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Circular silvered bronze medal with integral loop for ribbon suspension. The face has a dark patina and shows a female figure with her right hand raised holding an upright sword and her left arm raised holding a slain dragon (symbolic of the German Empire) by the neck. Circumscribed upper right LIBERATUM and signed by J.P. Laurens. The reverse has standing figures of a woman and child to the right surveying a devastated landscape, marked Paris Art on the right. The medal was produced commercially in 1919 to mark the liberation of German-occupied French territory and to raise funds for restoration work. Artist: Jean-Paul Laurens (1838-1921)Issued: 1919Dimensions: 1.25"L x 1"WManufacturer: Paris ArtCountry of Origin: FranceCondition: Age related wear.
Barock-Kommode Kirschbaum, Nussbaum und Rüster, furniert. Dreiseitig bombierter Korpus, flankiert von kräftig gewulsteten und stark geschwungenen Lisenen, in ausgestellte Beine übergehend. In der gegliederten Front drei breite Schubladen. Flächendeckend breit gerahmte, seitlich rautenförmige Furnierfelder sowie durchbrochen gearbeitete Applikationen aus vergoldeter Bronze. Korrespondierende, profilierte Deckplatte aus beige-grün gemasertem Marmor. Altersspuren. H. 81 cm. 106 cm x 59 cm.A Swedish cherry-, elm- and maplewood veneered Baroque chest of drawers. Signs of age.Schweden. Stockholm. 2. Hälfte 18. Jh.
A RED AND GILT PAINTED URN SHAPED TABLE LAMP MODERN 44cm high Together with a brass student lamp with a green shade, 56cm highAnd a bronze table lamp in the Chinese style, of angled baluster form on lotus base, base 34cm high 43cm high to top of fitment Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. First- modern decorative, some loss to gilding from use/handling and with some spotting to plinth Second- chips to shades and colour variance to body from cleaning Third- has a fitted electrical mount into top with composite/cement fixing. Some of this has dried and lamp 'rattles'. some edge wear and colour variance from handling and use ELECTRICAL GOODS. All sold with a portable appliance test (PAT) certificate January 2024 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A REGENCY GILT-BRONZE SIX LIGHT COLZA CHANDELIER BY JAMES SMETHURST, CIRCA 1820-1830 The whole of Gothic form, with acanthus corona and ornate hanging chains above richly decorated frame with octagonal lidded urn, mask decoration to the underside, the nozzles with labels for SMETHURST MANUFACTURER 138 NEW BOND STREET 85cm wide Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue. James Smethurst is recorded as registering a patent (No.2654) in 1802 for "certain improvements applicable to lamps and reflectors". In 1814 he had moved to 138 New Bond Street in accordance with the labels on the present lot. The British Museum biography records various bill heads from Smethurst, one dating from 1825 states : "By his Majesty's Royal Letters Patent. Manufacturer. Bought of James Smethurst... Patent Lamp & Genuine Spermaceti Oil Warehouse, Oils paid for within a Month, 6d per Gallon allowed from the price charged. N.B. To prevent Mistakes it is particularly necessary to observe the Name & Number... Lamps of all descriptions let out on Hire for Balls, Routs, &c." Banks Collection 76.19 A very similar gilt bronze Argand oil hanging light is in the Victoria & Albert Museum (CIRC.522.1962). Condition Report: Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Overall generally good but with surface dirt and rubbing to gilding- notably lower more exposed areas. The chains with glass insets which are probably later.Areas of discoloured gilding throughout, has not been cleaned and restored Shades are later as are electrical fittings- ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A black cultured pearl ring with two diamond highlights, the 7.80mm pearl peg set between claw set round brilliant cut diamonds, to a tapered reeded shank of white gold, stamped '18k 750', 3.66g. Ring size NBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe pearl has a good lustre and smooth skin; it is a brownish, bronze grey. The shank is noticeably thinner at the back, but shows only light wear for age.
A collection of assorted television and film related toys, to include a Hot Wheels Ghostbusters ECTO 1a, a Corgi Bronze Age Batman set, a Corgi CC05501 Back to the Future Delorean, a Disney Villains Cruella De Vil doll, a Dinky 108 Joe 90 Sam's Car in a reproduction box, and various Elvis Presley figures and vehicles.
A Chinese set of bronze brazier and cup, ranluEastern Zhou dynasty, Warring States period/Eastern Han dynastyThe brazier standing on five short legs and cast in reticulation with the animals of the four directions, surmounted by a shallow oval cup, 17cm wide overall.The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. 東周戰國 / 東漢 青銅四神獸紋染爐女士藏品。二十世紀八十至九十年代間購置於香港。Condition Report: Small loss to the edge of the cup, approx.10x20mm. Few further minor nicks to edges.Expected surface wear overall consistent with age, with general surface encrustations with some wear to details.
