A WW1 medal pair, bronze cap badge, autograph book, and period photographs, relating to 266153 Pte Ernest George Ewens of the Hertfordshire Regiment, and later the Bedfordshire Regiment. To include: the British War Medal, Victory Medal, period bronze Herts Regiment cap badge on slider, a WW1 era autograph book, containing poems, illustrations and greetings from various soldiers, and various WW1 period photographs of Pte Ewens in uniform. Notes: Pte Ewens’ medal entitlement is confirmed as being the pair only. Contemporary records would suggest that he was part of the territorial force. in the Bedfordshire & Hertfordshire Regiment. A couple of the photographs included would indicate that he was a music9na in the regiment, as in one image he is pictured holding a trumpet, and another shows him holding a bugle. Another image shows a group of drummers, but it’s uncertain whether Pte Ewens is in this image. Information supplied by the vendor states that Ernest was born in Wood Green, on November 23rd 1897. He enlisted just before his 17th birthday, in 1914, and spent 2 years serving with a Home Service (TF) unit. After attaining the required age, Ernest was sent overseas for service in France & Flanders. He joined the regimental brass band, which managed to excuse him from some of the dreary trench duties. The autograph book is named and dated November 23rd 1914, seemingly a birthday present from his parents. It contains amusing rhymes and poems, written by fellow soldiers, plus some illustrations of camps, particularly from the 30th Company Grenadier Guards. Condition: generally good. Both are in good clean condition, with a good level of detail still present. The medals are both complete with their original ribbons, but these are a little frayed. The photograph are all good, as is the cap badge. The autograph book has a couple of loose pages, but is otherwise good.
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A WW1 Military Cross / Mentioned in Dispatches medal group, awarded to Lt W.G. Grant. To include: the Military Cross, British War Medal, and Victory Medal, the latter with Bronze oak leaf attached to the ribbon, indicating Mention in Dispatches. Notes: as is correct, the BWM and Victory Medal only carry the officer’s rank and name, not his regiment. It’s been suggested Lt W.G.Grant is a William George Grant, who served in the ranks as a Private in the 5th Scottish Rifles (using service number 6572). He later went on to serving in the 3/6 Scottish Rifles with the rank of Lieutenant (appointed from 24/05/16). In this instance he would also be entitled to the 1914 star with clasp (which is absent). A group certainly worthy of further research. The Military Cross is a genuine period example, and unnamed as it was originally issued. Each medal is complete with its original silk ribbon. Condition: very good. There is a little age related toning to the medals, and the M.C has traces of polish within the grooves of the design. The ribbons on the BWM and Victory medal have been sewn at the back and have safety pins attached to facilitate wearing.
A scarcely seen Irish WW1 officer’s tunic for the Prince of Wales Leinster Regiment (Royal Canadians). Complete with bronze officers collar badges on the cuffs, brass regimental buttons, and 3 embroidered rank stars to each cuff, which would indicate the rank of Captain. Brown cotton lining to the body, and an off white pin striped lining to both sleeves. Notes: the regiment had its origins in the 100th (Prince of Wales’s Royal Canadian) Regiment of Foot, and the 109th Regiment of Foot (Bombay Infantry), with the 2 amalgamating in 1881 as part of the Childers reforms. The regiment recruited mostly in Central and Eastern Ireland, with its Home Depot being in Birr in County Offaly. The regiment was disbanded in 1922, with the partition of Ireland and the establishment of The Irish Free State. No apparent makers labels, officer’s name, or date to the tunic, but to the inside edge of the skirt section there is a crudely stitched word or name, but it is indecipherable. Condition: good for its age and purpose. For the most part the tunic is structurally sound, with no major holes or tears to the fabric. The right shoulder has a 1.5cm long split of the outer fabric, revealing the liner below. There are a few very small old moth holes to the right breast and sleeve area The top half of the back section also has a little moth peppering and light soiling in places. The lining is almost entirely intact, with just the seam area (where it joins the main body of the tunic) having some degradation on the fabric and stitching faults. Overall, the item displays very well.
WW2 NSDAP German triangular hanging pennant, possibly for a bike. Screen printed white roundel, stitched onto both sides of the red field. Hemmed to all 3 edges. Signs of there having been a black and white suspension cord fixed to the short edge. Plus, a period printed image of Hitler, stuck into an album or scrapbook page, a relic condition woollen NSDAP armband (severely moth eaten), 9 examples of the Winterhilfwe button books, given to those who donated to the annual German Winter Relief fund. 7 of the 9 still have the cotton threads that were used for hanging from the coat button. Also, a bronze post war NSDAP faithful service decoration, painted black, A West German army side cap, dated 1963, and a packet of wartime ‘Kleen’ razor blades in their original paper packets. Condition: some age related wear to the paper pieces, but nothing that is detrimental. The pennant is in good condition, and as mentioned above, the armband is in relic condition.
A 1915 Star trio and original period cap badge, awarded to 12576 Sjt Richard Evans of the North Staffordshire Regiment. To include: the 1915 Star, British War Medal, Victory Medal, and a bronze officers cap cap badge for the Notts & Derby Regiment (Sherwood Foresters), stamped J.R.Gaunt, London. Notes: according to his medal index card, Sjt Evans was commissioned into the Sherwood Foresters on April 30th 1918. He first disembarked for service with the N.Staff R in France on July 18th 1915. Condition: generally very good. Norma; age related toning to the medals, but with a good level of detail still present. The ribbons are original, but only short in length. The cap badge is also good, with a good overall colour and patina.
A WW2 era 3rd class German Mother’s Honour Cross in bronze, with an enamel infill. Awarded to mothers who raised 4 or 5 children. Complete with correct neck ribbon. Plus, a WW2 Eastern Front Medal or the ‘Ostmedaille’, also commonly referred to as the frozen meat medal. Complete with a short length of original ribbon. And a WW2 era German aluminium teaspoon, circa 1940, stamped with the German eagle and ‘H.M.Z40’. Condition: generally good. The enamels on the Mothers Cross are 99% intact, with just a very tiny chip to the end of the left arm of the swastika. The Russian Front Medal has oxidised to the surface, and is a little bubbled i places. The spoon has normal service and age related wear.
2 Royal Engineer interest WW1 campaign medals. To include: a British War Medal named to 113647 Cpl Albert S. Caddick R.E., plus a Victory Medal named to 492418 Spr Herbert H. Bullers R.E. Also, a 1906 dated bronze education prize medallion, a German white metal hockey prize medallion dated 1918, a hallmarked silver education prize medallion dated 1908, and 1900 dated Victorian penny. Notes: Cpl Caddick first disembarked for service in France on August 20th 1915. He is entitled to the 1915 star trio. Spr Bullers is entitled to the BWM and Victory pair only. Condition: generally good. Dark toning to the silver BWM, and a verdigris spot to the Victory Medal. General age related wear to the other pieces. Both medals are lacking their ribbons.
