry MarinskyIssued: Mid 20th centuryDimensions: See DescriptionManufacturer: Luigi TommasiCountry of Origin: ItalyCondition: Age related wear.

An erotic bronze sculpture in a golden-brass tone of a nude woman pushing her hair back from her face. The figure is placed on a rotating black and white marble base. Artist, date and edition number marked. The dimensions are approximately: 7"W x 15.5"H. Weight: 18 lbs. Artist: C.A. PardellIssued: 1995Dimensions: See DescriptionEdition Number: 11 of 150Condition: Age related wear.

Bronze Medal from an original wax mold by Dali titled Our Historical Heritage Signed in the cast right numbered 14/400 Sight size sculpture 5� round black marble base 2.5� heightCondition: Age related wear.

An intense sculpture, made to imitate bronze sculptures, of a partially nude couple in an embrace. Austin Productions, artist mark and date impressed on the base. The dimensions are approximately: 11.25"L x 6"W x 22"H. Artist: S. RomoIssued: 1990sDimensions: See DescriptionManufacturer: Austin ProductionsCountry of Origin: MexicoCondition: Age related wear. As is. Chipped.

An erotic bronze sculpture in a golden tone. Depicts a nude woman in high strappy heels bent forward combing her hair. The figure is placed on a rotating black and white marble base. Artist, date and edition number marked. The dimensions are approximately: 11.25"L x 8.5"W x 15.25"H. Weight: 24 lbs. Artist: C.A. PardellIssued: 1988Dimensions: See DescriptionEdition Number: 16 of 36Condition: Age related wear.

An erotic bronze statue in a golden-brass tone. Depicts a long dark-hair beauty in a white negligee. Artist, date and edition number marked. The dimensions are approximately: 20.5"L x 13"W x 18"H. Weight: 50.5 lbs. Artist: C.A. PardellIssued: 1991Dimensions: See DescriptionEdition Number: 65 of 74Condition: Age related wear. As is. Cracks on chest and back.

Trial Proof 5 of 5. Designed by Bill Mack, American, born in 1949. A beautiful nude sculpture of a beauty posing on a chair with one leg propped on the seat. Marked: TP 5 of 5, and artist signature. This item has a black lacquer rotating base included: 15.75"L x 15.75"W x 1.5"H; weight: 25.4 lbs. Bronze sculpture dimensions are approximately: 13.25"L x 10.5"W x 30.5"H; weight: 49.8 lbs. Artist: Bill MackDimensions: See DescriptionCondition: Age related wear.

A beautiful resin replica sculpture inspired by Lucian Bernhard's bronze works. Titled Ariadne. This particular figure is a nude woman reclining, painted to imitate bronze. Bernhard marked on the surface. The sculpture is attached to a wooden base. The dimensions are approximately: 16.25"L x 6.5"W x 10.5"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

A plaster figure crafted to imitate bronze sculptures. Depicts a seated beauty admiring her reflection on a small round mirror in her hand. Figurine attached to a base. Artist name on the rocky seat. Austin Productions marked on the edge of the figure. Austin sticker and Made in Mexico stickered on the underside. Artist: Alice HeathDimensions: 9.25"L x 5.75"W x 14.25"HManufacturer: Austin ProductionsCountry of Origin: MexicoCondition: Age related wear.