A Chinese bronze 'Shoulao and deer' incense burner17th centuryHolding a flask in the left hand, the God of Longevity seated side-saddle on a deer whilst wearing long robes baring his chest, a pierced hole in the shape of a ruyi to the lower back of his robe above tenon joints, the deer with thin long legs and its head turned, 30.5cm high.Provenance: Bonhams Knightsbridge, 03.11.2014, lot 266 (label).十七世紀 銅壽老騎鹿熏爐來源:邦瀚斯騎士橋亞洲拍賣,2014年11月13日,第266號。Condition Report: Patina and metal corrosion commensurate with age, scratches and dents to the surface, minor casting faults, one of the tenon joint is missing. Weight: 2.68kg.Missing one of the pegs connecting the cover to the deer, and the other possibly replaced.
A Chinese archaic bronze wine vessel and cover, huHan dynastyThe vessel cast to the body with horizontal ridges, the cover finely incised with foliate motifs around the finial, the vessel and cover joined by loose-ring chains, hardwood stand, 40cm high overall.The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s.Provenance: acquired in Hong Kong, 14th December 1988.漢 青銅鋪首活環耳蓋壺女士藏品。二十世紀八十至九十年代間購置於香港。來源:於1988年12月14日得自香港Condition Report: Expected old wear consistent with age and type include small nicks to extremities, particularly edge of foot and cover, and an insignificant shallow bruise to the edge of the rim and cover, as well as expected encrustations throughout. A possible further shallow bruise to edge of foot. A few of the chain links with cracking.
A Chinese archaic bronze ritual wine vessel, zunShang dynastyWith flared foot and rim, the mid-section decorated with typical taotie on leiwen ground, fitted box, 22.7cm high.The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s.商 青銅饕餮紋尊女士藏品。二十世紀八十至九十年代間購置於香港。Condition Report: Overall good condition considering its age. Expected surface wear including occasional minor nicks to edges and two tiny perforations to mouth; expected encrustations with typical malachite and cuprite oxidization as visible on the catalogue photos.
A Chinese archaic bronze ritual food vessel and cover, guiHan dynastyThe globular body with a pair of circular loop handles, the cover with flared finial, fitted box, 23.5cm wide across the handles.The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. 漢 青銅食器連蓋女士藏品。二十世紀八十至九十年代間購置於香港。 Condition Report: The finial of the cover has been slightly pushed in, resulting in some cracking visible to the interior of the cover, and the finial being now slightly lopsided. Further very fine hairline just above the foot, approx. 20mm long.Expected old wear consistent with age include general malachite and dirt encrustations, and insignificant scattered nicks.
A Chinese bronze figure of GuanyinMing dynastyThe Bodhisattva seated in Padmasana with hands in Dharmachakra mudrā, wearing thickly-folded robes, her chest adorned with beaded jewellery, the serene face with downcast eyes below arched eye brows, all below a large crown, 25 cm high.Provenance: Gray's Antiques, London, October 1994 (with copy of receipt).明 銅觀音像来源:于1994年10月購於倫敦Gray's Antiques. Condition Report: Traces of gilt and lacquer left on the surface, tarnish and indentation to the metal commensurate with age. The ends of the long stands of hair to each side of the body have possibly been broken off. Possible restoration to the left elbow and behind the shoulder.
A large Chinese bronze 'peach' shallow vesselQing dynasty, 18th/19th centuryCast as a half peach with leafy tendril handle, standing on three short mythical beast-mask legs, the surface patinated to a rich, dark hue, 43cm long.清十八/十九世紀 銅桃形三足容器Footnotes: Some areas of rough casting with some large pits and some cracks, including two cracks to the rim and one to a leaf, and a large area of overpainting and restoration around the base, where there have been at least three cracks which were stabilised, and the feet are likely to have been indented, with surrounding cracking, and then later fixed. There is some repair to one of the leaves.Condition Report: Encrustation and metal corrosion commensurate with age. Casting imperfections including a pierced hole of approx. 0.4cm across under the rim. Surface wear commensurate with age.
