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Click here to subscribeVICTORIAN JET, JEWELLERY AND A LARGE QUANTITY OF COSTUME JEWELLERY including a Victorian jet and hairwork brooch; a jet cameo, a shell cameo (both unmounted); a jet stickpin; an agate brooch; five dress studs; a micro mosaic Faith, Hope and Love charm; a silver bangle; beaded necklaces; brooches; various wristwatches. (Qty)
A small vintage lot to include a mid 20th Century pink glass dressing table set, an Art Deco hand mirror, a Vogue compact having an Oriental design, an early 20th Century silver compact with makers initials CPS, mixed hat pins to include a white metal example,, a silver engraved bangle, mixed hat pins, a silver and amber ring and 3 others, a small quantity of costume jewellery and a leather clutch bag. Location:RWF
A quantity of vintage jewellery, mainly brooches and bead necklaces, to include an oval Limoges porcelain brooch with gold tone mount, a silver Art Deco blue butterfly wing brooch, a micro-mosaic example, enamelled and silver brooches, a Giovanni gold tone example in the form of a flower and leaves, a Russian black painted example signed H.Lyxahol together with gold tone cufflinks, Stratton 'Ye Olde Hansom' cufflinks, a white metal bangle, mixed chains and beaded items, faux pearl necklaces, loose beads to include cherry amber and a carved multiple pale green stone necklace. Location:A1B
An YSL black patent branded jewellery box and contents to include a gold-plated and engraved bangle, a seed pearl multi-strand necklace, a silver and graphite grey cabochon dress ring, gold tone and silver tone costume jewellery, semi-precious stone pendants and a vintage 3-stranded pearl necklace together with a small quantity of gold and yellow metal items. Location:R1.3
A quantity of late 20th Century and later costume jewellery, mainly silver to include a Greek silver and amber necklace designed by Tolias of Chania, chunky late 20th Century silver clip-on earrings, a pair of Monet gold tone clip-on earrings, a silver brooch in the form of a Greek Spartan shield and a silver engraved bangle stamped with the maker's initials MP and the word 'Nymph' (Maylin Products Ltd 1969-1979) together with a modern glass and silver tone jewellery box. Location:BWR
A Chinese jade bangle, a turquoise, coral and silver necklace, and various hardstone carvingsLate Qing dynasty and laterComprising: a flat green and brown jade bangle with shallow-relief archaistic designs, 8.5cm diameter; a necklace of turquoise, coral and silver beads; a grey jade 'horse' seal, 4cm high; a greenish/brown jade recumbent ram, 4.7cm long; two archaistic jade pendants, 7.7cm and 6.2cm long; a nut carving suspended from a silver musical stone, 3cm wide; a gilt metal necklace and a separate pendant with a spiral design; and two small carnelian agate spherical beads (12).清晚期及以後 硬石雕及首飾一組Condition Report: 品相報告A few small nibbles to the extremities of the jade bangle and of the jade carvings. All with expected natural inclusions and a few fissures in the stone. The silver pendant suspending the carved nut slightly tarnished, and possibly missing some further pendants which would have hung from the metal rings. The silver in the turquoise necklace slightly tarnished, and some losses to the coral beads. Some rough casting to the spiral necklace and some possible losses to the tip.
Three Chinese spinach jade carvingsEarly 20th centuryComprising: a spinach jade cup with short splayed foot rising to deep sides, 7cm high, a bangle, 6.5cm inner diameter, and a nephrite ornament, 6.2cm long. (3)二十世紀早期 碧玉及軟玉雕三件Condition Report: 品項報告All in good condition with natural stresslines.
