A matched pair of bronze figures of Mars and Minerva,17th century, North Italian, in the manner of Tiziano Aspetti, each on an ebonised plinth base,31 and 39cm high overall (2)Literature: L Planiscig, 'Venezianische Bildhauer der Renaissance', Vienna, 1921, pls. 616-644;Banzato and F Pellegrini, 'Bronzi e placchette dei Musei Civici di Padova', Padua, 1989, pp.158-9, nos.171-175.For a similar pair, see: Christie's, 'Important European Furniture, Sculpture, Tapestries & Carpets', 10 June 2004, lot 13.Condition ReportOverall the bronze figures are in good and stable condition. There are some casting flaws, including very small holes and cracks to both. The smaller example has a damaged foot and is wobbly on the base. Both have general surface wear and areas of dirt consistent with age.
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A Renaissance bronze figure of a satyress with an infant satyr attributed to the workshop of Severo Calzetta da Ravenna (fl.1496-1543),early 16th century, North Italian, probably Ravenna, modelled seated on a tree trunk ringing a bell, the young satyr standing beside, on a later hexagonal stand,17cm wide15cm deep19cm highProvenance: A private collection, London.Literature: J Warren, The Wallace Collection: Catalogue of Italian Sculpture, London, 2016, vol. 1, pp. 228-237, no. 55.For similar examples, see:The Metropolitan Museum of Art, accession number 1975.1.1393;Wallace Collection, London, inventory number S67;Victoria & Albert Museum, accession number A.20-1971;Sotheby’s, 'European Sculpture & Works of Art', 5 December 2012, lot 38Sotheby’s, 'Old Master Sculpture', 5 July 2016, lot 47The present bronze group, depicting a tender moment between a satyress and child, is one of several casts which are thought to originate from the prolific workshop of Severo Calzetta da Ravenna. Known for creating small studiolo bronzes that could work as both decorative desk items and practical objects to hold candles or ink, the satyress is one of the more popular models they produced. Several other similar versions of this example exist in the collections of several prestigious museums around the world, including the Victoria and Albert Museum, London, and the Metropolitan Museum of Art, New York.Condition ReportOverall the condition of the bronze is good with minor dirt and wear to the surface consistent with age. Wear to the original lacquers and areas of reddish patina. Round casting flaw or historic damage and repair to the satyress' right shoulder. Small hairline crack or casting flaw to the satyress' tail. The figures, tree trunk and base probably associated and altered over time. The hexagonal base has a small loss to the back/underside. The bronze figure on it's own is 7cm wide, 8cm deep, 15.5cm high.
A small grand tour bronze after the antique,late 19th/early 20th century, of a seated Mercury,17cm wide10cm deep20cm highCondition ReportOverall the bronze is in good cosmetic condition with minor traces of age and wear. Some very small surface marks/scratches. Dust to crevices. Small drilled hole between the figure's legs. Split to wooden base under where the figure fits. Otherwise, it is structurally sound and ready for placement. See additional photos.
Introduced at the 1962 Motor Show the MGB cost a mere £949 15s 3d and had a top speed of around 108 mph and a 0 to 60mph time of 12.1 sees. With its three main bearing 1798cc engine developing 95 bhp @ 5,400 rpm. The MGB was a good performer with plenty of torque throughout the range and was overall a more flexible car than its predecessor, the MGA. The MGB LE announced in October 1980 alongside the GT LE version went on sale at £6,108 with the GT at £6,576. 580 GTs were produced, all silver in colour and all with cast alloy wheels. 421 Roadster were produced in total. All were bronze in colour. However, 213 had cast alloy wheels, whilst only 208 had wire wheels. Manufactured in 1980, whilst not the last cars to be produced. They were the last MGBs to be sold. Released for sale in January 1981, they were the final goodbye to the MGB and its production at Abingdon. Having been made there continuously from 1962.Being one of only 208 cars with this specification, makes this MG B Roadster L.E. a rare find. First registered on 17th February 1981, it would have been just as rarer sight on the road then as it is today. She has passed through a few keepers in her time, and along the way lost the aptly named “deckchair” seats (This is the one time I would advise “probably for the better”). Showing 9680 on the clock. The vendor believes this car has covered 109,680 miles in its lifetime. There is a large array of invoices in the history file, two certificates of authenticity (maybe they didn’t believe the first one). Both confirming manufacture on the 11th September 1980. We can see the car was sold for £6,291 back in 1996 (Only £300 less than when she was new). Starts and drives, although we did have a little backfire yesterday. Presenting in good condition. The roof shows signs of wear. However, the vendor has supplied a brand new “double duck” hood, which the new owner only has to fit. The vendor is selling simply to downsize their collection due to age. Rare car up for grabs.