Absolutely stunning sculptural execution of the master of the air; Eagle. It shines magnificently in crystal night, crystal bronze shade, and jet golden brown crystal and is poised dramatically on an innovative metal base. The pieces comes with cleaning cloth and handling gloves. Swarovski backstamp. This item has its original box. Box measures: 18.75"L x 13"W x 12.5"H. Artist: Elisabeth AdamerIssued: 2013-2015Dimensions: 10"L x 6.25"W x 14.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Gemischter Sammlernachlass von Orden, Abzeichen und Medaillen aus deutscher Geschichte sowie etwas Ausland. Darunter bspw.: 1 x Preussen - Brosche/Erinnerungszeichen für Verdienste um das Feuerlöschwesen ca. 1925; 1 x Taschenkette mit Miniaturmedaillen wie bspw. Kriegsdenkmünze für die Schlacht bei Königgrätz 3. Juli 1866 sowie diverse Denkmünzen in Miniatur diverser Korps und Armeen; 1 x Dt. Kaiserreich - Kriegerverein - Kreuz für 40 Jahre Treue im Verein an Damenschleife; 1 x Drittes Reich - VDA Volksbund für das Deutschtum im Ausland, 29 versch. Städtewappen am Tuch; 1 x Drittes Reich - Paar an Schulterklappen der Deutschen Wehrmacht 1935-1945 des Oberst (Grenadiere). 1 x mit und 1 x ohne Regimentsnummern (817?); 1 x Drittes Reich - Ehrenkreuz der Deutschen Mutter in Gold, 1. Stufe 2. Form, 16. Dezember 1938 mit Band im Originaletui Hersteller R. Hauschild Pforzheim; 1 x DDR - Deutsches Rotes Kreuz, Verdienstabzeichen in Bronze, mit Miniaturausführung im Originaletui; 1 x UdSSR - Ruhmesorden 3. Klasse nach 1943; Und einiges mehr. Diverse Alters- und Gebrauchsspuren. Des Weiteren eine kleine Goldmünze: 1 x Preussen - 5 Mark 1877, s-ss, tiefe Kerben, 1.7 g Au fein. Und etwas Kleinmünzen alle Welt. Bitte besichtigen!| Mixed collector's estate of orders, badges and medals from German history and some foreign countries. Among them for example: 1 x Prussia - brooch / commemorative badge for services to firefighting ca. 1925; 1 x pocket chain with miniature medals such as war memorial coin for the Battle of Königgrätz July 3, 1866 as well as various memorial coins in miniature of various corps and armies; 1 x German Empire - Kriegerverein - cross for 40 years of loyalty in the club on ladies bow; 1 x Third Reich - VDA 'Volksbund für das Deutschtum im Ausland', 29 versch. City coat of arms on cloth; 1 x Third Reich - pair on epaulettes of the German Wehrmacht 1935-1945 of the colonel (grenadiers). 1 x with and 1 x without regimental numbers (817?); 1 x Third Reich - Cross of Honor of the German Mother in gold, 1st level 2nd form, December 16, 1938 with ribbon in original case manufacturer R. Hauschild Pforzheim; 1 x GDR - German Red Cross, merit badge in bronze, with miniature version in original case; 1 x USSR - Order of Glory 3rd class after 1943; And some more. Various signs of age and use. Furthermore a small gold coin: 1 x Preussen - 5 Mark 1877, F-VF, deep notches, 1.7 g Au fine. And some coins from all over the world. Please visit!
Drittes Reich – Bronzeplakette geschwärzt mit Kopf von A. H. in Reliefdarstellung nach links. Monogramm HM, Umschrift DIE VORAUSSETZUNG ZUR TAT IST DER WILLE UND DER MUT ZUR WAHRHAFTIGKEIT. Rückseite: unten ERSTE, VOM FÜHRER UND DER REICHSLEITUNG FÜR SEHR GUT BEFUNDENE, NACH NATURSTUDIEN GEARBEITETE PLAKETTE. Weitere Signatur: F. VOGEL und W – BARMEN. Mit Aufhänger. Ca. 14 x 9,5 x 0,5 cm, Gewicht ca. 314.52 g. Zeitgemäße Altersspuren, im Originaletui. Anbei frankierte und gestempelte Postkarte zum ‚Geburtstag des Führers‘.| Third Reich - Bronze plaque blackened with head of A. H. in relief to the left. Monogram HM, inscription THE PREREQUISITE FOR ACTION IS THE WILL AND THE COURAGE TO BE TRUTHFUL. Reverse: below FIRST PLAKET RECOGNIZED BY THE LEADER AND THE REICHSLEITUNG AS VERY GOOD, MADE ACCORDING TO NATURAL STUDIES. Further signature: F. VOGEL and W - BARMEN. With hanger. Approx. 14 x 9.5 x 0.5 cm, weight approx. 314.52 g. Contemporary traces of age, in original case. Enclosed franked and stamped postcard for the 'Birthday of the Leader'.