A pair of Chinese silver filigree covered jars and a similar covered jarMid-20th centuryThe pair set with turquoise and coral beads depicting flower heads, with two bands of enamel decorated flower heads to base and cover, each set with a pale green hardstone bangle, gilt interiors, 12.5cm high, the third set with coral and turquoise beads to the cover and decorated with panels of enamelled birds and foliage, gilt interior, 15.5cm high (3)二十世紀中期 銀掐絲鑲寶蓋罐三件
A Victorian silver oval hinged bangle of strap form, Birmingham 1882, weight 36.4g, inside width 5.8cm, a curblink charm bracelet with a heart shaped padlock clasp, fitted with eight mostly silver charms, a silver oval pictorial uniface medallion, detailed 'His Royal Highness The Prince of Wales', London 1972, weight 43.6g, two brooches and a malachite bangle.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A silver and silver gilt curved panel link bracelet, decorated with Aztec motifs, detailed '925 18K', length 17.5cm, a silver and silver gilt oval hinged bangle, the front with foliate decoration, Chester 1949, two other silver oval hinged bangles, Birmingham 1964 and Chester 1956, and four further silver bangles, total weight 200.1g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gilt metal mounted rectangular pietra-dura brooch with floral decoration, width 4.3cm, a late Victorian colourless paste brooch, designed as a row of three horseshoes and a riding crop, and a late 19th century silver oval hinged bangle with a buckle and strap motif, detailed 'Sterling Silver', weight 22.1g, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small group of jewellery, comprising a pair of sapphire earrings, each of curved lozenge form, mounted with nine circular cut sapphires, with post and butterfly fittings, length 2cm, a cabochon black sapphire solitaire ring and a matching pair of earstuds, a pair of Egyptian gold and imitation turquoise earstuds, weight 1g, another pair of earrings, a gold, platinum and diamond single stone ring, detailed '18ct Plat', weight 1g, another ring, a gem set bar brooch, a malachite bangle and a paste set bracelet.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A silver oval hinged bangle with engraved decoration, Birmingham 1939, inside width 6.2cm, a French silver and marcasite bracelet, a pair of silver and marcasite earrings, detailed 'STG.SIL', total weight 41.1g, a pair of lava cameo earrings, another pair of earrings, a shell cameo and marcasite ring, detailed '9ct & Sil', weight 4.4g, another ring, an oval agate brooch, three further mostly silver mounted brooches and an enamelled badge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian 9ct gold oval hinged bangle, inside width 5.3cm, a gold safety pin brooch, detailed '9ct', total weight 9.6g, and a gold and carved coral shaped oval brooch, circa 1830, weight 3.7g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A DIAMOND BANGLE, BY DAVID MORRIS, CIRCA 1985The frontispiece set with three bands pavé-set with brilliant-cut diamonds, with reeded detailing throughout, to a hinged clasp, mounted in 18K gold, diamonds approximately 3.00cts total, with maker's mark 'DM' for David Morris, Italian registry mark, London import marks 1987, with maker's case, inner length approximately 17.5cm, inner diameter 6cmDavid Morris, a family-run business which is one of the last British workshops to create their jewellery on-site in their London Bond Street atelier today, is a favourite of royal families and celebrities alike.The eponymous business, also known as “The London Jewellers”, was founded in 1962 and soon reflected the extravagance expected from the Swinging Sixties. Only a year after opening, David Morris and his partner won the prestigious 9th De Beers Diamonds International Award in New York, heralding a career and future that exemplify exaction and creativity. Morris even went on to win the award again the following year.An appreciation of nature and natural shapes is a clear throughline in the work of David Morris. The House is known for utilising the rarest and most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir. A strong admiration for the translucent and majestic diamond lies at the heart of all David Morris pieces and can be seen in the opulent use of the expertly cut gems.It is not an exaggeration to say that pieces by David Morris have been cemented as the signifier of fine jewellery in the popular imagination. The brand was first commissioned by a royal family in 1967, on the occasion of the marriage of Crown Prince Hans Adam of Liechtenstein to Countess Kinsky of Austria. The following decades came with many important and visible commissions such as the Miss World crown, a Welsh Dragon mascot for the Prince of Wales’s Aston, and the title sequence gems in the James Bond movie “Diamonds are Forever”; David Morris designs were subsequently used in a further four Bond films.Today David Morris pieces often appear on the red carpet, having been worn by celebrities such as Barbra Streisand, Oprah Winfrey, Catherine Deneuve, and Adele. In 2003, David’s son Jeremy took over as Managing Director and Principal Designer, with a focus on limited collections inspired by nature, mythology, and travel.The work of David Morris can be summed up as the resurrection of vintage glamour meets contemporary grace and minimalism. The end result is jewellery that transcends time and trends for a dramatic effect suitable for any occasion.Condition Report: Diamonds: approx. 