HEINEMANN, FRITZ (1864-1932) "Der Schwertprüfer" Bronze, Gießerei: Aktien Gesellschaft Gladenbeck Berlin, runde Plinthe, vollplastischer Männerakt mit vergoldetem Lorbeerkranz und Schwertklinge, die Klinge betrachtend, Boden signiert, Standkante mit Gießermarke, H: 48 cm. Min Altersspuren.| HEINEMANN, FRITZ (1864-1932) "The Sword Tester".Bronze, foundry: Aktien Gesellschaft Gladenbeck Berlin, round plinth, fully plastic male nude with gilded laurel wreath and sword blade, looking at the blade, bottom signed, standing edge with foundry mark, h: 48 cm. Minimal signs of age.
WEINBERGER, ANTON RUDOLF (1879-?) "Athlet" 1912 Bronzefigur mit braun-schwarzer Patina, auf Plinthe signiert und datiert 1912, auf viereckigen Marmorsockel montiert, H: 48 cm. (mit Sockel) Min. Altersspuren.| WEINBERGER, ANTON RUDOLF (1879-?) "Athlete" 1912Bronze figure with brown-black patina, signed and dated 1912 on plinth, mounted on square marble base, h: 48 cm. (with base) Min. signs of age.
Mainly Indian Bronze Devotional Items, 18th century and later, including a frame surmounted with peacocks and figures, a prayer bell, an equestrian statue, and a torque bangleFrame is incomplete. All figures with general wear and superficial marks commensurate with age. No signs of any notable breaks, splits or losses.
OPPOSING PAIR OF CHINESE POLISHED BRONZE FO DOGS LATE 19TH / EARLY 20TH CENTURY well cast, unmarked15cm high, 18cm longWould benefit from a clean and polish; usual small nicks to protruding edges and corners but no integral damage or flaws; some usual casting imperfections, surface pitting and further general wear commensurate with age and use
Signed patinated bronze figure modelled as a painted clad female holding a basket of flowers, beside naturalistic tree and painted encrusted flowers to the fence, fixed to a shaped base, signed indistinctly Cart to the lower, 57cm high. Good overall condition with general wear and tear commensurate with age and use.
Pair of spelter figures modelled as gentlemen in 18th century dress, each signed 'Johnson' to the base, 58cm high; together with a Renaissance Revival bronze ewer, circa 1880, after the model by Clodiot, 47.5cm high. (3) Good overall condition with general wear and tear commensurate with age and use.18th c. gentleman has loose pinkie finger.
An Islamic gilt-bronze figure of a deer, probably Qajar, 19th century, realistically modelled, with gilt decoration and verdigris in areas, with cabochon stone eyes, 28.5cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
An Islamic bronze incense burner, in the form of a feline in the 11th century style, with a very heacy verdigris patina throughout, the pierced elongated body with tail curving to the back, with a fitting hinge to the removable head, 33cm long x 25cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
A bronze luristan style horse cheek piece, possibly 1st millennium BC, in the form of a horned figure with two ibex either side, 17cm wide, together with another luristan style bronze plaque of pierced from, with figures to the interior of a wheel, 'possibly a solar wheel' 20.5cm high. Provenance: purchased at Sotheby's on the 17th of December 1997Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
This stunning sculpture from Disney's classic movie Fantasia, depicts the Autumn Fairy surrounded by dancing vines and flowing leaves. It is titled The Touch of an Autumn Fairy; it is constructed of porcelain and bronze with opalescent finish. Walt Disney Collection marked on the base. This item has its original box which measures 12"L x 13.5"W x 14"H. Certificate of Authenticity included. Issued: 1998Dimensions: 7"L x 5.25"W x 8.5"HEdition Number: 422/5000 Manufacturer: Walt Disney ClassicsCondition: Age related wear.
Limited edition porcelain figure with matte finish, and soft bronze staff. Depicts Maleficent from the 1959 animated fantasy, Sleeping Beauty. Walt Disney Collection marked on the base. Certificate of Authenticity included. This item has its original box: 15"L x 14"W x 10.75"H. Issued: 1997Dimensions: 13"L x 5.75"W x 7.5"HEdition Number: 1814 Manufacturer: Walt Disney ClassicsCondition: Age related wear.
