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Lot 509
An Edwardian yellow metal diamond, emerald, pearl and enamelled oval hinged bangle with pierced floral detail set with an insect and with central marquise cut diamond within a framework of round brilliant cut diamonds, round cut emeralds, pearls and enamel, internal width 60mm, approx 15.4g, unmarked.
Lot 2511
WILLIAM NEALE; an Edward VII hallmarked silver trinket box of shaped form with repoussé cover, Chester 1901, together with a hallmarked silver cream jug, a hallmarked silver adjustable bangle, approx weight 4.4ozt/137g, together with a white metal locket, a hallmarked silver and hardstone bookmark in the form of a trowel and hallmarked silver mounted dressing table mirror.
Lot 96
Opal and diamond hinged bangle, set with nine graduating oval cabochon cut opals intermittently set with rose cut diamonds, with carved sides, in gold testing as 14 ct inside diameter 58.2mm x 49.4mm, with safety chainCondition Report: Gross weight 22.5 gramsOverall good conditionclasp opens and closes securely
Lot 115A
A group of gold jewellery, including an oval sliding bangle, testing as 14 ct, a 18 ct wedding band, ring size G, 22 ct wedding band, ring size J and two sections of different chains, one stamped 9 ct the other in gilt metalCondition Report: 22 ct weight 2.8 grams18 ct weight 3.4 grams14 ct weight 10.1 grams9 ct weight 3.2 grams9 ct chain is broken
Lot 461
Frey Wille gothic style bangle, red, white, gold enamel detail, in gilt metal, inside bangle signed 'M.Frey Wille', size S, with hinge, concealed clasp and matching enamel ring, inside mark FW, ring size OCondition Report: Gross weight 43.1 gramsFrey Wille was founded in Vienna in 1951 by artist Michaela Frey.
Lot 458
Selection of mainly silver jewellery including a Scottish agate knot brooch, a moss agate brooch, a marcasite ship brooch, an enamel and marcasite pheasant brooch, an enamel butterfly brooch and five other brooches, four pairs of earrings, a cloak pin, two rings, a Scottish agate bracelet, a charm bracelet, five other bracelets, an engraved hinged bangle, an Albert chain, five other necklaces, five pendants and chains, two chains and four pendants, all in silver, together with a small selection of costume jewellery including pewter Jorgen Jensen bangle, bangles, earrings and other items, in a wooden jewellery boxCondition Report: Silver gross weight 656.9 grams
Lot 450A
A group of mainly silver jewellery, including an antique portrait brooch with twisted frame, pin and catch fitting, a silver buckle, a turquoise and seed pearl ring, size N, a turquoise forget me not vase brooch, with filigree work and seed pearl detail, a gilt metal agate brooch, engraved bangle and other items Condition Report: Silver gross weight 108 grams
Lot 143
Gold oval bangle, comprised of two re-worked Georgian rings, one with central hair compartment, red enamel and seed pearl border, the other with inscription "B, not lost but gone before", with a concealed clasp and safety chain, testing as 9 ct and 15 ct, inside diameter 5.7cm x 4.6mmCondition Report: Gross weight 21.4 gramsdamage to the red enamel in three places some lead solder evident to back of ring detailsbangle open and closes securely
Lot 14
Old cut diamond set bangle, set with rows of old and rose cut diamonds around the whole bangle, with a total estimated weight of 5.57 carats with hidden box clasp and safety clips, in 9 ct and silver, inside diameter 63.7mm x 58.9mmCondition Report: Gross weight 27.32 grams Overall excellent conditionOne old cut stone moves up and down in settingclasp opens and closes securely Six diamonds are chipped
Lot 8
Diamond bow hinged bangle, set with round brilliant cut, single cut and baguette cut diamonds, mount testing as 14 ct and platinum, with concealed clasp and safety chain, in antique bangle boxCondition Report: Gross weight 23.4 gramssafety chain is only attached to one ring.under gallery of bow has evidence of repair workinside diameter 59.1mm x 50.5mmbow motif measures 40.4mm x 18.7mm
Lot 458A
A group of silver jewellery, including two enamel butterfly brooches, a butterfly wing brooch, marble clover leaf brooch, a quartz cabochon cut brooch, a blue paste ring, size N, a cross pendant and chain, an adjustable bangle, all in silver and a ladies swiss pocket watch with seed pearl detail and an enamel portrait of a lady to the backCondition Report: Silver gross weight 67.9 gramsPocket watch missing two pearls and case back is loosepurple butterfly brooch has some damage to the enamel
Lot 426
Selection of jewellery including a diamond hinged bangle in 9 ct gold, a ladies 9 ct gold cased watch, with a manual wind movement, on an expandable strap, a smoky quartz pendant stamped 14 ct and a ruby and diamond ring, size Q and a ruby set chain link bracelet, both in 18 ctCondition Report: 9 ct gross weight 13.18gWatch gross weight 22.69g14 ct gross weight 6.7618 ct gross weight 15.50gThe watch case back hinge is broken but still closes securelyPlease note that the movement has not been tested for the accuracy of time and may need a service at the buyer's expense.Ewbanks does not guarantee the future working of the movement and we do not guarantee the authenticity of any individual component parts since subsequent repairs and restoration work may have resulted in the replacement of original parts
Lot 98