ITEM: JugMATERIAL: PotteryCULTURE: Bronze Age, CanaanPERIOD: 1900 - 1400 B.CDIMENSIONS: 137 mm x 77 mmCONDITION: Good condition.PROVENANCE: Ex Jerusalem private collection, acquired between 1975 – 1990.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Canaan was the name of a large and prosperous ancient country (at times independent, at others a tributary to Egypt) located in the Levant region of present-day Lebanon, Syria, Jordan, and Israel. It was also known as Phoenicia. The origin of the name ‘Canaan’ comes from various ancient texts and there is no scholarly consensus on precisely where the name originated nor what it meant.According to the Bible, the land was named after a man called Canaan, the grandson of Noah (Genesis 10). Other theories cite ‘Canaan’ as derived from the Hurrian language for ‘purple’ and, as the Greeks knew the Canaanites as ‘Phoenicians’ (Greek for `purple’) and as the Phoenicians worked in purple dye and so were called by the Greeks ‘purple people’, this explanation is the most probable. The theory has also been advanced that the name comes from the Hebrew root-verb kana which denotes order from chaos, a blending, or synchronous existence.The earliest habitation in the region was around the city of Jericho in the Paleolithic Age and this early rural community would then develop into the city which is the oldest urban center in the region (and, arguably, the world). Other cities developed during the Early Bronze Age but were abandoned, probably because of overpopulation, and the people returned to an agrarian lifestyle for a number of years. Cities again grew up during the Middle Bronze Age which saw the development of trade with other civilizations and, most notably, Egypt. Canaan (also referred to as Phoenicia at this time) continued to prosper until c. 1250 – c. 1150 BCE during the so-called Bronze Age Collapse.Following the upheaval of c. 1250 – c. 1150 BCE, however, the Hebrews (Israelites), to whom Joshua is said to have given the land, populated the region and established the kingdoms of Israel and Judah. These kingdoms lasted until the region was conquered in succession by the Assyrians, Babylonians, Persians, Alexander the Great, the Seleucids, and the Roman Empire.

ITEM: Oil lamp, Type Kennedy 1, Group CMATERIAL: PotteryCULTURE: Bronze AgePERIOD: 1400 - 1200 B.CDIMENSIONS: 50 mm x 130 mm x 134 mmCONDITION: Good conditionPROVENANCE: Ex German private collection, Prof. Dr. Claus-Hunno Hunzinger, in Germany since before 1960sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Oil lamps played a significant role in lighting and daily life during the Bronze and Iron Ages. These lamps were simple yet effective devices consisting of a container for holding oil and a wick that would burn, providing illumination in the darkness. As technology and metallurgy advanced during the Bronze and Iron Ages, oil lamps became more sophisticated in terms of design and materials.In the Bronze Age, oil lamps were often made of ceramic and had a rudimentary shape, with an oil reservoir and a spout or nozzle to hold the wick. These lamps were used in homes and places of worship, and some featured simple decorative designs.In the Iron Age, oil lamps saw technological and stylistic advancements. They became more elaborate, with a wider variety of designs and materials, such as bronze. These lamps often featured decorative shapes and handles for easier transportation. In addition to their practical function, some Iron Age oil lamps also held symbolic and ritual significance in religious and funerary contexts.

ITEM: Ibex figurineMATERIAL: BronzeCULTURE: Bronze Age, LuristanPERIOD: 1600 - 1000 B.CDIMENSIONS: 42 mm x 30 mmCONDITION: Good conditionPROVENANCE: Ex Dutch private collection, collected before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Ibex figurines from the Luristan period are fascinating artifacts that provide insights into the artistic and cultural achievements of ancient civilizations in what is now modern-day western Iran. These figurines, typically crafted from bronze using the lost-wax casting technique, depict ibexes with distinctive curved horns and stylized features. They were produced during the Iron Age in the region of Luristan, which was home to a diverse array of peoples and cultures known for their metallurgical skills and nomadic lifestyles.The ibex, with its graceful form and imposing horns, held symbolic significance in the religious and cultural beliefs of ancient societies in the Near East. In Luristan, ibex figurines may have been associated with rituals, ceremonies, or beliefs related to hunting, fertility, or spiritual protection. The choice to depict ibexes in bronze reflects the importance of these animals in the lives of the people of Luristan, who relied on hunting for sustenance and survival in their rugged mountainous environment.The craftsmanship and artistry evident in Luristan ibex figurines highlight the technical mastery and creative expression of ancient Luristan metallurgists. These figurines showcase the skillful manipulation of bronze to create lifelike representations of ibexes, capturing the essence of these animals with remarkable detail and precision. Additionally, the stylized and abstracted features of the ibex figurines suggest a symbolic or ritualistic purpose, inviting further exploration into the religious beliefs and cultural practices of the people of Luristan during the Iron Age.