Drittes Reich - Spannender Nachlass diverser Orden und Ehrenzeichen mit Ordensspange. Darunter: Ordensspange mit folgenden Auszeichnungen: Deutsches Kaiserreich - Eisernes Kreuz 2. Klasse 1914; Preussen - Verdienstkreuz Kriegshilfsdienst 1916; Sachsen-Altenburg - Herzog-Ernst-Medaille mit Bandschleife 1914; Drittes Reich - Ehrenkreuz für Kriegsteilnehmer 1914/1918; Drittes Reich - Treudienstehrenzeichen 2. Stufe für 25 Jahre, Zugehörig zu der Ordensspange ebenfalls eine Miniatur- Brustnadel mit allen Auszeichnungen sowie eine Bandspange derselbigen Ordensspange. Des Weiteren: 1 x Schutzwall-Ehrenzeichen mit Band an Nadel befestigt; 1 x Reichssportabzeichen in Bronze mit Miniatur, Hersteller Wernstein, Jena; 2 x Drittes Reich - Eisernes Kreuz 2. Klasse 1939, davon 1 x eine Museumsanfertigung ohne Hakenkreuz mit Eichenlaub; 1 x Kriegsverdienstkreuz 1. Klasse mit Schwertern 1939, ohne Hersteller; 1 x Kriegsverdienstkreuz 2. Klasse 1939; 1 x Deutsches Kaiserreich - Eisernes Kreuz 2. Klasse 1914, Replik, modernes Band lose anbei; 1 x Drittes Reich - Ärmelabzeichen für Gebirgsjäger: Mannschaften, späte maschinengestickte Ausführung, guter Zustand; 1 x Erkennungsmarke 10/Stab. Inf. Ers. Rgt. 14. Und weiteres wie eine Sammlung diverser Bänder. Erhaltungen verschieden, mit Alters- und Gebrauchsspuren.| Third Reich - Exciting estate of various orders and decorations with medal clasp. Including: Order clasp with the following awards: German Empire - Iron Cross 2nd Class 1914; Prussia - Cross of Merit War Relief Service 1916; Saxony-Altenburg - Duke Ernest Medal with ribbon loop 1914; Third Reich - Cross of Honor for War Participants 1914/1918; Third Reich - Loyalty Service Medal 2nd Class for 25 years, Also belonging to the medal clasp a miniature breast pin with all awards and a ribbon clasp of the same medal clasp. Furthermore: 1 x Schutzwall badge of honor with ribbon attached to pin; 1 x Reich sports badge in bronze with miniature, manufacturer Wernstein, Jena; 2 x Third Reich - Iron Cross 2nd class 1939, 1 x a museum replica without swastika with oak leaves; 1 x War Merit Cross 1st class with swords 1939, without swastika and oak leaves. Class with Swords 1939, without maker; 1 x War Merit Cross 2nd Class 1939; 1 x German Empire - Iron Cross 2nd Class 1914, replica, modern ribbon loosely attached; 1 x Third Reich - Sleeve Badge for Mountain Infantry: Crews, late machine embroidered version, good condition; 1 x Recognition Badge 10/Stab. Inf. Ers. Rgt. 14; and further like a collection of various ribbons. Condition varies, with signs of age and wear.
A great rarity believed to be from Prince Bira’s Bentley. 12 copies were made during the late 1930s, all marked one to 12 with green glass eyes (the original had Emerald eyes). This example is not one of those later copies or numbered and has a clearly marked 'B. Bira' signature. In good, original, unrestored condition with normal age patination all over the mascot and around the legs. Hollow cast chromed bronze. Sold with a copy of Princess Ceril Birabongse's book The Prince and I (which mentions it, on page 49, as being sculpted by Bira and mounted on his Bentley) plus three other books relating to Bira. It would be wonderful to establish its provenance as the 'original' but our vendor is unable to say, without doubt, that is the case. We encourage interested parties to form their own opinion. Measuring 16.5cm long.For more detail regarding this rare mascot see page 43 of Kay and Springate's Automotive Mascots book. This important mascot was sculpted by Prince Birabongse whilst staying at his mother's house near Fontainbleau. Click here for more details and images
DAUM NANCY / CHARLES RANC, Jugendstil Tischleuchte, um 1925, farbloser, satinierter Glasschirm mit Pulvereinschmelzungen und Signatur „Daum Nancy France“, Bronzeschaft in Schwanenform am Fuß gestempelt „C. Ranc“. H: 37 cm. Leichte Alters- und Gebrauchsspuren, Elektrik veraltet.| DAUM NANCY / CHARLES RANC, Art Nouveau table lamp, c. 1925, colourless, satin-finished glass shade with powder meltings and signature "Daum Nancy France", bronze shaft in swan shape at the base stamped "C. Ranc". H: 37 cm. Slight signs of age and use, outdated electrics.
Kommödchen im Louis XVI-Stil. Ovale, dreischübige Kommode aus Holz mit Intarsieneinlagen und Messingrahmen mit durchbrochener Galerie. Die Schubladen haben Messinggriffe und an den vier Seiten befinden sich Bronzeapplikationen, , HxBxT: 74,5x43x32 cm. Alters- und Gebrauchsspuren, leichte Furnierschäden.| Commode in the Louis XVI style. Oval, three-drawer small commode, made from wood with marquetry inlays and brass frame with openwork gallery. The drawers have brass handles and there are bronze applications on four sides, HxWxD: 74.5x43x32 cm. Traces due to age and use, light veneer damage.
PAAR FIGÜRLICHE BRONZEBESCHLÄGE Frankreich, Anfang 20.Jh., Bronze gegossen, halbplastische Darstellung Meerjungfrau und Triton auf Barocksockel, H: ca. 35 cm. Altersspuren.| PAIR OF FIGURATIVE BRONZE FITTINGSFrance, early 20th century, cast bronze, semi-plasticised depiction of a mermaid and Triton on a baroque base, h: approx. 35 cm. Traces of age.
KUNSTGIESSEREI SCHWAB (Münster), modern Skulptur”, Bronze, nach einer durch Wind Töne erzeugenden Skulptur im Sibelius Park in Helsinki, Seitlich der Giesserstempel Nummerierung, Auflagennummer 3/99, HxBxT: 50/27/14 cm. Leichte Altersspuren.| KUNSTGIESSEREI SCHWAB (Münster), modern sculpture". Bronze, after a sculpture in Sibelius Park in Helsinki, numbered on the side of the foundry stamp, edition number 3/99, HxWxD: 50/27/14 cm. Slight signs of age.
KOLLWITZ, Käthe, NACH (1867-1945), "Abschied", Bronze, dunkel patiniert, Nachguss: im Guss das Monogramm 'K. K.' und darunter verschlagene Reste eines Gießerstempels, auf schwarzem Steinsockel montiert, H: Figur ca. 18,5 cm, gesamt ca. 21,5 cm. Altersspuren.| KOLLWITZ, Käthe, AFTER (1867-1945), "Farewell", bronze, dark patinated, replica: the monogram 'K. K.' and underneath, the remains of a foundry stamp, mounted on a black stone base, H: figure approx. 18.5 cm, total approx. 21.5 cm. Signs of age.
ARENNTZ, KURT (1934-2014), „Friedenstaube“, Bronze auf schwarzem Diabassockel, Edition ars-mundi, Exemplarnummer 9/400, unter den Schwanzfedern sign. und nummeriert. HxBxT: 27/19/20 cm. Leichte Altersspuren.| ARENNTZ, KURT (1934-2014), "Dove of Peace", Brinze on black diabase base, Edition ars-mundi, copy number 9/400, signed and numbered under the tail feathers. HxWxD: 27/19/20 cm. Slight signs of age.