AN 18K GOLD 'LOVE' BRACELET, BY ALDO CIPULLO FOR CARTIER, 1970The hinged bangle decorated with screw motifs, in 18K gold, signed Aldo Cipullo Cartier, dated 1970, with maker's case and later screwdriver for opening and closing the bracelet, inner length approximately 16cm, width 6.3mmDesigned in 1969 in NYC, the Cartier Love bangle was the creation of Italian jewellery designer, Aldo Cipullo, who created this piece in 1969. “Love,” said Cipullo, “has become too commercial, but life without love is nothing. What modern people want are love symbols that look semi-permanent — or, at least, require a trick to remove. After all, love symbols should suggest an everlasting quality.”Cipullo was known for his innovative and bold designs. Initially he had proposed the design of the Love Bangle for Tiffany &Co. When Tiffany turned down his concept for the Love bangle, Aldo offered the design to Cartier. At the time, Cartier New York was independent from the Parisian Maison, and under the dynamic direction of Michael Thomas, who immediately saw the massive potential of the Love Bangle to appeal to a new generation with entirely new values, lifestyle, and attitudes.The Love Bangle as a symbol of everlasting love and commitment. The bangle features a simple, sleek design with a screw motif, inspired by medieval chastity belts, and it is meant to be worn as a symbol of love and unity. It is distinctive for its seamless, unbroken design, with a screwdriver needed to open and close it, symbolizing the idea that love is something to be kept safe and protected.As the story goes, the bangles could at first only be purchased by couples who would surrender the screwdrivers to one another. When Cartier introduced the bangle, they were given to high-profile couples like Elizabeth Taylor and Richard Burton. According to Vogue, some NYC hospitals keep a Love bangle screwdriver on hand in case patients need their accessory removed in an emergency. While a Cartier Love Bangle may be easier to remove than a chastity belt, it has still proved enduring, and a smart investment.What makes the Cartier Love Bangle even more intriguing is the way it is meant to be worn. Traditionally, the bangle is given by one partner to another, and it is secured on the wrist with the help of the accompanying screwdriver. Once fastened, it is typically not meant to be removed, symbolizing the permanence of the relationship.The Love Bangle quickly gained popularity among couples, celebrities, and fashion icons. Its iconic design and symbolism resonated with people around the world. The bangle not only became a symbol of love and commitment, but a status symbol as well. Condition Report: With scratches due to wear - can be repolished for newer lookTotal gross weight approx. 28.30g
Lot 177
A GOLD CUFF BANGLEWith interlocking geometric modules, creating a flexible cuff bangle, in 18k gold, inner diameter approximately 5.5cm, inner circumference approximately 13.5cm Condition Report: Yellow metal: unmarked, tested by the jewellery department to be ??Normal signs of wear, overall in good conditionTotal weight approximately 91.4gms.
Lot 12
A DIAMOND 'COLLIER DE CHIEN' BANGLE, BY HERMÈSThe oval hinged bangle highlighted with two pyramidal motifs pavé-set with brilliant-cut diamonds, mounted in 18K rose gold, signed Hermès, numbered, with maker's mark, French assay mark, with certificate of authenticity from Hermès, photocopy of invoice, maker's case and outer box, size SH, inner diameter 5.6cm Condition Report: Superficial signs of wear, overall in good conditionNumbered: 22A554997Total gross weight approx. 25.6gRetail prices on Hermes website: €8,800.-https://www.hermes.com/fr/fr/product/bracelet-collier-de-chien-petit-modele-H115405Bv00SH/
Lot 78
A BANGLE AND PAIR OF EARCLIPS, BY ANGELA CUMMINGS, FOR TIFFANY & CO. 1978The bangle with diagonally striped pattern and scrolled terminal, signed Tiffany & Co, 78, inner diameter approximately 5.5cm, inner circumference approximately 13cm; the ear clips of circular form and concave design with horizontally striped pattern, signed Tiffany & Co, 78 diameter of earclip head approximately 2.5cm, with maker's pouch and outer boxesAngela Cummings was born in Klagenfurt, Austria in 1944 and raised in Washington DC. She made her return to Europe in her early adulthood where she studied fine art in Perugia, Italy, at Accademia di Belle Arti and then continued her education at the Staatliche Zeichenakademie in Hanau, Germany, where she studied gemmology and jewellery making.In 1967 she joined Tiffany & Co. in New York to work with the lead designer at the time, Donald Claflin, working under his guidance for many years. In 1975 Cummings designed her first jewellery collection under her name for Tiffany’s, all inspired by nature, architecture, and textiles. Her beautiful jewels featured a lot of colourful gems such as jade, lapis lazuli, mother of pearl, coral, opals, and wood. One of her most famous pieces is her mosaic bangles and necklaces, inspired by Venice’s breathtaking, historic buildings.In 1978 Cumming’s released her Laser Lines collection with Tiffany’s, referred to as "the first truly 20th century jewellery". She employed a technique using a laser beam to allow for the first time, for diverse metals to be bonded together. A medley of metals were combined; gold, silver, copper, and brass and fashioned into new designs.Cummings eventually left Tiffany’s in 1984, remaining as one of the named jewellery designers to have worked for the brand, others being Jean Schlumberger, Paloma Picasso, and of course, Elsa Peretti.Upon leaving Tiffany’s, Cummings started working for her brand, consisting of materials such as silver and hematite to appeal to a larger crowd. She continued building on her success with her new business, selling pieces in renowned department stores worldwide, from Bergdorf Goodman in New York to Harrods in London. Eventually, she retired and closed her company in 2004 Condition Report: In general some wear including minor scratches.Both signed Tiffany & Co. 78Metals unmarked and untestedNormal signs of wear, overall in good conditionTotal weight approximately 23.1gms.
Lot 699
1st-4th century A.D. Comprising: a lead glans slingshot; a bronze 'seahorse' trumpet brooch; a bronze furniture finial; a glass bangle fragment with white trails; a bronze flat-section situla handle. 164 grams total, 2-11.5 cm (3/4 - 4 1/2 in.).Found near a Roman fort in Shrewsbury, Shropshire, UK. Acquired from the finder in 2006. Property of a Nottinghamshire gentleman. [5, No Reserve]
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88756 item(s)/page