Ca. 2nd millennium BC.A cast bronze axe head featuring a short, undecorated, cylindrical shaft, and a curved blade that tapers toward the cheek. Bronze axes were one of the most important tools during the Bronze Age, and have been found in some of the most significant archaeological sites of the era. Bronze axes were made from bronze which was an alloy of copper and tin that was first developed around 3000 BC. The combination of copper and tin gave the bronze strength, resistance to corrosion, and a distinctive range of colours. Size: L:80mm / W:130mm ; 495g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 202 BC - 220 AD.A rare pottery goose with bronze legs. The bird is standing on its stylised, well-defined bronze legs which support a globular body and elegantly slender neck terminating in a yellow-coloured head with a beak and open, attentive eyes. The body is well formed with realistic details. Geese were a major motif in Han dynasty era poetry and were typically distinguished between two types of geese, the domestic goose, and the wild goose. The Han Dynasty, which ruled between 202 BC-220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilization during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:230mm / W:210mm ; 1.16kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Western Asiatic/Aegan, ca. 1200-700 BC.A cast bronze spearhead featuring a triangular-shaped blade with a pronounced midrib that runs down the center, lending both strength and rigidity to the weapon. The blade tapers to a sharp point, designed to penetrate armor and flesh with equal ease. The pronounced shaft provides a sturdy grip, while the long tapering tang allows for secure insertion onto a wooden pole, creating a formidable weapon that was instrumental in Bronze Age warfare. In the Bronze Age, the spear was the most common and effective weapon, used for hunting, fishing, and warfare. These small spears were utilitarian tools, invaluable in a wide range of everyday tasks, from hunting to defending one's community. Size: L:140mm / W:18mm ; 30g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 2nd millennium BC.A bronze axe head with a vertical round-section shaft and a curved blade. The exterior side of the shaft is adorned with intricate ribbing. Axes played a crucial role in the lives of the people of the Bronze Age, serving as a tool for agriculture, woodworking, and as a weapon in times of conflict. The curved blade with flaring ends was specifically designed for efficient chopping and cutting, demonstrating the ingenuity and practicality of the Bronze Age society. Size: L:75mm / W:110mm ; 300g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 525-330 BC.A group of five bronze arrowheads, each showcases a remarkable level of craftsmanship and attention to detail. Both trilobate and bilobate arrowheads grace this collection, boasting elegantly rounded sockets that not only enhance their aesthetic appeal but also ensure secure attachment to their respective shafts. Equipped with blades that gracefully taper to culminate in razor-sharp points, these arrowheads exemplify the functional excellence and lethal precision characteristic of weaponry during the Bronze Age. Size: L:33-38mm / W:45212mm ; 20g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 525-330 BC.A remarkable assemblage of five bronze arrowheads showcases the diversity and ingenuity of projectile point designs during the Bronze Age era. This group consists of trilobate and bilobate arrowheads, each crafted from bronze, a highly prized material of the time. The bilobate arrowheads exhibit short tangs, allowing for secure attachment to arrow shafts, while the trilobate arrowheads feature a rounded socket, facilitating efficient mounting. The blades of all arrowheads gracefully taper to a sharp point, emphasizing their intended function as lethal weapons. Size: L:30-55mm / W:45219mm ; 30g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead boasting a captivating design, with a gracefully shaped blade. As the blade extends towards the lower section, it expands in width. The opposite end tapers to a finely pointed tip, optimized for piercing. Notably, both surfaces of the blade are adorned with a thick midrib, adding both structural strength and aesthetic appeal to the weapon. The tang of the spearhead, characterized by a rectangular-section shank, elegantly curves outward and culminates in a small circular pommel, providing a secure grip and a balanced weight distribution. Bronze spears played a significant role during the Bronze Age, revolutionizing warfare and hunting practices. Their introduction marked a remarkable technological advancement, as bronze offered superior strength, durability, and sharpness compared to earlier materials. These spears enabled ancient civilizations to enhance their offensive capabilities, providing them with versatile and effective weapon for combat and hunting purposes. Size: L:422mm / W:65mm ; 525g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Western Asiatic/Aegan, ca. 1200-700 BC.Fashioned from bronze, this sword features an elongated blade gracefully tapering to a sharp point. A wide, central ridge enhances both its structural integrity and aesthetic appeal. The blade seamlessly merges with the hilt through an overlay casting technique, showcasing their technical prowess. Notably, the sword boasts an intriguing eared pommel, characterized by its distinctive crescent shape, which serves to balance the weapon and counteract the weight of the blade. This design element significantly enhances the sword's