A Chinese archaic bronze ritual vessel and cover, douHan dynastyThe globular vessel and cover standing on a tall, slender, splayed foot and surmounted by a short finial of similar shape, covered throughout in finely-detailed c-scrolls within geometric medallions, fitted box, 31cm high overall.漢 青銅蓋豆The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. Provenance: acquired in Hong Kong, 21st October 1988.女士藏品。二十世紀八十至九十年代間購置於香港。來源:於1988年10月21日得自香港Condition Report: Scattered nicks to extremities including two small rim chips to cover. As expected with vessels of this age and type, extensive areas of encrustations throughout including verdigris and malachite, some of which is flaking off, with some areas of loss to detail. Sensitive restoration to foot in a fine line - possibly it has broken off and been re-attached.
"Pair of Bronze age “Awl”. They would have been used to make holes in leather or wood and probably were inserted into a handle made from organic materials. Awls were a range of rod-like tools that were usually round sectioned and pointed at one end, and rectangular sectioned with a square or chiselled edge at the other (Rowlands 1976 48). 'Awl' is often used to refer to any number of small, pointed instruments. Referred to as ""pointed punches"" by Coles (1963-64 117). They were presumably used for perforating leather, but it was once suggested that they were used for tattooing human skin. Larger Awl height 63.2mm, 12.69g. The smaller Awl measures 39mm. 2.68g. Date: most probably 1250-800 BC"
Corgi Toys Gift Set 41. Corgi Car Transporter & 6 Cars. (Modelled on Carrimore MKIV) with automatic coupling Ford 'H' Series tilt cab. Transporter with red/silver tractor unit with yellow interior, blue and pale blue transporter, cars:- 3 Mini's, Minor in lilac with red interior, Sun Rally Mini Cooper 'S' in red with white roof, RN21, with red interior/. Plus a Wickerwork Mini Cooper 'S' in black with red roof and yellow interior. Plus a Rover 2000 in metallic maroon with cream interior, Hillman Imp in metallic bronze with cream interior and a Consul Cortina estate in red with plastic wood side panels. Boxed, 7/10 some age wear. Contents, transporter VGC, minor chips only. Cars GC-VGC chips mainly to Rover, Wickerwork and Imp, Imp with collapsed suspension. £150-200
Ca. AD 100 - 300.A beautiful ancient Roman bronze mirror featuring a flat circular body, with a smooth front face, that has now been worn out due to age, yet still retains good reflectivity. Mounted on a professional acrylic display stand. Bronze mirrors such as this were highly valued by individuals in the Roman Empire, on account of the importance given to appearance and grooming. They would have therefore been present in every aristocratic household, and were also buried with the deceased as grave goods. For a similar example, see The British Museum, Museum Number: 1856,1226.824 Size: 95mm x 95mm; Weight: 125g Provenance: Prince collection, 1990s-2014, acquired from Jean-David Cahn Auktionen.
Ca. AD 100-200. A bronze helmet with a round skull, topped with a small mushroom-shaped knob (peak) and a modern suspension ring. Massive visor with serrated edge. Widely flaring, contoured neck-guard with reinforcement bands riveted to the sides. Pronounced, embossed, stabilising ribs above the neck-guard. Ear cutouts on the sides with riveted hinge straps for attaching the cheekpieces. This type of helmet, also called “Imperial”, replaced a variety of Republican helmets. Soldiers mainly were responsible for acquiring their own equipment, often inherited from generation to generation. Weisenau helmets were worn by Roman Imperial legionaries and constituted the final evolutionary stage of the legionary helmet. These helmets were classified by H. Russell Robinson, who divided them into “Gallic” and “Italic” types. The earliest Roman piece was found in an Augustan grave at Nijmegen. With some restoration. Item comes with a professional historical report from Ancient Report Specialists, and X-Ray photos. The item includes an investigation report from an independent Belgian laboratory (Hebolabo) for age and authenticity. Size: 340mm x 320mm; Weight: 3.3kg Provenance: From the collection of a European collector; formerly acquired in Belgium in 2013; previously in Dutch collection, 1980s-2000s; Ex. Charles Delaporte collection, 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Western Asia, Ca. 2nd millennium BC.A group of five cast bronze axe heads, each with a tubular shaft, a round socket and a compact blade with a flaring profile. Axes played a crucial role in the lives of