ITEM: Painted jugMATERIAL: PotteryCULTURE: Early Bronze AgePERIOD: 3500 - 2000 B.CDIMENSIONS: 145 mm x 148 mmCONDITION: Good condition, repaired PROVENANCE: Ex Museum Exhibiton of the Arbeitsgruppe für Biblische Archäologie, Germany (Deaccession)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Early Bronze Age, pottery vessels played a crucial role in daily life, serving various functions such as storage, cooking, and ritualistic purposes. These vessels were typically handmade using clay, which was readily available in many regions. The pottery of this period exhibits a wide range of shapes, sizes, and decorative styles, reflecting the diversity of cultures and traditions across different regions.One of the distinguishing features of Early Bronze Age pottery is the development of new ceramic techniques and styles. As societies transitioned from the Neolithic to the Bronze Age, pottery production became more sophisticated. Potters began using potter's wheels to create vessels with more uniform shapes and sizes. Additionally, advancements in firing techniques led to the production of pottery with improved durability and strength. Surface decorations, such as incised patterns, impressed designs, and painted motifs, became more elaborate, showcasing the artistic skills of ancient craftsmen.The vessels pottery of the Early Bronze Age also provides valuable insights into the socio-economic dynamics of ancient societies. The distribution of pottery styles and types across different archaeological sites can reveal patterns of trade and exchange networks, as well as variations in cultural practices and social structures. Moreover, the presence of specific types of pottery, such as cooking pots, storage jars, and ceremonial vessels, can shed light on the domestic activities, foodways, and religious beliefs of ancient communities.

ITEM: RingMATERIAL: BronzeCULTURE: Iron Age, Central Asia, Amlash or BactrianPERIOD: 1st millenium B.CDIMENSIONS: 22 mm x 27 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired from London Gallery (1970s - 2000s)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.The Bactrian culture thrived in the region of Bactria, which encompassed parts of present-day Afghanistan, Uzbekistan, and Tajikistan, during the Bronze Age, roughly from the 3rd to the 2nd millennium BCE. Bactria served as a crucial crossroads along the ancient Silk Road, connecting the civilizations of the Mediterranean, Central Asia, China, and the Indian subcontinent. The culture is known for its advanced urban centers, sophisticated metallurgy, and rich artistic traditions. Bactrian art often depicted scenes of daily life, mythical creatures, and religious motifs. The Bactrians are also believed to have played a significant role in the spread of early Indo-Iranian languages and culture.On the other hand, Amlash culture was prevalent in the Amlash region of northern Iran during the Iron Age, dating roughly from the 1st millennium BCE. The Amlash culture is characterized by its distinctive pottery styles, including painted ceramics adorned with intricate geometric and zoomorphic designs. Archaeological evidence suggests that Amlash society was organized into small-scale agricultural communities, with evidence of terraced agriculture and irrigation systems. Additionally, Amlash culture is notable for its burial practices, which often included inhumation in cemeteries and burial mounds, sometimes accompanied by grave goods such as pottery vessels and metal objects.While the Bactrian and Amlash cultures developed in different time periods and geographical regions, they both represent important stages in the cultural evolution of the broader Central Asian and Iranian regions.

ITEM: JugletMATERIAL: PotteryCULTURE: Bronze AgePERIOD: 3500 - 2000 B.CDIMENSIONS: 70 mm x 85 mmCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1970 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.In the Bronze Age period, vessels played a vital role in daily life, serving various purposes such as storage, cooking, and ceremonial use. Crafted from materials such as clay, stone, metal, and even precious metals like gold and silver, these vessels showcased the technological and artistic advancements of the time. Bronze Age vessels came in a wide array of shapes, sizes, and decorative styles, reflecting the diverse cultures and traditions across different regions.One of the most common types of vessels in the Bronze Age was the amphora, a tall, narrow-necked vessel used for storing and transporting liquids such as wine, oil, and water. Amphorae were typically made of clay and featured two handles for easy carrying and pouring. The shape of the amphora allowed for efficient stacking and storage, making it an essential container for trade and commerce throughout the ancient world.Bronze Age vessels also included pottery bowls, plates, cups, and jars, which served various domestic and ritualistic functions. These vessels were often adorned with intricate designs, geometric patterns, and symbolic motifs, reflecting the cultural beliefs and aesthetic preferences of ancient societies. Some vessels were used for everyday purposes such as cooking and dining, while others were reserved for special occasions or religious ceremonies.