maneuverability and control, affording the wielder the ability to execute swift and precise movements in the heat of combat. In the societies of Bronze Age Western Asia, bronze weapons held immense significance, reshaping the realms of warfare, hunting, and cultural customs. The adoption of bronze as the primary material for weaponry signified a monumental technological leap, endowing these arms with unparalleled strength, durability, and cutting capabilities compared to their predecessors crafted from stone or copper. Size: L:510mm / W:43mm ; 555g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead, crafted with skill and purpose. Its triangular-shaped blade boasts a prominent midrib, providing additional strength and stability to the weapon. The pronounced shaft and long tapering tang are designed for easy attachment to a pole, transforming this spearhead into a deadly weapon. During the Bronze Age, spears were an indispensable tool for hunting and warfare. These small spears, like the one here, were utilized for close-range combat and could be thrown or thrust with precision. The design of the spearhead allowed for a swift and powerful strike, capable of piercing armor and delivering a fatal blow. Size: L:100mm / W:25mm ; 20g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1990s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead with a triangular-shaped blade is accentuated by a prominent midrib, adding both beauty and strength to the design. The rib extends downwards to a pronounced shaft, leading to a long tapering tang for easy attachment to a pole. During the Bronze Age, weaponry was an essential part of life, used not only for defense but also for hunting and other utilitarian purposes. The spear was one of the most commonly used weapons, and its design evolved over time to become more effective and deadly. The spearhead's sharp, pointed tip was ideal for piercing armor or delivering a fatal blow to an opponent. The pronounced shaft and tapering tang allowed for quick and easy attachment to a pole, making the spear a versatile weapon that could be used in both open and closed spaces. Cf. Muscarella, O. W. (1988). Bronze and Iron: Ancient Near Eastern Artifacts in the Metropolitan Museum of Art. Metropolitan Museum of Art, New York, p.290. Size: L:150mm / W:25mm ; 20g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze dagger with its beautifully-shaped blade tapering to a sharp point and a short hilt masterfully crafted with a flared pommel. A crescent-shaped guard encloses the upper part of the blade. Bronze weaponry in the Bronze Age of Western Asia was a crucial element of warfare and social status. The mastery of bronze casting and the use of weapons in warfare and hunting was significant factor in the rise and fall of many empires during this period. The Western Asiatic region was renowned for its impressive bronze weapons, which were frequently adorned with intricate designs and motifs, as is exemplified by this magnificent dagger. For a similar, please see The Metropolitan Museum of Art, Accession Number: 61.261.5. Size: L:350mm / W:50mm ; 315g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Sir Peter Scott signed collection of 15 75th ann of the arrival of Captain Scotts arrival at the South Pole. Each cover is hand signed by Peter Scott and has a different Arctic scene illustrated in colour. Very attractive items with British Antarctic Territory stamps and postmark. Sir Peter Markham Scott, CH, CBE (Civil), MBE (Military), DSC and Bar, FRS, FZS (14 September 1909 29 August 1989) was a British ornithologist, conservationist, painter, naval officer, broadcaster and sportsman. The only child of Antarctic explorer Robert Falcon Scott, he took an interest in observing and shooting wildfowl at a young age and later took to their breeding. He established the Wildfowl and Wetlands Trust in Slimbridge in 1946 and helped found the World Wide Fund for Nature, the logo of which he designed. He was a yachting enthusiast from an early age and took up gliding in mid-life. He was part of the UK team for the 1936 Summer Olympics and won a bronze medal in sailing. He was knighted in 1973 for his work in conservation of wild animals and was also a recipient of the WWF Gold Medal and the J. Paul Getty Prize. Really nice collection, couple have small corner crease. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Chinese antique cast bronze dog of fo, with remnants of gilding, in our opinion of considerable age, intricate detailing to the mane and chest with broad shoulders and strong hind quarters, approx 14 hx 16 l cms. (*cr) Note: Property of a West Yorkshire lady. Condition Report This looks as though it may have been buried, there is significant oxidization. There is damage to the left foot that may have held a ball beneath the foot with a cavity behind it. The right front paw looks as though it has been repaired with gold at some stage. The right ear is missing.
Bronze sculpture with black finish. Cast as figure of adoring mother holding infant to her face. Minimalist details.Initials signed to rear of sculpture. Fixed to wood base with black laminate. Dimensions: 23"L x 8.5"W x 20.25"HEdition Number: 7 of 9 Condition: Age related wear. Black laminate peeled chipped away in places on base.
Bronze sculpture modeled as a crying Cupid flying away while a nude man restrains Psyche on rocky precipiceModeled in the style of Auguste Rodin. Dark patination. Unsigned. Fixed to rectangular black marble base. Dimensions: 16"L x 6.5"W x 16.25"HCondition: Age related wear. Black marble chipped.