the people of the Bronze Age, serving as a tool for agriculture, woodworking, and as a weapon in times of conflict. Size: 115-130mm x 40-115mm; Weight: 1.9kg Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 600 BC.A finelly modelled helmet made of hammered bronze sheet, with a rectilinear opening for the face, long, pointed cheek pieces, horizontal ribbing on the forehead framing the upper facial opening, and twin parallel ridges on the crown, each flanked by a group of three later ribs in low relief, engraved band between. The back and sides flare out to guard the neck and has three perforations for attachment of leather liner. This example has a rich, blue-green patina and is a somewhat more impressive example of Type II, variant A, with a more pronounced dome-like form. The Roman historian Appian wrote that the Illyrian lived in the area south from the Macedonians and Thracians. Traditionally the Illyrians were farmers and miners, but during war time they were respected as seasoned soldiers, primarily for the infantry. For a discussion of Type II, variant A, see Angelo Bottini et. al. Antike Helme (Mainz, 1988) pp. 48-52, and ef. Figs. 7-8, p. 49. These helmets were particularly popular in northern Greece, in the province of Illyria, in the modern day Balkans. They were made for hoplites, the citizen-soldiers of the Greek city states, who often furnished their own bronze armor. As a result, regional styles developed, and there is a great deal of variation in shape and form.For similar examples to this helmet from the Metropolitan Museum of Art (1992.180.1, 2006.221, 2003.407.6) and the Louvre (CA 2221Or). For a similar, see H. Pflug, 'Illyrische Helme', in A. Bottini et al. Antike Helme, Mainz, 1988, 55-9. For further reading, see A. M. Snodgrass, Early Greek Armour and Weapons. From the End of the Bronze Age to 600 B.C., Edinburgh, 1964. Size: 280mm x 200mm; Weight: 1.16kg Provenance: London private collection; formelry in a private New York, USA collection; formerly acquired from the German collection of Hans Hagmann in 1968/69. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
GROßE WALZENSPIELDOSE MIT SECHS GLOCKEN, Schweiz, um 1890, Walzenspieluhr mit sechsfachem Glockenschlag durch Glockenhämmer in Schmetterlingsform auf fein ziselierte Bronzeglocken, Holzkasten aufwendig furniert mit floralen Marketerieeinlagen im Klappdeckel. HxBxT: 25,5/61/32 cm. Alters- und Gebrauchsspuren, Mechanik funktionstüchtig.| LARGE MUSIC BOX WITH SIX BELLS, Switzerland, c. 1890, music box with six chimes by butterfly-shaped bell hammers on finely chiselled bronze bells, wooden box elaborately veneered with floral marquetry inlays in the hinged lid. HxWxD: 25.5/61/32 cm. Signs of age and use, mechanism in working order.
(NACH) JUAN DE BOLOGNE, “Die Badende“, Bronze, dunkel patiniert, auf Marmorbasis, neben der Standfläche bezeichnet „Juan de Bologne“. H: 25 cm. Leichte Altersspuren, Patina part. berieben.| AFTER; JUAN DE BOLOGNE, "The Bather", Bronze, dark patina, on a marble base, inscribed "Juan de Bologne" next to the base. H: 25 cm. Slight signs of age, patina partially rubbed.
BILDHAUER DES XX JAHRHUNDERTS "Frauenakt mit Spiegel" Bronze mit Marmor-Sockel, sich im Handspiegel betrachtende Schönheit, H: ca. 30 cm. (mit Sockel) Altersspuren, Arm etwas locker. | PICTURER OF THE XX CENTURY "Nude woman with mirror" Bronze with marble plinth, beauty looking at herself in a hand mirror, h: approx. 30 cm. (with plinth) Signs of age, arm somewhat loose.
MARCUSE, RUDOLF (1878 - 1940), "Badende", um 1910, Bronze, partiell fein ziseliert, vollplastische Aktdarstellung eines sich abtrocknenden Mädchens, auf kleiner runder Plinthe stehend, auf Plinthe signiert: "Rud. Marcuse fec.", auf Marmorsockel montiert. Gesamthöhe: ca. 62 cm, Maße (HxB) Sockel: ca. 16 x 16 cm, Gewicht: ca. 13,35 kg. Alterspuren, Chips am Sockel, feine Kratzer.| MARCUSE, RUDOLF (1878 - 1940), "Bathers", around 1910, bronze , finely chiselled in places, fully sculpted nude depiction of a girl drying herself, standing on a small round plinth, signed on the plinth: "Rud. Marcuse fec.", mounted on a round marble base. Total height: approx. 62 cm, dimensions (HxW) plinth: approx. 16 x 16 cm, weight: approx. 13.35 kg. Signs of age, chips to the plinth, fine scratches.
American Purple Heart Medal awarded to 32634848 Charles H. Poppo; cased with identity tags and paperwork; and Bronze Star Medal awarded to U.S. Marine Esteban T. Maranao; cased; American WWII Victory Medal and Asiatic Pacific Campaign MedalCondition Report:All in reasonably good condition consistent with age and use.