ITEM: RingMATERIAL: BronzeCULTURE: Iron Age, Central Asia, Amlash or BactrianPERIOD: 1st millenium B.CDIMENSIONS: 22 mm x 27 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired from London Gallery (1970s - 2000s)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.The Bactrian culture thrived in the region of Bactria, which encompassed parts of present-day Afghanistan, Uzbekistan, and Tajikistan, during the Bronze Age, roughly from the 3rd to the 2nd millennium BCE. Bactria served as a crucial crossroads along the ancient Silk Road, connecting the civilizations of the Mediterranean, Central Asia, China, and the Indian subcontinent. The culture is known for its advanced urban centers, sophisticated metallurgy, and rich artistic traditions. Bactrian art often depicted scenes of daily life, mythical creatures, and religious motifs. The Bactrians are also believed to have played a significant role in the spread of early Indo-Iranian languages and culture.On the other hand, Amlash culture was prevalent in the Amlash region of northern Iran during the Iron Age, dating roughly from the 1st millennium BCE. The Amlash culture is characterized by its distinctive pottery styles, including painted ceramics adorned with intricate geometric and zoomorphic designs. Archaeological evidence suggests that Amlash society was organized into small-scale agricultural communities, with evidence of terraced agriculture and irrigation systems. Additionally, Amlash culture is notable for its burial practices, which often included inhumation in cemeteries and burial mounds, sometimes accompanied by grave goods such as pottery vessels and metal objects.While the Bactrian and Amlash cultures developed in different time periods and geographical regions, they both represent important stages in the cultural evolution of the broader Central Asian and Iranian regions.

ITEM: Stamp sealMATERIAL: BronzeCULTURE: Bronze AgePERIOD: 3rd - 2nd millenium B.CDIMENSIONS: 17 mm x 61 mm diameterCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1970 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Bronze Age stamp seals are significant artifacts that offer insights into the administrative, economic, and cultural practices of ancient civilizations during the Bronze Age, roughly spanning from 3300 to 1200 BCE. These seals, typically made from materials such as bronze, stone, or clay, were used to imprint distinctive designs or inscriptions onto various surfaces, including clay tablets, fabrics, and documents. The primary function of these stamps was to authenticate and mark ownership or authority, serving as a form of signature for individuals or institutions. The designs on the seals often included symbols, motifs, or insignias that identified the owner or the issuing authority, playing a crucial role in trade and record-keeping.The design and craftsmanship of Bronze Age stamp seals varied widely across different regions and cultures. In Mesopotamia, for example, seal impressions often depicted intricate scenes of mythological or religious significance, while in the Indus Valley Civilization, seals featured more abstract motifs and animal figures. The artistry involved in creating these seals demonstrates the advanced metalworking and engraving skills of the time. The use of such seals facilitated the development of complex administrative systems and long-distance trade networks, as they provided a means of verifying and recording transactions and agreements in a pre-literate society.The archaeological discovery of Bronze Age stamp seals has provided valuable information about the social and economic structures of ancient societies. They offer clues about trade practices, as well as the distribution of goods and resources. Additionally, seal impressions found on clay tablets or packaging often include inscriptions or logos that help historians understand the administrative practices and bureaucratic functions of ancient civilizations

RUGBY UNION 1923 SCOTLAND V FRANCE PROGRAMME Very slight age related wear, for its age this programme woild be classed as good. Footnote - Eric Liddell who scored a try in this game won a Gold & Bronze medal in the 1924 Olympics Ref DP

A Bronze Age razor and five spear heads, the largest 9.5". (6)

A Bronze Age dagger, 14.5" overall.