PORSCHE - Konvolut Medaillen und Plaketten, darunter: 1 x an Holz montierte Bronzeplakette 'Porsche Trophy'; 1 x Jubiläumsplakette '50 Jahre Porsche Stuttgart 1931-1981', im Originaletui, rückseitig Klebestreifen befestigt; 1 x Porschenadel mit Logo, rückseitig 750 punziert, ca. 4.2 g rau, im Originaletui; 1 x Porsche-Gedenkmedaille 'Grand Prix Kunskaps Tävling' 1988, im Originaletui; 1 x Bonzemedaille zum Grand Prix 1986 zum 'Porsche-Mechaniker Langzeit-Quiz', im Originaletui; 1 x Bronzemedaille zum '1. Internationaler Porsche Service Cup' 1994/95, im Originaletui; 1 x Gedenkmedaille zum 70. Geburtstag von Dr. Ferry Porsche, 19. September 1979; Des Weiteren: 4 x Blankplaketten mit Logo, 4 x Stoffapplikationen des Porsche-Logos und Nadeln, Pins und weiteres mit dem Porsche-Logo. Zusätzlich 3 anderweitige Medaille: 1 x Gedenkmedaille MAN 'Geburtsstätte des Dieselmotors' 1893-1897/Rudolf Diesel, mit Aufhänger; 1 x Medaille von Friedrichshafen 'Geburtsstätte der Zeppeline, Sitz der ZF', im Originaletui; 1 x Medaille mit Motivausschnitt von Männerbeinen in leicht knieender Position, der in der rechten Hand eine Kugel hält, ohne weitere Zuordnung, im Originaletui. Erhalten verschieden, überwiegend vorzüglich, kaum Alters- und Gebrauchsspuren.| PORSCHE - Mixed lot of medals and plaques, including: 1 x bronze plaque 'Porsche Trophy' mounted on wood; 1 x anniversary plaque '50 years Porsche Stuttgart 1931-1981', in original case, adhesive strips attached to the back; 1 x Porsche pin with logo, 750 hallmarked on the back, approx. 4.2 g rough, in original case; 1 x Porsche commemorative medal 'Grand Prix Kunskaps Tävling' 1988, in original case; 1 x bonus medal for the Grand Prix 1986 for the 'Porsche-Mechaniker Long-Term Quiz', in original case; 1 x bronze medal for the '1. International Porsche Service Cup' 1994/95, in original case; 1 x commemorative medal for the 70th birthday of Dr. Ferry Porsche, September 19, 1979; Furthermore: 4 x blank plaques with logo, 4 x fabric applications of the Porsche logo and pins, pins and more with the Porsche logo. Additionally 3 other medals: 1 x commemorative medal MAN 'Birthplace of the Diesel Engine' 1893-1897/Rudolf Diesel, with hanger; 1 x medal from Friedrichshafen 'Birthplace of the Zeppelins, headquarters of ZF', in original case; 1 x medal with motif cut-out of man's legs in slightly kneeling position, holding a ball in his right hand, without further attribution, in original case. In various condition, mostly excellent, hardly any signs of age or wear.
ALBINS (Bildhauer/in 19/20. Jh.), Paar galante Kinderfiguren, Bronze, vollplastisch gegossene Figuren eines mondän gekleideten Mädchens mit Blumentopf und eines Jungen mit Zylinder, Blumenstrauß und Schriftrolle, je am Rand der runden Plinthe bezeichnet 'Albins', je auf Steinsockel montiert, H: Figuren ca. 11, gesamt ca. 13 cm. Leichte Altersspuren. | ALBINS (sculptor, 19th/20th century), pair of gallant children's figures, bronze, moulded figures of a fashionably dressed girl with flowerpot and a boy with top hat, bouquet of flowers and scroll, each inscribed 'Albins' on the edge of the round plinth, each mounted on stone base, h: figures approx. 11, total approx. 13 cm. Slight signs of age.
PAAR FIGÜRLICHE BRONZEBESCHLÄGE Frankreich, Anfang 20.Jh., Bronze gegossen, halbplastische Darstellung zweier Amorettenfiguren auf Barocksockel, HxB: 25/22 cm. Altersspuren.| PAIR OF FIGURATIVE BRONZE FITTINGSFrance, early 20th century, cast bronze, semi-plasticised depiction of two cupid figures on a baroque base, hxw: 25/22 cm. Traces of age.
LÖRCHER, ALFRED (1875-1962, Prof.), "Hockende mit Spiegel", Bronze patiniert, vollplastische, hohl gegossene Figur einer jungen Frau, Entwurf 1946/47, wohl spätere Gussausführung, da unsigniert und nicht datiert, unter ihrem linken Fuß Gießerstempel: STRASSACKER, KUNSTGUSS SÜSSEN, H: ca. 7,5 cm. Altersspuren. LITERATUR: Marlis Grüterich, Alfred Lörcher, Skulptur, Relief, Zeichnungen, mit Werkverzeichnissen, G. Hatje1976, vergleiche WVZ-Nr. P 107 (die abgebildete Bronze als datiert aufgeführt).| LÖRCHER, ALFRED (1875-1962, Prof.), "Squatting woman with mirror", patinated bronze, full-size, hollow-cast figure of a young woman, designed in 1946/47, probably later cast, as unsigned and undated, foundry mark under her left foot: STRASSACKER, KUNSTGUSS SÜSSEN, h: approx. 7.5 cm. Traces of age. LITERATURE: Marlis Grüterich, Alfred Lörcher, Skulptur, Relief, Zeichnungen, mit Werkverzeichnissen, G. Hatje1976, compare WVZ no. P 107 (the illustrated bronze listed as dated).
Bronze with silver eyesSwat Valley , 10th century or later Dimensions: Height 17 cm Wide 10 cm Depth 7 cmWeight: 1020 grams Avalokiteshvara in a ‘pensive mood’, his right elbow supported by the raised knee, the forefinger pointing to his temple, his left hand placed on his thigh and holding the stem of a large lotus flower. The lower body is dressed in a striped dhoti, the sacred thread runs along the naked upper body also adorned with armlets, bracelets and a beaded necklace. The oval face has a calm expression, the eyes downcast and framed by elongated earlobes with earrings. The hair is done up in a bun enclosed by a crown with an effigy of Buddha Amitabha in the center. The matted hair running down in strands can be seen from the back, an eyelet attached to the back.A distinctive style or school of sculpture associated with Swat Valley and its surrounding hills flourished from about the sixth to the end of the tenth centuries CE. Among the features most often associated with Swat Valley sculpture is a narrow-waisted lotus base with wide, rounded, unembellished lotus petals as can be seen here. - Age confirmed by the oldest private laboratory specialized in TL-Analysis ( Laboratory Kotalla )DATING CONFIRMED BY TL TEST FROM GERMAN LABORATORY , TEST RESULT ATTACHED TO THE PHOTOGRAPHS
A 17th/18th Century bronze bust of small proportions, of a Roman figure, raised on a waisted circular marble socle, the bust with painted number "1563" to the back, 18.5 cm high including base CONDITION REPORTS Later attached to the metal struts and socle base. Base has cracks and some damage to include an area to the middle of the waist. Chips to edges. Otherwise general wear and tear conducive to age and use. See images for more details.