3.00cts total, unable to assess colour due to yellow mount, estimated clarity VSMaker's mark: DM for David Morris located on the tongue of the clasp with London import marksItalian registry mark: located on the other end of claspClasp secureNormal signs of wear, overall in good conditionTotal gross weight approx. 57.5g
A DIAMOND BANGLE, BY FRED PARISThe hinged bracelet pavé-set with brilliant-cut diamonds to the front, with twisted fluted detailing throughout, mounted in 18K gold, signed Fred France, inner circumference approximately 16cm, inner diameter 5.8cmCondition Report: Diamonds: bright and lively - unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 34.2g
A GEM-SET 'BVLGARI BVLGARI' BANGLE, BY BULGARIThe polished rose gold hinged bangle with 'Bvlgari' engraving highlighted with six circular-cut amethysts and six similarly-cut pink tourmalines, mounted in 18K rose gold, Italian registry mark, numbered, with maker's case and outer box, bracelet inner length approximately 18cm, inner diameter 6.4cm, size stamped M/LCondition Report: Collection: 'Bvlgari Bvlgari' - retail price: €7,280Minor signs of wear, overall in good conditionTotal gross weight approx. 32gBracelet inner length approximately 18cm, inner diameter 6.4cm, size stamped M/LWith box and outer box
A DIAMOND 'LOVE' BANGLE, BY CARTIERDesigned as two arches, which only fastens by screws at the side, detailed with four brilliant-cut diamonds, two screws and six additional decorative screwhead motifs, mounted in 18K gold, signed Cartier, numbered, Swiss assay mark, European convention mark, Italian registry mark, accompanied by its maker's screwdriver and travelling pouch, inner diameter approx. 5cm, inner circumference approximately 15cmIn 1969, Aldo Cipullo, an Italian designer for Cartier, designed the "Love Bracelet". It is comprised of two separate pieces and requires a vermeil screwdriver to unlock the two screws which fastened the piece to the wearer’s wrist. The idea, which became incredibly popular, was for couples to lock the bracelets together as a sign of romantic commitment. The bracelet has been so adored that it is rumoured that hospitals in New York City still keep a vermeil screwdriver on site in case it is required. The "Love Bracelet" carries on today as one of Cartier's most well-known designs. Condition Report: A minor dent visible when looking at the bangle in profileNormal signs of wear, overall in good conditionTotal gross weight approx. 30g
A DIAMOND 'WATERFALL' BANGLE, BY BOODLES, 2006The hinged bracelet set with two rows pavé-set with brilliant-cut diamonds, with further collet-set brilliant-cut diamonds highlights, mounted in platinum, signed Boodles, numbered, with maker's mark 'BD', English hallmarks for London 2006, with maker's case, inner length approximately 16.5cm, inner diameter 5.6cm Condition Report: Diamonds: according to Boodles website: "The total weight of the main diamonds is approximately 2.75 carats. The total weight of the additional diamonds is approximately 0.68 carats"Principal diamonds: estimated colour F/G, estimated clarity VSRemaining diamonds: bright and livelyNormal signs of wear, clasp secure, overall in good conditionTotal gross weight approx. 32.7gRetail Price on Boodles website: € 36,200
A DIAMOND AND GOLD BANGLE, BY ZOLOTASThe twisted gold bracelet terminating with opposing lion's heads decorated with single-cut diamond collars, with ropetwist and beading detailing throughout, mounted in 18K gold, signed Zolotas, with security chain, inner diameter 5.9cmZolotas is a House which brings together modern fine jewellery and the ancient Greek history of metalworking and embellishment. The business was founded in 1895 in Athens, in front of the Acropolis, by Efthimios Zolotas following a jewellery apprenticeship in Paris.Zolotas was instantly successful, with the store on Aiolou Street becoming a Salon for the Athenian elite. Wishing to share the knowledge from his Parisian training, and needing an atelier filled with skilled craftsmen to keep up with demand, Zolotas began an apprentice-school on site at his atelier. This focus on education allowed him to create a reputation of exciting, new design at the forefront of style and experimentation.Xenofon, Zolotas’ son, was an academic prodigy and by 24 years old was