A stone apsara figure 22cm high, a pair of bronze hands, one holding a fish the other a seated Buddha approx 13cm long, and a terracotta Buddha head 10cm high, condition commensurate with age

A small white metal seated Buddha, an antique Thai Hindu Bronze figure of a seated Buddha 14.5cm high with an antique Indonesian Bronze Javanese Standing 4-arm Shiva statue, three items total, condition commensurate with age

21-tlg Konvolut Vitrinenstücke, Andenken und Kuriositäten, 1. H. 20. Jh. darunter ASIEN Vase, H 8, 5 cm und Teller, D 10, 5 cm, tlw. berieben; SILBER 800: Becher mit Schlangenhautdekor und Inschrift "Helene", H 6, 5 cm und 1 Schälchen im Hammerschlagdekor, punziert LW 800, Halbmond u. Krone, D 3, 5 cm; Glasvase, H 10 cm, Vergoldung ber., Porzellan-Deckeldöschen, D 3 cm, ungemarkt; Mini-Jardiniere mit Glaseinsatz, L 5, 5 cm (Glas am Rand besch.); 3 Fingerhüte, 1 Mini-Schere u. Mini-Fingerhut als Anhänger; 1 ovales Perlmutt-Döschen, L 5 cm; 1 Notizbüchlein im Lederinband, H 9 cm; 1 goldfarbener Kinderring mit dem Buchstabe "E" im Oval, D 13 mm; Anhänger in Nussform zum Aufklappen, darin 2 Mandelhälften, 1 x mit der Inschrift "J'y pense" (dt. Ich denke darüber nach), H 23 mm; Andenken in Buchform, Frontseite mit Blumenrelief, Spinnennetz und Spinne, Steinchen dienen als "Spinnenkörper", Innenseite mit der Inschrift "Ich denke daran 1902", Rückseite geprägt "DEPOSÉ", H 2 cm; Anhänger mit der Aufschrift "Liebe macht blind", im Innern befindet sich eine Mini Brille mit blauen Gläsern, L 22 mm; Flakon bzw. Anhänger mit schauseitiger Bemalung, H 6 cm; Mini-Taschenmesser in Lederetui, H 6, 5 cm; sitzender Bronze Bär, H 3, 5 cm sowie die Figur eines Elefanten, H 5 cm (Metallguss). Tlw. Alters- und Gebrauchsspuren.| 21-piece collection of showcase pieces, souvenirs and curiosities, 1st half of the 20th century. Including ASIA vase, H 8.5 cm and plate, D 10.5 cm, partly rubbed; SILVER 800: Cup with snakeskin decoration and inscription "Helene", H 6.5 cm and 1 bowl with hammered decoration, hallmarked LW 800, crescent and crown, D 3.5 cm; Glass vase, H 10 cm, gilding, porcelain lidded jar, D 3 cm, unmarked; Mini jardiniere with glass insert, L 5.5 cm (glass damaged on the edge); 3 thimbles, 1 mini scissors and mini thimble as a pendant; 1 oval mother-of-pearl box, length 5 cm; 1 notebook in leather binding, H 9 cm; 1 gold-colored children's ring with the letter "E" in an oval, D 13 mm; Nut-shaped pendant to open, containing 2 almond halves, 1 x with the inscription "J'y pense" (I'm thinking about it), H 23 mm; Souvenir in book form, front with flower relief, spider web and spider, small stones serve as "spider bodies", inside with the inscription "I think of it 1902", back embossed "DEPOSÉ", H 2 cm; Pendant with the inscription "Love is blind", inside there are mini glasses with blue lenses, L 22 mm; Flacon or pendant with painting on the front side, H 6 cm; Mini pocket knife in leather case, H 6.5 cm; Sitting bronze bear, H 3.5 cm and the figure of an elephant, H 5 cm (cast metal). Partly Signs of age and wear.

Buddhakopf aus Bronze. SIAM, vermutlich 17./18. Jh. H: ca. 16,5 cm (22,5 cm mit Holzsockel), Altersspuren, besch.| Bronze Buddha head. SIAM, probably 17th/18th century. H: approx. 16.5 cm (22.5 cm with wooden base), traces of age, dam.

THAILAND "Schreitender Buddha" 19.Jh Bronze mit dunkler, teils grüner Ausgrabungspatina, auf einem quadratischen Sockel, die Linke zur abhaya mudra erhoben, mit bewegtem Mantel, der sich eng an den fast weiblich anmutenden Körper schmiegt, H: ca. 28 cm. Altersspuren, im Halsbereich fast vollständig gebrochen, Wandkonsole.| THAILAND "Striding Buddha" 19th century bronze with dark, partly green excavation patina, on a square base, the left hand raised to the abhaya mudra, with a moving mantle closely hugging the almost feminine-looking body, h: approx. 28 cm. Traces of age, almost completely broken in the neck area, wall bracket.