A George III mahogany cased mantle clock, the caddy top with brass handle and pineapple finials, the arched glazed door with pierced brass spandrels flanked by fretwork carved side panels, on squat bracket feet, the eight-day twin fusée movement with cord pull repeat action and chinoiserie engraved brass back plate inscribed "William Turner London", the brass arch dial with silvered chapter ring set with Arabic and Roman numerals enclosing a date aperture and silvered panel inscribed "William Turner London" and a further aperture showing pendulum movement, surmounted by a silvered "strike/silent" dial within pierced brass spandrels 30.5 cm wide x 19 cm deep x 53.5 cm high including handle CONDITION REPORTS Overall condition looks good. There is some cracking / shrinkage to the veneers and mouldings throughout. Some requiring attention / re-gluing, arguably. Face and dial appear to be in overall good condition though with some wear and tear conducive with age and use, particularly to the silvering of the chapter ring at 2/3 o'clock and 6/7 o'clock. The brass handle has wear and tear to the surface, again conducive with age and use. The finials are slightly different in colour, being more gold than the bronze / yellow of the handle. The spandrels again slightly different in colour, possibly later than those on the face. The movement all appears to be intact and seemingly in working order, thought this is not guaranteed. See images for further detail.
FRENCH LOUIS XVI GILT BRONZE AND WHITE MARBLE MANTEL CLOCK BY LEPINE CIRCA 1780 the white enamel dial with black Arabic numerals and Arabic quarter markers, signed in puce ‘Lepine, A Paris’, the white marble pendule d’officer style case with beaded door with rose branch bow swag below, surmounted by a figure of winged Cupid descending on billowing clouds to greet a figure of Venus with two doves between them, mounted on a white marble inverted breakfront plinth base with acanthus moulding, the front with a classical frieze of putti, on front toupie feet flanked by two pairs of column base feet, the twin barrel movement with silk suspended pendulum and outside countwheel, striking on a bell, the backplate signed ‘Delaruelle AParis’ 32cm wide, 39cm high, 14cm deep There is a limited corpus of known Lepine clocks from the same period with a similar composition to the present clock, all featuring a pair of gilt bronze figures representing allegories of love flanking the case incorporating doves. A similar model, signed Lépine, can be seen in the collection of the Residenzmuseum, Munich, another housed in identical case can also be found at Château de Fontainebleau [See Hans Ottomeyer and Peter Pröschel, “Vergoldete Bronzen”, 1986, p. 248, pl. 4.6.13]. That model also features an allegory of Cupid, this time in the guise of a putti, descending from the opposite side. The modelling and chasing of the clouds is nearly identical to the present clock and the framing of the figures around the case is similar. Another similar model, signed Lépine, resides in the Collection of the Louvre Museum, Paris, and came from the collection of Queen Marie-Antoinette [See P. Kjellberg, La pendule française du Moyen-Age au XXe siècle, Les Éditions de l’Amateur, 1997, p.251 (pendule C) et 246 (pendule A), Archives nationales O13510)]. That model represents the “Return of Love" and shows figures of a winged putti offering a dove to a young maiden arranged in a similar posture around the clock. Both of those signed Lepine examples have very similar dials to the present clock, with the style of both the Arabic numerals and the signature near identical.Jean-Antoine Lépine (1720-1814), was one of the most important Parisian clockmakers of the second part of the 18th century. He was appointed clockmaker to both King Louis XV and Louis XVI, to whom he supplied a large number of clocks to the Palais royaux. Lépine was also patronised by the French aristocracy as well as the Spanish, British and Swedish royalty. Lépine initially worked as an “ouvrier libre”, then became a master on March 13, 1762, and taking over the stock of his colleague Caron, who held the title of Horloger du Roi et du Garde-Meuble de la Couronne. Having settled in the rue Saint-Denis in 1756, the place Dauphine in 1772, the rue des Fossés Saint-Germain-l’Auxerrois in 1777, and then the rue des Vieux-Augustins during the Revolutionary period, Lépine led one of the most productive and renowned workshops of the reign of Louis XVI. He was also very aware of integrating scientific excellence with aesthetic beauty and thus only used cases by the finest bronziers such as Jean-Baptiste and Robert Osmond, Etienne Martincourt and Jean-Rémy Carangeot as well as the ébénistes Balthazar Lieutaud and Nicolas Petit and also employed the services of the gilders Noël, Martin and Henry. Lépine’s attention to detail also included the dial face, his early dials only had Arabic numerals for the hours and minutes. This was one of Lépine’s specialities, which he continued to use until about 1789 when he reverted back to the more usual combination of Roman and Arabic numerals.In the late 18th century there were two clockmakers named De La Ruelle that were active in Paris. The first being André De La Ruelle (born in 1740), was apprenticed in 1754, registered his letters of mastery on October 13, 1762 and set up his workshop on rue Saint-Martin from 1772 to 1789 (See P. Verlet, Les bronzes dorés français du XVII siècle, Paris, 1999, p. 435). The second, Nicolas De Là Ruelle, seems to have started his career at the end of the reign of Louis XV and set up his workshop successively in Enclos des Quinze-Vingt, rue Croix des Petits-Champs and rue Richelieu at the Revolution.
Pair of Sevres porcelain urns and covers19th Century, with coronet finials, on red/pink ground, decorated with handpainted flowers and highlighted gilt decoration on ormolu bases, with marks to the underside, 55cm high approx overall (2) Overall scratches, marks and wear. Consistent with age and use. Some minor loss and wear to the gilding in places. Some tarnish and discolouration in places to the bronze/ormolu mounts.