WWI pair of medals comprising British War Medal and Victory Medal awarded to G/62196 Pte. H. Ferguson R. Fus. with ribbons on wearing bar; together with bronze memorial plaque to Henry Ferguson (3)Condition Report:Reasonably good condition consistent with age and use. Traces of adhesive to back of medals/
An Indus Valley terracotta figurine of a Zebu Bull idol, 2000-1300 BCE, painted with stripes on back and horns, 9cm long. Note - The Indus Valley Civilization was one of the early civilization during the bronze age which lasted from 3300 BCE to 1300 BCE. *CR general marks and wear, some minor losses/chips.
A grand tour patinated bronze figure, after the antique,19th century, Italian, probably Naples, of The Dancing Faun, on a rouge marble base,22cm wide11cm deep37cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportGeneral rubbing and wear to patina consistent with age and handling. Apparent break to fig leaf. Ever so slightly loose on base. Some small chips and nibbles to edges and corners of marble.
A patinated bronze figure after the antique,17th century, Italian, of the Apollino, 15cm high,on a stepped brèche violette plinth,9cm wide9cm deep22.5cm high overallProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.The marble statue, a Roman copy after the Hellenistic original, is housed in the Uffizi, Florence (inventory no. 229).Condition ReportWe confirm that we believe this piece to date to the 17th century. General wear commensurate with age and use. Some old chips and wear to base, particularly at corners and edges. Overall appears in fair and stable order.
A bronze figure of a reclining hunter,19th century, Continental, on a rock crystal base,10cm wide17cm deep10cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportOverall in fair to good order. Some verdigree to base and recesses of bronze. Rifle loose on hunter. Nibbles and shell out of rock crystal base. Knocks, scuffs, surface scratches and chips commensurate with age and use.
A chinoiserie gilt and patinated bronze desk bell,early 19th century, in the form of a seated figure with an articulated arm, on a black marble base, 17cm wide9cm deep14cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportGeneral surface wear and rubbing to patina and gilding commensurate with age and handling. Mechanism functions well, however the bell doesn't currently strike particularly clearly, so may need a little adjustment. Some small chips and losses to edges and corners of base. Overall appears in fairly good structural and cosmetic condition.
A bronze inkwell,17th century, North Italian, the cover surmounted by a putto, raised on three siren supports terminating in dolphin heads, the cover and base possibly associated,14cm wide14cm deep19cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportThe rim with eroded perforations and verdigris. One side of the inkwell worn through to the top half. With possible restoration to one foot. The putto to the lod possibly restored to the back foot. With general scratches l, knocks, marks, and imperfections commensurate with age and use. Additional images uploaded.
A bronze model of a crouching lion, 17th century, South German, on a later marble base,8cm wide13cm deep13cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportThe base with some minor marks, and remnants of a sticky label to the side. The lion with some age related wear to conclude some scratches, marks, and rubbing to the patination. No perceived losses, damages or restoration have been detected.
Philip Jackson (b.1944) Scottish, a large limited edition cast bronze figure, ('Rondo'?), signed and numbered 2/8, Morris Singer Foundry Stamp verso, 54 cm high.Deceased North London estate - see the two other works by the same artist in this sale.Generally good condition with some signs of wear to decoration throughout commensurate with age, please see photos
Philip Jackson (b.1944) Scottish, 'Commendatore', limited edition cast bronze figure, signed and numbered 2/8, Morris Singer Foundry stamp verso, 46 cm high, with original purchase receipt (dated March 1993), from the studio of the artist.Deceased North London estate.Generally good condition with some signs of wear to decoration throughout commensurate with age, please see photos
Group of three Chinese bronze pieces including two belt hooks and one taotie mask bitting. One belt hook in the form of a creature with later applied turquoise inlays.Height ranges from 1 in to 5 1/4 in; width ranges from 3/4 in to 1 1/4 in; depth ranges from 1/2 in to 1 in.Condition:There are no major breaks or losses. Due to the nature of the material it is difficult to determine if there are scratches or losses. There is verdigris patination throughout. There is wear throughout as expected from age and use.
Small Ordos bronze figurine in the form of a kneeling ram. With two applied sun motifs along the body.Height: 2 in x width: 2 3/4 in x depth: 1 in.Condition:There are no major bends or cracks. There are areas of verdigris patination. There is a loss to the fitting along the back of the item. There is wear throughout as expected from age and use.
Group of two Chinese Tang Dynasty or later silvered bronze tea scoops.(Small) Height: 9 1/2 in x width: 1 1/2 in. (Tall)Condition:There are areas of tarnish and verdigris patination. There is a loss to the narrow spoon in the center of the bowl of the spoon measuring approximately 3/4 inch, visible in the lot listing. There is heavy wear and loss throughout as expected from age and use.

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