WALLFAHRTS MEDAILLE, 17./18. Jh., vergoldete Bronze in versilberter Fassung, Mit Darstellungen des Heiligen Ignatius von Loyola „S IGNAT LOIO SOC IESV F“ sowie des Heiligen Franz Xaver „S FRANC XAVERIVS SOC IESV“.H Medaille ca.: 4 cm. Alters- und Gebrauchsspuren.| PILGRIMAGE MEDAL, 17th/18th century, gilt bronze in silver-plated setting, with depictions of St Ignatius of Loyola ‘S IGNAT LOIO SOC IESV F’ and St Francis Xavier ‘S FRANC XAVERIVS SOC IESV’. H medal approx. 4 cm. Signs of age and wear.

KRATZ, PAUL (1884-1958) "Stehender Esel" Bronze, braun patiniert, signiert "P. Kratz", H: 22,5 cm. Leichte Altersspuren.| KRATZ, PAUL (1884-1958) ‘Standing Donkey’Bronze, brown patina, signed ‘P. Kratz’, h: 22.5 cm. Slight signs of age.

STOCKER, DANIEL (1865-1957) "Sitzender weiblicher Akt" Bronze, sig., H: ca. 25 cm. Leichte Altersspuren, Steinsockel| STOCKER, DANIEL (1865-1957) "Seated female nude"Bronze, signed, h: approx. 25 cm. Slight signs of age, stone base

STOCKER, DANIEL (1865-1957) "Stehender weiblicher Akt" Bronze, sig., H: ca. 43 cm. Leichte Altersspuren.| STOCKER, DANIEL (1865-1957) "Standing female nude"Bronze, signed, h: approx. 43 cm. Slight signs of age.

STOCKER, DANIEL (1865-1957) "Neues Leben" Bronze, sig., H: ca. 40 cm. Leichte Altersspuren.| STOCKER, DANIEL (1865-1957) "New Life"Bronze, signed, h: approx. 40 cm. Slight signs of age.

STOCKER, DANIEL (1865-1957) "Figürliche Tischlampe mit Alabaster-Kugelschirm" Bronze, sig., H: ca. 70 cm. (mit Sockel) Leichte Altersspuren, Steinsockel.| STOCKER, DANIEL (1865-1957) "Figural table lamp with alabaster ball shade" Bronze, signed, h: approx. 70 cm. (with base) Slight signs of age, stone base.

Soprano Saxophone By Yanagisawa model S992, no.00229786, with two necks (straight and curved), bronze body (lacquered finish), keywork to high G, with Yanagisawa mouthpiece and Selmer C* mouthpiece, in rectangular casePads appear to be in Good condiiton; some marks to lacquer from age & use; body has no signs of damage or repair

Emile-Victor Blavier (French, late 19th / early 20th century), a pair of patinated bronze figures, one modelled as a young male musician with bagpipes in hand, other a female gardener, each signed "E. blavier", each approx. 28cm high. Further details: male figure missing mouthpiece to bagpipes, otherwise general wear to both commensurate with age, stable condition.

A 19th century French classical bronze figure of a seated Euterpe, by Pierre Alexander Schoenewerk, signed to oblong base, approx. 39.5cm high x 42cm long x 18.5cm deep. Further details: generally in good condition; age related wear; slight scratching and natural patina.

A pair of Louis XVI style gilt bronze and brass table lamps, the central urns cast with frolicking putti, on stepped red marble bases with fan and scroll feet, height to fitting: 55cm, (2)Condition Report: One lamp has a very small chip to the marble base, otherwise both in very good condition. Minor areas of age related wear. There are no shades with these lamps. The electrical wiring is UK standard although these lamps are sold as display pieces only.

A Cotswold School English walnut and glazed display cabinet on fine barley twist legs with a cast bronze handle in the form of a walnut, craftsman made, in the manner of OLIVER MOREL, height 181cm, depth 35cm, width 75cmGood condition, some surface marks commensurate with age and light use.