Kommode im Louis-Quinze-Stil mit Marmorplatte. Um 1850. Frankreich. Palisander und Rosenholz furniert. Ca. 83 x 75 x 38 cm. 3-schübige Kommode in leicht geschwungener Form, auf 4 leicht ausgestellten Beinen; rötliche, weiß-grau geaderte Marmorplatte, verziert mit üppigen Bronzeapplikationen und Rocaillenmarketerien. Furnier mit Defekten, Alters-/Gebrauchsspuren, Schlösser lose. 1 Schlüssel. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:00 Uhr (CET) Commode in Louis Quinze style with marble top. Around 1850. France. Palisander and rosewood veneer. Approx. 83 x 75 x 38 cm. 3-tier chest of drawers in a slightly curved shape, on 4 slightly flared legs; reddish, white-grey veined marble top, decorated with lavish bronze applications and rocaille marquetry. Veneer with defects, signs of age/use, locks loose. 1 key. Shipping on request.Call time 22 | Feb 2024 | probably 19:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Salon-Kommode mit Marmorplatte. 20. Jh. Verschiedene Hölzer furniert und marketiert, rötlich-grauer Marmor. Ca. 74 x 80 x 44 cm. 2-schübige Kommode mit Marmorplatte, auf leicht ausgestellten Pfeilerbeinen, dekoriert mit Blumenmarketerie, parkettierten Front- und Seitenteilen und Bronze-Applikationen. Leichte Alters-/Gebrauchsspuren. 1 Schlüssel. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:21 Uhr (CET)Salon chest of drawers with marble top. 20th century Various woods veneered and marquetry, reddish-grey marble. Approx. 74 x 80 x 44 cm. 2-tier chest of drawers with marble top, on slightly flared pillar legs, decorated with floral marquetry, parquetry front and side panels and bronze applications. Slight signs of age/use. 1 key. Shipping on request.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:21 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Puppenstuben-Salon mit 10 Blechmöbeln Rock & Graner. Um 1900-20. Holz, außen cremefarben gestrichen, innen teils alt tapeziert. 28,5 x 66 x 29 cm. 1-Raum-Gehäuse mit 2 verglasten Fenstern, Gardinen und Frontlisenen. Als eleganter Salon eingerichtet mit Blechmöbeln, 3 Wiener Bronze Tieren und 5 Püppchen. Altersspuren, 1 Fenster mit Sprung. Möbel mit Lackdefekten, teils mit Retuschen. 1 Bein vom Sofa geknickt, 1 Bein lose anbei. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 22. | Feb 2024 | voraussichtlich 11:41 Uhr (CET)Dollhouse parlor with 10 pieces of tin furniture Rock & Graner. Around 1900-20. Wood, painted cream on the outside, partly old wallpaper on the inside. 28.5 x 66 x 29 cm. 1-room cabinet with 2 glazed windows, curtains and pilaster strips. Furnished as an elegant salon with tin furniture, 3 Viennese bronze animals and 5 dolls. Signs of age, 1 window with crack. Furniture with paint defects, partly with retouching. 1 leg of the sofa creased, 1 leg loosely attached. Provenance : Collection estate from Hanover. Call time 22 | Feb 2024 | presumably 11:41 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Klassizismus-Kommode. Wohl um 1780. Italien.Rosenholz, Nussbaum, Palisander und andere Hölzer furniert und marketiert. Ca. 84,5 x 99 x 47 cm. 2-schübige Kommode auf 4 sich verjüngenden Pfeilerbeinen, verziert mit gespiegeltem Rosenholzfurnier, Blumenmarketerien und Bronzeapplikationen. Alters-/Gebrauchsspuren, Trockenrisse, Deckplatte verzogen, 1 Schloss ergänzt.2 Schlüssel.Provenienz : Sammlungsnachlass aus Hannover.Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:04 Uhr (CET)Classicism chest of drawers. Probably around 1780. Italy.Rosewood, walnut, rosewood and other woods veneered and marquetry. Approx. 84.5 x 99 x 47 cm.2-tier chest of drawers on 4 tapering pillar legs, decorated with mirrored rosewood veneer, floral marquetry and bronze applications. Signs of age/wear, dry cracks, top panel warped, 1 lock replaced.2 keys.Provenance : Collection estate from Hanover.Shipping on request.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:04 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Betelnusszange. Bronze. L 15,5 cm. Schön verziertes Stück mit korrodierter eiserner Schneide und Fabelköpfen als Verzierung. Alters- und Gebrauchsspuren. Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:23 Uhr (CET)Betel nut tongs. Bronze. L 15.5 cm. Beautifully decorated piece with corroded iron edge and mythical heads as decoration. Signs of age and wear. Call time 22 Feb 2024 | probably 18:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
4 Kerzenleuchter und 1 Schreibzeug. 18./19. Jh. Bronze, glasierte Keramik. H maximal 20ß cm, Schreibzeug 15 x 21,5 x 9 cm. 1 Paar Spätbiedermeier-Balusterleuchter, 1 Schiebeleuchter und 1 barocker Bronzeleuchter. Schreibzeug-Sockel mit 3 Aussparungen für Tintenfass mit glasiertem Keramikeinsatz, Streubüchse und hier mit Handglocke. Teils Alters-/Gebrauchsspuren, Glocke ergänzt. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 22. | Feb 2024 | voraussichtlich 14:07 Uhr (CET)4 candlesticks and 1 writing utensil. 18th/19th century Bronze, glazed ceramic. H maximum 20ß cm, writing utensil 15 x 21.5 x 9 cm. 1 pair of late Biedermeier baluster chandeliers, 1 sliding chandelier and 1 baroque bronze chandelier. Writing utensil base with 3 recesses for inkwell with glazed ceramic insert, scattering box and here with hand bell. Some signs of age/use, bell replaced. Provenance : Collection estate from Hanover. Call time 22 | Feb 2024 | probably 14:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Pfeilerkommode im Barock-Stil. Ca. 1880/90. Frankreich. Zedernholz und Nussbaum maserfurniert. Ca. 86 x 58 x 34 cm. Elegante, 6-schübige Pfeilerkommode auf 4 leicht ausgestellten Füßen; verziert mit gespiegeltem Maserfurnier und stiltypischen Bronzebeschlägen. Restauriert, leichte Alters-/Gebrauchsspuren. Ohne Schlüssel. Provenienz : Sammlungsnachlass aus Hannover. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:59 Uhr (CET)Small Baroque-style pier chest of drawers. Ca. 1880/90. France. Cedar and walnut veneered. Approx. 86 x 58 x 34 cm. Elegant, 6-panel pier chest of drawers on 4 slightly flared feet; decorated with mirrored burl veneer and bronze fittings typical of the style. Restored, slight signs of age/use. Without key. Provenance : Collection estate from Hanover. Shipping on request.Call time 22 | Feb 2024 | probably 18:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Empire-Pendule mit Apollon als Musenführer und Attributen der Wissenschaft. Frankreich. 