Professor in Financial Law at Thessaloniki University (and would even go on to briefly be Prime Minister of Greece from 1989-1990). Despite his erudite nature and busy schedule, Xenofon remained involved in his father’s business and shared the families love of fine jewellery and Greek history. Throughout the 1950s and 1960s Xenofon, along with his wife Kallirhoe - an admired socialite in New York Greek society - used his academic connections to forge exclusive cooperation with the archaeological museums of Greece. These connections allowed the House to create beautiful pieces of jewellery inspired by ancient treasures such as the Lions of Mycenae and the Byzantine mosaics of Ravenna. Zolotas’ goal in the 1960s was to transform modern women into living goddesses, a goal they achieved with empowered women such as Maria Callas, Jackie Onassis, and Romy Schneider wearing jewellery by the brand.In the 1970’s the House established itself in Paris and took on an identity of being not only a jewellery business but a locus of fine art creation. Sculptors and painters were invited to work with the House, leading to stunning pieces such as the Greek sculptor Taki’s pieces with pearls that move and change position according to body temperature, and the sculptor Claude Lalanne’s laurel leaf necklaces.Perhaps the most admired collaboration in the 1970s was that with Paloma Picasso, the daughter of Pablo Picasso, and trailblazing artist in her own right. The young artist was supported and encouraged by the House, staying true to their values of education and experimentation, and created successful pieces of bracelets and necklaces in the shape of daisies and phases of the moon.The past twenty years has seen Zolotas refine even further their marriage of the new and the global with local ancient, specifically Hellenic and Cycladic, influences. Georges Papalexis is now artistic director of Zolotas and is pursuing the mission of interpreting diamonds in a uniquely Greek manner. Condition Report: Diamonds: bright and livelySecurity chain: fixed, cannot be opened or removedClasp: slightly loose, could do with some service from a jewellerNormal signs of wearTotal gross weight approx. 66g
AN ENAMEL BANGLE, BY BULGARI, CIRCA 1970The hinged bangle, decorated with applied black and burgundy enamel or lacquer throughout accented with polished gold 'S' accents, mounted in 18K gold, signed Bvlgari, Italian registry mark, inner length approximately 17cm, inner approximately 5.9cmCondition Report:Lacquer or Enamel: no loss observedSigned Bvlgari near claspMinor signs of wear, overall in good conditionTotal gross weight approx. 59.30g
A GEM-SET BANGLE WATCH, BY BUECHE-GIROD & GAY FRÈRES, CIRCA 1970The hinged bangle terminating with roaring leopard's heads decorated with circular-cut ruby for eyes and black enamel spots, both holding on to an oval-shaped textured gold case, of 17-jewels manual wind movement, the cream dial with black hands signed Bueche-Girod, movement signed, clasp with partial maker's mark for 'Gay Frères', mounted in 18K gold, case no. YG7772, 101694, inner length approximately 17.5cm, inner diameter approximately 6.3cmBueche-Girod was founded in 1937 by A.Bueche and mixed two separate forms of business; first, completing orders for car manufacturers and second producing jewellery watches. Unusually, and rare for the time, the company created white gold watches. By the 1970’s Bueche-Girod was a thriving business and was able to concentrate solely on the high-end luxury market, creating small collections. The fine watches Bueche-Girod created meshed high-quality materials of gold and precious stones with expert mechanisms.Condition Report: Bone bangle: Some visible lines all over the bangle - wear? signs of repair near clasp (contact dpt for additional images)Enamel: no loss observedRubies: pinkish-red, medium toneWatch: movement signed Bueche Girod, in running condition at the time of inspectionNormal signs of wear and due to ageTotal gross weight approx. 108.20g
A 9ct yellow gold, ruby and diamond hinged oval hollow bangle, featuring eight round faceted rubies alternating with seven leaf shaped diamond quatrefoil clusters, all in claw settings, with box clasp and safety chain, ruby dimensions each approx 4.15 x 2.79mm, total weight estimated as 3.20 carats, diamond diameters each approx 1.25mm, total weight estimated as 0.16 carats, bangle dia. 60 x 51mm, width 2.9mm, gross weight 11.6g, hallmarked 9ct, Sheffield 2009, sponsor EJ
A 9ct white gold diamond hinged oval hollow bangle, featuring a lattice-work section at the front set with 46 melee cut diamonds, having a box clasp and figure of eight safety catch, diamond diameters each approx 1.55mm, total weight estimated as 0.46 carats, bangle width 5.8 to 10.3mm,, diameter 60 x 50mm, gross weight 19g, hallmarked 9ct, Sheffield, sponsor worn
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