Stunning cold-painted cast bronze of "Alphabet Lady" by Art Deco master Erte (Romain de Tirtoff). This statue embodies Post-WWI Modernist era with the elegant style that Erte imbued in his choice of fashion, colors, poses, and elongated female forms. The female model wears a gold long dress and holds her flowing cape with extended arms. On the base, the letters R, T. phonetically spell the artist's pseudonym. This is a splendid example of Erte's mastery in polychrome statues. Carved signature on lower back: Erte. Carved on the lower left: 1990, Chalk & Vermillion and Sevenarts, 366/375. Includes foundry stamp. Artist: Romain de Tirtoff Erte (Russian/French, 1892-1990)Issued: 1990Dimensions: 10"L x 7"W x 19"HEdition Number: 366 of 375 Country of Origin: Russia/FranceCondition: Age related wear.
Large bronze nude made in the lost-wax casting method. It represents a full-figured woman in a sensual contrapposto with one arm raised by the left side of her face. Beautiful green patina with traces of sculptor tools. Inscribed on the base: Stadler. Issued: 1945Dimensions: 12'L x 8"W x 31"HCondition: Age related wear.
An extravagant metal light fixture spray painted with silver, copper, and bronze colorations. Depicts a female dancer balancing the light with her hand and foot. Â Dancer holding the lamp over her head. Dimensions: 19"L x 18"W x 80"HManufacturer: ArtmaxCountry of Origin: United StatesCondition: Age related wear. Tested, functionality not guaranteed.
Attributed to the Vittorio Caradossi (Italian, 1861-1918). A stunning large figure of a bronze nude nymph with arms over her head. She is standing on a round marble plinth base with a sculpted crashing wave. Incised artist's mark on the back of the wave. Weigh: 42.4 lbs. Artist: Vittorio CaradossiDimensions: 10"W x 25.25"HCountry of Origin: ItalyCondition: Age related wear.
Bank rolls with the Union Jack; each roll contains 50 bronze penny coins.Reverse side of the penny shows Britannia seated wearing a helmet and holding a trident. Obverse side features the bust of Queen Elizabeth II facing right. 1 roll measures: 3.75in H x 1.25in Dia. 1 penny measures: 1.25in Dia. 1 penny weighs: 10g. Artist: Mary Gillick and Charles W. CoombesIssued: 1967Country of Origin: EnglandCondition: Age related wear.
Imposing bronze cast sculpture with patinated areas that depicts a seated woman with braided hair and a wrapped shawl in a style borrowed from Francisco Zuniga's series of women seated on the ground.This large sculpture inscribed Zuniga, numbered II/X and dated 1975 on the lower left side in the back remains an artwork based on an original by Zuniga. Issued: c. 20th centuryDimensions: 15.25"L x 16"W x 18"HCondition: Age related wear.
Bronze, medal of famous theoretical physicist, these Art Medals, which generally are larger, have high relief, and antique patinas. Engraved for writer Isaac Singer.Artist: Robert RussinIssued: 1971Dimensions: 1.75"L x 0.25"W x 1.75"HManufacturer: Medallic Art Company Ltd.Country of Origin: United StatesCondition: Age related wear.
Enameled bronze sculpture of a lady holding an elaborate fan on a hinged base attached to a mirror. Underneath is a circular spinning wheel enabling spinning. By artist Romain (Erte) De Tirtoff (U.S./Russia/France, 1892 - 1990). Impressed Erte signature and RK Parker. Artist: ErteIssued: c. 1985Dimensions: 27.5"L x 10.5"W x 14.25"HEdition Number: 218/250 Condition: Age related wear.
A stunning pair of candelabra in gold and green patinated bronze coloration. Three candle on floral extended arms, and a tripod base with acanthus and flowers. A gilded flame crowns the top of the candelabras. Issued: c. 1835Dimensions: 7"W x 20"HCountry of Origin: FranceCondition: Age related wear. As found.
Bank rolls with the Union Jack; each roll contains 50 bronze penny coins.Reverse side of the penny shows Britannia seated wearing a helmet and holding a trident. Obverse side features the bust of Queen Elizabeth II facing right. 1 roll measures: 3.75in H x 1.25in Dia. 1 penny measures: 1.25in Dia. 1 penny weighs: 10g. Artist: Mary Gillick and Charles W. CoombesIssued: 1967Country of Origin: EnglandCondition: Age related wear.
A SILVERY BRONZE PARCEL GILT MIRROR In the Sui / Tang style, the central circular knob surrounded by gilt highlighted mythical beasts and figures, and with an inscribed border 23.5cm diameter Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
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