1. H. 19. Jh. Ungemarktes Werk mit Halbstundenschlag auf Glocke, Pendel mit Fadenaufhängung. Im Kurzzeittest funktionstüchtig. Ziseliertes Zifferblatt mit Zungenfrieslünette und römischen Zahlen, Breguet-Zeiger. Bronze, vergoldet. H 27,5 cm. 2,3 kg. Gerader Sockel mit klassizistischem Applikationsschmuck, bekrönt von einem stehenden Jüngling in Antikentracht mit Lorbeerkranz und Feder, daneben Attribute der Geographie. Leichte Altersspuren, Ziffern berieben, ohne Werkabdeckung. Mit Schlüssel und Pendel. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:52 Uhr (CET) Small Empire pendulum with Apollo as leader of the Muses and attributes of science. France. 1st half 19th century Unmarked movement with half-hour strike on bell, pendulum with thread suspension. Functional in short time test. Chased dial with tongue frieze lunette and Roman numerals, Breguet hands. Bronze, gilt. H 27.5 cm. 2.3 kg. Straight base with classicist appliqué decoration, crowned by a standing youth in antique costume with laurel wreath and feather, next to attributes of geography. Slight signs of age, rubbed numerals, without movement cover. With key and pendulum. Provenance : Collection estate from Hanover. Call time 23 | Feb 2024 | presumably 20:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Elegante Bronze-Kaminuhrengarnitur "A. Beurdeley Fils à Paris". Frankreich. Ende 19. Jh. Plinthe unterseitig graviert "BY ple [...]". Nr. P4. Schweizer Werk mit Ankerhemmung und Halbstundenschlag auf Glocke, Schlüsselaufzug. Im Kurzzeittest funktionstüchtig. "A. Beurdeley Fils à Paris" beschriftetes, weißes Emailzifferblatt mit römischen und arabischen Zahlen, Minutenkranz und Louis Quinze-Zeigern. Bronze, feuervergoldet und kobaltblau patiniert. Uhr H 36 cm, 3,7 kg. Beisteller H 25,5 cm, je 1,4 kg. Im Louis Seize-Stil gestaltete Pendule in Vasen- bzw. Urnenform mit reichem Floralschmuck und abnehmbarem Deckel, auf Rundfuß mit quadratischer Plinthe. Dazu zwei 1-flammige Kerzenleuchter in Form plastischer Faunsknaben auf Rundsockel. Minimale Alters- und Gebrauchsspuren. Mit 1 Schlüssel. Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:55 Uhr (CET) Elegant bronze mantel clock set "A. Beurdeley Fils à Paris". France. Late 19th century. Plinth engraved on the underside "BY ple [...]". No. P4. Swiss movement with lever escapement and half-hour strike on bell, keywind. Functional in short time test. White enamel dial inscribed "A. Beurdeley Fils à Paris" with Roman and Arabic numerals, minute ring and Louis Quinze hands. Bronze, fire-gilt and cobalt blue patinated. Clock h 36 cm, 3.7 kg. Side plates H 25.5 cm, 1.4 kg each. Louis Seize-style pendulum in the shape of a vase or urn with rich floral decoration and removable lid, on a round base with square plinth. With two single-flame candlesticks in the shape of sculptural faun boys on a round base. Minimal signs of age and wear. With 1 key. Call time 23. | Feb 2024 | probably 20:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Säulenuhr im Louis Seize-Stil. Frankreich. Um 1900. Werk-Nr. 62388. Ungemarktes Werk mit Halbstundenschlag auf Glocke. Revisions- und reinigungsbedürftig. Verglastes, weißes Emailzifferblatt mit farbiger Festonmalerei, arabischen Zahlen, Minuterie und Louis Quinze-Zeigern. Weißer, schwarz geäderter Marmor, Bronze und Messing. H 35,5 cm. 3 kg. Elegante Portaluhr mit 2 Säulen und einem bekrönenden Rosenkranz mit Fackeln und Schleife. Leichte Altersspuren, Bekrönung leicht verbogen. Mit Schlüssel und Pendel mit Fruchtkorbmotiv. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:56 Uhr (CET) Small column clock in the Louis Seize style. France. Circa 1900. movement no. 62388. Unmarked movement with half-hour strike on bell. In need of revision and cleaning. Glazed, white enamel dial with colored festoon painting, Arabic numerals, minute track and Louis Quinze hands. White, black-veined marble, bronze and brass. H 35.5 cm. 3 kg. Elegant portal clock with 2 columns and a crowning rosary with torches and ribbon. Slight signs of age, crowning slightly bent. With key and pendulum with fruit basket motif. Provenance : Collection estate from Hanover. Call time 23 | Feb 2024 | presumably 20:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kommode im Louis-Quinze-Stil mit Marmorplatte. Ende 19. Jh. Frankreich. Rosenholz und Nussbaum furniert, Ahorn intarsiert. Ca. 43 x 64 x 37 cm. 2-schübige Kommode in leicht geschwungener Form, auf 4 leicht ausgestellten Beinen; rötliche, weiß-grau geaderte Marmorplatte, verziert mit üppigen Bronzeapplikationen und Blumenmarketerien. Alters-/Gebrauchsspuren, Furnier mit Defekten, Marmorplatte mit großem Ausbruch. Ohne Schlüssel. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 19:05 Uhr (CET)Commode in Louis Quinze style with marble top. Late 19th century France. Rosewood and walnut veneered, maple inlaid. Approx. 43 x 64 x 37 cm. 2-tier chest of drawers in a slightly curved shape, on 4 slightly flared legs; reddish, white-grey veined marble top, decorated with lavish bronze applications and floral marquetry. Signs of age/use, veneer with defects, marble top with large break-out. Without key. Shipping on request.Call time 22 | Feb 2024 | probably 19:05 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stollenkabinettschrank im Barock-Stil. 20. Jh. Schweden. Nussbaum und Maserholz furniert. Ca. 163,5 x 123 x 57 cm. 12-schübiger Kabinettaufsatz mit zentralem Türfach, auf 6 Säulen mit gedrückten Kugelfüßen und Fußverstrebung; verziert mit floralen Intarsien und Bronzebeschlägen. Alters-/Gebrauchsspuren, Furnier mit kleinen Bestoßungen. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:55 Uhr (CET)Cabinet in Baroque style. 20th century Sweden. Walnut and burl veneered. Approx. 163.5 x 123 x 57 cm. 12-panel cabinet top with central door compartment, on 6 columns with pressed ball feet and foot bracing; decorated with floral inlays and bronze fittings. Signs of age/use, veneer with small chips. Shipping on request.Call time 22 | Feb 2024 | probably 18:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Emaillierte Sänfte und 7 Tierfiguren. Kupfer emailliert mit Emailmalerei. 5x Bronze polychrom gefasst bzw. silberfarbener Überzug, 2x Blei farbig gefasst. Sänfte 8 x 5 x 4 cm, H Tiere maximal 5,5 cm. Zartrote Rokoko-Sänfte mit Blumen in den Kartuschen sowie innen. Undeutlich gemarkter Kater mit Pfeife (Bermann?), Fritz Bermann gemarkte Wiener Bronze als kranker Dackel, Ungemarkte Dackel und Möpse. Teils stärkere Alters-/Gebrauchsspuren. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 22. | Feb 2024 | voraussichtlich 14:27 Uhr (CET)Enameled sedan chair and 7 animal figures. Copper enameled with enamel painting. 5x bronze polychrome painted or silver-colored coating, 2x lead painted in color. Sedan chair 8 x 5 x 4 cm, H animals maximum 5.5 cm. Soft red rococo sedan chair with flowers in the cartouches and inside. Indistinctly marked tomcat with pipe (Bermann?), Fritz Bermann marked Viennese bronze as a sick dachshund, unmarked dachshund and pugs. Some stronger signs of age/use. Provenance : Collection estate from Hanover. Call time 22 | Feb 2024 | probably 14:27 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barock-Kommode. 18. Jh. Nussbaum und andere Hölzer furniert, marketiert. Ca. 86 x 132 x 70 cm. 3-schübige, stiltypisch geschwungene Kommode auf geplätteten Kugelfüßen, fein verziert mit kassettiertem Maserfurnier und Bandintarsien, Rocaillen-Bronzeschläge. Restauriert, Beschläge ergänzt, Alters-/Gebrauchsspuren. 1 Schlüssel. Versand auf Anfrage.Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:54 Uhr (CET)Baroque chest of drawers. 18th century Walnut and other woods veneered, marquetry. Approx. 86 x 132 x 70 cm. 3-tier, curved chest of drawers on flattened ball feet, finely decorated with coffered burl veneer and ribbon inlays, rocaille bronze fittings. Restored, fittings replaced, signs of age/use. 1 key. Shipping on request.Call time 22 | Feb 2024 | probably 18:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Deckenlampe. Muller Frères. Ätzmarke "Muller Frères Luneville". Um 1920. Frankreich. Bronze, Glas mit violetten und orangefarbenen Pulvereinschmelzungen. L ca. 57 cm, Ø ca. 36,5 cm. 1-flammige Hängelampe mit Glasschale an Kettenaufhängung mit Rosettenbaldachin. Vergoldung berieben, leichte Alters-/Gebrauchsspuren. Elektrifiziert, Funktion nicht geprüft, alte Porzellanfassung. Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:47 Uhr (CET)Art Nouveau ceiling lamp. Muller Frères. Etched mark "Muller Frères Luneville". Around 1920, France. Bronze, glass with violet and orange powder meltings. L approx. 57 cm, Ø approx. 36.5 cm. 1-light hanging lamp with glass bowl on chain suspension with rosette canopy. Gilding rubbed, slight signs of age/use. Electrified, function not tested, old porcelain socket. Call time 22 | Feb 2024 | probably 18:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine neoklassizistische Bronze-Tischuhr mit Diana im Streitwagen. 20. Jh. Werk-Nr. 1448374. Schweizer 8-Tage-Werk mit Schlüsselaufzug. Im Kurzzeittest funktionstüchtig. Weißer Emailziffernring mit römischen Zahlen, Minutenkranz und Romaines-Zeigern. Reliefierte Blattmitte mit Pfeilern als Radmotiv. H 21 cm. 1,5 kg. Antikisierende Figurengruppe der Diana im Streitwagen mit ziehendem Hirsch, auf ovalem Sockel mit Jagdsymboliken. Minimale Altersspuren, Email mit Haarriss und Chip, Bogen der Diana unvollständig. Mit 1 Schlüssel. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:52 Uhr (CET) Small neoclassical bronze table clock with Diana in a chariot. 20th century Movement No. 1448374. Swiss 8-day movement with key winding. Functional in short time test. White enamel chapter ring with Roman numerals, minute ring and romaines hands. Relief dial center with pillars as wheel motif. H 21 cm. 1.5 kg. Antique-style figurine group of Diana in a chariot with a dragging stag, on an oval base with hunting symbols. Minimal signs of age, enamel with hairline crack and chip, Diana's bow incomplete. With 1 key. Provenance : Collection estate from Hanover. Call time 23 | Feb 2024 | probably 20:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zierlicher Korblüster. 20. Jh. Bronze, Glas. L ca. 80 cm, Ø ca. 50 cm. Eleganter, 6-flammiger Korblüster mit Prismenbehang und 6 Kerzentüllen. Leichte Alters-/Gebrauchsspuren, lose Prismen anbei. Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:45 Uhr (CET)Delicate wicker blossom. 20th century Bronze, glass. L approx. 80 cm, Ø approx. 50 cm. Elegant, 6-flame basket chandelier with prism pendant and 6 candle holders. Slight signs of age/use, loose prisms attached. Call time 22 | Feb 2024 | probably 18:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
5 alte Metallgefäße. Orientalisch/asiatischer Raum. Wohl Messing und Bronze. H 4,5 bis 25 cm. Kanne mit Scharnierdeckel und extra verschließbarer Tülle, starke Alterspatina, nur auf Deckel schmaler Dekorstreifen. / Schweres Kännchen auf vier Füßchen mit Scharnierdeckel und langer Tülle. / Aus starkem Blech gefertigter zylindrischer Becher mit aufgelöteten Musterbändern und einem nachträglich angebrachten Messingetikett mit Sanskrit?schriftzeichen. Am Boden eventuell verschliffene Marke. / Gedrungene Kugelvase mit feinem floralen Ornament, auf roter glänzender Emaillierung. / Kleines Töpfchen mit gepunzter Wandung. Aufrufzeit 22. | Feb 2024 | voraussichtlich 18:15 Uhr (CET)5 old metal vessels. Oriental/Asian region. Probably brass and bronze. H 4.5 to 25 cm. Jug with hinged lid and extra lockable spout, heavy age patina, narrow decorative strip on lid only. / Heavy jug on four feet with hinged lid and long spout / Cylindrical cup made of strong sheet metal with soldered pattern bands and a subsequently applied brass label with Sanskrit characters. Possibly ground mark on the base. / Fluted spherical vase with fine floral ornament, on shiny red enamel. / Small pot with punched walls. Call time 22 | Feb 2024 | presumably 18:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Patriotic polychrome bronze sculpture after Max Turner. It depicts a bold eagle in flight with two American flags that are floating in the wind. The massive expended wings of the eagle form a V shape symbolizing victory. The flags are hand painted with white, blue and red, and the tips are gold color painted. This bronze sculpture in the round is set on a black marble base. Artist: Max Turner (American, 20th century)Issued: c. 1980Dimensions: 13"L x 10"W x 22"HCountry of Origin: United StatesCondition: Age related wear. Minimal color loss in the folds of flags.
Impressive bronze sculpture of an American bald eagle in full flight in the style of animalier sculptor Jules Moigniez. The full span of the spread wings are patinated with a silvery shade that highlights the individual feathers. The sculptor added black on the extended claws ready to grab onto the base carved as a gnarled tree chunk and thick branches with green patina. The wide open beak and the eagle's intense stare anticipate the attack and catching of a prey that has been sculpted masterfully. Â Issued: c. 1980Dimensions: 22"L x 13"W x 19"HCountry of Origin: United StatesCondition: Age related wear.
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